Rasa Shastra Volume2

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    Rasa Shastra The Art of Vedic Alchemy Vol.2 introduces

    additional Rasa Shastra materials prepared using an electric

    kiln to substitute the effect of a traditional puta (burning pit).

    This advanced second presentation is packed with usefulinformation and high quality images.

    Thank you for downloading this file

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    Table of ContentsTable of Contents

    1. Introduction & Getting Started2. Foreword by Dr. Partap Chauhan

    3. Parada Extraction from Hingula (Cinnabar)

    4. Gandhaka (Sulphur)

    5. Godanthi Haritala (Gypsum)6. Rajavarta (Lapis Lazuli)

    7. Pirojaka (Turquoise)

    8. Mukta & Sukti (Pearls & Mother of Pearl)

    9. Kapardika (Cowrie Shells)

    10. Naga Pashana (Serpentine)

    11. Rasa Maanikya (Orpiment)

    12. Extras & Credits

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    Main MenuMain Menu

    Click titles to advance to relevant section

    Click here for Rasa Shastra Terminology / Glossary

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    Parada Extraction

    Select 350g of cinnabar,

    three lemons and an iron

    mortar.

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    Gandhaka

    Processing

    Add 250g of powdered

    Gandhaka to the ghee and

    stir well.

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    Godanthi Haritala

    Processing

    Godanthi Haritala after a

    second puta treatment.

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    Rajavarta

    Processing

    Place Rajavarta onto a

    ceramic dish and dry in

    sunlight.

    When dry, regrind in a pestle

    and mortar.

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    Mukta Processing

    Keep the vinegar content

    topped up as it will evaporate

    quickly when boiling.

    It is advisable to keep a lid

    on the cooking pot to

    minimise evaporation.

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    Kapardika

    Processing

    Ingredients

    150g Kapardika

    (Cowrie Shells)

    3Ltrs Malt Vinegar

    Godugdha (Milk)

    Select 150g of Kapardikashells, wash in warm water

    and dry.

    The best variety (strongest

    medicinal value) are the

    ones pictured opposite.

    Kapardika should have a

    clean white underside and aslightly grey-yellow

    colouration on the topside.

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    Naga Pashana

    Processing

    Naga Pashana cakrika after

    an eighth and final puta.

    The colour shift from the

    original appearance is quite

    dramatic.

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    Rasa Maanikya

    Processing

    A few pieces of Rasa

    Maanikya resting on a sheet

    of mica.

    The yellow staining shows

    where sulphur flowed out of

    the material and evaporated.

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    Mayura Piccha

    Processing

    Upon examination of Mayura

    Piccha it can be seen to

    have many blue flecks over

    its outer layer.

    To the ancients this was

    believed to be a form of

    purified copper, releasedfrom the pigment of the

    peacock feathers during the

    purification process*.

    There are recipes in Rasa

    Shastra for removing copper

    from Mayura Piccha but it

    requires many hundreds of

    feathers to obtain only asmall amount of copper.

    * In 1996 gamma ray spectrometry(India) confirmed the presence of

    copper in peacock feathers, it alsofound high amounts of mercury

    and trace elements of manganese,iron and zinc.

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    Electric Kiln &

    Rasa Preparations

    The internal dimensions of

    the kiln allowed two tiers of

    crucibles to be given heat

    treatment.

    Four crucibles (see left) were

    placed on each level.

    Kilns will often come with an

    assortment of castellated

    spacers and shelves to allow

    a larger number of goods to

    be fired.

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    Mrga Srnga

    Processing

    Ingredients

    1.5kg Mrga Srnga

    (Deer Horn)

    5Ltr White Grape Vinegar

    Godugdha (Milk)

    Collect 1.5kg of Mrga Srnga,

    clean in warm water and dry.

    The samples seen opposite

    are from Fallow Deer.

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    Samudra Phena

    Preparation

    The thin membrane is

    carefully peeled away.