1. Portfolio Architect ir. D.D. Lembekker // October 2009//1

2. Picture front: still from movie underLINE directed by Grady Gerbracht and Claudia Vieir, Brooklyn Arts Council International Film Festival, NY 2008//2 3. Contents of the Portfolio Curriculum Vitae //5Vision behind my architecture//7 Researchlab Jaarbeursterrein Utrecht / Amsterdam & Utrecht, The Netherlands//9Competition Arquitectum 2009: Le Rouge Voil - New Moulin Rouge Dance School / Paris, France //13Graduation Project Border Conditions NY: ExCiTe Hunterspoint / New York, USA //17International Binale Rotterdam 2007 : Indesem: The Legacy 2007 / Rotterdam, The Netherlands //31Project Villa #2 / Cueta, Spain//33 //3 4. //4 5. Architect Ir. Dion Danyanto LembekkerAddress J.P. Sweelinckstraat 41 1443 MB PurmerendCurriculum VitaeDate of Birth 10th of February 1983Nationality DutchOfficial title Msc Architect Ir SBA regnr. 1.090715.003Architectural relevant experience Skills CAD: AutoCAD, Arkey, Rhincoceros, SketchupGraphics: Adobe Photoshop, Illustrator, Indesign, V-ray 11/2009 - nowCompetition bicycle storage, ACA09 + studio 3512Productivity: Microsoft Word, Excel, Powerpoint etc.-Bicycle storage for shoppingcentre in Nieuwegein, The Netherlands 10/2009 - nowCompetition secondhand scaffolding sheets, ACA09 Non-architectural relavant experience 10/2009 - nowResearcher at Research Lab, NWA + Atelier Rijksbouwmeester-Jaarbeursterrein, Utrecht, The Netherlands6/2005 - 6/2006Salesman Fashion, Peek&Cloppenburg Amsterdam 9/2009 - 10/2009 Competition Groenbeton 2009 Amsterdam, ACA09Selling, fashion advisor and tailor 6/2009 - 8/2009Competition Arquitectum 2009 Paris, ACA096/2002 - now Steward, Amsterdam Arena, Amsterdam- Danceschool Le Moulin Rouge / Paris, France Host for guests of the Arena during events 6/2007 - 9/2007Internship, Venhoeven CS, Amsterdam- National swimmingpool Ypenburg / Ypenburg, The Netherlands- Sportcentre Katwijk/ Katwijk, The NetherlandsLanguagesDutch, English, Spanish 9/2003 - 2/2004Internship, HM Architekten, AmsterdamInterestsTravelling, photography, art and music- Renovation studenthousing Prinsengracht / Amsterdam, The Netherlands Websitehttp://arcoac09.wordpress.com (address weblog ACA09)Education9/2004 - 6/2009Master of Science in Architecture, TU Delft, The Netherlands- Graduation Project Border Conditions NY: ExCiTe Hunterspoint / New York, USA- Project Museum IJburg / Amsterdam, The Netherlands 9/2000 - 6/2004Bachelor Building Technology, HvA Amsterdam, The Netherlands- Graduation Project Bijlmermeer / Amsterdam, The Netherlands 9/2006 - 2/2007Exchange study in Valnci, UPV, Spain- Project Community House Malva Rosa / Valnci, Spain- Villa #2 / Cueca, Marocco- Villa #1 / no site 9/2003 - 2/2004Exchange study in Aberdeen, Robert Gordon University, ScotlandAwards2007 First Prize International Binale Rotterdam: Indesem: The Legacy 2007/TU Delft, The Netherlands //5 6. //6 7. Vision behind my architecture For creating my architecture I do always start with researches based onsociological relationshipsbetweenusers,environmentanddesign. These researches are the base of my architecture to eventually end up with the architecture I do create. This architecture is an environment where the users of this architecture still the possibilty have to be free. So called I give back thefreedom to improvise and to give the possibility to make theirown choice how to deal with this environement.I do notate that as improvisationpossibility for the user.With this I want achieve with this architecture to return the awareness of the users about their environment. Being critical about the present situation of nowadays where they: people / human/ citizens / users are exposed to the increasing amount of imposed on wills oninfluences. I would like to give themthese awarenesses who and what they are back. //7 8. //8 9. Researchlab Jaarbeursterrein Utrecht Amsterdam & Utrecht, The Netherlands 2009 //9 10. Researchlab for Utrecht is founded in the start of Octobre 2009. It was notated as LAB01. With this lab we do participate the researchproject of Atelier Rijksbouwmeester. This initiave gives an oppurtunity for architects to cooporate temporarily within a group of fellow redundant architects. Architects who want to continue exploring new possibilities for architecture and urbanism issues of nowadays. With the aim of developing experiments and researches for issues of which most of the offices dont have the occasion for it .Our projectarea is the Jaarbeursterrein in Utrecht connected with the central station. Our goal was to research the possibilities to develop this area.We started with a bottom-up approach to gain data by making analyses of the area. With this data we developed four models for the area which might possible to use it. After analysing the possiblities of using these four models we eventually developed six scenarios. Six scenarios which are seeking the extremes within themself. Extremes to extract questions and possibilities what if the scenario will be used.For the final product we will end up with an experted advice or manifest for the areas development.//10 11. P P U P Scenario ParkingScenario AutarkieScenario Total Integration All of the parking possibilities of the centre of Utrecht In this scenario the small community or theThis scenario will develop not from theU U U U U U UU U UU U UU U Uinside (site itself ) but from the outside.U will be places in this area. Area, mobility, parking andhistorical immunity will be the model for this area. living will be work together as partners. Peaceful and small living combined with the bigFirst we will develop the borders, Jaarbeurs. upgrade it and eventually develop theJaarbeursterrein. PP U Scenario SuperblockScenario I love fairtrade Scenario Central Park U U U U U U U U U U U U U In this scenario we investigate the possibilities of the Commercial is here the key. The key ofPark as an gap within the urban tissue. With this max of living, public space and mass within one area.developing the area, the key of gaining money scenario we investigate the possibilities of anUand eventually the key to degentrificate theurban park for Utrecht.area. Back to the social possibilities ofcommercial thinking.//11 12. //12 13. Competition Arquitectum 2009: Le Rouge Voil - New Moulin Rouge Dance School Paris, France 2009//13 14. Moulin Rouge Cabaret 82, Boulevard Clichy Paris //14 15. 4 section 5 interiorPlace Temptation, history and entertainment are the keywords for the Moulin Rouge which was used to be. The new Moulin Rouge will contain these elements even more and better. Both during day and night.Bla e chnc an The design for the new Moulin Rouge and dance school is based he Bl on to work with each other, physically and mentally. There will be a scenario foresll during the day and one for the night. Place ruxe Day scenario is based on secret, history and temptation of the B building by telling the story of the Moulin Rouge of the past with a route right through the building. You will see the history of the dancers, the rise of the Moulin Rouge through time till now by taking the loop up towards the roof. Meanwhile people will catch a blimp of the dancers of today to catch the feeling of real heart of the Moulin Rouge. Past and present of the Moulin Rouge will meet each other here.che 109357 During night the original windmill of the past will show up behind the curtain of today to attract people to come to this place to ex-Blan perience the entertainment the Moulin Rouge can oer. From far L the Moulin Rouge will be seen by the light the building will shine.. When you enter the building you will be gently guide to the audi- torium to experience the warmth, exotic and tempting world the Moulin Rouge will give.Welcome to the new Moulin Rouge Dance School Welcome to le ROUGE VOILS 3 // Functional section / section of the interaction of the danceschool with the museum// Scheme / scheme of the circulation of the ramp Temptation, history and entertainment are the keywords of the Moulin Rouge which was used to be. The new Moulin Rouge will contain these elements even more and better. Both during day and night. The design for the new Moulin Rouge and dance school is based on to work each other, physically and mentally. There will be a scenario for during the day and one for the night.Day scenario is based on the secret, history and temptation of the building by telling the story of the Moulin Rouge of the past with a route right through the building. You will see the history of the dancers, the rise of the Moulin Rouge through time till now by taking the loop up towards the roof. Meanwhile people will catch a blimp of the dancers of today to catch the feeling of real heart of the Moulin Rouge. Past and present of the Moulin Rouge will meet each other here.During night the original windmill of the past will show up behind the curtain of today to attract people to come to this place to experience the entertainment the Moulin Rouge can offer. From far the Moulin Rouge will be seen by the light the building will shine.. When you enter the building you will be gently guide to the auditorium to experience the warmth, exotic and tempting world the Moulin Rouge will give.Welcome to the new Moulin Rouge!!!// Impression interior / ramp of the museum//15 16. //16 17. Project ExCiTe Ferryterminal Hunterspoint Hunterspoint New York, NY, 2007 - 2009 //17 18. This project for Studio Border Conditions is fo- cused on the area of New York. The research started with a fascination you want to research about. Mine was the underground scene in New York. But instead of taking the contex of the underground scene in the art scene or mu- sic scene I took this literally by going underground, to the New York Subway stations.In these areas happens streetperformances done by artists who are expressing their art to the public. Art expressions like dance, music or just entertainment performances. These performances are based on temporary time, unexpected and suprise and done on locations which are not really made to perform. But just because of these elements of suprise of these performances they are creating a transformation of space they are happening.My research is focussing on the architectural and sociological elements of these perfor- mances mainly what this transformation is and the effect on the area and on the people. For this project this research will be done by making mappings to be nally the base and inspiration for the development of a building.// Mapping / map of all subway connections with their stations inManhattan, Long Island and Brooklyn//18 19. Times squareh 1114 day 1terminal space Mapping proces// Guitar and violin performance situated on a platform at the Time Square Subway stationAfter analyzing differentperformances I decided tostudy one performance in de-tail. So I decided to study theperformance of a guitar playerwith a violin player. I have been looking at thetrajectories of the audienceduring the performance andhow they went and added thefactor time. By inserting thisfactor the route/trajectory ofthe audience became a pathbased on time where increas-ing and decreasing of speedwas present. This increasingand decreasing of speed do Inotate as rhythm.// Trajectories and positions on platform // Domains of circulation versus // 3d mass model of theof people during performancedomains of improvisation trajectories of people //19 20. SEQUENCE of FRAGMENTS f1 - 0:02:00 f2 - 0:02:02 f3 - 0:02:04 f4 - 0:02:06 f5 - 0:02:08 f6 - 0:02:10f7 - 0:02:12 f8 - 0:02:14f9 - 0:02:16f10 - 0:02:18 f11 - 0:02:20 f12 - 0:02:22 f13 - 0:02:24f14 - 0:02:26 f15 - 0:02:28f16 - 0:02:30f17 - 0:02:32f18 - 0:02:34f19 - 0:02:36 f20 - 0:02:38 f21 - 0:02:40 f22 - 0:02:42 OCUPATION in situation CHANGES in situation away from the publicCLOSE555555 5 5 5 55 5 5555 55 5 55 5 444444 4 4 4 44 4 4444 44 4 44 4333333 3 3 3 33 3 3333 33 3 33 3222222 2 2 2 22 2 2222 22 2 22 2 111111 1 1 1 11 1 1111 11 1 11 1111111 1 1 1 11 1 1111 11 1 11 1 222222 2 2 2 22 2 2222 22 2 22 2333333 3 3 3 33 3 3333 33 3 33 3444444 4 4 4 44 4 4444 44 4 44 4555555 5 5 5 55 5 5555 55 5 55 5 To the publicOPEN MOVEMENTS RHYTHM of the behavioraway from the public CLOSE during performance 5. 4. 222 22 22 2 2 2 22 2 22222 2 22 23. 1 f = time (frames)2. 223 33 22 4 5 4 44 4 44443 2 22 2 223122 22 11 11. y = tone (density )1 10 improvised bahavior1.1 1121 1111112. 11 transitional bahavior11 1 2 22 1 111 1 1223.1 11 1 11 11222 2222 2 2 112 1 3 1211 11 314.3 32 2 22 22121 2 332moment of improvised behavior +11 1111115. 11 11 1 1 1 amount of density To the public OPENy moment of transitional behavior +1amount of densityff1f2f3f4f5 f6f7 f8f9f10f11f12f13 f14f15 f16 f17f18 f19f20 f21 f22The rhythm of this performance I got by making an mapping (analyze) of the audiences /// Ex Ci Te_Project 2008 NY_Mappingsbehavior during this performance. I notated their location, their trajectories and dierences between where they started andwhere they end, all during a certain period of 46 frames of 0.5 seconds. With this informationI made a diagram of this information which ended up in a structure of rhythms during time.This structure naly showed the basic structure for the design. This structure is notated asrhythm in time (transitions, increasing of speed, decreasing of speed) The structure which Ifinally got is a structure of peoples behavior disturbed by the performance and a structure ofpeoples behavior without any disturbing by the performance. After doing this I finally got a structure which shows the transformation of the space bythe performance. Which I used for the design of the building. For developing the reasearchprocudure towards had I chosen to use the structure for a function which expressed theriged structure of traveling and a function which contains the elements being the opposit ofit.I ended up in the function of a ferryterminal which contains spaces for art. EXHIBTION VERSUS TERMINAL /// ExCiT NY // diagram / Peoples behavior disturbed by performance versus behavior which is not disturbed by performance //20 21. f23 - 0:02:44 f24 - 0:02:46 f25 - 0:02:48 f26 - 0:02:50f27 - 0:02:54 f28 - 0:02:56 f29 - 0:02:58f30 - 0:03:00 f31 - 0:03:02f32 - 0:03:04 f33 - 0:03:06f34 - 0:03:08f35 - 0:03:10 f36 - 0:03:12 f37 - 0:03:14f38 - 0:03:16f39 - 0:03:18 f40 - 0:03:20f41 - 0:03:22 f42 - 0:03:24 f43 - 0:03:26 f44 - 0:03:28 f45 - 0:03:30f46 - 0:03:325 5 55555555 5 5 555 55 555 5 5 554 4 44444444 4 4 444 44 444 4 4 443 3 33333333 3 3 333 33 333 3 3 332 2 22222222 2 2 222 22 222 2 2 22 1 1 11111111 1 1 111 11 111 1 1 111 1 11111111 1 1 111 11 111 1 1 112 2 22222222 2 2 222 22 222 2 2 223 3 33333333 3 3 333 33 333 3 3 334 4 44444444 4 4 444 44 444 4 4 445 5 55555555 5 5 555 55 555 5 5 55 2 2 22 1 11 12 223 33333 3344 422 1 1 2 322 2 12 2 2 22 2 22 22 232 22222434 43 1111 22 2 1 22 2 2 2 2 2 222 22 2 22 2222 221 11 2 1 1 2 11 1123 11 21 111 1 122211 3 2 23 3 33 43 313 2211 11 11 21 21 1 122 2 1 12 2 33 33 332 2221 1 111 11 1 1 111 1 1 12 1 11 11 1 1 1 1111 f23f24f25 f26f27f28 f29 f30f31 f32f33 f34f35 f36 f37f38f39 f40f41 f42f43 f44 f45f46 The next step to continue with the diagrams I deformed the structure of the normal sequential develop-DIAGRAM OF RHYTHMS of the performance Border ment of a transition by the improvisation. The deformation is done on a grid system of the frames versus distance towards the performance. This grid represents this sequential development of the performance. With this deformation or deconstruction of the sequential development I gained three parameters. These parameters are three rhythms which are coming out of the interaction (the transformation of the space during the performance).entrance For the final step I took these three rhythms and merged them into one diagram which shows an abstract entrance interpretation of the transformation by the performance. I called this interpretation the diagram of rhythms terminal /of the performance.parking terminal /parking terminal /parking entranceentranceentranceentranceRHYTHM # 1_ connectivity ows of indiv (expo)RHYTHM # 2_ transit / place isolated spaces = transit stimulated spaces RHYTHM # 3_ individual/collective (functions)(gaps/closed) awareness spaces = connection with outside ows of collective (terminal)parameter #1:parameter #2:Parameter #3: Rhythm of connectivity Rhythm of the character of the transitionRhythm of the impact on the transition //21 22. The location for the building will be situated at the riverside of Long Island, Hunterspoint.The area of Hunterspoint is nowadays a deserted and desolated area where almost no development is. The area used to be a high industrial area where small but high industrial factories where operating. During time the area became more abandoned and need now aeconomical injection of new investments to grow and develop.// Photo / Areal picture of Hunterspoint The mapping for the project is based on transition- Transformation of the area al flows gained from the research about the3 transitional versus improvised. To cope with this IManhattanwill make a ferry terminal. The building will contain4 these transitional flows and is able to connect withdock TERM the areas condition. ferryINAL 1OPEN The areas condition contains five interesting places 2WASTECONC AIR - to connect with the terminal and Manhattan. LAND SPORT ERT One place is the trainstation (1) which is endingFACILITIES parking in this area. The other is the leisure area of sportferryfacilities with park (2). The third interesting place concert is upcoming economic centre (3). The fourth placeEXPO is the Long Island highway (4) which is going hereentrance ferry under the river. And the last place is huge deserted sport / park space of nothing but sand, grass and mud (5).taxiTRAIN // Render / Areal image of the site These five places will be connected by the terminalSTATION car with Manhattan to have a good intensive LIRR subway bus connection. A connection which can attract Present sitation of the siteFuture sitation of the site investments, visitors and tourists to this area.//22 23. DIAGRAM OF RHYTHMS of the performance1. diagram of 2. diagram of knots rhythm of theentrance performanceentranceknot #7 knot #1terminal /parking knot #8 knot #4terminal /parking terminal /parking knot #3 knot #5 entranceknot #2entrance knot #6entrance knot #9 entrance RHYTHM # 1_ connectivityows of indiv (expo) RHYTHM # 2_ transit / place isolated spaces = transit stimulated spaces RHYTHM # 3_ individual/collective (functions) (gaps/closed) awareness spaces = connection with outside ows of collective (terminal) 3. diagram of knots 4. physical model aplied to siteentranceentrance from diagram parking spaceentranceentrance to tube ferryplatform expoentrancelobbyentrance bus taxi platformentrance expo entranceexpoentrancerestaurant entrance 5. section model of 6. deconstructedThe development from the structure towards the nal design of the terminal was tubes model tube modelbased on certain steps. I made a diagram of the dierent rhythms of the structure and made him 3d. I implemented functions and tried to create a landscape / cityscape which provide the possibilities to use the terminal as it should be, (rigid / fast / no identity) by giving opportunities to improvise with art exhibitions (improvi- sition / delayed / identity based) on the terminal structure.The building is made of concrete which made the smoothness for the terminal disturbed by the exhibitionspaces. 7. folded strip 8. revised folded model strips model 9. revised folded 10. nish revised strips modelfolded strips model //23 24. voidplatform ferry terras terras p=0 restaurant void lobby voidsec a_5p=0 p=0 voidexhibitionexhibition spacecorridor sec a_4Passagep=0P+ 6000 exhibition corridorP+ 3680 void Expohall Waiting zone passengers bus /taxi P + 200Peil = 0 sec a_3grand hallentrance section fragment platform taxiplatform busexhibitionplatformspace passengersp=0p=0 sec a_2void fragment Project Ex Ci Te Hunterspoint /// NY Plan ground floor fragment 1 : 50 Border Conditions NY 2007-2009 / Dion Lembekker, TU DelftFinal Presentation 29 06 09 void sec a_1 Plan main floor/ TOPVIEW p=0 scale 1 : 200 (PLAN) / model x_70 / 29 06 09// Drawing / horizontal section of main floorexitentranceparking parkingentranceentranceentrance bus / taxi entranceProject Ex Ci Te Hunterspoint /// NYBorder Conditions NY 2007-2009 / Dion Lembekker, TU Delft//24 25. rooflightvoid panorama deck panorama deck rooflight rooflightsec a_5voidvoidvoid sec a_4Exhibition corridor PassageP+ 6000 Expohall ExpohallP+ 3680 P+ 4500P+ 4500 sec a_3 exhibition space rooflight rooflight section fragment exhibitionexhibition exhibition exhibition exhibition Passagespace corridor spacespacespace sec a_2 rooflight fragmentvoidexhibitionexhibitionspacespacePlan first floor fragment 1 : 50 voidProject Ex Ci Te Hunterspoint /// NY Border Conditions NY 2007-2009 / Dion Lembekker, TU Delft Final Presentation 29 06 09rooflight sec a_1 toiletsPlan first floor/ TOPVIEWscale 1 : 200 (PLAN) / model x_60 / 29 06 09 art storages officefacilitiesoffice// Drawing / horizontal section of first floorvoidProject Ex Ci Te Hunterspoint /// NYBorder Conditions NY 2007-2009 / Dion Lembekker, TU Delft //25 26. panoramadeckrestaurantlobby sec a_5 sec a_5 ferry platform sec a_4 sec a_4 exhibition spaceexhibition corridor passage exhibitionexhibition space space sec a_3 sec a_3 main hall parking space passageexhibition space exhibition spaceexhibition space sec a_2 fragment sec a_2platform bus / taxi parking space offices exhibition spaceentrance sec a_1 sec a_1 entrance entrance parking entrance bus / taxiPlan roof / TOPVIEWscale 1 : 200 (PLAN) / model x_25 / 25 05 09// Section / short vertical section Project Ex Ci Te Hunterspoint /// NYBorder Conditions NY 2007-2009 / Dion Lembekker, TU Delft//26 Project Ex Ci Te Hunterspoint /// NYSections 1 : 200 Final Presentation 29 06 09 27. DETAILED FRAGMENT 2Exhibition corridor ExpohallPassageP+ 6000Expohall P+ 4620P+ 4500P+ 3680 Platform bus / taxi Expohall Platform bus / taxi P + 120 P + 120 P-200 Project Ex Ci Te Hunterspoint /// NYResearch on site Border Conditions NY 2007-2009 / Dion Lembekker, TU Delft25 05 09 Parking P - 4000// Drawing / short and long vertical section //27 28. View from above 2. 1 Construction of the slab Mulion - 400mm steel trusses / 200mm and 100mmScale 1:5 support tubes. - 100mm beam, steel. provided with pins of 1. -640 mm reinforced concrete, waterproofthread bolt. -2 x 30 mm EPS insulation- prefab concrete block, provided with shear -50 mm finishing layer; shotcreteconnectors. 2 Construction of glazed part- EPS insulation - 400mm steel trusses / 200mm and 100mm- 50 mm finishing layer; shotcrete. support beams. - intervening profile, steel, provided with spider system. to support mulions and fasten glazing - 8 - 16 - 21 mm glassProject Ex Ci Te Hunterspoint /// NYDetailed fragment 1 : 10 Border Conditions NY 2007-2009 / Dion Lembekker, TU DelftFinal Presentation 29 06 09View from the front// Construction / detail of the window //28 29. // Render / impression of the exhibitionspaces - transit zone //29 30. //30 31. Indese The Le International Bienale Rotterdam 2007 : Indesem: The Legacy Delft, The Netherlands, 2007//31 32. //32 33. Indesem 2007 was focused on the issue of the future. Mainly on the what architects from nowadays will leave behind for the next generation.To give answer to this question several stu- dents from all over the world were invited to embody this question and try to give an aswer. The results would be presented in the shape of billboards during the First Interna- tional Bienale of Rotterdam.The assignment was divided in several locations in Rotterdam. We had to make an image/ view for this location how this view would be over sixty years on that specific location. To win a location you had to billboard #1 billboard on loation compete against other groups.For the three locations we made an vision and image we won two locations.billboard on loation billboard #2//33 34. //34 35. Project Villa #2 Cueta, Spain, 2007//35 36. Cuet a, an interesting area at the border of Spain with Marocco. An area which ischaracterized as being open, dry, sandy and hilly.This study or design for a villa was focused on the possibilities of private spaceand public space. Spaces which are clashing into eachother within one building. How to deal with this info plus the openess of the area? night - public space night - private spaceday - private spaceday - public space= Observation possibility Private space possibility from everywhere //36 37. First floor Context Main floor //37