Principal Cello Audition Repertoire
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Principal Cello Audition Repertoire I. SOLO REPERTOIRE The first movement of any concerto in the standard repertoire. II. ORCHESTRAL SOLO EXCERPTS BRAHMS Piano Concerto #2: mvt 3, opening to 9 after A, D to end TCHAIKOVSKY Swan Lake Suite: Solo from Scene 4 STRAUSS Don Quixote: Theme, Variation I, Finale as marked III. ORCHESTRAL EXCERPTS MOZART Symphony no. 35: IV. Finale (Presto), m. 1 - m. 54, m. 134 – m. 197 BEETHOVEN Symphony no. 5: II. Andante con moto, m. 1 – 10, m. 49 – 57, m. 98 – 106, III. Scherzo Allegro , m. 1 - 17 MENDELSSOHN A Midsummer Night’s Dream: Scherzo, 3 rd beat of C to first of D, 3 rd beat of N to first beat of O STRAUSS Don Juan, beginning to D IV. POSSIBLE SIGHT-READING
Transcript of Principal Cello Audition Repertoire
Principal Cello Audition Repertoire
I. SOLO REPERTOIRE
The first movement of any concerto in the standard repertoire.
II. ORCHESTRAL SOLO EXCERPTS
BRAHMS Piano Concerto #2: mvt 3, opening to 9 after A, D to end
TCHAIKOVSKY Swan Lake Suite: Solo from Scene 4
STRAUSS Don Quixote: Theme, Variation I, Finale as marked
III. ORCHESTRAL EXCERPTS
MOZART Symphony no. 35: IV. Finale (Presto), m. 1 - m. 54, m. 134 – m. 197
BEETHOVEN Symphony no. 5: II. Andante con moto, m. 1 – 10, m. 49 – 57, m. 98 – 106, III. Scherzo Allegro , m. 1 - 17
MENDELSSOHN A Midsummer Night’s Dream: Scherzo, 3rd beat of C to first of D, 3rd beat of N to first beat of O
STRAUSS Don Juan, beginning to D
IV. POSSIBLE SIGHT-READING