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PORTFOLIOKATHY TENG
STUDIO WORKS2011-2012
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THE WALL | action space of samuel beckett| “action space” is created through the sequential spaces along the wall
| a house for the playwright Samuel Beckett
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SHIFTING CONCEPT MODEL| wood panels are fixed restricted to shift in three direction in space; | on one side, wood panels are fixed; on the other side “movable” panels shift out from the voids| an issue of mass vs. planes is emphasized on both sides of the model
Collaborator: Kyle Wu
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| programs are shifted to create spaces and voids for skylights| the folding surface is extending out to the High Line that hung up inside the building
THE SEAM... | connecting with the High Line
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| programs are shifted to create spaces and voids for skylights| the folding surface is extending out to the High Line that hung up inside the building
THE SEAM... | connecting with the High Line
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| programs are shifted to create spaces and voids for skylights| three major masses were shifted to create three major program spaces
| the folding surfaces continued on as a grand stair down to the big public space and out to the street
THE SEAM... | connecting with the High Line
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Section
Elevation
50 years in the future: stone breaks and bigger craccks, plants started to grow
water drips from the slanted roof and down through the curved surface
30 years in the future:stone starts to get little cracked and weathered
presence:shale is cut into paneled and stacked up
see through steel mesh
Perspective Section
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BOAT HOUSE | geographical evolutions of Onondaga Lake| the mass structure is stacked by pieces of stones stacked and fabricated at local Ononadaga Lake, NY| the stones are carved out to create spaces for tourists to walk | erosion of stones occurred from water dripping from the roof and lake water| the stones react to the rain and lake water by erosion evolution, it would probably disappear in the future 100 years
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Section
Elevation
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start- rainfalls
water flows
future-
two major types of textures were existent in the landscape: Dendrentic and Irrigation PatternsMan-made vs. Natural
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| Road House that serves people who are traveling on I-90 highway in Montana| local textures of the landscape are being observed and analyzed: irrigation field vs. dry weed grass| Road House responds to the landscape by channeling rain water with concrete panels and allowing them to flow down to ground to create another type of landscape pattern| water flows from the channels on the roof to the ground to be part of the earth
ON THE ROAD... | I-90 highway| Montana
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0 year30 year60 year
Plan
Plan
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0 year30 year60 year
Plan
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| a shift of level between 3rd and 4th floor | seam is emphasized on the paper connectionsDRAWINGS | American Folk Art Museum, NY
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| a seam of two different programmatic shifting operations | pieces are cut and shifted out of paper vs. a shift from the site to High Line
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COLLAGE | THE SEAM... | High Line & 20th street| seams between the abadoned site and High Line are created
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Module design for Road House
THANK YOU.
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