Presentation 3D digital Hirox microscopy with MOPAS stand 2014
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Transcript of Presentation 3D digital Hirox microscopy with MOPAS stand 2014
High resolu,on 3D microscopy of pain,ngs and documents
A collabora,on between Hirox Europe
& JAAP Enterprise for Art Scien,fic Studies
Amsterdam
JAAP Enterprise
Emilien Leonhardt Hirox Europe
Jaap Boon JAAP Enterprise
Hirox KH-‐8700 Microscopy system: High magnifica,on High resolu,on 3D in focus images Video imaging Imaging moving parts Rota,ng side view Revolving trio lens
Highly suitable for microscopic imaging of works of Art
A MOPAS stand system is required to move the microscope camera over the large surface
in X and Y direc,on
with microscopic precision and
minimal vibra,onal noise
The size and dimensions of pain,ngs, etchings, litho’s etc is not at all compa,ble with
stand-‐up microscopes.
Hirox microscopy mounted on a MOPAS XY stand from JAAP Enterprise
Y
Design principle: XY stand with manual micrometer movement
X
Different stand morphologies
T stand
Rectangular high box for objects
Cube for horizontal examina,on
Microscopy cage mounted on mobile table
Mail slot table stand
Examina,on of the The Scream by Edvard Munch at the Na,onal Gallery of Art in Oslo, Norway
T stand
Rectangular high box for objects
Cube for examina,on in stacks
Microscope XY-‐ cage on mobile table
Mail slot principle for safe exchange of pain,ngs
Solu,ons for large pain,ngs
Art and stand as one setup to minimize vibra,onal noise
Hirox KH-‐8700 digital microscope 58 megapixel camera and 5700 K LED ligh,ng
Large selec,on of zoom lenses from 1x up to 10,000x Revolving system for three zoom lenses providing 35 to 5000x Exclusive patented rotary head for 360 degrees side view inspec,on Viewing with remote controlled work sta,on with super HD screen Viewing and working with 3D-‐video googles UV light op,on
Revo zoom lenses 35 to 5000x
High resolu,on microscopy of pain,ngs
Studies in Norway: Munch and Riopelle
First results
Photo Donna Mehos
The Scream by Munch
120 s,tched side view images of a brush stroke by Munch
3-‐D in focus picture of the paint surface
Manipula,on of the digital image data set
Profile measurement
Depth profile in micrometers
Rotary Head op,on for sideway viewing of the surface morphology
Camera
Exclusive Hirox patent
Fluffy efflorescent crystals growing on the canvas surface
Poor aeachment of paint on a pain,ng by Edvard Munch
Perspex window protec,ng the pain,ng while working the microscope
Chemical reac,ons in the paint and support
Chemical changes and crystal formation at the contact of the ground and canvas causing paint loss in a painting by Munch
Severe paint loss
Microscope moves over the surface using motorised X-axis of stand making micrometer steps at slow pace
Immediate image stitching in the workstation
At higher magnifica,on the pigment par,cles are visualised
Composi2on 1952 Jean-‐Paul Riopelle 131,2 x 251 x 4,5 cm Sans 2tre 1952.018H.1952,
Le Catalogue Raisonne de Jean-‐Paul Riopelle.
Hirox-‐MOPAS study of Composi,on 1952 by J-‐P Riopelle at the Henie Onstad Art Centre, Oslo Norway
2 mm
Paint stability issues
MOPAS XY stands: JAAP Enterprise for Art Scien,fic Studies Contactperson: Jaap Boon molartadvice@jaap-‐enterprise.com Tel. +31 6512 46880 www.jaap-‐enterprise.com Hirox 3D Full HD Digital Microscopes: Hirox Europe Ltd. Contact person: Emilien Leonhardt emilien@hirox-‐europe.com Tel. +49 17 2441 9555 www.hirox-‐europe.com
Contact details