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Transcript of Presentaci n 1_melville
Unit 1: Herman Melville’s Moby Dick
1ILN 2011-2012, Silvia Martínez Falquina
Unit 1 outline
1. Herman Melville’s life, works and literary significance
2. An introduction to Moby Dick (1851)
3. Movie: Moby Dick, dir. John Huston (1956)
4. Novel: analysis of chapters 1, 28, 34, 41
2ILN 2011-2012, Silvia Martínez Falquina
1. H. Melville’s Life, Works and Literary Significance
Handout pp. 1-4
The basics: • Heredity but loss of fortune • Works at several odd jobs• Sails on various whaler ships (lives with a tribe
in the Marquesas, explores in Tahiti and Eimeo, Honolulu...)
• 1844 starts writing, with irregular success, revival from 1919
• Psychological, economic and familiar distress
3ILN 2011-2012, Silvia Martínez Falquina
Main works
Typee (1846)
Omoo (1847)
Mardi (1849)
Redburn (1849)
White Jacket (1850)
Moby Dick; or The Whale (1851)
4ILN 2011-2012, Silvia Martínez Falquina
Main works (cont.)
Pierre (1852)Israel Potter (1855)The Piazza Tales (1856)The Confidence Man (1857)
Battle Pieces (1866)
Clarel (1876)
Billy Budd (posthumous, 1924)
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Relevance
•“The man who lived among the cannibals”•“The first American literary sex symbol”•Mostly appreciated as author of travel narratives•Not admired for more philosophical works•Criticised for his style and morals•Forgotten in the postbellun literary world•Revival on centennial in 1919•Today: mass consumption of Melville in classroom and popular culture
6ILN 2011-2012, Silvia Martínez Falquina
Main themes
• Religion: original sin and evil / innocence
• Man in society and nature
• Man as maker of his own identity:
– Appearances
– Mortality
– Inability to know the universe
– Need for love and his fellow men
• Race
– civilized/savage
• Gender and sexuality
– Masculine world
– Homoerotic overtones7ILN 2011-2012, Silvia Martínez
Falquina
Melville’s influences and styleExperience (sea voyages, whaling)
Hawthorne• Influence in Moby Dick (dedicated to Hawthorne): style, quest for the meaning of life… • Melville’s review “Hawthorne and his Mosses” (1850)
In common: • obscurity, darkness and pessimism• Romantic concern with good and evil• philosophical ideas and obsessions• Two kinds of audience: the mob and the eagle-eyed
Differences: • Hawthorne: individuals• Melville: philosophical or metaphysical matters (more negative view)
8ILN 2011-2012, Silvia Martínez Falquina
Melville’s influences and style
Dark Romanticism• Hawthorne, Melville, Edgar Allan Poe • View of Man: moral struggle with evil; feelings and intuition; dark interior• View of God: good v. evil; sin and its psychological effects on people • View of Nature: evil found in setting and symbol; often the supernatural • View of Society: must be reformed
Shakespeare (Style, poetic diction, verbal exuberance, especially in dramatic monologues)
The Bible (Old Testament)
9ILN 2011-2012, Silvia Martínez Falquina
An introduction to Moby Dick
Handout p. 5• Reception and relevance• Context • General interpretation• Plot• Themes• Characters• Narrative voice• Influences, style and tone• Symbolism• Epilogue
10ILN 2011-2012, Silvia Martínez Falquina
Reception and Relevance
From...
“ an ill compounded mixture of romance and matter of fact. It is a crazy sort of affair, stuffed with conceits and oddities of all kinds, put in artificially, deliberately and affectedly” (Boston Post, November 20, 1851)
To…
“The best American novel”
“An American classic by the American Shakespeare” (common views, today)
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15ILN 2011-2012, Silvia Martínez Falquina
ContextComing of age of the US (economical, political, social)
– definition of Americanness, American democracy, …
Mexican-American war 1846-48 and
Civil War 1861-65 – Imperialism, liberty, American individualism, race…
In literature: •1850s American Renaissance•Debate: American vs. English
16ILN 2011-2012, Silvia Martínez Falquina
General interpretation
Two narrative levels:•A voyage on board a whaler which ends tragically•The conflict between human life and nature, the quest for the meaning of life
Various possible readings: •Religious symbolism•Adventure story•Nature documentary •(...)
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Plot
Initial situation
• Ishmael goes on his first whaling voyage aboard the Pequod.
• In New Bedford he meets Queequeg
• Introduction of the Pequod crew
18ILN 2011-2012, Silvia Martínez Falquina
“How it is I know not; but there is no place like a bed for confidential disclosures between friends. Man and wife, they say, there open the very bottom of their souls to each other; and some old couples often lie and chat over old times till nearly morning. Thus, then, in our hearts' honeymoon, lay I and Queequeg—a cosy, loving pair” (Chapter 10)
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Plot
Conflict • Ishmael is caught up in
Captain Ahab’s quest for revenge on the White Whale, Moby Dick.
• Ahab makes his first appearance and shows his obsession
20ILN 2011-2012, Silvia Martínez Falquina
“Come, Ahab's compliments to ye; come and see if ye can swerve me. Swerve me? ye cannot swerve me, else ye swerve yourselves! man has ye there. Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents' beds, unerringly I rush! Naught's an obstacle, naught's an angle to the iron way!” (Chapter 37)
21ILN 2011-2012, Silvia Martínez Falquina
Plot
Complication
• While Ahab searches for Moby Dick, the Pequod continues everyday whaling activities
• Conflict between the official purpose of the ship and Ahab’s secret one
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Plot
Between Chapter 36 (Ahab’s declaration of his real quest) and Chapter 133 (Ahab sees Moby Dick): – Whale biology, industry, and sea voyages – An extra boat crew– The Pequod’s journey– Bad omens
Climax• Captain Ahab sights Moby Dick.
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24ILN 2011-2012, Silvia Martínez Falquina
Everett Henry The Voyage of the Pequod from the book Moby Dick by Herman Melville. Cleveland: Harris-Seybold, 1956
25ILN 2011-2012, Silvia Martínez Falquina
“Fashioned at last into an arrowy shape, and welded by Perth to the shank, the steel soon pointed the end of the iron; and as the blacksmith was about giving the barbs their final heat, prior to tempering them, he cried to Ahab to place the water-cask near.‘No, no - no water for that; I want it of the true death-temper. Ahoy, there! Tashtego, Queequeg, Daggoo! What say ye, pagans! Will ye give me as much blood as will cover this barb?’ holding it high up. A cluster of dark nods replied, Yes. Three punctures were made in the heathen flesh, and the White Whale's barbs were then tempered. ‘Ego non baptizo te in nomine patris, sed in nomine diaboli!’ deliriously howled Ahab, as the malignant iron scorchingly devoured the baptismal blood” (Chapter 18)
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Plot
Suspense
• The Pequod chases Moby Dick for three days
27ILN 2011-2012, Silvia Martínez Falquina
Plot
Denouement• Moby Dick
destroys the Pequod and nearly everyone on board is killed…
• Ahab’s drowning/ strangling death
28ILN 2011-2012, Silvia Martínez Falquina
“Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! Thus, I give up the spear!” (Chapter 135)
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Plot
Conclusion
• Epilogue: only Ishmael survives to tell the story
• He is saved by Queequeg’s coffin
30ILN 2011-2012, Silvia Martínez Falquina
Themes
•Obession, revenge and madness•Fate and free will•Good/evil•Nature•Truth, knowledge, language•Race•Gender and sexuality
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Characters•Ishmael•Ahab•Queequeg•Moby Dick•Starbuck•Stubb•Flask•Tashtego•Dagoo•Pip•Fedallah
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Narrative voice
•Ishmael as first person narrator
– Central (protagonist)
– Peripheral (observer)
•Third person narrator, omniscient
•Dramatic style
33ILN 2011-2012, Silvia Martínez Falquina
Influences, Style and Tone
Influences: •Hawthorne•Shakespeare•Tragedy and medieval romance•Cetology and other areas of knowledge
Style:•Complex, adorned, metaphorical, exuberant...
Tone:•Versatility: thoughtful, elevated, humorous.
34ILN 2011-2012, Silvia Martínez Falquina
Symbolism
•The Pequod
•Moby Dick
•The Gold Doubloon
•Sperm
•Queequeg’s coffin
35ILN 2011-2012, Silvia Martínez Falquina
Epilogue
“And I only am escaped alone to tell thee”
(Job)
36ILN 2011-2012, Silvia Martínez Falquina