Q.V. 7
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Transcript of Q.V. 7
Q.V.
7Series 7 #300 - 349
Photographs by Roger Hagan fromthe Photo of the Day series of 2009
In 2009 I began sending a photograph every day to a small list of family and friends, drawing on my file of more than sixty years ofpersonal photography. It was to get another look at the photos, imagining seeing them through others’ eyes, and to achieve theminimal discipline to prepare or create at least one each day.
One recipient thanked me for the “visual haiku.” I like that way of thinking of the captioned photos. (Thank you, Terry.)
They probably work that way best when arriving one per day, rather than collected as here. They are of mixed intent, some aspiringto be photographic art, others being casual observations or personal history. These books are my accumulating catalog, fiftyphotographs per book, in no particular order beyond the occasional cluster. There are no page numbers; to refer to one, use booknumber and title. I reserve the right to sell prints, but I allow most other uses if I am asked.
Copyright © 2010 Roger Hagan
q.v. abbr [L. quod vide] which see_______________________
If we pay attention, a photograph becomes a challenge. Even if simple, it is rich withinformation. Even if commonplace, it has intention. Though unfamiliar, it may resonate. Ifabstract, it is nonetheless real. The challenge is to see well. I think photography cultivatesthe eye to help us experience life more richly.
In 1997, many years after I began making pictures, I found some words that made me feelgood about my lifelong enthusiasm, and regret the years when I made few. They are fromJohn Szarkowsky’s Looking at Photographs (Museum of Modern Art, New York, 1973).
In childhood, each of us was open to dramas of the senses, revealed in terms that were trivial and ephemeral:the lost space between the window screen and the glass, the reflection of the sun from a hand mirror on thedressing table, slowly tracing its elliptical course across the ceiling.
Many of us forget the existence of such experiences when we learn to measure the priorities of practical life,or we find that they are rare or elusive. A few, whom we call artists, maintain an easy intimacy with thesewonders of simple perception.
In this century many of these have been photographers, and the exploration of our fundamental sensoryexperience has been in large part their work. It is photography that has continued to teach us of the pleasureand the adventure of disinterested seeing.
I have generally photographed not for a purpose, but simply because I thought somethingwas worth noticing. As I age, I do not notice as much or as well. These images are things Iam glad I noticed, some long ago.
I must try to keep noticing. You too.
Roger Hagan
Trail to Gold Run Pass, Washington Cascades 1965
Mt. Baker
Sharp dressers
Los Angeles 1948
Yonkers-on-Hudson
The Hagan family seat 1950
Olympic rainforest floor
La Push, Washington 1988
Last light
Barn, Marblemount, Washington Cascades 2009
At the metate
Grinding chilies, Northern Mexico 1953
San Joaquin Valley, California 1950
Barn door
Florentine sunset 2005
1967
13th century movie
Chartres Cathedral 1955
Sidewalk sales in Morelos, Mexico 1959
Seeds, beans and herbs
North from L.A.
From Malibu West to Oxnard 2005
Lopez Island 2004
Pacific Northwest portrait
Laguna de Coyuca, Guerrero, Mexico 1959
Getaway
Fruit stand
Cuautla, Morelos, Mexico 1959
Piazza de la Signoria
Florence 2005
Winter dogs
Stinson Beach, California 1999
Prevost Harbor
San Juan Islands, Washington 1966
Winter sun
Puget Sound from Queen Anne Hill, Seattle 2009
Teotihuacan
Mexico 1953
G. L. Burgess Tel. 18-2
Vinalhaven, Maine 1960
Symbols of love, 21st century fashion, on Ponte Vecchio 2005
Young love in Florence
Roman Baptistery, Arnolfo’s Cathedral, Brunellischi’s Dome, Giotto’s Campanile,Florence 2005
Marble shrine
Flores
Xochimilco, Mexico 1953
Florence 2005
Venice 2003
Rite
Sacramento Delta, California 1974
Cathedral
Festival of La Virgen de Zapopan, Guadalajara, Mexico 1953
Workmen
Completing the new University of Mexico near Mexico City 1953
Tulum, Quintana Roo 2003
Limestone cleft
Monument Valley, Arizona 1991
Sandstone pinnacle
New York 1950
Fifth Avenue
Newport Beach, California 1948
Sailing family
Padilla Bay, Washington 1998
Dozing family
Skagit Island, Washington 2003
Small church on ancient temple platform
Mitla, Oaxaca 1952
Puerto Rico 1959
Cloud
Cuesta de Gomerez, in the style of David Hockney
The street that climbs to The Alhambra, Granada, Spain 1996
Below Echo Cliffs, Arizona 1991
Evelyn and David Riesman
Their farmhouse outside Brattleboro, Vermont 1963
Brattleboro, Vermont 1962
Evie’s music room
Hamlet’s castle
Danish school trip to Elsinore 1955
Before the race
Zapopan, Guadalajara, Mexico 1955
Clement Street
San Francisco 2009
Surfer with gulls
Below Palace of the Legion of Honor, San Francisco 2009
The laundress’ boy
Guadalajara 1953
Bus stop
Below Ixtaccihuatl, Mexico 1959
Puerto Rico 1961
Bamboo
Hammock
Baby, Puerto Morelos, Quintana Roo 2010
Hammock II
Cancun 2010