Q.V. 7

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Q.V. 7 Series 7 #300 - 349 Photographs by Roger Hagan from the Photo of the Day series of 2009

description

Photographs from Roger Hagan's file of images made from 1948 to the present, in no order except the order in which they were sent out to his friends, one per day.

Transcript of Q.V. 7

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Q.V.

7Series 7 #300 - 349

Photographs by Roger Hagan fromthe Photo of the Day series of 2009

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In 2009 I began sending a photograph every day to a small list of family and friends, drawing on my file of more than sixty years ofpersonal photography. It was to get another look at the photos, imagining seeing them through others’ eyes, and to achieve theminimal discipline to prepare or create at least one each day.

One recipient thanked me for the “visual haiku.” I like that way of thinking of the captioned photos. (Thank you, Terry.)

They probably work that way best when arriving one per day, rather than collected as here. They are of mixed intent, some aspiringto be photographic art, others being casual observations or personal history. These books are my accumulating catalog, fiftyphotographs per book, in no particular order beyond the occasional cluster. There are no page numbers; to refer to one, use booknumber and title. I reserve the right to sell prints, but I allow most other uses if I am asked.

[email protected]

Copyright © 2010 Roger Hagan

q.v. abbr [L. quod vide] which see_______________________

If we pay attention, a photograph becomes a challenge. Even if simple, it is rich withinformation. Even if commonplace, it has intention. Though unfamiliar, it may resonate. Ifabstract, it is nonetheless real. The challenge is to see well. I think photography cultivatesthe eye to help us experience life more richly.

In 1997, many years after I began making pictures, I found some words that made me feelgood about my lifelong enthusiasm, and regret the years when I made few. They are fromJohn Szarkowsky’s Looking at Photographs (Museum of Modern Art, New York, 1973).

In childhood, each of us was open to dramas of the senses, revealed in terms that were trivial and ephemeral:the lost space between the window screen and the glass, the reflection of the sun from a hand mirror on thedressing table, slowly tracing its elliptical course across the ceiling.

Many of us forget the existence of such experiences when we learn to measure the priorities of practical life,or we find that they are rare or elusive. A few, whom we call artists, maintain an easy intimacy with thesewonders of simple perception.

In this century many of these have been photographers, and the exploration of our fundamental sensoryexperience has been in large part their work. It is photography that has continued to teach us of the pleasureand the adventure of disinterested seeing.

I have generally photographed not for a purpose, but simply because I thought somethingwas worth noticing. As I age, I do not notice as much or as well. These images are things Iam glad I noticed, some long ago.

I must try to keep noticing. You too.

Roger Hagan

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Trail to Gold Run Pass, Washington Cascades 1965

Mt. Baker

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Sharp dressers

Los Angeles 1948

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Yonkers-on-Hudson

The Hagan family seat 1950

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Olympic rainforest floor

La Push, Washington 1988

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Last light

Barn, Marblemount, Washington Cascades 2009

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At the metate

Grinding chilies, Northern Mexico 1953

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San Joaquin Valley, California 1950

Barn door

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Florentine sunset 2005

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1967

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13th century movie

Chartres Cathedral 1955

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Sidewalk sales in Morelos, Mexico 1959

Seeds, beans and herbs

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North from L.A.

From Malibu West to Oxnard 2005

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Lopez Island 2004

Pacific Northwest portrait

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Laguna de Coyuca, Guerrero, Mexico 1959

Getaway

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Fruit stand

Cuautla, Morelos, Mexico 1959

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Piazza de la Signoria

Florence 2005

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Winter dogs

Stinson Beach, California 1999

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Prevost Harbor

San Juan Islands, Washington 1966

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Winter sun

Puget Sound from Queen Anne Hill, Seattle 2009

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Teotihuacan

Mexico 1953

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G. L. Burgess Tel. 18-2

Vinalhaven, Maine 1960

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Symbols of love, 21st century fashion, on Ponte Vecchio 2005

Young love in Florence

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Roman Baptistery, Arnolfo’s Cathedral, Brunellischi’s Dome, Giotto’s Campanile,Florence 2005

Marble shrine

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Flores

Xochimilco, Mexico 1953

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Florence 2005

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Venice 2003

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Rite

Sacramento Delta, California 1974

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Cathedral

Festival of La Virgen de Zapopan, Guadalajara, Mexico 1953

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Workmen

Completing the new University of Mexico near Mexico City 1953

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Tulum, Quintana Roo 2003

Limestone cleft

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Monument Valley, Arizona 1991

Sandstone pinnacle

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New York 1950

Fifth Avenue

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Newport Beach, California 1948

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Sailing family

Padilla Bay, Washington 1998

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Dozing family

Skagit Island, Washington 2003

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Small church on ancient temple platform

Mitla, Oaxaca 1952

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Puerto Rico 1959

Cloud

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Cuesta de Gomerez, in the style of David Hockney

The street that climbs to The Alhambra, Granada, Spain 1996

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Below Echo Cliffs, Arizona 1991

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Evelyn and David Riesman

Their farmhouse outside Brattleboro, Vermont 1963

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Brattleboro, Vermont 1962

Evie’s music room

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Hamlet’s castle

Danish school trip to Elsinore 1955

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Before the race

Zapopan, Guadalajara, Mexico 1955

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Clement Street

San Francisco 2009

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Surfer with gulls

Below Palace of the Legion of Honor, San Francisco 2009

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The laundress’ boy

Guadalajara 1953

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Bus stop

Below Ixtaccihuatl, Mexico 1959

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Puerto Rico 1961

Bamboo

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Hammock

Baby, Puerto Morelos, Quintana Roo 2010

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Hammock II

Cancun 2010