PROGRAMME

This project is co-funded by the Creative Europe programme of the European Un-ion. This publication reflects the view only of the authors, and the Commission can-not be held responsible for any use which may be made of the information contained therein.

www.eliabiennial.com

14th ELIA BIENNIAL CONFERENCE FLORENCE 30 NOV - 03 DEC 2016

table of CONTENTS

Welcome 04

Florence & Venues 08

Timetable 14

Plenary Sessions 20

Table Talks 24

Pecha Kucha 28

Mobile Sessions 34

Thematic Sessions 40

Open Space 46

General Assembly 50

Cultural Events 54

Speakers Biographies 58

Practical Information 64

3

welcome

54

WELCOME BY THE HOST

The 14th Biennial Conference comes in the midst of commemorations for the fif-tieth anniversary of the devastating flood in Florence on 4 November 1966, which brought death and destruction to Florence and many other towns, and was a tragic event for our art historical heritage.

Palazzo Spinelli Institute for Art and Res-toration was founded in 1976 to train the people arriving in Florence to help save our heritage after the flood, and it is now celebrating its fortieth anniversary as a world-class centre for study, consulting, vocational training and continuous profes-sional development in the sector of con-servation, restoration and heritage man-agement.

When Florence was added to the list of World Cultural Heritage in 1982, UNES-CO stated that the decision had no need for justification in light of the many works of art and values that the city contained.

We now invite you to dive into the confer-ence programme, engage with city during the mobile sessions in Florence’s foremost schools and institutions, amid monuments, works of art, streets, theatres, museums and collections, craftsmen’s workshops, markets and osterias.

Enjoy the tastes, colours and lights of the city, remembering that the history of Florence teaches us that dialogue, par-ticipation, creativity, study, guardianship and access to cultural heritage represent the universal values that formed the foun-dation for its flourishing humanism and growth during the Renaissance, and that they are still a guide for the education of a new generation of artists.

It is a great honour for Palazzo Spinelli to welcome you to the wonderful city of Flor-ence.

We hope you have a truly unforgettable experience.

Benvenuti!

Emanuele Amodei

CEO Palazzo Spinelli Institute for Art and Restoration

WELCOME TO THE 14TH

ELIA BIENNIAL CONFERENCE

TURN MIRRORS

INTO WINDOWS

Dear Participants,

We are very pleased to welcome you to the fascinating and iconic city of Florence to participate in the 14th ELIA Biennial Conference, hosted by Palazzo Spinelli in partnership with many other Florentine arts and higher arts education institutions.

The ELIA Biennial Conference is estab-lished as a major event for a large number of institutes of higher arts education in Eu-rope and beyond. We meet, we share, we discuss, we celebrate, we establish new links, and sometimes we change our views.

This year’s conference theme is TURN MIR-RORS INTO WINDOWS. Europe has trans-formed almost beyond recognition over the past years. Thanks to technological evolu-tion, globalisation and open border policies, we find ourselves working and living in close connection to the rest of the world. At the same time Europe's self-conception as a place of tolerance, inclusion and pros-perity is increasingly challenged by complex issues such as large migration processes, an ageing population, shifting economic pow-ers and emerging populism and radicalism.

TURN MIRRORS INTO WINDOWS will explore what we see when we look at our-selves, our institutions, and the world. To what extent do we adapt, make use of or even contribute to the challenges and op-portunities presented? And how shall we move forward? Florence, with its turbulent political and artistic history, a beacon of European cultural heritage, is the ideal city to have this conversation.

We are pleased to offer you a rich conference programme, including high profile speakers, plenary discussions, round table discussions, mobile workshops, pecha kucha presenta-tions, networking events and much more.

We wish you an inspiring 14th ELIA Bien-nial Conference and stay in Florence.

The Conference Steering Committee

76

florence &VENUES

98

IED – EUROPEAN INSTITUTE FOR DESIGN

Via Maurizio Bufalini, 6/R

IED is one of the foremost design schools in Italy and host to the Registration and Open Space on Wednesday. The campus in Florence is one of the latest additions to IED, which was founded in 1966. It now has seven locations across Italy, Spain and Brazil, with courses and research oppor-tunities in design, fashion, visual arts and communication.

AUDITORIUM AL DUOMOVia de’ Cerretani, 54/R

The Auditorium al Duomo is host to the ELIA General Assembly on Saturday. It is run by a division of the Fondazione Romualdo Del Bianco®, which seeks to foster true appreciation of the concept of cultural heritage as a fundamental pole of attraction for travellers and as a potential tool for intercultural dialogue.

PALAZZO VECCHIO SALONE DEI CINQUECENTO

Piazza della Signoria

The Civic Reception on Thursday takes place in Palazzo Vecchio: the main symbol of civ-il power for the city of Florence. Delegates will be welcomed in Salone dei Cinquecen-to: the Hall of the Five Hundred. The Hall is named after the five hundred members of the Grand Council of the Republic, installed after the exile of the Medici. It is the largest and most important room in Palazzo Vecchio in terms of artistic and historical value.

PALAZZO STROZZIPiazza degli Strozzi

Palazzo Strozzi is the venue for the Clos-ing Party on Friday and a great example of civil architecture in the Renaissance with its rusticated stone and harmonious propor-tions. Today the palace is used for all kinds of cultural exhibitions and artistic events, as well as international exhibitions. When you attend the party you can admire its court-yard, which features an installation by the Chinese artist Ai Wei Wei.

THE CITY OF FLORENCE

Florence has a fascinating history and played a vitally important role in shaping European art over the centuries. The his-toric centre of Florence contains such a wealth of masterpieces that it is difficult to separate the city from its art works. Flor-ence is not just about the Uffizi or Palazzo Pitti; it is full of smaller, less well known gems that make it endlessly delightful to explore. In 1982 it was declared a World Heritage Site by UNESCO and even just a walk around the city centre will launch you into layer upon layer of architectural styles and artistic innovation, all surrounded by deeply-rooted culture, food and wine.

VENUES

VILLA VITTORIA PALAZZO DEI CONGRESSI

Piazza Adua, 1

The main venue is the 19th century Vil-la Vittoria in Palazzo dei Congressi. This historical venue is conveniently located in the city centre next to the central railway station. At first glance Villa Vittoria is hid-den behind the contemporary façade of the Palazzo dei Congressi, revealing itself when you’ve crossed the entrance hall and stepped into the centuries-old park that is part of the complex. Villa Vittoria has been equipped with all modern com-forts, yet maintains its original charm with lunette vaults on the ground floor, finely decorated coffered ceilings on the first floor, mosaic pavements in marble and terracotta, stone and marble marquetry portals, elegant coat of arms, finely deco-rated wrought iron gates and painted poly-chrome glass windows.

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23

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MAIN VENUES

1

2

3

1

4

5

IED - European Institute for Design

Auditorium al Duomo

Palazzo Vecchio

Palazzo Strozzi

Palazzo dei Congressi Villa Vittoria

Istituto per l'Arte e il Restauro Palazzo Spinelli

(Host Institution)

1312

time TABLE

1514

WEDNESDAY 30 NOVEMBER10.00-12.00 Higher Arts Education Visits

Venue: Various

10.00-12.00 Art and Restoration at Palazzo SpinelliVenue: Palazzo Spinelli

10.00-12.00 Le Arti Orafe Jewellery School – Education and Cultural Events in FlorenceVenue: Le Arti Orafe

10.00-12.00 Teaching Art, Design, Conservation, Art History in Renaissance palaces: SACI FlorenceVenue: SACI Florence

10.00-12.00 Istituto Lorenzo de’ Medici - The Italian International InstituteVenue: Istituto Lorenzo de’ Medici

10.00-12.00 Palazzo Coppini, International Meeting and Study CentreVenue: Palazzo Coppini

10.00-12.00 Conservatorio di Musica “Luigi Cherubini” di FirenzeVenue: Conservatorio Cherubini

14.00-18.00 Open SpaceVenue: IED

14.00-15.30 Quality Assurance in the Arts: Discovering scopes for development instead of Sticking to European Standards. Reflections, a Case Study and Open ExchangeRoom: 0-2

14.00-15.30 European Academy of ParticipationRoom: 12

14.00-15.30 Mirror salon: Decision Time- workshop about decision points in creative processesRoom: 4

14.00-16.00 Cumulus/Beyond the Classroom/Beyond BordersRoom: 10

14.00-16.00 Paradox Fine Art European Forum FOR, ABOUT, NEARBY: The value of diversity and difference in Fine Art practice, research and educationAccademia di Belle Arti di Firenze

14.00-17.30 Mime-education in Europe: What's up today?Mime as an arena between dance, theatre and circusRoom: 13

16.00-17.30 We are the monuments – workshop about forgetting as Art Practice in Public SpaceRoom: 16

16.00-17.30 European ProgrammesRoom: 4

16.00-17.30 Creative Practice and ResearchRoom: 0-2

16.00-17.30 Smart MuseumRoom: 14

16.00-17.30 International Project Management TrainingRoom: 12

16.00-18.00 Wimbledon College of Arts European Performance and Theatre Design Network: An introductionRoom: 11

20.00 Blind Date DinnerVenue: Il Porcospino

THURSDAY 1 DECEMBER08.30 Registration

Venue: Palazzo dei Congressi - Villa Vittoria

09.15-10.15 Grand OpeningRoom: Auditorium

10.15-11.00 Coffee BreakRoom: Salone Club

11.00-12.00 Plenary - Landscapes of the FutureKeynote by Daan RoosegaardeRoom: Auditorium

12.00-13.00 Table TalksRoom: Passi Perduti

13.00-15.00 Lunch & Pecha Kucha PresentationsRoom: Various

13.00-15.00 Preparing the Artists of TomorrowRoom: Passi Perduti Yellow

13.00-15.00 The Role of the Art SchoolsAnalogue/DigitalRoom: Passi Perduti Blue

13.00-15.00 Community/ActivationCrossing BordersRoom: Sala Onice

15.00-18.00 Mobile SessionsMeeting Point: Entrance Villa Vittoria

15.00-18.00 IED – European Institute for DesignVenue: IED

15.00-18.00 Palazzo Spinelli Institute for Art and RestorationVenue: Palazzo Spinelli

15.00-18.00 Fabbrica EuropaVenue: Fabbrica Europa

15.00-18.00 Lorenzo de’ Medici - The Italian International InstituteVenue: Istituto Lorenzo de’ Medici

15.00-18.00 Conservatorio di Musica ‘Luigi Cherubini’ di FirenzeVenue: Conservatorio Cherubini

15.00-18.00 Life Beyond Tourism: Travel, Heritage and DialogueVenue: Palazzo Coppini

15.00-18.00 Le Arti Orafe Jewellery SchoolVenue: Le Arti Orafe

15.00-18.00 Teatro La Pergola: In Sua Movenza è Fermo (In Movement, Unmoving)Venue: Teatro La Pergola

15.00-18.00 Biblioteca Nazionale Centrale di FirenzeVenue: Biblioteca Nazionale

19.00 Civic ReceptionVenue: Palazzo Vecchio - Salone dei Cinquecento

1716

FRIDAY 2 DECEMBER08.30 Registration

Venue: Palazzo dei Congressi - Villa Vittoria

09.15-09.45 Plenary - Transforming a Disaster Keynote by Cristina AcidiniRoom: Auditorium

09.45-10.15 Plenary - The Constructed SpaceKeynote by David GreigRoom: Auditorium

10.15-11.15 Table TalksRoom: Passi Perduti YellowRoom: Passi Perduti Blue

11.15-12.15 Plenary - Positions on the Doctorate of the ArtsRoom: Auditorium

12.15-13.30 LunchRoom: Passi Perduti YellowRoom: Passi Perduti Blue

13.30-14.30 Thematic SessionsRoom: Various

13.30-14.30 3rd Cycle SupervisionRoom: Auditorium

13.30-14.30 Preparing the Artists of Tomorrow Pt. 1Room: Passi Perduti Square

13.30-14.30 Community/ActivationRoom: Sala 9

13.30-14.30 Crossing Borders Pt. 1Room: Sala 4

13.30-14.30 Transformations in Learning and TeachingRoom: Sala Onice

14.30-15.30 Plenary - Making a Living from the ArtsRoom: Auditorium

15.30-16.00 Coffee BreakRoom: Salone Club

16.00-17.00 Thematic SessionsRoom: Various

16.00-17.00 Cultural EntrepreneurshipRoom: Auditorium

16.00-17.00 Preparing the Artists of Tomorrow Pt. 2Room: Passi Perduti Square

16.00-17.00 Crossing Borders Pt.2Room: Sala 4

16.00-17.00 Quality Assurance and EnhancementRoom: Sala Onice

17.00-18.15 Official ClosingPlenary - What makes us tick?Keynote by Carla DelfosRoom: Auditorium

21.30-01.00 Closing PartyVenue: Palazzo Strozzi

SATURDAY 3 DECEMBER08.30 Registration General Assembly

Venue: Auditorium Al Duomo

09.30-13.00 General Assembly - Members OnlyRoom: Auditorium

1918

plenarySESSIONS

2120

KEYNOTE: DAVID GREIG

THE CONSTRUCTED SPACEFRIDAY 02 DECEMBER

09.45-10.15Playwright and theatre director David Greig will explore the way theatre making in general and artistic direction in particu-lar can construct a civic space in which we as citizens can encounter each other out-side binary discourse, with reference to his experience making the play The Suppliant Women. He will also assert that without such the constructed space of art, democ-racy can become dangerous.

POSITIONS ON THE DOCTORATE IN THE ARTS

FRIDAY 02 DECEMBER 11.15-12.15

This session addresses current develop-ments in artistic research, with a distinct focus on the 3rd cycle. It discusses the po-sition paper "The Florence Principles" and showcases challenging practice examples.Andrea Braidt, Academy of Fine Arts Vi-enna, Austria; Paula Crabtree, Stockholm University of the Arts, Sweden; Thomas D. Meier, ELIA President, Zurich Universi-ty of the Arts - ZHdK, Switzerland; Giaco Schiesser, Zurich University of the Arts - ZHdK, Switzerland.

MAKING A LIVING FROM THE ARTS

FRIDAY 02 DECEMBER 14.30-15.30

This session provides a guided tour into some of the professional skills and compe-tencies that today's artists need to make a living from the arts. Such skills and com-

petencies go beyond cultural entrepre-neurship, as these are necessary assets for all artists and other professionals in the 21st century art world. The project NXT - Making a Living from the Arts is half way through its process and it gives a glimpse of what creative hubs and higher arts edu-cation institutions are doing in this chang-ing world. How can young artists make a living from their artistic practice? How are higher arts education institutions taking into account cultural entrepreneurship and the teaching of employability skills? What are the new earning logics and economic models that actually work? What opportu-nities are there for the arts on the inter-face between the arts and other fields?

Victoria Brattström, University of Gothen-burg, Sweden; Kai Lehikoinen, University of the Arts Helsinki, Finland; Nana Raden-kovic, Nova Iskra, Serbia.

CLOSING KEYNOTE:

CARLA DELFOSWHAT MAKES US TICK?

FRIDAY 02 DECEMBER17.00-18.15

The 14th ELIA Biennial closes with a keynote by ELIA Executive Director Carla Delfos. What can be said after 26 happy years at ELIA, or better yet, what cannot be said…Carla will not speak about the history of ELIA, or well, maybe just a little bit. She will be pondering over art, society, education, the world and the crazy Times That Are A-Changin’…again and again touching upon the same elusive question: ‘why do we do what we do?'The session will end with a performance by saxophonist Olivier Duverger.

VENUE PALAZZO DEI

CONGRESSI VILLA VITTORIA

ROOMAUDITORIUM

The plenary sessions feature keynote speakers offering thought provoking pres-entations to further promote dialogue based on the theme TURN MIRRORS INTO WINDOWS. A series of questions will be raised to give jumping off points for discussion, focused on the influences, challenges and opportunities presented by current European and worldwide de-velopments.

Furthermore, two plenary sessions are organised on Friday, focussing on respec-tively the expert field of artistic research and cultural entrepreneurship: ‘Positions on the Doctorate in the Arts’ and ‘Making a Living from the Arts.’

GRAND OPENINGTHURSDAY 01 DECEMBER

09.15-10.15

The 14th edition of the ELIA Biennial Conference will be heralded by a perfor-mance by one of Italy its most renowned contemporary musicians Vittorio Ceccanti, followed by a welcome by ELIA, Palazzo Spinelli and representatives of the city of Florence.

KEYNOTE: DAAN ROOSEGAARDE

LANDSCAPES OF THE FUTURETHURSDAY 01 DECEMBER

11.00-12.00

Keynote by Daan Roosegaarde, who cre-ates innovative, technology based social designs that explore the relation between people, technology and space. He is the creative director of the social design lab Studio Roosegaarde and winner of the Dutch Design Award, Charlotte Kohler Pri-js, Design for Asia Award and China’s Most Successful Design Award.

KEYNOTE: CRISTINA ACIDINI

TRANSFORMING A DISASTER THE 1966 FLOOD AND FLORENCE

A MODERN-DAY CAPITAL OF RESTORATION

FRIDAY 02 DECEMBER09.15-09.45

Art historian and President of l’Accadem-ia delle Arti del Disegno of Florence- the oldest academy of fine arts in the world Cristina Acidini will address the history of Florence and how it connects to the global developments we witness today.

2322

tableTALKS

2524

table TALKS notesVENUE PALAZZO DEI

CONGRESSI VILLA VITTORIA

ROOMPASSI PERDUTI

YELLOWPASSI PERDUTI

BLUETHURSDAY 01 DECEMBER

12.00-13.00

FRIDAY 02 DECEMBER11.00-12.00

The table talks will give delegates the op-portunity to discuss the input and ques-tions raised during the plenary sessions, as a jumping-off point to get further ac-quainted with colleagues from across the globe.

TABLE TALKSDelegates will be divided into small groups, which have been designed to facilitate di-alogue and to allow for networking and making new contacts. Each round of ta-ble talks the group composition changes, increasing and diversifying the number of people to meet.

2726

pechaKUCHA

2928

STRAND: ANALOGUE/DIGITALROOM: PASSI PERDUTI YELLOW

Analogue/Digital goes into the relation be-tween online and offline creation, conser-vation and learning processes.

Online and studio based fine art learning - a dialogue of with-ness?

JONATHAN KEARNEY

University of the Arts London United Kingdom

theweb.printing()

LOIC HORELLOU

Haute École des Arts du Rhin (HEAR), France

Design 1o1: from Mirror to Windows

FOSCA SALVI

Abadir Academy of Design and Fine ArtsItaly

BREAK-OUT 2 STRAND: THE ROLE

OF THE ART SCHOOLSROOM: PASSI PERDUTI YELLOW

The Role of the Art Schools presents pa-pers and best practices on strategies of higher arts education institutions.

Making Learning: The Red House as mirror and window; and creative education as catalyst for social and cultural transformation

ANDREW BREWERTON

Plymouth College of Art United Kingdom

Artistic Research: Prolific Innovation or Pragmatic Tool?

RADKA KUNDEROVA

Janacek Academy of Music and Performing Arts Czech Republic

Arts Institutions and Aesthetic Education

JONATHAN CLARKLOUISE JACKSON

Trinity Laban Conservatoire of Music and Dance United Kingdom

Let our Mirror be your Window

BRIDGET KIEVITS

Amsterdam University of the Arts The Netherlands

VENUE PALAZZO DEI

CONGRESSI VILLA VITTORIA

ROOMPASSI PERDUTI

YELLOWPASSI PERDUTI

BLUESALA ONICE

THURSDAY 01 DECEMBER 13.00-15.00

A buffet lunch will be served in the Pas-si Perduti, followed by presentations in the Japanese format of Pecha Kucha: 20 slides shown of 20 seconds each- equal to a total presentation of six minutes and 40 seconds. After the buffet, delegates will be divided in 3 different groups to attend the Pecha Kucha session(s) of their choice.

BREAK-OUT 1STRAND: PREPARING THE ARTISTS

OF TOMORROWROOM: PASSI PERDUTI YELLOW

Welcoming Multiprofessional Cooperation - Moving towards Multiprofessional Work

LIISA-MARIA LILJA-VIHERLAMPI

Turku University of Applied Sciences/Arts Academy Finland

Preserving Contemporary Art as a Way to the Understanding and Appreciation of Current Artistic Activity

MARÍA DEL CARMENBELLIDO MARQUEZ

University of Granada Spain

Windows on Worlds: Artist-Teachers Conducting Action Research on Four Continents

STACEY SALAZAR

Maryland Institute College of ArtUnited States

The discovery of the body, didactics for a dance in movement

MARINELLA GUATTERINI

Teatro Paolo GrassiItaly

Westpassage – Journey, Inquiry and Sustainable Collaboration

BABETTE MARTINI

InWest eG Germany

Coaching for Artists: From the University to the art world. The case study of the R+D project: ‘Visual Arts and Talent Management’

BELÉN MAZUECOS

University of Granada Spain

3130

pecha KUCHA notesBREAK-OUT 3STRAND: COMMUNITY/ACTIVATION

ROOM: SALA ONICE

Community / Activation discusses the arts and higher arts education as a catalyst for social, cultural, political or rural transfor-mation and its impact on communities.

Turn mirrors into windows - Our stories and the other stories

PREDRAG VELINOVIC

University of Arts in Belgrade Serbia

Hungarian and gipsy youth making and enjoying art together

MARTA NYILAS

University of Pecs Hungary

The educational innovation in music and social fallout

LUCIANO TRISTAINOANNA CARLI

Music Conservatory Rinaldo Franci Italy

STRAND: CROSSING BORDERSROOM: SALA ONICE

Crossing Borders reflects on change ver-sus the status quo in today’s society, prompted by actors such as globalisation, diversity and gender, and how the arts and higher arts education play part in this.

Figural Theatre of the Mediterranean: a ‘Liquid Border’ of Imagination, Memory, and Hope

MELANIE ZEFFERINO

Florence Biennale / Churchill British Centre Italy

Sensing Behind the Mirror

PETER DE CUPERE

School of Arts/PXL-MAD Belgium

Know yourself to make a new hospitality

CORINNA DEL BIANCOSIMONE GIOMETTI

Life Beyond Tourism Florence

3332

mobileSESSIONS

3534

is physically explored and elaborated in the performance to discover a new sense of authenticity. The information taken from what is around us, audience and architec-ture, allows a sense of inter pares, of equal-ity between ourselves and the space, to emerge from the work. The session is led by dancer Agnese Lanza, a graduate from London Trinity Laban Conservatoire, and Scandinavian, London-based dance art-ist Julie Havelund. Agnese Lanza and Jul-ie Havelund danced together for the first time in the Square Dances (2011), a work commissioned by the Dance Umbrella fes-tival and directed by Rosemary Lee. In 2013 they began developing Inter Pares Project and recently presented the work in differ-ent spaces both in the UK and in Italy.

MOBILE SESSION 4LORENZO DE’ MEDICI - THE ITALIAN INTERNATIONAL INSTITUTE Culinary Masterpieces: A creative laboratory at Istituto Lorenzo de’ Medici

Delegates will be welcomed to the LdM Cucina in San Lorenzo Market and at the Fashion Department of Istituto Lorenzo de’ Medici for an interdisciplinary laboratory in-volving Art, Fashion and Food. The session will be an exploration into the fusion of re-gional colours and flavours with the art of sensory experience. LdM extends an invi-tation to participants to travel on an artistic journey of the five senses resulting in the creative expression of aesthetics and taste.

MOBILE SESSION 5CONSERVATORIO DI MUSICA ‘LUIGI CHERUBINI’ DI FIRENZEConservatorio Cherubini: From Roots to Leaves

Delegates will experience three multidis-ciplinairy musical interludes organised by

the Computer Music Department in the Salone del Buonumore. During these inter-ludes, small groups will be invited into the Library to see the historic collections of the Conservatoire, followed by short, live acoustic performances from three differ-ent historical periods. The session will end with a talk by organised by RAMI-Ricerca Artistica Musicale in Italia, an association for research development founded by the Conservatorio Cherubini along with seven other Italian conservatoires. The session has been put together to involve dele-gates in the Conservatoire’s current teach-ing and research activities and show them its historic links to the roots of our music culture.

MOBILE SESSION 6LIFE BEYOND TOURISM - TRAVEL, HERITAGE AND DIALOGUEIntercultural dialogue made through travel

The Fondazione Romualdo Del Bianco - Life Beyond Tourism has been dedicated to cultural rapprochement since 1991. Life Beyond Tourism is the practical application of the activities and research carried out by the foundation for over 25 years with stu-dents from all over the world. The Founda-tion believes in travel as a crucial tool for the development of territories. Forecasts on tourism clearly show how important is this economy. The world needs to transform the power and capillarity of the tourism econo-my in a new form of hospitality that makes a greater awareness of cultural diversity and a consequent mutual respect possible – the essential basis for peace in a world that is moving towards 10 billion inhabitants. Del-egates are invited to hear about how the Foundation is now spreading its knowledge and research through its network with over 500 institutions in 83 countries, and to take part in the continuing debate on how to move forward into the future.

VENUE VARIOUS

MEETING POINT

ENTRANCE VILLA VITTORIA

THURDAY 1 DECEMBER15:00-18:00

The urban fabric of Florence has hard-ly changed since the Renaissance, with world-class artefacts and art venues in each of its narrow streets. The arts and their creators have always been a corner-stone of Florentine economic and cultural life and still are today, showcasing both the city’s rich heritage and the contem-porary arts. To engage with Florence in a broader sense the Mobile Sessions have been designed to give conference partici-pants the rare opportunity to explore be-hind closed doors and meet local academ-ics, practioners and producers. Through dialogue with these experts, delegates will explore the complex relationship between Florence, its art history and its art future.

MOBILE SESSION 1IED- EUROPEAN INSTITUTE OF DESIGNHigh-end Craftsmanship meets Advanced Technologies

Crafts and contemporary thinking: new forms of beauty for “hand made” products. Delegates are invited to visit the European Institute of Design and debate new trends with style and design experts and Tuscan craftsmen. A dialogue will be formed be-tween those who are familiar with, and an-ticipate, aesthetic canons and the workers who have made the Italian brand synony-mous with quality.

MOBILE SESSION 2PALAZZO SPINELLI INSTITUTE FOR ART AND RESTORATIONA practical restoration workshop of paintings on canvas and wood

Delegates are invited to come to Palazzo Spinelli’s workshops and learn about the restoration of paintings on canvas and wood. The practical session will involve an overview of various aspects of restoration and conservation processes and an inter-active demonstration of some of the tech-niques. Participants will also be able to vis-it the 15th-century chapel on the school campus with frescoes by Santi di Tito.

MOBILE SESSION 3FABBRICA EUROPAInter Pares Project, open work session with Agnese Lanza and Julie Havelund

Fabbrica Europa invites delegates to attend an open work session of the Inter Pares Project, focused on the value of observ-ing, describing, listening and remembering. These elements are the raw material that

3736

mobile SESSIONS notesMOBILE SESSION 7LE ARTI ORAFE JEWELLERY SCHOOLA Date with a Jewel at Le Arti Orafe Jewellery School

A visit to the schools facilities offering in-sight into the activities of dissemination of contemporary jewellery culture on an international level and the possibility to participate in an interview / dialogue with a student at the workbench. Delegates are invited to visit the LAO Facilities in Oltr’arno. The visit includes an exhibition of students’ works, a presentation of the school’s teaching methods and its activi-ties in the organisation of events dedicat-ed to the dissemination of contemporary jewellery. The delegates will also have the chance to sit down at the workbench with students and anticipate the creative pro-cess of making a piece of jewellery from the idea to the object. To encourage fur-ther exchange, participating delegates are asked to bring a (family) jewel (or a photo-graph of the same) to exchange a story of their own with the students.

MOBILE SESSION 8TEATRO LA PERGOLA: IN SUA MOVENZA È FERMO (IN MOVEMENT, UNMOVING)A live visit to the historic Teatro della Pergola intertwined with performances recreating and explaining the theatre’s history, secrets, evolution and spaces

The live theatre visit, In Sua Movenza è Fermo, is named after the motto of the Accademici Immobili, the founders of the theatre. It is a voyage into the heart of the theatre in the company of “friendly shad-ows”; the characters that, over three cen-turies, have made the Teatro della Pergola great and immortal. The theatre manager/impresario Lanari, the inventor Meucci,

the soprano Barbieri Nini, the stagehand Canovetti and the wardrobe mistress of Eleonora Duse tell their stories to visitors as if suspended between a dream and real life. The visit includes the museum section of the theatre with items on display such as the original stage lifting mechanism built in 1857 by Canovetti and the high-backed chair built for the première of Giuseppe Verdi’s Macbeth in 1847.

MOBILE SESSION 9BIBLIOTECA NAZIONALE CENTRALE DI FIRENZE - ASSOCIAZIONE CULTURALE PINOCCHIO DI CARLO LORENZINIThe original remaining text of Pinocchio at the National Library

Delegates are invited to the National Cen-tral Library of Florence to see the last re-maining original chapters from the manu-script of the Adventures of Pinocchio and discuss the book’s significance with the Director of the Pinocchio by Carlo Loren-zini Cultural Association. The Association studies and promotes the Florentine au-thor of the Adventures of Pinocchio – the most translated book in the world after Bi-ble and Koran – through the identification of historical themes mentioned in many of the writer’s tales. The Association also works on projects for the architectural, so-cial and economic redevelopment of the San Lorenzo district, where the author was born and lived. Activities include support for historical shops to promote the teach-ing of arts and crafts typical of Florence’s artisan culture.

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thematicSESSIONS

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PREPARING THE ARTISTS OF TOMORROW PART 1

ROOM: PASSI PERDUTI SQUARE

Preparing the Artists of Tomorrow show-cases different approaches to meet the opportunities and challenges that young artists and creative professionals encoun-ter in today’s society and while facing the industry, during their education as well as after graduation.

Developing a Community of Practice in a Climate of Change

ANDREW KULMAN

Birmingham City University United Kingdom

NICAI: Art and Arts Education in a changing world

DIANE BRANDNUALA GREGORY

University of Auckland New Zealand

COMMUNITY/ACTIVATIONROOM: SALA 9

Community/Activation discusses the arts and higher arts education as a catalyst for social, cultural, political or rural transfor-mation and its impact on communities.

How to create creative learning environments in public education by the help of art students as creative practitioners?

ENDRE RAFFAYSZILVIA NÉMETH

University of PecsT-Tudok- Centre for Educational Research and Knowledge Management Hungary

Picture Windows: Visions of Community, Continuum and Change

ELLEN SIMS

Plymouth College of Art United Kingdom

The Molt of the Book — Walkabout in a House of Change

MARTIN LUNDELLTHEODOR BARTH

Oslo National Academy of the Arts Norway

CROSSING BORDERS PART 1ROOM: SALA 4

Crossing Borders reflects on change ver-sus the status quo in today’s society, prompted by factors such as globalisation, diversity and gender, and how the arts and higher arts education play part in this.

Malleable Identities: finding the artistic self in research oriented, open-access, blended-culture conditions

NANCY DE FREITAS

Auckland University of Technology New Zealand

FAUXTHENTICATION All the academia’s a stage and academics are merely players...but under whose “command”?

BOGDAN SZYBER

Stockholm University of The Arts Sweden

Global Encounters at a Dutch MFA Intercultural Dialogue in Higher Art Education

MARGO SLOMP

Minerva Art Academy/Hanze University of Applied Sciences the Netherlands

VENUE PALAZZO DEI

CONGRESSI VILLA VITTORIA

ROOMS AUDITORIUM

PASSI PERDUTI SQUARE

SALA ONICE SALA 9

SALA 4FRIDAY 02 DECEMBER

13.30-14.30 | BREAK OUT 1 16.00-17.00 | BREAK OUT 2

Presenters selected from the Call for Pres-entations for ELIA Member Institutions showcase research papers, case studies and innovative projects, organised by top-ic or thematic strand.

BREAK OUT 13RD CYCLE SUPERVISION

ROOM: AUDITORIUM

Supervision plays a crucial role in 3rd cy-cle education in the arts. We may all agree that a common supervision culture shared by supervisors, doctoral school leaders and doctoral candidates is a priority for in-stitutions to focus on. But which models are out there and what possible support structure can we imagine for the interna-tional community of artistic doctorates in the future? Supervision must be a collec-tive effort with clearly defined and written responsibilities of the main supervisor, supervisory team, doctoral candidate, doctoral school, research group and the institution, leaving room for the individu-al development of the doctoral candidate. These challenges will discussed on the ba-sis of practice examples with a view to a future support platform. The session will entail a panel discussion, with an emphasis on exchange and dialogue with the audi-ence.

Andrea Braidt, Academy of Fine Arts Vien-na, Austria, Peter Dejans, Orpheus Institute, Belgium, Cecilie Broch Knudsen, Norwegian Artistic Research Programme, Norway, Hen-ry Rogers, Birmingham School of Art, United Kingdom, Giaco Schiesser, Zurich University of the Arts - ZHdK, Switzerland and Johan Verbeke, Aarhus School of Architecture, Den-mark and KU Leuven, Belgium.

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and enhancement processes to ensure that they are truly fit-for-purpose and are fully transparent to both staff and stu-dents, and are in tune with both institu-tional mission and their unique social and cultural contexts.

ROBERT BAKERJOHN BUTLERPAULA CRABTREEANTHONY DEANLARS EBERT

EQ-Artsthe Netherlands

PREPARING THE ARTISTS OF TOMORROW PART 2

ROOM: PASSI PERDUTI SQUARE

Preparing the Artists of Tomorrow show-cases different approaches to meet the opportunities and challenges that young artists and creative professionals encoun-ter in today’s society and while facing the industry, during their education as well as after graduation.

Arts Talent Training: A Case of Best Practice

MARINA BISTOLFI

Fondazione Fabbrica Europa per le Arti Contemporanee Italy

Is it a bird? A plane? It is Arts Education! Homo ludens in the 21st Century: towards a ludic approach in Arts Education

IMARA FELKERS

HKU University of the Arts Utrecht the Netherlands

CROSSING BORDERS PART 2ROOM: SALA 4

Crossing Borders reflects on change ver-sus the status quo in today’s society, prompted by actors such as globalisation, diversity and gender, and how the arts and higher arts education play part in this.

Translating Other Knowledge – Ethnographic Performance

LEA KANTONENPEKKA KANTONEN

University of the Arts Helsinki Finland

Exclusion intrinsic to art? The interweaving of social inequality categories structuring the field of higher art education

SOPHIE VOEGELE

Zurich University of the Arts Switzerland

TRANSFORMATIONS IN LEARNING AND TEACHING

ROOM: SALA ONICE

Transformations in Learning and Teaching showcases new approaches in didactic strategies and practice in higher arts ed-ucation.

Shifted Certitudes

FRANCOIS DUCONSEILLE

Haute École des Arts du Rhin (HEAR) France

Teaching Professional Theater Practice (New international project of Shota Rustaveli Theater and Film Georgian University and AKT-ZENT, Berlin, Germany)

GIORGI MARGVELASHVILIJURIJ ALSCHITZLEVAN KHETAGURI

Shota Rustaveli Theatre and Film Georgian State University

Georgia

AKT-ZENT

Germany

BREAK OUT 2CULTURAL ENTREPRENEURSHIP

ROOM: AUDITORIUM

A look into what higher arts education in-stitutions are doing to support the career development of emerging artists.

Transfer and Creativity Hubs

GEORG RUSSEGGER

Academy of Fine Arts Viennia Austria

The Rise of the Creative Entrepreneur: Enterprise in the Performing Arts and the Role of Higher Arts Education

SIAN BRITTAINMARINA PAPAGEORGIOU

Guildhall School of Music & Drama United Kingdom

Beyond Social

IRIS SCHUTTEN

Willem de Kooning Academy, Hogeschool Rotterdam, the Netherlands

QUALITY ASSURANCE AND ENHANCEMENT: TAKING

OWNERSHIP OF QUALITY ASSURANCE

ROOM: SALA ONICE

Quality assurance and the enhancement of the student learning experience are key concerns for the higher education sector across Europe and beyond.

The implementation and development of Quality Assurance systems and processes often take insufficient account of the spe-cific contexts (regional, national, subject disciplines, etc.) in which higher education is delivered.

Higher Education institutions need to take full ownership of their quality assurance

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openSPACE

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PARADOX FINE ART EUROPEAN FORUM FOR, ABOUT, NEARBY:

THE VALUE OF DIVERSITY AND DIFFERENCE IN FINE ART

PRACTICE, RESEARCH AND EDUCATION14.00-16.00

ACCADEMIA DI BELLE ARTI DI FIRENZE

HOSTED BY: MIDDLESEX UNIVERSITY AT CONWAY HALL & THE ARTWORKERS’ GUILD

Stephanie James, Syracuse University, USA, Paul Haywood, Central St.Martins, London, Andris Teikmanis, the Art Academy of Latvia, Latvia, Christine Pybus, CIT Crawford College of Art and Design, Ireland, Dean Hughes, University of Edinburgh, Scotland, Basia Sli-winska, Middlesex University London, United Kingdom, Ana García-Lopez, University of Granada, Spain, Maia Rosa Mancuso, Acca-demia di Belle Arti Palermo, Italy

MIME-EDUCATION IN EUROPE: WHAT’S UP TODAY?

MIME AS AN ARENA BETWEEN DANCE, THEATRE AND CIRCUS

14.00-17.30ROOM: 13

LENA STEFENSONSTANISLAW BROSOWSKIALEJANDRO BONNET

The Stockholm Academy of Dramatic Arts (SADA)Sweden

WE ARE THE MONUMENTS WORKSHOP ABOUT FORGETTING

AS ART PRACTICE IN PUBLIC SPACE16.00-17.30

ROOM: 16

MERETE RØSTADThe Oslo National Academy of the ArtsNorway

EUROPEAN PROGRAMMES16.00-17.30

ROOM: 4LARS EBERTELIAthe Netherlands

CREATIVE PRACTICE AND RESEARCH16.00-17.30ROOM: 0-2

JOHAN VERBEKEcoordinator of ADAPT-r, Campus Sint-Lu-cas, KU Leuven, Belgium and Aarhus School of Architecture, Aarhus, Denmark

SALLY STEWARTMackintosh School of Architecture, the Glasgow School of Art, Scotland

SMART MUSEUM16.00-17.30

ROOM: 14ALBERTO REATTIFlorence UniversityItaly

INTERNATIONAL PROJECT MANAGEMENT TRAINING

16.00-17.30ROOM: 12

MARTE BRINKMANELIAthe Netherlands

WIMBLEDON COLLEGE OF ARTS EUROPEAN PERFORMANCE AND

THEATRE DESIGN NETWORK: AN INTRODUCTION

16.00-18.00ROOM: 11

SIMON BETTSESTHER ARMSTRONGPETER FARLEYWimbledon Collage of the Arts, University of London United Kingdom

VENUE IED

EUROPEAN INSTITUTE

FOR DESIGNWEDNESDAY 30 NOVEMBER

14.00-18.00

Open Space is the non-curated platform that offers ELIA partners and member institutions the opportunity to showcase and share their own practices with dele-gates, being it for example a workshop, as a kick-off meeting for the starting of new initiatives or to accommodate network-ing, sharing experiences and discussion in their field of expertise. Please notice: Del-egates attending Open Space can register for the whole conference upon arrival at the venue.

QUALITY ASSURANCE IN THE ARTS: DISCOVERING SCOPES

FOR DEVELOPMENT INSTEAD OF STICKING TO EUROPEAN STANDARDS. REFLECTIONS,

A CASE STUDY AND OPEN EXCHANGE14.00-15.30ROOM: 0-2

BERNHARD KERNEGGER

University of Applied Arts ViennaAustria

EUROPEAN ACADEMY OF PARTICIPATION

14.00-15.30ROOM: 12

CHRISSIE TILLER

United Kingdom

MIRROR SALON: DECISION TIME WORKSHOP ABOUT DECISION

POINTS IN CREATIVE PROCESSES14.00-15.30

ROOM: 4

KAI VAN HASSELT- INDEPENDENT ADVISER

Noha in partnership with Fontys School of the Performing and Fine Artsthe Netherlands

CUMULUS/BEYOND THE CLASSROOM/BEYOND

BORDERS14.00-16.00

ROOM: 10

ANN ALBRITTONGWEN FARRELLY

Ringling College of Art and DesignUnited States

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generalASSEMBLY

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general ASSEMBLY notesVENUE AUDITORIUM

AL DUOMOMEMBERS ONLY

SATURDAY 3 DECEMBER09:30-13:00

The ELIA General Assembly will be held in the Auditorium Al Duomo. While the ELIA Conference is open to all delegates, the General Assembly is a forum that is re-stricted to ELIA members only. The regis-tration opens at 8.30 hrs and the agenda, as well as relevant papers, will be distrib-uted separately. Please notice: We kindly ask delegates who are authorized to at-tend or vote during the General Assembly to register on time due to logistic reasons.

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culturalEVENTS

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OPENING PERFORMANCE VITTORIO CECCANTI

THURSDAY 1 DECEMBER09.15

VENUE: VILLA VITTORIAROOM: AUDITORIUM

Vittorio Ceccanti violoncelloIvano Battiston fisarmonicaMusica di Astor Piazzolla

Vittorio Ceccanti is the President of the Con-tempoArtEnsemble, and founder of the Con-tempoArteFestival both of which promote contemporary music. He has played and conducted innumerable world premieres and has close links with many of today’s foremost composers including the late Sir Peter Max-well Davies, Kaija Saariaho, Jonathan Har-vey, Luciano Berio, Salvatore Sciarrino, Pierre Boulez, Azio Corghi and Steve Reich.

CIVIC RECEPTIONTHURSDAY 1 DECEMBER

19.00-21.00VENUE: PALAZZO VECCHIO

Delegates are invited to attend the Civic Reception. The City Council of Florence welcomes participants of the conference in the Salone dei Cinquecento in Palazzo Vecchio. This unique venue and world-class artifact is during the Civic Reception accessible to ELIA delegates only. After the welcome a buffet-style dinner will be served in the main hall.

CLOSING PARTYFRIDAY 2 DECEMBER

21.30-01.00VENUE: PALAZZO STROZZI

The Closing Party takes place in Palazzo Strozzi: one of Florence its premier ex-

amples of civic Renaissance architecture. Palazzo Strozzi is nowadays host to world-class art exhibitions, such as at the time of the conference by Chinese artist Ai Wei Wei. One of his sculptures will be on dis-play in the centre of the courtyard, which can be admired while we enjoy drinks and music. Please notice: an additional €20 fee (€5 fee for PhD Students) is required and it can be purchased from 21.30 hrs onwards at the door of the Palazzo Strozzi on the night itself. Tickets purchased during the online registration are included in your personal registration envelope.

CLOSING PERFORMANCE OLIVIER DUVERGER

FRIDAY 2 DECEMBER17.00

VENUE: VILLA VITTORIAROOM: AUDITORIUM

NEU NOW alumnus and saxophonist Ol-ivier Duverger attempts to push back the boundaries of style and artistic mediums, considering music as one of the purest ex-pressions of both the spirit and the body. By working with dancers, video artists, stage director Marco Locci or visual art-ists Laurent Reynès and Arthur Vinck, he invites the audience to live the music it lis-tens to. He earned his bachelor’s and mas-ter’s degree with high honous at Academie Superieure de Musique de Strasbourg, under Philippe Geiss, and completed addi-tional studies in chamber music and inter-pretation in Strasbourg and Vienna, under Prof. Lars Mlekusch. Olivier has recently performed in Argentina, Ukraine, Spain, It-aly and Netherlands, with solo recitals, as part of saxophone duo Miradas Cruzadas or as a soloist with contemporary ensem-ble Ukho (Kiev).

CULTURAL EVENTS

VENUE VARIOUS

The Cultural Events offer delegates the opportunity to experience Florence while meeting colleagues from across the globe in a more informal setting.

HIGHER ARTS EDUCATION

INSTITUTIONS VISITS WEDNESDAY 30 NOVEMBER

10.00-12.00

Early arrivals can participate in tours kindly hosted by local higher arts education in-stitutions: Palazzo Spinelli, Le Arti Orafe Jewellery School, SACI Florence, Istituto Lorenzo de’ Medici, Fondazione Romual-do Del Bianco - Life Beyond Tourism® and Conservatorio di Musica ‘Luigi Cheru-bini.’ Each host organises their own tour, in which they will take you on a journey through their work and the unique historic venues where they are situated.

BLIND DATE DINNERWEDNESDAY 30 NOVEMBER

20.00VENUE: IL PORCOSPINO

Delegates who wish to start networking straight away, can join the optional Blind Date Dinner. During this dinner just be-fore the official start of the conference, the organisers facilitate matchmaking: placing participants in intimate groups across sev-eral tables at the restaurant, where au-thentic Florentine dishes and drinks will be served. Please notice: places are limited. Pre-booking and an additional payment of EUR 40 through the online registration form are required.

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speakersBIOGRAPHIES

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CARLA DELFOSFOUNDER AND EXECUTIVE DIRECTOR ELIA, THE NETHERLANDS

Cristina Acidini worked amongst others at the Ministry of National Heritage and Culture and was Superintendent of the State Museums of Florence, before taking on her current position as the President of the l’Accademia delle Arti del Disegno of Florence, the oldest fine art academy in the world. She is widely recognised for her contribution to art restoration and conser-vation and has curated numerous exhibi-tions in Italy and abroad. In addition Cris-tina Acidini has written many essays on art history and has published two novels.

CRISTINA ACIDINIART HISTORIAN, WRITER AND PRESIDENT OF L’ACCADEMIA DELLE ARTI DEL DISEGNO

OF FLORENCE, ITALY

Carla Delfos founded ELIA over 25 years ago and has been the organisation’s Exec-utive Director since. Prior to this position she worked as an actress, theatre director and writer. For her accomplishments Carla Delfos was knighted 'Chevallier dans l'Or-dre des Arts et des Lettres’ and awarded an Honorary Fellowship by the Hong Kong Academy of Performing Arts and Music, a Degree of Doctor of Arts by Columbia College Chicago and an Honorary Doc-torate by the Robert Gordon University in Aberdeen.

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Daan Roosegaarde, creative director of the social design labs Studio Roosegaarde in Rotterdam and Shanghai, develops innova-tive and interactive landscapes that merge creativity, technology and ideology. He is best known for social designs aimed at sustainability, which instinctively respond to sound and movement- taking technolo-gy ‘out of the screen’ and integrating it into the real world. Daan Roosegaarde has won the Dutch Design Award, Charlotte Kohler Prijs, Design for Asia Award and China's Most Successful Design Award and his work has been the focus of exhibitions at amongst others the Tate Modern, the Na-tional Museum in Tokyo and the Victoria and Albert Museum in London.

DAAN ROOSEGAARDEARTIST AND SOCIAL DESIGNER, STUDIO ROOSEGAARDE, THE NETHERLANDS

David Greig is a Scottish playwright and theatre director, graduated from Bristol University. His work has been produced extensively abroad, with plays translated and performed in most of the countries of Europe, USA, Canada, Brazil, Australia, Japan and Korea. As a workshop leader David Greig has worked on many projects to teach or develop playwriting, in which he has a particular relationship with writers in the Middle East, such as from Palestine, Egypt, Syria, Lebanon, Tunisia and Moroc-co. From 2006 David Greig has been on the board of The Traverse Theatre in Ed-inburgh.

DAVID GREIGPLAYWRIGHT AND THEATRE DIRECTOR, SCOTLAND

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practicalINFORMATION

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SHUTTLE BOLOGNA AIRPORTAppennino Shuttle, bus tickets cost 20€ if booked online or bought on board.

The bus leaves from Viale Filippo Strozzi:

From inside the train station, go straight to the end of Platform 16 and then walk down the ramp.

For more information visit www.appenni-noshuttle.it

TRAINSanta Maria Novella (S.M.N. Central Sta-tion):

Stazione Ferroviaria, Piazza Santa Maria Novella, 50123 Firenze

firenzesantamarianovella.it

+39 055 235 2595

Bookings: www.trenitalia.com

MAIN MUSEUMS GALLERIA DEGLI UFFIZI

From Tuesday to Sunday: 8.15 a.m. - 6.50 p.m.

Piazzale degli Uffizi, 6

To book tickets visit www.b-ticket.com/b-ticket/uffizi/default.aspx or go to Via del Proconsolo 4, 50122 Firenze

GALLERIA DELL’ACCADEMIATuesday to Sunday: 8.15 a.m. – 6.50 p.m.

Via Ricasoli, 58/60

To book tickets visit www.b-ticket.com/b-ticket/uffizi/default.aspx or go to Via del Proconsolo 4, 50122 Firenze

PALAZZO VECCHIOFriday to Wednesday: 9 a.m. - 7 p.m. (Tower 10 a.m. – 5 p.m.) Thursday: 9 a.m. – 2 p.m.

Piazza della Signoria

MUSEO DI SANTA MARIA NOVELLA

Monday to Thursday: 9 a.m. – 5.30 p.m. Friday: 11 a.m. – 5.30 p.m.

Piazza della Stazione 4

MUSO NAZIONALE DEL BARGELLO

From Monday to Saturday: 8.15 a.m. – 1.30 p.m.

Via del Proconsolo, 4

To book the tickets visit www.b-ticket.com/b-ticket/uffizi/default.aspx or go to Via del Proconsolo 4, 50122 Firenze

PALAZZO STROZZIMonday – Sunday: 10 a.m. – 8 p.m.

Piazza degli Strozzi.

To book tickets visit: www.palazzostrozzi.org

MORE INFO

What’s On in Florencehttp://en.firenze-online.com

The City of Florencehttps://youtu.be/_Zc6FeD7etE

PRACTICAL INFORMATION

DESKThe staff of the information desk man-aged by the Florence Convention Bureau will be happy to assist you with museum bookings, sightseeing events and general information about Florence. The informa-tion desk is located in the entrance hall of Villa Vittoria and will be open throughout the conference from Thursday 1 Decem-ber onwards.

INTERNET The main conference venues will provide access to Wireless Internet. Information on how to join the wireless network will be included in your conference bag or can be requested at the registration desk.

On social media please us the conference hashtag #eliabiennial2016

GETTING AROUNDFlorence is a walking city and almost all destinations are within 15 minutes of each other.

EMERGENCIESIn the event that you need urgent assis-tance outside of conference hours, you can call the ELIA Conference Manag-er Marte Brinkman: +31 6 339 68987 or Palazzo Spinelli Conference Manager Catherine Burnett: +39 339 4878808.

Police 112

Fire 115

Ambulance 118

TRANSPORTTAXI

There are two taxi services in Florence:

Taxi Firenze 4242 - Tel. +39 055 4242

Taxi Firenze 4390 - Tel. +39 055 43 90

Fixed fares from/to Florence airport: 22€ (24€ public holidays; 25.30€ night-time 22.00 - 06.00 hrs.)

Journey time: about 15 minutes

BUSATAF

Each ride costs 2€ on board, 1.20€ if pur-chased at the train station or in a tobacco shop, or 4 trips for 4.70€.

For more information visit: www.ataf.net

SHUTTLE FLORENCE AIRPORTVolainbus, bus tickets cost 5€ per person if purchased inside the train station at ATAF office, 6€ per person on board.

Departures from Florence City Centre (S.M.N. Central Station and SITA bus sta-tion) from 5.30 a.m. to 11.00 p.m. every half hour. Departures from A. Vespuc-ci Airport. From 6.00 a.m. to 11.30 p.m. every half hour.

SHUTTLE PISA AIRPORTAutostradale, bus tickets cost 9.90€ if pur-chased on board and 7.50€ online.

The bus leaves from Viale Filippo Strozzi:

From inside the train station, go straight to the end of Platform 16 and then walk down the ramp.

For more information visit www.auto-stradale.it

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thanks &CREDITS

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INSTITUTIONAL PARTNERS

SPONSORS

PARTNERS

Firenze

CITTÀ METROPOLITANA DI FIRENZE

MEDIA PARTNERS

CONFERENCE STEERING COMMITTEE

Emanuele Amodei, General Director, Palazzo Spinelli Istituto per l’Arte e il Restauro, Florence, Italy

Carla Delfos, Executive Director, ELIA – European League of Institutes of the Arts, Amsterdam, Netherlands

Philippe Hardy, Executive Managing Director, Ecole Europeenne Superieure d’Arts de Bretagne, Rennes, France

Maggie Kinloch, Vice Principal, Royal Conservatoire of Scotland, Glasgow, United Kingdom

Michael Kwakkelstein, Director Dutch University Institute for Art History, Florence, Italy

Thomas D. Meier, President, ELIA; Zurich University of the Arts, Zurich, Switzerland

SCIENTIFIC COMMITTEE

Stefano Baldassarri, Director of ISI - International Studies Institute, Palazzo Rucellai

Monica Stefania Baldi (President), President of Pinocchio by Carlo Lorenzini Cultural Association, Former Member of European Parliament for Culture, Education, Youth and Sport.

Marina Bistolfi, Head of Education at Fabbrica Europa

Gio Carbone, Director of Le Arti Orafe Jewellery School

Eugenio Cecioni, Director of Accademia di Belle Arti di Firenze

Alessandro Colombo, Director of IED Florence – European Institute of Design

Corinna Del Bianco, Board member for international relationships at Fondazione Romualdo Del Bianco

Elisa Gradi, Art Historian, Art Critic, Curator at Lorenzo de’ Medici Institute

Anne Chantellier Pellegrini, Senior Administrator at SACI (Studio Arts Centers International)

Paolo Pieri Nerli, Conservation Architect at Palazzo Spinelli per l’Arte e il Restauro

Francesco Torrigiani, Lecturer at Conservatorio Musicale Luigi Cherubini

Riccardo Ventrella, Director of Communicatons at Fondazione Teatro della Pergola

CONFERENCE ORGANISERS

Marte Brinkman, Conference Manager, ELIA – European League of Institutes of the Arts, Amsterdam

Catherine Burnett, Head of International Projects and Cooperation, Palazzo Spinelli Istituto per l’Arte e il Restauro, Florence, Italy

Laura Pinyol Ruis, Project Assistant Palazzo Spinelli Istituto per l’Arte e il Restauro, Florence, Italy

GRAPHIC DESIGNFrancesco Luglio, Graphic Designer Palazzo Spinelli Istituto per l’Arte e il Restauro, Florence, Italy

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RESTORATION PROJECTMEDICI COAT OF ARMS SCULPTED BY GIAMBOLOGNAThanks to delegates who booked their accommodation using the hotel booking portals on the ELIA website, the Medici Coat of Arms of Palagio di Parte Guelfa will be restored. A percentage of the book-ing fee will go towards funding the project, without any additional booking charges for delegates. The proceeds will fund the restoration of a polychrome Medici coat of arms sculpted in pietra serena by the eighteen-year-old Giambologna. The coat of arms is on the balcony of the Palagio di Parte Guelfa, the headquarters of the Guelph Party in the Middle Ages.www.palazzospinelli.org

PARTNER INSTITUTION

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conferenceNOTES

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YOUR notes

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PHOTO & GRAPHIC DESIGNFRANCESCO LUGLIO