Push2 (anonymous)

71
Push(2) (female) voice, (bass) flute, (bass) clarinet violin, viola, cello, double bass 2013/2014

description

 

Transcript of Push2 (anonymous)

Page 1: Push2 (anonymous)

Push(2)

(female) voice, (bass) flute, (bass) clarinet violin, viola, cello, double bass

2013/2014

Page 2: Push2 (anonymous)

! i"

Push (2) !(Female)"Voice"

Bass"Flute,"doubling"Flute"

Clarinet,"doubling"Bass"Clarinet"

Violin"

Viola"

Cello"

Double"Bass"

"

Approximate"duration:"9’"

Text"by"the"Composer"

"

!!!

Instrumental!Disposition:::!!

!! ! ! ! ! ! ! Contrbass! ! ! Cello!!! ! ! ! ! ! ! ! ! Voice!! ! ! ! ! Violin! ! Flute!! Clarinet! ! Viola!!!! ! ! ! ! ! ! ! !!!!!!!!Conductor!

!!

!! ! ! !!!!!!!AUDIENCE!

!!

!!!

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! ii"

Instrumental!Performance!Indications:::!!General:!"

Accidentals"are"held"through"the"measure."

Microtones"are"used"as"inflections"of"equalHtempered"pitches:"

I Indicates"a"threeHquarterHtone"flat B !Indicates"a"quarterHtone"flat!µ !Indicates"a"quarterHtone"sharp"˜ Indicates"a"threeHquarterHtone"sharp" Note:

"""""""""""""""""""""""""""" "" """"""""""" ""“Flared”"crescendos"and"decrescendos"should"be"performed"as"“dynamic"accents,”"

or"suddenly"becoming"stronger"or"weaker,"dynamically."

"

Amplification:!"

The"ensemble"should"be"slightly"amplified"for"reinforcement"purposes,"in"order"to"

bring"out"the"“breathing”"performance"gestures"that"are"ubiquitous"in"the"

ensemble"texture."Microphones"such"as"a"Shure"WHH30"or"a"DPA"Vocal"Mic"

are"ideal"for"the"voice"and"flute"and"hypercardioid"mics"such"as"the"

Earthworks"P30"for"the"clarinet"and"strings.""

"

Small"box"speakers"(such"as"the"UPJH1P"or"comparable)"within"the"ensemble"to"aid"

with"balance"are"ideal."Otherwise,"any"stereo"disposition"will"suffice."

"

(Female)!Voice:!!

Text:&

"

a"Boom"tells"me"you’re"near,"

the"nerves"smolder"beneath"my"skin"and"an"aching"throb"pulses"behind"my"ribcage."

close."Then"closer."we"make"

"

contact"

"

only"warmth"between"our"mouths,"we"taste""

Anticipation"

"

[If"I"hold"my"breath,"I"can"feel"heaven."When"I"close""

my"eyes,"I"see"God.]"

"

and"I"inhale:::a"

<push>"

through"my"vein::"

"

then"you"exhale:""

breathe"a"kiss"into"my"lungs."

!

A&note&on&the&text:&&

Most"of"the"piece"is"performed"in"a"free,"sprechstimmeHlike"manner."The"emphasis"

is"on"vocal""acting""and"conveying"mood"and"emotion."When"traditional""singing""is"

called"upon,"it"is"important"to"try"to"blend"with"the"other"instruments,"within"the"

texture."Performance"and"mood"indications"are"given"when"they"are"needed."

The"text"is"fragmented"in"many"instances"throughout"the"piece"in"a"sort"of"musical"

aphasia."The"pronunciation"in"these"instances"should"remain"consistent"as"if"the"

whole"word"were"to"be"pronounced.""

Words"may"also"be"fragmented"into"single"vowel"and"consonant"sounds"and"are"

contained"within"brackets"[!]."These"should"be"pronounced"according"to"the"context"given."In"most"instances,"they"subscribe"to"the"sounds"in"the"International"Phonetic"

Alphabet."

"

Vowels:"

[I]"–"open"“i”"as"in"sit,&will,&myth"

[aI]"–"combination"of"bright"“ah”"(as"in"French:"dame,&table)"and"open"“i”"forming""

the"sound"in"English"of"ivy,&bright,&sigh,&cry&

Fricatives:"

[t] –"as"in"tea [k] –"as"in"cup [s] –"as"in"switch [f] –"as"in"fly "

Other:"

[m]"–"closed"mouth"singing"(humming)"

"

"

Vocal&Staves:&

!There"are"two"types"of"staves"styles"used"in"Push"for"the"female"voice:"

"

"Regular&staff:"all"nonHordinario"singing"is"performed"at"a"pitch"relative"to"its"position"

on"the"staff."

"

"3Aline&staff:"Only"relative"register"positions"are"given"(for"all"ordinario&and"nonA

ordinario"singing).""

"

"

The"example"above"illustrates"a"transition"from"one"staff"to"another."The"character"

of"the"performance"between"“song”"and"“speech”"should"be"seamless."

"

"

Performed/sung"at"notated"pitch"or"at"approximate"pitch"

"

"

Performed/sung"at"notated"pitch"or"at"approximate"pitch"with"a"mixture"of"

“breathy”"timbre/noise"

"

"

Sung"at"approximate"pitch"(sprechstimme)"

"

""

Highest"possible"pitch"

"

" "

Highest"possible"pitch"(halfHnote"duration)"

"

"

Performed"in"a"“speaking”"timbre"at"approximate"“pitch”"(“pitch”"here"refers"to"the"

place"in"the"vocal"range"where"the"speaking"is"the"be"performed)"

"

"

Performed"in"a"“speaking”"timbre"with"some"breathiness"

"

"" "

Performed"in"a"very"breathy,"almost"whispered"way"

"

!Noteheads"indicate"“breath"only.”"Upbow"and"downbow"markings"indicate"inhale"

and"exhale,"respectively."This"breathing"should"be"done"with"the"mouth"open"in"

order"to"be"audible"and"at"a"“pitch”"relative"to"its"position"on"the"staff."

"

Breathing"is"articulated"using"one"of"three"different"syllables:"

[hE]!–"the"“e”Hsound"in"heaven,"wet![ha]!–"the"“a”"in"father,"water![f]"–"giving"the"breathing"a"stronger"sound"as"the"air"hits"the"teeth"[s]"–"giving"the"breathing"a"stronger"sound"as"it"hits"the"roof"of"the"mouth"

"

"

a"dramatic"“vocalized”"inhalation"with"some"“pitch”""

"

Vibrato:&

The"vocal"part"is"to"be"sung"WITHOUT"VIBRATO"unless"designated.""

“osc.”"indicates"“oscillation”"

"

n.v."–"no"vibrato"small/fast!osc."–"tight,"rapid"vibrato"medium!osc."–"normal,"bel"cantoHstyle"vibrato"

wide/fast!osc."–"exaggerated,"“warble”Htype"vibrato" "

" "

"

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! iii"

(Bass)!Flute:!!

"

Indicates"a"trill"with"the"pitch"one"halfHstep"above."All"trills"in"Push&(2)"are"halfHstep"

trills."

"

"

TongueHstop"

"

Tongue"pizzicato"

"

""&""" """

FlutterHtongue"

"

"

Indicates"“breathy”"timbre,"almost"no"discernible"pitch"content;"“toneless”"

"

"

Indicates"a"mixture"of"“breathy”"timbre"and"pitch"

"

"

Indicates"a"timbre"that"is"mostly"“breathy”"and"diffuse"and"one"that"is"a"

combination"of"pitch"content"and"breath,"respectively."The"arrow"between"them"

indicates"a"gradual"transformation"""from"one"timbre"to"the"other."

"

""

Indicates"“ordinario”"playing""

"

!air"sound,"with"consonant"indicated;"arrow"indicates"a"smooth"

transition"from"one"consonant"to"the"next."

!"air"sound,"with"mouth"in"the"vowelHshape"indicated;"arrow"

indicates"a"smooth"transition"from"one"to"another."

"

"

Indicates"audible"inhale"(“upHbow”)"and"exhale"(“downHbow”)"into"flute"with"

CLOSED"MOUTHPIECE"(indicated"by"the"black"square);"accompanied"by"breath"

articulations"[hE]"(as"in"head,"heavy,"hell)"or"the"fricative"[s]!(as"in"switch)""

!

!!!!!!!!!!!or!!!!!!!! !!<k>,!<t>,!<f>" fricatives"are"vocalized"into"the"flute"with"OPEN!MOUTHPIECE!(indicated!by!the!white!square)."These"should"be"very"percussive"and"sharp."It"is"helpful"to"make"a"“smiley"face”"with"the"mouth"in"order"to"shorten"the"distance"

between"the"airHexplosion"and"the"mouthpiece."

&

Flute&Overblow:&

Flute"overblowing"is"notated"two"(2)"ways"in"the"part:""

"

! !!Larger"noteheads"indicate"the"fingered"pitch,"while"smaller"noteheads"indicate"the"

overblown"partials."As"the"dynamic"level"increases,"the"overblown"spectrum"

becomes"richer"&"noisier."

!

"

Encircled"numbers"correlate"to"the"harmonic"“regions”"above"the"fingered"pitch"

(fundamental)."

&

Fingered&Multiphonics:&

The"fingerings"for"multiphonics"are"given"in"the"part"and"come"from"Carin"Levine"&"

Christina"MitropoulosHBott’s"The&Techniques&of&Flute&Playing&Volume&One"published"

by"Bärenreiter."Below"is"the"fingering"chart:"

"

"

"

!!!!!!&

&

Decoupling:&

"

"

When"the"flute"is"divided"into"2"staves,"the"top"stave"indicates"mouth"and"

embouchure"articulations."Depending"on"where"the"articulation"falls"in"comparison"

to"the"staffHline"determines"its"relative"“pitch”"or"“height.”"

The"bottom"staff"indicates"pitches"to"be"fingered."Fingered"notes"should"be"struck"

as"forcefully"as"possible"for"maximum"key"click"sound."

!Clarinet:!

"

Indicates"“breathy”"timbre,"almost"no"discernible"pitch"content;"“toneless”"

"

"

Indicates"a"mixture"of"“breathy”"timbre"and"pitch"

"

"

Indicates"a"timbre"that"is"mostly"“breathy”"and"diffuse"and"one"that"is"a"

combination"of"pitch"content"and"breath,"respectively."The"arrow"between"them"

indicates"a"gradual"transformation"""from"one"timbre"to"the"other."

"

""

Indicates"“ordinario”"playing""

!

!Slap"tongue"

"

"

Indicates"a"glissando"played"as&fast&as&possible""(parenthesized"note"should"serve"as"

a"goal"only"and"is"not"to"be"reHarticulated)"

"

"

"

"

"

"

Indicates"a"rapid,"irregular"glissando,"which"should"end"on"the"parenthesized"note."

Because"this"gesture"happens"so"quickly,"the"specific"notes"are"irrelevant;"only"the""

directionality"and"energy"of"the"gesture"are"important.

"

Rhythmic"figures"with"slashes"indicate"accelerandos"or"decelerandos"as&fast&as&&

possible."These"can"be"indicated"as"performed"freely"or"as"measured"tuplets"

"

"

"

"

÷

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85

85

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Voice

(B)Fl.

134‰ yä Œ Œ Jy_- ‰ y3

when I close

.q>

JZ J_>$

3

˙b æ eb œ œb œb œn œb œn ‰ œb œA œ œ6

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my

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Voice

(B)Fl.

Ÿ~~~~~~~~~~~~~~~~~

136 .y_ j_ y. ‰ . ‰ _- ‰3

eye s I

q 2 >

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< si > < sh >

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y_â ‰ Œ Ósee

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ß

46 Push (2)

Page 5: Push2 (anonymous)

! iv"

"

" "

SplitHtone"(son&fendu)"multiphonics"using"regular"

fingerings."The"numbers"correlate"to"the"harmonic"

regions"above"the"fundamental,"(1)"being"the"lowest,"

within"the"first"octave,"and"(3)"being"the"highest,"two"to"

three"octaves"(if"possible)"above"the"fundamental.""

"

"

"

Blow"the"read,"holding"the"instrument"a"short"distance"from"the"mouth.""

This"should"create"a"breathy,"percussive"sound"when"performed"with"the"syllable"

<te>."The"fingering"is"irrelevant"(be"careful"not"to"“play”"the"note)."!

!!FlutterHtongue"

!Humming"or"murmuring"while"playing"the"instrument,"creating"a"“growling”"timbre"

"

"

"

"

"

"

Bisbigliando"(timbral"trills)"are"played"as"fast"as"possible,""

unless"indicated"otherwise"(rhythmically,"irregularly,"

accelerando/decelerando)"

!

!“measured”"or"“writtenHout”"vibrato"

"

"

Strings:!Note:&heavy&lead&mutes&(also&known&as&“practice”&or&“hotel”&

mutes)&are&required&for&this&piece.&

"

ord.&–&ordinario&

s.p.&–&sul&ponticello&

a.s.p.&–&alto&sul&ponticello"(“almost”"ON"the"bridge,"rich"in"harmonics/noise)"

s.t.&–&sul&tasto&

a.s.t.&–&alto&sul&tasto"(on"the"fingerboard,"as"close"as"possible"to"the"left"hand)"

"

""

Bow"positions"within"“<">”"brackets"indicate"a"sudden"(“subito”)"move"from"one"

bow"position"to"another."

"

"

The"dottedHarrow"between"bow"positions"indicates"a"gradual"movement"from"one"

position"to"another"

"

batt.&–&battuto"(strike"the"strings"with"the"bow)"

cl&ric.&–&col&legno&ricochet&(throw"the"wood"of"the"bow"across"the"strings)"

cl&tratto&–&col&legno&tratto"(bow"with"the"wood)"

cl&batt.&–&col&legno&battuto"(strike"with"the"wood"of"the"bow"in"a"straight,"downward"

motion)"

crine"–"“hair”"(crine&or"arco"cancels"any"col&legno"bowing)"

"

"

Indicates"that"the"strings"are"to"be"fully"dampened"with"the"left"hand;"there"is"to"be"

NO"pitch"–"only"noise."It"can"be"used"in"conjunction"with"battuto,&pizzicato,&col&

legno&battuto,&col&legno&ric."

"

Gestures"performed"while"the"strings"are"dampened"are"articulated"on"the"staff"as"

the"open"strings"(Violin:"GHDHAHE,"Viola/Cello:"CHGHDHA,"Bass:"EHAHDHG)"

"

"

Indicates"a"sound"devoid"of"pitch"(ex."“noise”);"this"can"relate"to"extreme"bow"

pressure,"dampened/muted"strings,"knocking"on"the"body"of"the"instrument"

"

Indicates"a"“breathy”"or"“toneless”"timbre;"this"can"relate"to"col&legno&tratto,&

rubbing"dampened/muted"strings,"bowing"dampened"strings,"bowing"the"bridge"or"

tailpiece,"or&extremely"light"bow"pressure"

"

"

"

"

""

Highest"possible"pitch"

"

" "

Highest"possible"pitch"(halfHnote"duration)"

!

!Bartók"(snap)"pizzicato"

"

"

Pizzicato"strum"(always"dampened)"

"

"""&""" "

Explosive"gesture;"similar"to"glissando"or"a"“crazy,”"exaggerated"vibrato"

"

Bow&Pressure:&

"

"""

The"above"indicates"a"transition"from"normal"playing"bow"pressure"to"extremely"

strong"pressure"(snoring,"perforated,"or"scratch"timbre"where"there"is"no"

discernible"pitch)"to"extremely"light"(flautando)"pressure."

"

"

"

The"above"indicates"a"transition"from"a"medium""bow"pressure"(mixture"of"pitch"and"

noise)"to"extremely"strong"pressure"(no"discernible"pitch)"

"

Glissando&

"

Indicates"a"normal"glissando;"if"indicated,"pitches"are"not"to"be"reHarticulated"and"

simply"serve"to"aid"orientation"and"finger"position"

"

Indicates"a"glissando"with"vibrato"

"

Vibrato:&

The"vocal"part"is"to"be"sung"WITHOUT"VIBRATO"unless"designated.""

“osc.”"indicates"“oscillation”"

"

n.v."–"no"vibrato"small/fast!osc."–"tight,"rapid"vibrato"medium!osc."–"normal"vibrato"

wide/fast!osc."–"exaggerated,"“warble”Htype"vibrato""

"

Misc:"

""

In"measure"154,"the"contrabass"has"this:"

"

"

This"indicates"“circular"bowing,”"that"is,"bowing"in"a"counterHclockwise"direction"

from"the"ordinario"position"to"alto&sul&ponticello"position."The"jagged"line"indicates"

an"irregular"“glissando”"that"remains"in"a"relatively"tight"ambitus."

!!!!!!!!"

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Female&Voice

Clarinet&&

Bass&Cl.&in&Bb

Violin

Viola

Cello

Contrabass

Flute&

Bass&Flute

!

!

!

" JT#>

" jyy

" jyy

" jœ

e = 96-92, sensual, punctuated by violence

Bass Flute

Cl. & B. Cl. tuned down 1/4-tone (B)

#

a.s.p.

a.s.p.

#

a.s.p.

#

ƒ ppp sub.

e = 96-92, sensual, punctuated by violence

III.

" _- _- _â " ‰ " . _.on ly

warmthbe

!

!

T

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yy " ‰ Œ

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p

Ï

Ï

Ï

n.v.

secco

secco

secco

._â _. _- ‰ ‰ " . _.3

tween ourmouths

we

!

!

T

!

!

!

wide/fast osc.

poco rit.

poco rit.

j_â ‰ ‰ ® y_. y_. y_.taste an ti ci

!

!

T

!

!

!

small/fast osc.

for

Push (2) music/text:

à T.K.

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Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

5y-_ " .y-_ ®3

pa tion

yfl

_#$> _ _ _ _# ®

!

yyyyflI "P

yyyyflI "P

!

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< t >< hE >

consonants/plosives areplayed with open-mouthpiece"ff "

ƒ

a tempo ( e = 96-92 )

a tempo ( e = 96-92 )

ƒ

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pizz.

yn fl _#$

> _ _ _ yfl

!

yyyyflI " " yfl

‰ " yfl

!

!

< hE >< t >

sim. (in/exhalations are playedwith a closed mouthpiece)

< t >

poco accel.

poco accel.

‰ ‰ ‰ R_$[hE]

_#$> _ _ _ _ _# yfl _

%> _ _b yn fl _n

$> _b

3

!

‰ " yy> ‰ "

‰ ‰ " yfl"

!

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< t > < t >

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strike thebody/wood

arco

fŒ ‰ ‰!

Œ ‰ ‰!

Œ ‰ ‰!

..__P j__

!

..__P j__

!

..__P j__

!

._j j_j!

a tempo ( e = 96-92 )

a tempo ( e = 96-92 )

arco

bow the sideof the bridge

"ff "p

"ff "p

"ff "p

"ff "p

ord.

2 Push (2)

Page 8: Push2 (anonymous)

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Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

9Œ ‰ r_%

[hE]

_#%> _ _ _ _# _ yn fl _#

$_ _ _ yfl

!

y

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. . e. ‰ ‰ ryyflIP

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‰ " yyyy

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P

‰ " y>‰ r__

P

Œ ‰ r_j

< t >< t >

"ff "

f

pizz.

ƒ

batt.

bow the sideof the bridge

"ff "p

ƒ

strike thebody/wood

ƒ

pizz.

ƒ

arco

"ff "p

arco

"ff "p

j_ _ _$

_%

_$

_%

_$

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5

!

!

‰ " __>P__> __> __> __> __>

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&

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"ff "sub.

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R_ " ‰ " r_. "[I]

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p

ƒ

3Push (2)

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Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

wqwq

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~

12

_. " _. " _.[I] [I] [I]

_#%> _ _ _ y

yb ˘ _b $> _

!

‰ " yfl"

‰ " yfl "

‰ " . . . e.Jy>

y> . .P . . e. ‰ "J

< t >< t >

pizz.

batt.III.

pizz.

ç

" _. " _. _$

[I] [I][f]

yfl_#$> _ _ _ yfl

!

>

. P

. " ‰Ry

‰ " yfl

!

Jy> ‰

< t >< t >

ß

pizz.

batt.

strike thebody/wood

ç

" r_.% " _. _

$"

[I] [I] [f]

_$> _ yfl

y _$> _ _b y3

‰ " " œb _

‰ yyyyflI ‰P

‰ ‰ yyyyfl

PI

" yy ‰ œ eB

!

< t > < t > < t >

III.

pizz.

ƒ

&

ß

ppp poss.

pizz.

ƒ

arco

jy.%_ j

y._jy._

jy._

[I] [I] [I] [I]

_%> _ _b _ _ _ _# yn˘ " _b $> _ yfl

_$> _ _

3

3

_

!

‰ " œq

e œ

˙

!

N

< t >< t >

accel.

accel.

arco

4 Push (2)

Page 10: Push2 (anonymous)

÷

V

&

&

B

B

?

163

163

163

163

163

163

163

84

84

84

84

84

84

84

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

wqwq wqwq wqwq

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~

16

y._ yfl" j

y._jy._ y._ yfl

"[I] [f] [I] [I] [I] [f]

yfl " ‰ " _$> _ _ y#fl "

3

œ_ œb _ œb _ œ_œn _

jœb _ j

œ_ œ_ œ# _ œ# _ œ_ œb _Jœ Jœ

œ> " ‰ ‰ œ# > "

y " œq

y "

Jœ> Jœ> e

!

pß ß

cresc.

< t >

Fp sub. Fp sub.

FF

N

erratic/irreg. gliss.

< t >

ç

ƒ sim.

arcoa.s.p.

jy<_ y<_ yfl

" jy<_

jy<_

[I] [I] [f] [I] [I]

" _b $> _ yfl " ‰ yfl "

jœb _ œ_ œ# _

œ_

œn_ jœb _

œ_œ_

œb _ œb_Jœ Jœb

‰ œ> " ‰ œ# >"

Jœq

y " Jœq

y "

J eJœ> J Jœ# > e#

!

p pß ß

< t > < t >

Fp sub. Fp sub.

F F

N N

ç

y<_ yfl" r

y-_[I] [f] If

® _$> _b _ _ _ _#

3

" ® œ_œb_ œ_

!

" " ryy> &

r "q

ryy>?

" " rœq

p

F

f

f

a.s.p.

a.s.p.

( e = 112-104 )

( e = 112-104 )

ç fff poss.

a.s.p.arco

5Push (2)

Page 11: Push2 (anonymous)

÷

V

&

&

&

?

?

84

84

84

84

84

84

84

83

83

83

83

83

83

83

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

19 1 1

[aI]

Jœœœœœœ##>

Jœ ‰ ‰

j-e# >‰ Œ

q

œ

tt##q

tt

Œ ‰ ebœ

q

3

&

œ# " ‰ Œ

pp poss.

ƒ

Ï

Ï

harmonic pressureord.

ord.

ord.

&

e = 96-92, Tempo 1

e = 96-92, Tempo 1 poco rit.

poco rit.

1 1

‰ ‰ _b$

_b _ _n _ _b _ yb fl3

!

œ œ

tt tt

œ œ

!

p f

#

#

#

< t >

< a.s.p. > ord.

< a.s.p. > ord.

< a.s.p. > ord.

e = c 80, poco accel

e = c 80, poco accelmedium osc.

J1 J1 _$y[ha]

&

Jœœ> ® yb

˘ œœ> .œ _$

‰ ‰ " œ# _ œ_

Jœ œ

q

" ‰

Jtt tt

q

" " _ _B

Jœ œ

q

" " œq

B

!

ß f ß

F

F ß

< t >

"ff "

cl tratto

p

N

small/fast osc.

a.s.p.

6 Push (2)

Page 12: Push2 (anonymous)

&

V

&

&

B

B

?

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

22‰ " œ ‰

if

_ _b _ _ _ _# y# flœ%_ œ_ œ_ œ#_

œ_ œ_ œ_ œ_ œ_ œ_ œb _ ® fb f f fb

‰ ‰ ..œœq

yy

_ _b _ _ _ _b _b ® _ _n _b _b _5

Jœ œ " ..œœ#q

yy

‰ ‰ .œ

q

y

f

< k > < k >

p f

cresc. possibile

ç

F p F

N

F F

N

F

a.s.p.

N

F

e = 96-92, Tempo 1

e = 96-92, Tempo 1

a.s.p.

(with voice)

œ " ‰ œ "I hold

y œ%_ œ_ œ_ œ# _

œ# _ œ_ yfl _$

_ _3

" fb f f fb fb fb " f f f3

" œœq

..œœ yy " œœq

" _ _ _b _b _ _n " _# _

" œœ#q

..œœ yy " œœq

" œ

q

.œ y " œ

q

< k >

p f

çç ç

p "f "

N N

f

N N

f

N N

f

cresc.

œ# ˘ " œ " " œmy breath [I]

yfl _$

_# y œ%

œ œ œ# yfl

" f fb " fb f f fb "

..œœ yy " œœq

œœ yy "

" _ _ " _ _ _b _b _ "3

&

..œœ yy " œœ#q

œœ yy "

.œ y " œ

q

œ y "

< k > < k > < k >

p f

ç

ç ç ç

p "ff "

N

f f

N

f f

N

f f

ƒ

7Push (2)

Page 13: Push2 (anonymous)

&

V

&

&

&

B

?

84

84

84

84

84

84

84

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

25!

!

jœbM1

œM2

.œ# e

.œ e

..Tœ##

jœœ œœ

p f

Íp f

ord. a.s.p.

#

#

a.s.t.

a.s.t.

#

ord.

arco

Œ! Œ

Œ! œ>

!

œ! œ

q

œ! œ

q

Tœ! Tœ

q

œœ!

œœ

F

Í

< k >

&

ord.

medium osc.

y œ œ y œ- y y .œ-[f] [I] [f] [I] [f] [f] [I]

y _# $_ _ _ y _$ _b y y _n $ _b _

3

œ_ œb_ œb_ œ_ œb_ œb_ œ_ œ#_ œn_ œn _ œ__b j

_5

œ " " œ#fl " œ œ "

œ#˘ " " œ " œ#˘ œ#˘ " B

r yyy>

yyy>

" ‰ Œ &

yy> " ‰ Œ

< k > < k > < k >

ß p

ƒ pp sub. ƒ

ff sub.

"ff "

a.s.p.

fff sub.

pizz.

pizz.

a.s.p.

ƒ

ƒ F

F

8 Push (2)

Page 14: Push2 (anonymous)

&

V

&

&

B

&

?

83

83

83

83

83

83

83

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

28y _$> .1

[f] [ha] I

y# fl yfl œ_

Z

œb_ œ_œ_

œ#_ œ_œw

œœ œ_

Z

œ#_ œ#_

j_ .œœb

3

‰ .œ

q

‰ eyb >jœ &

‰ y# > Jœ

‰ jyb > j jœb

smorz.

< t > < k >

pp sub. f #

f

ç pp poss.

s.t.n.v.

ƒ

ƒ

ƒ

#

#

#

N

N

N

ord.

ord.

ord. s.p.

s.p.

s.p.

poco rit.

poco rit.arco

arco

. .1 R1

œœœœ

# > œœœœ> œœœ

œ### >

‰ œ œ œb œb œ œ œ œ3

œ " œb _ œb _ œ_ œ_ œ_œ_ œb _ œn _ œb _ œ_ "5

3

.œ Jœq

‰ e#.œnq

‰ ..œœ#q

æ

‰ .œ

q

p

fff sub.

p #

p F p

f

medium osc. n.v.

P #

{e = c 84}

{e = c 84} accel.

accel.

Œ ‰ " œ# ä[I]

yb flœœ

jœœ

œœœ

œœœ

œœœ

œœœ

œœœ

###

œœœ

#_>$

-e>"

œM2

œM"

Jœ# > 1 " Œ

.œ œq

" B

..œœæ œœq

@ " ?

.œ œ

q

"

f sub. #

ßp f ß

< k >

f

cl ric.

ff sub.

&

&

&

9Push (2)

Page 15: Push2 (anonymous)

&

V

&

&

B

?

?

83

83

83

83

83

83

83

84

84

84

84

84

84

84

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~Ÿ~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~

31y " ‰ œ# - "

[f] I

" œœæ

œœæ

œœ

朜##

朜##æ

œœ

æ" œ

œ# œœ

" œb _ œb _ œn _ œb _ œ_ œ_ œn _ " œb _ œ_5

" _ _# _ _ _ _# ® " y y#5

" _ _# _ _ _b _ ® " y# y5

" e#Rœnq

.œ œ " y# y

" _ ._ _ ‰

F

cl trattocrinea.s.p.

Fp

p

p

cl trattocrinea.s.p.

p

ß

ß

f ß

p

cl tratto

a.s.p.

e = 96-92, Tempo 1

e = 96-92, Tempo 1

cresc.

"f "

"f "

"f "

œ˜ - " " œä Jœ ‰I hold

" œœ## œ

œ## œœ œ

œ " œœ#

朜#æ

œœ

朜œ

œœ

朜bb

朜œœœbb

b

æ® ®

5

" œb _ œn _ œb _œ_ œn _ œb _" fn fb f f f f f f f ® ®3 3 5 6

" _# _# _ _ _ "e. .œ y

3

" _b _b _n _ _ _b " œ œb œn œ œ yb yb ® ®3 3

5

" œ

q

œ œ " Jœ y " .

" _ _ _ " œ> " ‰

ƒ

ß

cl tratto Na.s.p.crine

p

p

F

F

#

# ƒ

p # ƒ

cl tratto

p ƒ

ƒ

#

a.s.p.crine

f #

p ƒ

a.s.p.crine

"f "

"f "

"f "

N

N

œ- œ# " Jœ˜ä œ " " œ# ä

my breath I

‰ œœ

朜bb

朜œbb

朜

朜œæ

œœœ

### æ

œœn

朜#

朜æ

œœ œ

œnn "5

‰ fb fn f# fn f f fn f fb fb fb " .5 5

‰ œ œ# œ œ# œ# œ œ œ# y y y# y y "6

5

‰ œ# œ œ œb œ œ œ yn yn y y# " .5

5

‰ y¨

" ‰ ‰R

‰ y¨

" ‰ ‰R

ƒ

f

Nord.a.s.p.

ƒ#

ƒ

#

ord.a.s.p.

ƒ#

ç

ç

ƒ ç

#

N

10 Push (2)

Page 16: Push2 (anonymous)

&

V

&

&

B

?

?

83

83

83

83

83

83

83

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

wqwq

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

34œ œ# - Jœ# ä œ œµ " ‰3

can feel

‰ "œœœœœ

# >

朜æ

œœæ

œœbbæ

œœb

朜

æ® ‰

5

‰ " f> fb f f f f f ® ® ‰3 6

‰ " œq

œb œ œ œ œ y y ® ‰3 6

‰ " œ#q

œ œ œ œ œ y y ® ‰3 6

&

‰ " œ

q

œ y ‰5

‰ " œ#q

œ y ‰5

ƒ

pp sub. f

Ï

Ï

N

N

Ï

N

Ï

N

small/fast osc.

#

1_ J1

hea

!

!

‰ ‰ œ

q

eb 3

‰ ‰ œ

q

eb3

!

!

#

a.s.t.

a.s.t.

N

N

J J œy. "ven

!

œ Jœ

œ Jœ

!

!

as fast as poss.

&

&

#

f

11Push (2)

Page 17: Push2 (anonymous)

&

V

&

&

&

?

?

84

84

84

84

84

84

84

83

83

83

83

83

83

83

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~

~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~

37!

" _$ _b jœ2

fljœ# fl

jœfl3

Jœq

œ " ‰

Jœq

œ " ‰

‰ " yy#> yy œœ

‰ " y˜> y œ

ord.

ƒ Ï f

ƒ

ƒ

ord.

ord.

ord.

ord.

ƒ

ƒ

a.s.p.

a.s.p.

!

!

œ Jœ œw œq œw œq

Œ œ

q

e#

!

œœq

" ‰ Œ &

œq

" ‰ Œ

decel.

F

N

N

s.p.

!

!

œw œ# œ œ œ_ œ#_ œ_ œ#_ œ_ _# _# _# _# _

5

5

œ. œ# . œ. œ. œ œ œ œb œ œ# " .5

‰ ® œ# œ# œ œ# œ œ. œ. œ# . œn .5

5

‰ ‰ jœ#

‰ ‰ Jœ

p

#

#

F

s.p.

s.p.

s.p.III.

F

p

12 Push (2)

Page 18: Push2 (anonymous)

&

V

&

&

&

&

?

..

..

..

....

..

..

..

..

..

..

..

....

..

..

..

..

84

84

84

84

84

84

84

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

40

y- _>$

y- _>$ ‰

3 3

I [f] I [f]

!

_ " . ‰ ‰

!

œ# " . ‰ ‰ B

œ " . ‰ ‰

œ " . ‰ ‰

&

ƒ

ƒ

f

#

‰ ‰ y- _>$3

I [f]

!

!

!

!

!

!

y- _>$ ‰ ‰ _>$

3 3

I [f] [f]

Œ ® _$ _b _

!

!

!

!

!

ƒ

13Push (2)

Page 19: Push2 (anonymous)

&

V

&

&

B

&

?

84

84

84

84

84

84

84

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~ Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

43

y- _>$

y- _>$

y- _>$

y- _>$3 3 3 3

I [f] I [f] I [f] I [f]

_ _# _n _# œ2

> œ> œ " .œ> ®

!

‰ ‰ œ#q

e# œ3

‰ ‰ œq

e œ3

!

!

Ï f

cresc.

a.s.t.

a.s.t.

poco accel.

poco accel.

y- _>$

y- _>$

y- _>$ jy-

3 3 3

I [f] I [f] I [f] I

œb1

œ œ œ œ œ œ

3

œ œ œ# œn œn œ œ

1

_$

_ _b _5 5

!

˙

˙

!

!

# F # ƒ

{e = c 108-104}

{e = c 108-104}

14 Push (2)

Page 20: Push2 (anonymous)

&

V

&

&

B

&

?

83

83

83

83

83

83

83

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~

Ÿ~~~~~~

45 .œb JœUca n

Œ ‰ ‰U

Œ ‰ ‰U

.œ jœq

U

.œ Jœq

U

Œ ‰ ‰U ?

Œ ‰ ‰U

Fp sub. f

f

a.s.t.

f

a.s.t.

< a.s.p. >

< a.s.p. >

subito a tempo ( e = 96-92 )

subito a tempo ( e = 96-92 )

y _$ " ‰ y _$ "[f] [ha] [f] [ha]

" œæ œæ œæ œ# æœ# æ œæ œ

æ " >fl >fl5

" œ# _ œ_ œ_ œ# _ œ# _ œn _ œ_ " œ_ œ

_5

" œœb ..œœ œœ" yy

¨yy¨

" œ œ œ œ# œ# œ œ " y¨

y¨5

" Tœb ..Tœ Tœ ‰

" œœ..œœ œœ

fff poss.

p ƒ ç

ßF

F

F

F

a.s.p.

a.s.p.

ß

ord. s.p.

ord.

&

&

p ƒ

&

& f sub.

y _$ " " y@ y@ _$ "[f] [ha] [f] [ha]

" œ œ œ œ# œ# " "œœœœœbb

bbb >3

" f# f f f# f# " " f

3

" œ œ œ œ œ# "" œ eb

3

" œœb > œœ œœ " " œ# e&

" Tœb > Tœ Tœ " " y>

" œœ œœ œœ" " y>

flz.

p ƒ Ï

p

ord. s.p.

ƒ

ƒ

ƒ

ƒ

ƒ

ƒ

ƒ

ord.

ord.

ord.

ord.

ƒ

&

&

&

p ƒ

&

15Push (2)

Page 21: Push2 (anonymous)

&

V

&

&

&

?

?

84

84

84

84

84

84

84

82

82

82

82

82

82

82

84

84

84

84

84

84

84

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ wqwq wqwq

Ÿ~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~ Ÿ~~~~~ Ÿ~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

48 .1

fee

jœœ

b ‰ ‰

jf

jf f "

œ e œq

"

œ eb œq

"

pp poss.

Ï f

&

&

a.s.p.

a.s.p.

N

N

wide/fast osc.

J1 ‰ Jœb_ J _l hea

" œ J œB œ œn œ œ# _$

_ _ _

5

œ œ œ œ# jœ>œe#

œ œ " ‰

Jœ œ œ "

!

!

#

p ƒ

p ƒ p

ƒ

ƒ

< a.s.p. >

< a.s.p. >

n.v.

œn_ " ‰

Jœ2

> jœ# >jœn >

3

.jœ>æ rœœ

e#

J1>

e# "

J1>

e " B

! B

!

f

Ï #

flz.

Ï f

ord.

cl ric.

cl ric.

ç

ç

16 Push (2)

Page 22: Push2 (anonymous)

&

V

&

&

B

B

?

84

84

84

84

84

84

84

83

83

83

83

83

83

83

84

84

84

84

84

84

84

83

83

83

83

83

83

83

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.Ÿ~~~~~~~~ Ÿ~~ Ÿ~~

Ÿ~~~~~~~

51‰ .œ_

ve

" œæœ

æ œbæœ

æ œæœ

æœ

æœ#

æ œnæœn

æ œæœ

æ œbæ "5

.œ œ "

!

Œ ‰ _ _# _ _ _n5

Œ ‰ _ _ _ _# _ _6

!

p

& P &

p #

cl tratto

cl tratto

p

p

small/fast osc.

œ_ " _$> " ‰n [ha]

‰ .œ œ œ œb œ œ

‰ ‰ " œ_ œ_

!

_ _ _ _ _ _ _b ® ‰ &

_ _# _n _# _n _# _n _ ® ‰5

?

!

& ff sub.

# #

F

f

&

&

‰ ‰ œb . _>$

" ‰[I] [f]

‰ ‰ ‰ œ2

> œ# >

œ_ œ_ œ# _ œ# _ œ_ œb _ œ_ œ_ " ‰ ‰

55

‰œµ

q

œ "

‰ œb

q

œ "

Œ ‰ Jœ> e

!

&

Ï

ord.arco

f

ord.arco

f

ƒ

arcoord.

fff poss.

17Push (2)

Page 23: Push2 (anonymous)

&

V

&

&

&

?

?

83

83

83

83

83

83

83

84

84

84

84

84

84

84

83

83

83

83

83

83

83

43

43

43

43

43

43

43

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~ Ÿ~~~~~~Ÿ~~~~~~~

~~~~~~~~~~~~~~~~~~~~~

54‰ ‰ œb ._ _>

$"

[I] [f]

jœ>jœ> jœ# > " œ

Z

_ œb _3

‰ " . œ#w

œ œb œ_ œ_ œ

Z

_5

Jϵ

q

œ œ " ‰5

Jœb

q

œ œ " ‰5

Jœ# Jœ Jœ#q

‰3

!

f #

pf ff sub.

ƒ

ƒ

N

decel.

decel.

‰ œb <%_ _>

$" ‰ ‰

[I] [f]

œb _ œn _ œ_ œ_ œ# œ œb œbw

" ‰ ‰5

5

‰ j_q j_ j _

!

!

‰ .œbq

!

ƒ

°

take Flute

gliss. + irreg vib.

put on practice mute

put on practice mute

œ-%_ _>

$" ‰ " . _>$

[I] [f] [ha]

÷

! &

j Z

_ j j_q

!

! B

JœBq

!

p °

#

Sffz

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~

18 Push (2)

Page 24: Push2 (anonymous)

÷

&

&

&

B

?

?

43

43

43

43

43

43

43

44

44

44

44

44

44

44

42

42

42

42

42

42

42

44

44

44

44

44

44

44

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~~~~~~

57

y_ ‰ y_- ‰ y_. " ‰ . _. _-3

3

boom tells me you'renear

!

!

˙# œ œ œ

!

!

yyyy IP

>‰ Œ Œ

e=q = 60, subcutaneous, emergent

w. practice mute

put on practice mute

e=q = 60, subcutaneous, emergent

(sempre portamento)# F

IV.

*pitches should not be re-articulatedand are written as guides for the glissando contour. Change bow asneeded.

F #

pizz.

ƒ

(w. the vocalist)

Œ ‰ _. .y_- y ythe nerve (s)

!

!

œ œ œ# œ œ# œn œ œn œ œ œ œ œ e#3

Œ ‰ œ œ œbœ œ œ œb œb .œb

6

!

ΠΠyy>

P____æ ____

æ

accel.

(sempre portamento)

III.w. practice mute

*pitches should not be re-articulatedand are written as guides for the glissando contour. Change bow asneeded.

p

p

p

F

P

accel.

"f "rub hand laterallyalong string to createnoisy sound

jy y_- y_ _. "3

mol der

!

!

œ œ# œ œ# œ# œ3 3

˙

!

____æ y

> ‰ " y> "3

small/fast osc.

F p

p

p

pizz.

ƒ

19Push (2)

Page 25: Push2 (anonymous)

÷

&

&

&

B

?

?

44

44

44

44

44

44

44

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

60Œ ‰ _. .y_- y. ‰ œ-

be nea th [m]

!

!

œ .œ œ œ œ œ œ œb œ œ œb œ œ œ# œ5 7

œ œ œ œb œ œn œ œ# œ œ œ# œ# œ#5 6

! B

!

medium osc.

(as if sung)

p

œ jœ- œ y. yflŒ " y< y< "3

[aI] [s][k] andan

!

!

œ œ œb " œ eb

œ# œ œ " œ eb

Œ Œ œ eb Jœ3

Œ ‰ . y>P

Œ Œ

#

N

III.

N

pp sub.

IV.

pp sub.

NIV.

ƒ

ƒ

w. practice mute

(q = 84-76) poco rall.

(q = 84-76) poco rall.

Í

Í

çf fœ- jy- ‰ .

yâŒ3

a ching throb

!

!

y# y .œ œ . yn5

Ry œ# œ# . y#5

Ry# œ Jœ . y5

3

____æ ‰ . y>

Œ

ffpp sub.

N

ƒ

N

ƒ

ffpp sub. ƒ

N

ffpp sub.

raspy, roughç

"f " ƒ

pizz.

20 Push (2)

Page 26: Push2 (anonymous)

÷

&

&

&

B

B

?

43

43

43

43

43

43

43

44

44

44

44

44

44

44

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

wqwq

Ÿ~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~

63y> y ‰ Œ ‰ œ_ _

pul ses pul

!

Œ Œ _ _ _ _ _n _ _ _b _ _b _# _n œn >_

Œ ‰ ® œ œ œ œ œ œ œ œ œ œ œ œb œ œ œb œ œb œ œ œb en10 10

Œ œ e œ# e# œ e œ eb3

&

‰ . œ eb .œ œ œ œ œb œb œ œ5

5

3

yy> I yy> I‰ Œ ‰ yyyy I>

____æ

F#

a.s.t.II.

P P P

a tempo ( q = 60 )

a tempo ( q = 60 )

#

#

# # p

Ï "f "

#

œ_ y. y.œ_> _ Œ ‰ _<

3

ses be hind my

!

œ_‰ œ# >

œ_ œ_

œb œœ>

œn œ eb œ Œ3

œnæ œ@œb >

! œ! œ@ œ@ œ@ œ#@ œ@ œ@ Œ6

B

œ œ#œ> œ# œ œ œ œ œ Œ

5

?

....____æ

irregular

# fpp sub.

f

f

f

#

#

# #

poco accel.

poco accel.

F

F p f

21Push (2)

Page 27: Push2 (anonymous)

÷

&

&

&

B

?

?

44

44

44

44

44

44

44

43

43

43

43

43

43

43

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

65y _< ‰ y- Œ Órib cage

!

œ_ œ> ‰ Œ Œœ#_ e_

. .. .11

j > ..

11®3

. .. .J11 rK

j > ..

11 ®3

!

y.P

" y. " Œ Ó

# Ï

Ï f Ï

I.II.

III.IV.

I.II.

F Ï

Ï f Ï

I.II.

III.IV. I.

II.

F Ï

çp

çp

(q = 84-76)

(q = 84-76)

f ç

Œ Œ œ y. y.3

pul ses be

!

Π_ Ͼw j

œ>3

œe#

3 5

yy . .. .

. .. .11

3

11

3

yyj> ..yyj yyj yy

j yyj yyj "3

Œ Œyb "3

smorz.flz.

P sub.

P sub.

f Ï

Ï

behind the bridge

ƒ ÏF

ÏF

a.s.p.

subito a tempo ( q = 60 )

subito a tempo ( q = 60 )

arco

ƒ

III.IV.

III.IV.

small/fast osc.

small/fast osc.

#

p F

22 Push (2)

Page 28: Push2 (anonymous)

÷

&

&

&

B

?

?

43

43

43

43

43

43

43

44

44

44

44

44

44

44

43

43

43

43

43

43

43

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

67œ- y. œ- y> ‰ y> ‰

,33

3

hind be hind my my

Œ Œ Œ,

œ œæj

œ>

Π,3

œe

11>

11,

11>

11yy

,

Œ œœœ# . .. .. .œœœ

yyy

,

Œ œ#q

. .œ y

,

flz.

F Ï

I.II.

II.III.

III.IV.

II.III.

I.II.

II.III.

III.IV.

ƒ

ƒ

F

F Î

Î

Ï

ord.N

Ï

small/fast osc.

ord.N

wide/fast osc.

wide/fast osc.

&

P fpoco stringendo

poco stringendo

yfl _$

_%

_$

_%

Œ Œ Œ5

[t][f] [f] [f] [f]

!

!

!

!

!

!

ƒ

*breathing [f]-fricative throughthe teeth to create a rough, exaggerated breathing timbre

remove mute

remove mute

remove mute

a tempo ( q = 60 )

a tempo ( q = 60 )

‰ " yfl _$

_%

_$

_%

_$

yfl_$

_%

yfl_$

55

[t][f] [f] [f] [f] [f]

[t][f] [f]

[t][f]

!

!

!

!

!

!

çf fƒ

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

23Push (2)

Page 29: Push2 (anonymous)

÷

&

&

&

B

?

?

44

44

44

44

44

44

44

43

43

43

43

43

43

43

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

70

yfl _$

_%

_$

_%

Œ Œ5

[t][f] [f] [f] [f]

!

!

!

!

!

!

f ƒ

Ó yfl _$

yfl _$

_%

_$

_%

yfl[t]

[f][t]

[f] [f] [f] [f][t]

!

!

!

!

!

!

ƒf

yfl _$

_%

_$

_%

yfl ‰ ‰ _>$

yfl ‰5 3

[t][f] [f] [f] [f]

[t] [ha] [t]

!

!

!

!

!

!

çƒ

ç

24 Push (2)

Page 30: Push2 (anonymous)

÷

&

&

&

B

?

?

43

43

43

43

43

43

43

44

44

44

44

44

44

44

85

85

85

85

85

85

85

44

44

44

44

44

44

44

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~

73‰ _>

$yfl ‰ ‰ _>

$3 3

[ha] [t] [ha]

Œ Œ ‰œœœœœœ

b>

e

3

Œ Œ ‰œ_

3

Œ Œ ‰ J

11‰

3

Œ Œ ‰J

11‰

3

!

!

çƒ

ç

pp poss.

I.II.

Ï

Ï

I.II.

Ï

!

œœœ

œœ ‰ . Ó

œ_

_

.œb_

œ_

œ_ ‰

Œ Œ ‰

11 ‰ .

Œ Œ ‰

11 ‰ .

yy#> yy yy yy yy ‰ .

yyµ> yy yy yy yy ‰ .

°

II.III.

I.II.

p Ï

II.III.

I.II.

p Ï

ƒ

ƒ

ƒ

ƒ

F

p

a.s.p.

a.s.p.

wide/fast osc.

wide/fast osc.

poco stringendo

poco stringendo

#

#

!

!

!

Œ ‰ yy> yy#11 "

Œ ‰ yy> yy#11 "

..yy#> yy yy yy "

yyµ> ..yy yy yy "

ƒ

ƒ

ƒ

ƒ

II.III.

ƒ p Ï

II.III.

ƒ p Ï

I.II.

I.II.

#

#

( q = c. 84-76)

( q = c. 84-76)

~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~

25Push (2)

Page 31: Push2 (anonymous)

÷

&

&

&

B

?

?

44

44

44

44

44

44

44

43

43

43

43

43

43

43

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

76

yfl _$

_%

_$

yfl _$

yfl yfl yfl _$

_%

_$

_%

yfl _$

_%

_$

_%

5 5

[k][f] [f] [f]

[t][f]

[t] [t] [k][f] [f] [f] [f]

[k][f] [f] [f] [f]

!

!

!

!

!

!

ƒ f ƒsubito a tempo ( q = 60 )

subito a tempo ( q = 60 )

f f ƒ

yfl_$

yfl _$

_%

yfl_$

yfl _$

_%

_$ _% _$ _%5 5

[k][f]

[k][f] [f]

[k][f]

[k][f] [f] [f] [f] [f] [f]

!

!

!

!

!

!

p sub.

26 Push (2)

Page 32: Push2 (anonymous)

÷

&

&

&

B

?

?

44

44

44

44

44

44

44

43

43

43

43

43

43

43

44

44

44

44

44

44

44

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

78

yfl_$

yfl _$

_%

yfl_$

yfl _$

_%

_$ _% _$ _%5 5

[t][f]

[k][f] [f]

[t][f]

[k][f] [f] [f] [f] [f] [f]

!

!

Œ Œ ‰ yy> yy#

Œ Œ ‰ yy> yy#

yy#> ..yy yy yyfl‰ .

yyµ> ..yy yy yyfl ‰ .

ƒ

II.III.

ƒ pII.III.

ƒ p

ƒ p ƒ

ƒ p ƒ

Flute

f_$y> ‰ . Œ Œ œ_

[ha]clo

œœœœ

Kµ œœœœœœ

!

11 ‰ . Œ Œ Œ

11 ‰ . Œ Œ Œ

!

!

Ï

# F

w. voice

#

Ï

Ï

I.II.

I.II.

_ œµ_ .œ_ " Œse

œœœœœœ ‰ Œ Œ

3

‰œ_

œ_

_.œb

_3

‰œ

q

.œ3

‰ Tœ#q

Tœ Tœ ..Tœ3

‰ yy>j hhj

3

‰ yy#> hh3

f

F

pp poss. p

#

#

ƒ

ƒ

ord. a.s.p.

behind the bridge

~~~~~~~~~

27Push (2)

Page 33: Push2 (anonymous)

÷

&

&

&

B

?

?

44

44

44

44

44

44

44

42

42

42

42

42

42

42

43

43

43

43

43

43

43

42

42

42

42

42

42

42

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

81

y> _$

_%

_$

_%

‰ yfl _$

_%

_$

_%

yfl y‰ .5

then

[ha] [ha] [ha][ha][k]

[ha] ha] [ha] [ha]

clo ser

&

Œ ‰ yflœ_ œb _ œ_ œn _ œ# _ œ_ œ_ œ

_ œ# _œ#

œœœœ

lKk

œ_ ‰ Œ ‰ . œ

M1

œ

œ

q

‰ Œ Ó

q

‰ Œ Ó

yyj

q

‰ Œ Œ Tœb

yyq

‰ Œ Œ T#

< k >

fpp sub.

°

f f ƒ

#

a.s.t.

III.a.s.t.

#

Œ œ

[m]

œœœœ

œœœœ

œ

2

Ͼ

˙

q

˙

q

T

q

T T

f

#

flz.

a.s.t.

a.s.t.small/fast osc.

f

poco rit.

poco rit.

œ œ œ

[e]

œœœœ

œœœœ ‰ Œ V

œ

3

æ jœ

1

œ œ

2

œ3

..T

T T ‰ Œ

#

f #

F pp sub. P

take Bass Flute

#

#

#

#

q = c 48, poco accel

q = c 48, poco accel

28 Push (2)

Page 34: Push2 (anonymous)

&

V

&

&

B

?

?

42

42

42

42

42

42

42

43

43

43

43

43

43

43

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

84 œ- œby. "

[k]

÷

!

œ

1

_ _ _b _ _b œ_

œb _ œ_

œ_ œ_ œn œn

œ

q

œ ‰

œ

q

œ ‰

q

Tœ ‰

!

F # ß

#

P

P

P

‰ . y._ y-_ ‰we make

!

œb œ œ œ œ_

œ_

œ_

œ_

œ_ œb _ _ _ _ _ _ _

!

!

!

!

p

F #

a tempo ( q = 60 )

a tempo ( q = 60 )

< hE >Bass Flute

.y>_ y_ ‰ . _$con tact [hE]

_%

eb j_ _$

_

3

!

__

P__ __ __â

3

__

P__ __ __â

3

_ _ _ _â3

_ _ _ _â3

f

take Bass Clarinet

*m. 86-91, all breathing is done with the [hE] sound

p

"fff "

"fff "

"fff "

"fff "

bow tailpiece

bow tailpiece

(toneless)

p sub.

p sub.

p sub.

p sub.

"ff "sub.

"ff "sub.

"ff "sub.

"ff "sub.

(toneless)ord.

ord.

"ff " p "ff "

29Push (2)

Page 35: Push2 (anonymous)

÷

V

&

&

B

?

?

43

43

43

43

43

43

43

85

85

85

85

85

85

85

42

42

42

42

42

42

42

43

43

43

43

43

43

43

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

87

_%

_$

_%

_ ._ _$

!

!

‰ __> __ ..__"

‰ __> __ ..__"

!

!

F p

"ff "p

"ff "p

_%

_$

_%

_ j_

!

!

‰ j__> __j__

‰ j__> __j__

!

!

F

"ff "p

"ff "p

_ _$

_%

_$

_%

!

!

__‰ . __>

__‰ . __>

Π__

P

>

Œ_j>

p fbecoming more heightened, anxious

bow the side of the bridge

"ff "p

"ff "p

(toneless)ord.

"ff "p

"ff "p

30 Push (2)

Page 36: Push2 (anonymous)

÷

V

&

&

B

?

?

43

43

43

43

43

43

43

85

85

85

85

85

85

85

42

42

42

42

42

42

42

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

90

_ __$ _% _$ _%

!

!

__ __‰ . __>

__ __‰ . __>

__ __ ‰ . __>

_j _j ‰ . _j>

P f

"ff "p

"ff "p

"ff "p

"ff "p

_ __$ _% _$ _% _$>

!

!

__ __‰ . ‰

__ __‰ . ‰

__ __ ‰ . ‰

_j _j ‰ . ‰

P ƒ

31Push (2)

Page 37: Push2 (anonymous)

÷

V

&

&

B

?

?

42

42

42

42

42

42

42

44

44

44

44

44

44

44

165

165

165

165

165

165

165

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

92

y y y y y y y y_ y_ y_ y_ y_7 5

I justhave

tobreathe

justbreathe

I just have to breathe

!

!

^>

^>

! B

j>

"ff "p

"ff "p

"ff "p

F

y_ y_ y_ y_ y_ y_ y_ y_ y_ _ _ _ _ _>$5

justbreathe

Oh God, I justhave tobreathe

just breathe Oh God, [s]

!

!

^ __Œ

^ __Œ

Ó Œ Tœbq

$

j j

s.t.

paccel.

accel.

32 Push (2)

Page 38: Push2 (anonymous)

÷

V

&

&

B

B

?

165

165

165

165

165

165

165

82

82

82

82

82

82

82

165

165

165

165

165

165

165

163

163

163

163

163

163

163

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

94

J_ ‰ "

y# fl _%> _# _# _ _ _n _n

$> _

!

> P

. . . . ee. ‰ "Jyy

" _ _# _# _ _ _n _ _

JTœ ‰ "

jyyyy>‰ "

e = 96-92, Tempo 1

ƒ

Bass Flute

< k >

ƒ

f

ƒ

slap strings against fingerboard w. LH

secco

cl tratto

"ff "

I.II.

f

e = 96-92, Tempo 1batt.

!

_%> _# _# _ _# _n _n

$_>

!

!

_ _# _# _ _# _n _n _>

!

!

"ff "

"ff "sub.

!

y# fl _%> _# _# _ _ _n _n _

!

!

" _ _# _# _ _ _n _ _

!

!

ƒ

< k >

33Push (2)

Page 39: Push2 (anonymous)

÷

V

&

&

B

B

?

163

163

163

163

163

163

163

82

82

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82

82

82

82

163

163

163

163

163

163

163

83

83

83

83

83

83

83

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

97!

_%> _ _ _b _b _

!

!

_ _ _ _b _b _

!

!

"ff "

!

y# fl _$> _# _#

%> _ _ _n

!

!

" _ _# _# _ _ _n

!

!

ƒ

< k >

!

_$> _ _ _b _b _

!

!

_ _# _# _ _# _n

!

!

34 Push (2)

Page 40: Push2 (anonymous)

÷

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&

&

B

B

?

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83

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83

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82

82

82

82

83

83

83

83

83

83

83

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

100!

y# fl _%> _# _# _ _ _n _n

$> _ "

!

!

" _ _# _# _ _# _ _n _ _b ®

!

!

ƒ

< k >

accel. poco a poco

accel. poco a poco

!

_%> _ _ _b _b _ "

!

!

_ _ _ _b _b _ _ _b

! ?

!

"ff "

!

_b$> yfl _

%> _ _b _ _b _n _

$> _b

!

". yfl‰ ‰

‰ _ _ _b _ _# _ _ _b

" œœµq

œœ

" œBq

œ

ƒ

< k >

arcoa.s.t.

arco

ƒ

ord.

35Push (2)

Page 41: Push2 (anonymous)

÷

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&

&

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?

?

84

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84

84

84

82

82

82

82

82

82

82

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

wqwq

103!

yb fl _$> _

%> _ _b _ _b _n _

$> _b

!

!

‰ _ _ _b _ _b _ _ _b

..œœ

ƒ

< k >

!

yfl _#>$

" _#>$

_%> _ _b _n _ _b _n

$> _b _n ®

˙#

!

‰ " _ _ _b _ _ _b _n _b _ ®

˙˙

˙

ƒ ƒ

< k >

p

erratic

Bass Clarinet

P

P

a.s.p.

( e = 112-104 )

( e = 112-104 )

Rall.

Rall.

!

!

˙

!

!

jœœq

‰ Œ

jœq

‰ Œ

F

take Flute

ord.

36 Push (2)

Page 42: Push2 (anonymous)

÷

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&

&

B

?

?

82

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84

84

84

82

82

82

82

82

82

82

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

wqwq

106!

œœœœœœ

b >

œ æM1

21

> e

yy>@j yy>

æjyy>@j yy>

@j5

yy>jæyy>j@ yy>

j@ yy>j@ yy>

j@

3

3

..œœ#q

yy

.œ#q

y

f sub.

small/fast osc. wide/fast osc.

small/fast osc. wide/fast osc.

ord.

ord.

behind the bridge/on the winding

behind the bridge/on the winding

Î

Î

a tempo ( e = 96-92 )

a tempo ( e = 96-92 )

Î

Î

N

N

approx. contour for overblowing

ƒ

arco

arco

Œ ‰ Jœ>I

!

œ# jœæ j

œ>

!

!

!

!

p sub. Í

erratic flz.

take Flute

ƒœ " œ_> œ_. ‰ " y_

in hale a

! &

jœæ œ>@ œ>@ .j

œr

œ>

!

!

!

!

Í Í Í

flz.

37Push (2)

Page 43: Push2 (anonymous)

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&

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?

?

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84

84

84

83

83

83

83

83

83

83

82

82

82

82

82

82

82

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

wqwq

109 Jœä œ "push

!

œ æM1

21

3

> e

yy>@j yy>

j@yy>@j yy>

@j yy@j

5

jyyæj yy>jæ

yy>j@

3

..œœ#q

yy

.œ#q

y

f sub.

small/fast osc. wide/fast osc.

ord.

Î

small/fast osc. wide/fast osc.

ord.

Î

behind the bridge/on the winding

behind the bridge/on the winding

Î

Î

N

N

Œ ‰ ® _$ _% _$[hE]

!

˙#

!

!

!

!

p sub.

F jy- " ‰through

!

œ# æM

31 2

> e‰

11 ‰5

11

11‰

3 3

!

!

f sub.

a.s.p.

a.s.p.I.II.

I.II.

f

wide/fast osc.

wide/fast osc.

Ï

Ï Ï

ƒ

~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~

38 Push (2)

Page 44: Push2 (anonymous)

÷

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&

&

B

?

?

82

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82

82

82

84

84

84

84

84

84

84

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

wqwq wqwq

112

Jy-_ ‰my

!

œ# æM1

21

3

> e

5

!

..œœ#q

yy

.œ#q

y

f sub.

small/fast osc. wide/fast osc.

ord.

Î

small/fast osc. wide/fast osc.

ord.

Î

ƒ F

N

N

small/fast osc.

Jy> ‰ Œveins

!

œ æM1

21

3

1

> eb œ#

" . ‰

3 3

yyb 11 yy " . ‰

5

jœœ jœœ œœ

jœ j œ

ƒ p sub.

Ï F

F ƒ F Ï F

&

&

n.v.

n.v. accel. vib.

wide/fast osc.

Œ ‰ jy_-breathe

!

œj

œj

œM>3

Œ ‰ Jyy#>

Œ ‰ Jyy#>

œœjœœb yy "

œ jœ œ "

Í ƒ

p

f

wide/slow osc. n.v.

f

II.III.

ƒ

II.III.

ƒ

a.s.p.

~~~~~~~~~~~ ~~~~~~ ~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~ ~~~~~~ ~~~~~~~~~~~~~~~~~~~~ ~~~~~~~ ~~~~~~~~~~~~~ ~~~~~~~ ~~~~~~~~~~~~~ ~~~~~~ ~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~

39Push (2)

Page 45: Push2 (anonymous)

÷

ã

&

&

&

B

?

?

83

83

83

83

83

83

83

83

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

wqwq Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~

115

y- y- y- y. y. y. y. y. y. y. y. y. y. y. y. y.. y. y. y.push fly breathe

pushfly

fly fly fly fly flyflyflyflyfly

flyflyflyflyfly

!

!

œ œ

jyy ‰ Œ

Jyy# ‰ Œ

Œ ‰ œœbq

3

œq

œ

p sub. P

p

ord.

medium osc.N

Nord.

P

P

y. y. y. y. y. y. y. y. J1- 1

flyflyflyflyflyfly

flyfly[aI]

‰ _% _ _$3

‰ œ œb œb œ œb œb œ œ œn œb jœ en5

5

.œ@

M2

œfl!3

‰ Œ

..yyq

11 ‰ Œ

..yy#q

11 ‰ Œ

..œœ yy ‰ Œ

.œq

y ‰ Œ

p Ï

F p sub.

flz.

Î

Î

Î

a.s.p.

Î

a.s.p.

< hE >

ƒ #

"ff "

secco

secco

secco

secco

Flute

1 J ‰

_ " ‰ Œ

jœb ‰ Œ

f_ f# _f# _f_ f_ f_ f

_ fn _f_ f_ f# _f_ .fn _ ffl

_

Œœœbn -

!

!

!

# ƒ

#

Ï

a.s.t.

p

40 Push (2)

Page 46: Push2 (anonymous)

÷

&

&

&

B

?

?

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83

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82

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82

82

82

83

83

83

83

83

83

83

82

82

82

82

82

82

82

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

118 œb Jœ

!

f# _ f_ f_ f_ f# _ f_ f_ f_

fn _f# _

f_ f_

œ

œœnq

"

!

!

!

pp sub.

p # " œb œ ® œ

[aI] [aI]

!

f_ ffl_ f_ .f_ ffl

_

" œœbn > ..œ

œœœbn -

!

!

!

ffpp sub. ƒ

p # p

ß p

ric.arcoa.s.t.

!

.f ææ_e

œ

œœnq

"

!

!

!

pp sub. P

flz.

#

41Push (2)

Page 47: Push2 (anonymous)

÷

&

&

&

B

?

?

82

82

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82

82

82

82

84

84

84

84

84

84

84

86

86

86

86

86

86

86

84

84

84

84

84

84

84

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

wqwq

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~

121!

!

œ ææ_ e#

!

!

œ e#

!

#

&

a.s.p.

N

Œ ‰ " . œb[aI]

!

Jœb æ> e jœ# æ> e jœ æ> e#

‰ .f f3

‰ œœ

bq

Jœœ J

œœq

3

jyâ jyâ jy# âjœ .œ y

3

Jy# äJyä jyâ

jœ .œ y

3

‰œb

q

jœ jœq

3

ƒ p ƒ°

p

ƒ F Ï

ƒ F Ï

a.s.p.

f

a.s.t.

f

a.s.t. a.s.p. a.s.t.

.œ œ Jœ

!

Œ ‰ ‰œb

!

!

!

!

#

42 Push (2)

Page 48: Push2 (anonymous)

÷

ã

&

&

&

B

?

?

84

84

84

84

84

84

84

84

83

83

83

83

83

83

83

83

44

44

44

44

44

44

44

44

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~~ wqwq

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

124 Jœ _ " Œ

!

!

.œb" jœb

jœ e e

¨

¨

¨

¨

yyb " ‰ ‰ yy "

.jy>y" ‰ jy>

.jyb>y" ‰ jy>

.Jy>yb " ‰ Jy>

#

ƒ ƒpp sub.

ƒ

ord.

ord.

ord.

f f ƒ

f ƒ f ƒ

ord.

f ƒ f ƒ

ƒ

y_ y_ y_ y_ " " y_3

I can see I

!

!

.œb œ œ œ œ# œ5

.œq

Jœ e

!

!

!

as fast as poss.

°

F

IV.s.t. a.s.p.n.v. wide/fast osc.

Ï P

f ƒy> " _

$_%

_$

_%

_$ _% _$ _% _$5

see [s] [s] [s] [s] [s] [s] [s] [s]

J_%

_$

_%

_$

_%

_$ _% _$ _% _$5

.œ#

jœb >‰ ‰

œeb

!

!

!

!

°

"ff "

< hE >

ƒ p ƒ

Ï

ƒ

43Push (2)

Page 49: Push2 (anonymous)

÷

ã

&

&

&

B

?

?

44

44

44

44

44

44

44

44

87

87

87

87

87

87

87

87

43

43

43

43

43

43

43

43

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~

127ÓU Ó

ÓU Ó

ÓU Ó

ÓU Ó

^PU

^

^PU

^

^U

^

jUj

q = 66-58, emphatic, haunted

"fff "

"fff "

"fff "

"fff "

bow the side of the bridge

bow tailpiece

p sub.

p sub.

p sub.

p sub.

q = 66-58, emphatic, haunted

‰ Jyä Œ Œ Jy_- ‰3

If I

‰ JZ J_$

J_3

‰ œ# œ œ œ# œ# œ# œn œn œ œ# jœ3

6

!

j__ Œ Ó

j__ Œ Ó

j_

Œ Ó

j_j Œ Ó

< hE >

#F

"ff "

ƒ

p espressivo

44 Push (2)

Page 50: Push2 (anonymous)

÷

ã

&

43

43

43

87

87

87

43

43

43

Voice

(B)Fl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

129 yä y_ " Œ ‰ y-hold my

Z w _$

œ œ œ# œ# œ œn œ œb œ œ œ œb œb œ œb œb jœb3

7

6

P sub. f ß

< hE >

ß py_ J_. ‰ Œ jy-

brea th I

Jw

3> q _$

_%

_$

_%

J_$ ‰

jœ œ œb æ eb œ

ƒ p

< hE >

ƒ

f p

÷

ã

&

43

43

43

44

44

44

Voice

(B)Fl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

131‰ y. y_> y_ ‰ Œ

3

can feel

Z Jw q _$

_% _$ _% _$3

5

œb æ e œb æ eb œb æ eb œ3

< hE >

p f # Ï

F

Jyä_ _- ‰ Ó

hea ven

‰ . q æ wæ æ Zæ

œ .œB œnœb æ eb

flz.

# f

ß pÓ Ó!

‰ " _% _$ _% _$ Ó!5

œI æ eI Ó!

< hE >

# Ï

45Push (2)

Page 51: Push2 (anonymous)

÷

ã

&

85

85

85

44

44

44

Voice

(B)Fl.

134‰ yä Œ Œ Jy_- ‰ y3

when I close

.q>

JZ J_>$

3

˙b æ eb œ œb œb œn œb œn ‰ œb œA œ œ6

< k >< si >< u >

< hE >

Íp F # ff sub. p sub. Ï

F ßy_ " ‰ Œ Jy.

my

_$

_%

_$

_% ‰ y

_$ _% _$ _%5

œb œb œ œ œ œ " œb œ œb ® ‰ œb œb œb œ

< hE > < s >

Ï# #

< k >

F

÷

ã

&

44

44

44

84

84

84

Voice

(B)Fl.

Ÿ~~~~~~~~~~~~~~~~~

136 .y_ j_ y. ‰ . ‰ _- ‰3

eye s I

q 2 >

œb œb œn œb œ œ œ œ œ œ œ# œ œb œb œ œ œ œ œb œn œb œn œn œb œn œb œ œb œn œn œb œ

< si > < sh >

# F Í ƒ

y_â ‰ Œ Ósee

‰ _>$ Œ Ó

œ Œ Ó

ç

ß

46 Push (2)

Page 52: Push2 (anonymous)

÷

ã

&

&

&

B

?

?

84

84

84

84

84

84

84

84

83

83

83

83

83

83

83

83

84

84

84

84

84

84

84

84

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

138

Jy J_ ‰ ‰God

J3>

q " Œ

œ œ œb œ œb œ œ œb œ " Œ6

3

_b _b _n _ _ ® ® _ _ _ _n _ _b _b _n _

‰ " . T#q

T T T# T Tb T ‰6

‰ " . T

q

T Tb T T Tb ‰5

Tb Tb T Tn Tbq

‰ ‰ T Tb T Tn T5 5

JT# Tq

" . ‰ JT

Ï &

e = 96-92, Tempo 1

breathing...

pizz.

&p p

F

F

F

F F

F

s.p.

s.p.

s.p.1/2 (harmonic) pressure

1/2 (harmonic) pressure

1/2 (harmonic) pressure

1/2 (harmonic) pressure

ƒ p

e = 96-92, Tempo 1

!

!

!

_® ® _ _b _ _n _ ‰

" . T#q

T T T# T Tb T ‰6

" . T

q

Tb Tb Tn T T ‰5

Tq

" . ‰ ‰

T#q

" . ‰ ‰

p&

F

F

!

!

!

_ _ _ ® "_ _

_b _b _ _ _ _6

‰ "T#q

T Tn " .

T# T T " " T

q

Tb Tb " .5

‰ ‰ T T# T T ®q

5

!

& &p

# F

F

F

47Push (2)

Page 53: Push2 (anonymous)

÷

&

&

&

B

?

?

84

84

84

84

84

84

84

83

83

83

83

83

83

83

82

82

82

82

82

82

82

84

84

84

84

84

84

84

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

141!

!

" _ _ _# _b _ ® _ _ _ _n _ _ _ _b _b ®6

" Tbq

T T " . Œ

" Tbq

T T " . Œ

‰ T T# T# Tnq

® T T# T Tn Tb Tq

‰5

6

Π" . T Tb T T# T T# Tq

®6

5

F

F

& &p p p&

F F

F

!

!

_ _b _b _ _ _ _n _b _ _ _ _ _ _b _n _#6 6

" .Tq

T Tb .Tb Tq

Tn T Tb " .6 6

" . Tq

T Tb .Tb Tq

Tn T Tb " .6 6

&

T Tb T T#q

" T T T Tq

" T T T# T Tn6 6 5

‰ ‰ T T# T Tn

F F

& &p p

F F

F F F

F

‰ " _$3

[s]

!

_® ® œ_ œb_ œ_ œn_ œ

_

‰ T Tb Tb T Tb5

‰ T# T T T T#5

Tb Tbq

" ‰

T Tq

" ‰

#

&

&

&

48 Push (2)

Page 54: Push2 (anonymous)

÷

&

&

&

&

?

?

84

84

84

84

84

84

84

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

144

y> J_$

y._ y> _$

33

and [s] l in [s]

yb fl

_b$

_ _n _ _# _ yn fl _#$

_ _%

_ yb fl

œM1

3

œMæÿ2 1

3

T " ‰œ

q

T# " ‰ œ

q

eb

!

!

F f

flz.

< k > < k > < k >

< hE >sim.

ƒ ƒ ƒp sub. p sub.

F # F pp sub.

F

F

a.s.t.

a.s.t.

f

y>_ _$

‰ y> J_$3 3

hale [s] in [s]

_b$

_ _ _ _b _b yn fl _n%

_ _b yfl _n$

_b _ _b3

œ1

f# fn fb fb fn @ fæ fb æ fb æ fA æ fn æ f# æ fn æ fb æ fb æ f@ fæ fb æ fb æ fb æ5 5 5 5

.œJœ

q

.œ Jœq

œ œ œb œb œ œ œ œn œ# œ œn œ œb œ œ œ œ œn œ# œ5 5 5 5

!

F f F frough

flz.

F

< k > < k >

ƒ ƒp sub. p sub.

F pp sub.

p

p

a.s.p.

# # #f fà la corde

ßf

49Push (2)

Page 55: Push2 (anonymous)

÷

ã

&

&

&

&

?

?

85

85

85

85

85

85

85

85

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

146‰ ‰ Jy>_ y_ "

in

_%

_$

_%

_$ _% _$

q Z

33

œ œ œ œ œ œ œ œ œb œ œb œn œ# œ œn œ# œ5

!

‰ j__

P__

" ‰

‰ j__

P__

" ‰

‰ j__

P__

" ‰

‰ j_j _j " ‰

"ff "

p ƒ pp sub. F< k >

bow the side of the bridge

"fff "

"fff "

"fff "

"fff "

< hE >

f‰ ‰ Jy>_ _ y_

hale

J q " q Z

œ œ œ# œ# œ œ œ œ œ œb œ œb œn œ# œ œn œ œ œ

56

!

q

e

r__P

.œ#

q

r__P

Œ ‰ " __

P

Œ ‰ " _j

# ƒ pp sub. ƒ< k >

F "fff "

a.s.t.

"fff "

a.s.t.

"fff "

"fff "

F

bow the side of the bridge

50 Push (2)

Page 56: Push2 (anonymous)

÷

ã

&

&

&

&

?

?

85

85

85

85

85

85

85

85

84

84

84

84

84

84

84

84

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~

148!

_$ _% _$ _% _$ _% _$

J _$3 3

œ œ œ œ œ œ œ œ œb œ œ œb œ œb œ œ œb œ œb œ

Œ jœ# _ œ_ œ_ œ_ œ_

__ __j__

__ __j__

__ __j__

_j _j j_j

° P °

< si >< u >

ƒ p

< hE > sim. (in/exhalations are playedwith a closed mouthpiece)

p sub.

p sub.

p sub.

p sub.

Π" y. y>_ "a push

J_% J _$ Jq

œ œb œ œb œ œ œb œ œb œ œb œ œb œn œ# œ œn œ#6

‰ ‰ " œb _ jœ_

‰ " __

P__ __

j__

‰ " __

P__ __

j__

‰ " __

P__ __

j__

‰ " _j _j _j j_j

ƒ< k >

p ƒ pp sub.

°

f

bow the side of the bridge

p

p

p

p "ff "sub.

"ff "sub.

"ff "sub.

"ff "sub.

51Push (2)

Page 57: Push2 (anonymous)

÷

ã

&

&

&

&

?

?

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

150" y_ ‰ Œ

through

Z

->_$ J _$

œ œœ œb œ œ œb œ œb œ œ œb œn œb œ

œ_ œ_ œ_ " ‰ " œb

" œ

q

e œ œ œ

" œ#

q

œ œ œ

" Tœ#

q

Tœ Tœ Tœ

!

< si >< u >

f ß ƒ p fp

°°P

F

a.s.t.

a.s.t.

F

F

pŒ ‰ " . y_.

my

.3 .

œ œ ® œ# œ œ œ œ ® œ œ œ œ œb œ œb

f f .fæ fæ fb f fb fn fb .fæ fæ5

__P

__

__P

__

__P

__

_j _j

< k >

pp sub. ff sub.

# ƒ pp sub. ƒP

"fff "

"fff "

"fff "

"fff "

bow the side of the bridge

52 Push (2)

Page 58: Push2 (anonymous)

÷

ã

&

&

&

&

?

?

85

85

85

85

85

85

85

85

45

45

45

45

45

45

45

45

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

152Œ ‰ ‰ y>

3

veins

_$

_%

_$

_% _$ J ->3

3

3

œ œ œ œ œ œ œ œœb œ œb œ œ œb œ œb

fb _ fn _ fb _ fn _ f_ f_ _ _ _b _ _b _ ‰

j__ ‰ " __ __ __>3

j__ ‰ " __ __ __>3

j__ ‰ " __ __ __>3

j_j ‰ " _j _j _j>3

p sub. ƒ ç

< si >

< u >

°pp sub.

take Clarinet

#

#

#

#

f

"ff "sub.

"ff "sub.

"ff "sub.

"ff "sub.

! &

_$ " ‰ Œ ‰

œ œb " ‰ Œ ‰

!

‰ " œb

q

œJœ

‰ " œ

q

e# œ Jœ

‰ " yq

y jy

!

behind the bridge

ord.

ord.

53Push (2)

Page 59: Push2 (anonymous)

&

&

&

&

&

?

?

45

45

45

45

45

45

45

42

42

42

42

42

42

42

44

44

44

44

44

44

44

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

154 ! !

[I]

!

!

..hh hh

y ‰ . Œ Ó .

y ‰ . Œ Ó .

h# .

q = 66-58

ppp poss. faint, distant

ƒ

a.s.p.

f

ƒ

(ord — a.s.p.)

wide/slow osc. small/fast osc.

ƒ

f

q = 66-58

! .1 y. Ó[f]

!

!

hÓ ..hh

! B

!

.

wide/fast osc.

molto rit.

molto rit.

q = 44

q = 44

ŒU Œ ÷

ŒU Œ

ŒU Œ

yyU

‰ Œ

yy>U

yy yy

yy>U

yy yy

U

small/fast osc.

behind the bridge/on the winding

behind the bridge/on the winding

ƒ

ƒ p

p

54 Push (2)

Page 60: Push2 (anonymous)

÷

&

&

&

B

?

?

44

44

44

44

44

44

44

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

157 y> y> _$ y> y> y. y.y> y. y. y. y.

y> y> " " y " " y " _$> "6 6 6

3

pu shes[s]

pu shes through my push through my through my pu shes through my[s]

!

!

‰ . Œ3

yy‰ . Œ j

3 3

yy ‰ . Œ Œ Œ J 3

‰ Œ Ó

ff sub. cresc.

IV.cl tratto

"ff " pIV.cl tratto

(irreg. trill)

p p"ff "

III.cl trattomedium osc.

trill half-step above

p

a tempo ( q = 66-58 )

a tempo ( q = 66-58 )

ƒ

ƒ

~~~~~~~~~~

55Push (2)

Page 61: Push2 (anonymous)

÷

&

&

&

B

?

?

42

42

42

42

42

42

42

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

158y> y> y. y. y> y> y. y. _$ y. y. _$ y. y. " " _$ ‰ " y "

6 6 3 3

pu shes through my pu shes through my[s]

through my[s]

through my[s]

my

Ó Œ ‰ . _

%>

Ó Œ ‰ . _%>

Ó ‰ j 3

‰ ‰ . ‰5

&

J " Ó3

‰ ‰ . Œ3

Ï

"ff "

Bb Clarinet

"ff "

wide/fast osc.wide/medium osc.

IV.cl trattosmall/fast osc.

p "ff " p

IV.

p p "ff ""ff "

"ff " p "ff " p

III.trill half-step above

(irreg. trill)

"ff " p

"ff "

<s>

toneless: breathing into instrument

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

56 Push (2)

Page 62: Push2 (anonymous)

÷

&

&

&

&

?

?

42

42

42

42

42

42

42

44

44

44

44

44

44

44

84

84

84

84

84

84

84

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~

159Π" _

$_%

_$

_%

5

[s]

_ _ _$

_%

_$

_%

5

_ _ _$

_%

_$

_%

5

. R

5

"

!

!

p "f "

p "f "

"ff " p

crinea.s.p.

I.

&

p "f "

*m. 157-159, all breathing is donewith the [s] sound

" _$

_%

_$ " " " _

%_$

_%

5 5

" _$

_%

_$ " " " _

%_$

_%

5 5

" _$

_%

_$

" " " _%

_$

_%

5 5

. " " ‰ "5

1 1

!

!

p "f " p

p "f " p

"ff "

# &

n.v.

cantabile

p "f " p

poco rall.

_$

_%

_$

_%

_ _ _$

_ _ _$

_ "! ‰3 3

_$

_%

_$

_%

_ _ _$

_ _ _$

_ "!

‰3 3

_$

_%

_$

_%

_ _ _$

_ _ _$

_ ‰ .!

3 3

Ó Œ Œ!

.1 1 ! 1!

Ó Œ Œ! &

Ó Œ Œ!

"ff " # "f " # "ff "

"ff " # "f " # "ff "

F pp sub.

medium osc. small/fast osc.

"ff " # "f " # "ff "

57Push (2)

Page 63: Push2 (anonymous)

÷

&

&

&

&

&

?

84

84

84

84

84

84

84

82

82

82

82

82

82

82

83

83

83

83

83

83

83

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

162 y>_ y._ y._ _$ y>_ y._ y._ y._ _$

_%

_$

_%

_$ y> y. y.pu shes through

[s]pu shes through my

[s]pu shes through

!

_fl _ _ _ _ _b _" _# _ _ _ _fl

J $ " . ‰

J1

‰ ‰ " B

J1> e " Π?

!

< te > < te >

f ß

e = 96-92, Tempo 1

F ffierce, intense, obsessive

&

I.cl ric.

ƒ #

pp sub. "f "

III.cl ric. cl tratto

ƒ # "f "

IV.cl tratto

p

e = 96-92, Tempo 1

.y _$

" y. y.my

[s]through my

!

_ _ _ _ _b _ _fl

‰ > 3

ä

®3

" >

‰ " >

< te >

f

ff sub.

pp sub.

III.wide/fast osc.

"f "

"f " p "ff " #

IV.cl tratto

"ff "

"f "

cl tratto

trill half-step above

~~~~~~~~ ~~~~~~ ~~~~~~ ~~~~~ ~~~~~~

58 Push (2)

Page 64: Push2 (anonymous)

÷

&

&

&

B

?

?

83

83

83

83

83

83

83

84

84

84

84

84

84

84

83

83

83

83

83

83

83

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~ Ÿ~~~~~~~~~

164

" yfl " y. yfl_$

‰,

my through my

Œ ‰,

_# _# _ _fl _ _ _fl ‰ ,3

" ‰ ‰,

Œ ‰ ,

® > ® ‰,

® ® ‰,

< te > < te >

fp sub. Í

small/fast osc.

p

"f " pp

p "F " p

.y_- y_ Jy_- y_ y_ ® y_ y_ y_.

veins s mol de ring be neath

y# fl _%

_# _# _ _# _n _n$

_ y# fl

_%

_# _# _

œM1 j

œMj

œM@2

J1 1

J1

" _ _# _# _ _# _n _n _ " _ _# _# _

..yy#âjœœ

..yy#âjœœ

# F

< k >< k >

f f

sim.< hE >

"f " "f "

cl tratto

f F f

wide/medium osc.I.

cantabile

ord.

ƒ

Ï

crinea.s.p.

ord.

poco allargando

poco allargando

f" y_- .y_â ® .y_- y_<

my skin be neath

_# _n _n$

_ y# fl _%

_# _# _ _# _ _n$

_ yb fl

jœM1 j

œM

2

œM

1J1

_# _n _n _ " _ _# _# _ _# _ _n _ "

œœjœœ

q

‰ &

œœjœœ

q

pp sub. F sub. &

< k >< k >

f f

"f " "f "

F~~~~ ~~~~~

59Push (2)

Page 65: Push2 (anonymous)

÷

&

&

&

B

&

?

83

83

83

83

83

83

83

82

82

82

82

82

82

82

83

83

83

83

83

83

83

82

82

82

82

82

82

82

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

167

yfl_ _

$_%

_$

yfl_ _

$y. y. ‰

my [ha] skin [ha] an ache

!

" Gfl _b _b _ _ _# _ _b Gfl

" > $

" .

‰ ‰ ‰ 3

" > $

!

ffpp sub. ƒ

< te > < te >

f p sub. f

cl ric.

cl tratto

f # "f "

cl trattoIII.

III.

cl ric.I.

cl tratto(irreg. trill)

f # "f "

p

a tempo ( e = 96-92 )

a tempo ( e = 96-92 )

® y> y. y> y> y. ® _$

a chingthrob

pushes [ha]

!

® _ _b _ ‰

!

"

j "

!

ç

p "f "

#

#

J1_- 1_

-J1_-3

be hind my

_%

_ _ _b _b _ _$

_b yb fl

yn fl

œM1 j

œM2

.y e

_ _ _ _b _b _ _ _b ‰

..yy˜# â

.y# â

&

p

< t > < t >

< hE >

f

a.s.p.crine

"f " "f "

"f "

ƒ

crinea.s.p.

crinea.s.p.

Ï

medium osc.

poco allargando

poco allargando

60 Push (2)

Page 66: Push2 (anonymous)

÷

&

&

&

B

&

?

82

82

82

82

82

82

82

84

84

84

84

84

84

84

82

82

82

82

82

82

82

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

170 .1_- 1_

-

rib cage

_%

_ _b _ _b _ _$

_b

jœM3 j

œM2

.y y

_ _ _b _ _b _ _ _b

..œœ œœq

B

.œ œq

f #

F p sub.

< hE >

"f "

"f "

"f "

wide/fast osc.

‰ " y_. " " . _. y> "3

then youbreathe

!

_ _ _ _ _ _b _fl"

_ _n _ _b _b _fl_# _n

3 5

" ‰ yq

eb j 3

" . J jy#q

Œ ‰ jy#q

e

!

#

II.cl trattosmall/fast osc.

# "ff "

IV.wide/fast osc.

"ff "

cl tratto

# ff

< te > < te >

a tempo ( e = 96-92 )

a tempo ( e = 96-92 )

p

‰ y> ‰ ‰ y_> "3

a kiss

Œ ‰ yfl _ _# _3

_ _# _# _ _fl" œ# _ œ_ œ_ œ

_ œ_ œ_ œ# _ œ_ _flœn _ œ_

3 3

j j jy#q

‰ " q

3

y# y

q

‰ "

q

3

&

j jy# jyq

‰ "

q

3

!

< k >

ffp sub.

"ff "

small/fast osc.

"ff "

"ff "

f f

< te > < te >

ord.crine

crineord.

crineord.

f

~~~~ ~~~~~~ ~~~~~~~~

~~~~~~~ ~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~ ~~~~~

61Push (2)

Page 67: Push2 (anonymous)

÷

&

&

&

&

B

?

82

82

82

82

82

82

82

84

84

84

84

84

84

84

83

83

83

83

83

83

83

165

165

165

165

165

165

165

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

173" . _.

œ>_ œ_a kiss

_# _n _# _ _ yfl œ_ œ# _ œn _3 3

œ_ œ_ œ# _ œ_ œ_

_flœ# _ œ_

3

" .

" . B

jœb en

!

< k >

F

F

F ffpp sub.

ƒ

ƒ

f

f

a.s.p.

accel. poss.

accel. poss.

‰ ‰ y. y- " œ_- "in to my

œ_ œ# _ œ_ œ# œ# œ œn œ# œ# œ# ybfl œ œ œb yfl œ œ œb3 5 3 3

œ_ œb _ œ_ œ# _ œ# _ œ_ œ_ œ# _ _fl œn œ# œn _flœn œ

Œ " œ# e œ œ œ œ3

Œ Jœ e Jœ œ œ œ#3 &

œ jœ œ œb œ?

!

< k >

ƒ

ƒ

Ï

Ï

s.p.

s.p.

# ƒ

ƒP

ƒ

< k >

< te >

f

f

œ> " ‰ " . œ._breathe a

" œ# œ œ!œ#

! œ#!œn

!œ!

œ#!

œ!˘

"5

3

" œ œœ# œ

œb œb œn œ œœ# ˘

"3

5

" œ# > œ# y "

" œ# > œ# y "

" œ> œ# y# "

" œ

q

Jœ y "

flz.

p f

p f

e = 112-104, as fast as poss.

f & ƒ

ord. a.s.p. ord.

f & ƒ

ord. a.s.p. ord.

III.ord. a.s.p. ord.

f & ƒ

ƒ

ord. a.s.p.

II.

e = 112-104, as fast as poss.

ƒ

N

N

N

N

62 Push (2)

Page 68: Push2 (anonymous)

÷

&

&

&

&

?

?

165

165

165

165

165

165

165

84

84

84

84

84

84

84

167

167

167

167

167

167

167

165

165

165

165

165

165

165

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

Ÿ~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~

176 y> " ‰ Ry_.

kiss a

" Rœ_ œ_ œ_ "

Jœ_ Jœ Rœ_

Jœq

eb Jœ Rœq

Jœq

eb Jœ Rœq

JTœ

q

JTœ RTœ

q

&

!

& f &

# f #

s.p.

s.p.

s.p.

p

p

p

y> " ‰ ‰ œ_- _ "kiss in

" œ#_ œ_ œ_ œ._ " _# _ _

_ _ ‰3

5

"œ_

œ_ œ_

œb_ œ_ " _b _b _n _ _b

‰3 3

" œ# œ œ œ " ‰

3 5

‰ Jœq

.œ y ‰

‰ Jœbq

.œ y ‰

!

f p f

f fp

f # # ƒ

f

a.s.p.

a.s.p.

f

a.s.p.

ç f

N

N

Ry. ‰ " œ_ä _ " Ry.

to in to

" œ> œb œb œ œ œ# œn œ# " œ œ œn "5

3 3

" Jœ> _ " œb œ œb "

3

" Jœ> eb œ " . Ryb ä "

‰ . œ# œ œ " Ryä "3

B

! ?

!

f ß

F # ß

f # ff sub.

ff sub.

s.p.

#

p

ƒ

63Push (2)

Page 69: Push2 (anonymous)

÷

&

&

&

B

?

?

165

165

165

165

165

165

165

83

83

83

83

83

83

83

167

167

167

167

167

167

167

Voice

(B)Cl.

Vln.

Vla.

Vlc.

Cb.

(B)Fl.

179‰ ‰ ® y_.

a

!

!

!

œµ> œ .œq

œ" &

œœ# > œœ ..œœq

œœ "

œ# > œ .œq

œ "

f Ï

ord.

f Ï

ord.

f Ï

ord.small/fast osc.

Ry> " y_

- _ " Ry.

kiss in to

" œ# œ œ " œ œb œb œ œb3 5

" œb_

œb_ œb_ " œb œb œb

œn œ3 3

" Ry#>" .y> œ œb

5

‰ " y> œb œb œ3

!

!

f

f

p

p

ord.

ƒ p

f p sub.

œ> " ‰ " . y_.breathe a

" œ# œ œæœ#

ææ œ#æœn

æœ

æœæ

œ#æ

Ͼ "

53

" œ œœ# œ

œb œb œn œ œœ# ˘

"3

5

" œ# > œ# y "

" œ# > œ# y "

" œ> œ# y# "

" œ

q

Jœ y "

flz.

p f

p f

f & ƒ

ord. a.s.p. ord.

f & ƒ

ord. a.s.p. ord.II.

III.ord. a.s.p. ord.

f & ƒ

ƒ

ord. a.s.p.

N

N

N

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