Pulse, accent and rhythm
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Transcript of Pulse, accent and rhythm
Coordinación bilingüe Isabel Pérez Torres
Plantilla de unidad AICLE Asignatura: MUSICA Profesor: Belén Álvarez García Título de la unidad Pulse, Accent and Rhythm Curso / Nivel 1º ESO
1. Objetivos de aprendizaje / Criterios de evaluación
To identify and describe the pulse, accent and rhythm in a piece of music. To be capable of following and clapping a pulse, an accent and a rhythm To express what you have listen to. To take part in a group performance. To work well in groups. To develop and to put into practique techniques and skills to build a performance (dance, vocal or instrumental) and musical creation in groups or individually. To use different sources of information (audio visual, Internet, texts, scores and other graphics resources) in order to get the knowledge and the enjoyment of music by themselves.
2. Contenido de materia
Elements of a musical composition: concept of accent, pulse and rhythm. Identification of accent, pulse and rhythm in the listening. Performance a piece of learning by imitation and through the reading of scores. The rhythm: a way of communication between cultures.
3. Contenido de Lengua / Comunicación
Vocabulario
Pulse, heartbeat, regular, irregular, time, beat, strong, patterns, clap, meter (duple, triple). Metronome, keep the time, syncopation, tempo
Estructuras
• How to describe feeling relate with rhythm Happy – Angry – Sad – Weak – Strong – Well – Better – Nervous – Scared – Agreeable – Brave – Calm – Delightful – Eager – Gentle – Nice – Sweet – Optimistic – Pessimistic – Great... • Structures: In my opinion.../ I believe.../ I prefer.. / When I listen to this song.../That song makes me.... / • How to describe a rhythm:
Coordinación bilingüe Isabel Pérez Torres
That song shows more rhythmic activity (syncopations, shorter note values, etc.) than ... / I´m hearing... / The beat is... /
Tipo de discurso (descripción, narración, etc.)
Description (oral and writing) comparison
Destrezas Lingüísticas Listening, Reading, Writing and Speaking
4.Contexto (elemento cultural)
Cultural differences and rhythm between your favorite music and classical music
5. Procesos cognitivos (analizar, sintetizar, etc.)
To analyze , To summarize, To concentrate
6. (a) Tarea (s) Write a rap song
6. (b) Actividades 1. What is pulse? Realizing about pulse around us Pulse feeling Conclusion: musical pulse Teacher introduces the topic (p. point and music) Images Students think about different types of natural pulse. Brainstorming and they experiment pulse. 2. Making music. Practice of pulse. Pulse clapping: 2-time and 3-time. Concept of accent. Accent clapping (Illustrations) 3. Listening activity. Notice the difference between duple meter and triple meter. Suggested pieces of music: a polka and a waltz 4. Movement activity. Suggested piece of music: “The sabre dance” by Katchaturian. 5. What is a rap song? Brainstorming and True or false with a handout 6, Explain how they can do a rap song. The teacher or different students read how they can do it. Take notes. Ask questions. Create a rubric together
Coordinación bilingüe Isabel Pérez Torres
7. Write a rap song
7. Metodología
Organización y distribución en la clase / tiempo
It´s a good lessson before “Note values” and after the first lesson around the difference between rhythm and melody.
1. SESION:
Ø Activiy 1: 15 minutes
Ø Activity 2: 20 minutes
Ø Activity 3: 15 minutes
2. SESION:
Ø Activity 4: 15 minutes
Ø Activity 5: 10 minutes
3 Y 4 SESION:
Ø Activity 6:
Recursos / Materiales
Metronome, Watches, Blackboard, Claves, Woodblocks, Hi-fi equipment
Competencias básicas Linguistic communication competence: Group activities help students to improve communication skills. Rhythmic contents provide specific vocabulary and support general use of language. Mathematical competence: Music, and specially rhythm, has an important mathematical component, because rhythm is based in different notes that have a proportional relationship between them. Knowledge and interaction with physical world: Performance activities, in which students have to use voice or body in the correct position, can prevent health problems and develop this competence. Digital competence and information processing: Use of technological resources facilitates digital competence.
Coordinación bilingüe Isabel Pérez Torres
New technologies are essential to listen, to record and to create music. Social and civic competence: Group performances and activities help students to develop social and civic skills. Cultural and artistic competence: This teaching unit develops cultural and artistic competence since music is not an essential way of artistic expression but also one of the most important vehicles of culture. Learning to learn: Listening and performing activities improve the ability of concentration, attention and memory. Learning strategies are developed by performance and aural training activities. Autonomy and personal initiative competence: Creative activities encourage students to improve their autonomy and initiative by using their musical skills and creativity. In addition, they have to explain their own opinions about music heard.
8. Evaluación
- To identify and describe the pulse, accent and rhythm in a piece of music.
- To be capable of following and clapping a pulse, an accent and a rhythm.
- To express what you have listened to. - To listen to the music carefully and be open minded to
different styles of music. - To coordinate movements according to the rhythm. - To take part in a group performance. - To work well in groups. - To understand the function of the rhythm in a rap. - To do a basic rap - To express yourself (ideas, feelings) through the rap
Puedes usar este modelo de plantilla con total libertad. Gracias por citar la fuente. Un primer modelo de esta plantilla ha sido publicado en:
Coordinación bilingüe Isabel Pérez Torres Pérez Torres, I. 2009. "Apuntes sobre los principios y características de la metodología AICLE" en V. Pavón, J. Ávila (eds.), Aplicaciones didácticas para la enseñanza integrada de lengua y contenidos. Sevilla: Consejería de Educación de la Junta de Andalucía-Universidad de Córdoba.171-180. Está basada sobre todo en la experiencia práctica a la hora de diseñar unidades y conversaciones con expertos y compañeros. También he tenido en cuenta la teoría de las 4 Cs de Do Coyle, expuesto en numerosas publicaciones como por ejemplo: Coyle, D., Hood, P. and Marsh, D., 2010. Content and Language Integrated Learning. Cambridge University Press.