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    Pompeii and Herculaneum

    1. Geographical Context

    Syllabus

    Point

    Content Sources/

    EvidenceThe

    physical

    environme

    nt: the

    geographic

    al setting,

    natural

    featuresand

    resources

    of Pompeii

    and

    Herculane

    um

    Located in Campania in southern taly. The area had

    very fertile soils due to !esuvius and this "as good

    for gro"ing crops and #reeding animals. $oth to"ns

    "ere near the sea "hich facilitated trade "ith other

    parts of the %editerranean. &esources include olives

    used to ma'e oil, grapes used to ma'e "ine( volcanic

    material) pumice "as used for the #uilding of roads

    and houses. *ther resources include +sh, "ool andcrops.

    Pliny the lder

    "rote of the

    physical

    attri#utes of

    Campania and

    resources.

    Plans and

    streetscap

    es ofPompeii

    and

    Herculane

    um

     The to"n of Pompeii is small #y &oman standards,

    covering an area of -- hectares. t "as heavily

    inuenced #y Gree' principles of ur#an planning and"as made up of insulae( #loc's "hich contained

    houses. /ome only contained one house "hile others

    contained a do0en or more houses. &omans

    legislated that streets had to #e a minimum of

    metres "ide. 2t Pompeii most streets conformed to

    this la", ho"ever at Herculaneum some streets "ere

    only 3.m "ide. 4ecumani "ere roads that ran from

    east to "est and Cardines "ere roads that ran from

    north to south and met at right angles. /tepping

    stones provided for pedestrian use "hile still giving

    access to "heeled tra5c. n this "ay Pompeiians

    could cross the roads "ithout stepping in the

    se"erage that overo"ed the gutters "hen it rained.

    3. The nature of sources and evidence

    /ylla#usPoint

    Content /ources6 vidence

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    The range

    of

    availa#le

    sources,

    #oth"ritten

    and

    archaeolo

    gical,

    including

    ancient

    "riters,

    o5cial

    inscriptio

    ns,

    gra5ti,

    "all

    paintings,

    statues,

    mosaics,

    human

    andanimal

    remains

    Human remains: /'eletal remains, #ones and

    casts are a valua#le source of information a#out

    victims. 7e can in8uire into the victim9s sex,

    age, appearance, height, health, diet, occupation

    and cause of death. /'eletons are preserved ingood condition due to #eing covered under

    pumice and ash. 2rchaeologist /ara $isel

    excavated and studied s'eletons found on the

    #each at Herculaneum. /he assessed their

    health and clothing and made calculated

    assumptions on "hat their role may have #een

    in society. The average male from Herculaneum

    "as 1-cm tall and the average female "as

    1cm tall. %ost had good teeth "ith an average

    of three cavities each, caused #y the grit in the

    #read. They had a "ell) #alanced diet and "ere

    on the "hole "ell) nourished. They ate a lot of

    seafood "hich is rich in uoride and accounts for

    the healthy teeth. /ome had high levels of lead

    in their #ones #ut it "as not caused #y simply

    drin'ing the "ater. 2nimals have #een preserved

    in casts indicating that the people ate or farmedthese.

    Ancient writers: 4io Cassius "rites a#out the

    eruption #ased on the account of people living

    around aples. /ome of the things he says seem

    far) fetched li'e people gathered in masses in

    the theatre. Pliny the ;ounger "rote of his

    experience running a"ay from the eruption

    years after it happened and he has ta'en on a

    mythical context, dramatising the scene. /eneca

    descri#ed various aspects of the city.

    Ofcial inscriptions: provide evidence for the

    structure of government, prominent families and

    +nancial contri#utions to construction of pu#lic

    #uildings.

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    Grafti: Propaganda messages to urge citi0ens

    to vote for a particular candidate. /ome also

    promoted gladiators. *ther topics include #ars,

    love, and recreation and advertising "omen in#rothels. Gra5ti "as an accepted practice in

    Pompeii and Herculaneum. There is an issue "ith

    +guring out the dates that the gra5ti "as

    inscri#ed. The countless num#er of inscriptions

    sho" that Pompeii "as a literate society. Gra5ti

    sho"s that #y advertising and promoting a

    candidate for o5ce a client) patron relationship

    "as esta#lished.

    Statues/ Sculptures: 7ere a useful indicator of 

    social status( due to their "orth, religion and

    prominent people.

    all Paintin!s and mosaics: Give evidence

    a#out culture, inuences and values.

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    stayed outdoors died of asphyxiation as they

    #reathed in very +ne ash "hich formed a stic'y

    paste in their lungs. n Herculaneum, people died

    of the follo"ing causes. They "ere engulfed #y a

    pyroclastic o" "hich travelled at FAA'm anhour. The high temperatures caused their #rains

    to #oil and their #odies vaporised, #ecoming

    s'eletons immediately. The lac' of oxygen

    caused items and human and animal remains to

    #e car#onised and preserved.

    "as a#out FA 'm

    a#ove the earth.

    The

    economy:

    trade,

    commerc

    e,

    industries

    ,

    occupatio

    ns

    "rade: Pompeii and Herculaneum "ere smallplaces and therefore had small local economies.2s they "ere near a port, trade "as a#undant.

     The har#or "as #usy "ith ships, sailors andforeign merchants. %erchants came from allacross Campania on mar'et days to sell theirmanufactured merchandise. The most "ell)'no"n exports "ere "ine, olive oil, garum sauceand "ool. Pompeii imported products fromplaces such as /pain, other parts of taly, Gauland Greece. *ccupations include agricultural"or'ers, #a'ers, #an'ers, doctors, +shermen,gladiators and actors, prostitutes, s'illed artisans

    and tavern6#ar >caupona6themopolium?operators. Herculaneum "as a 8uiet to"n ofupper class citi0ens "ho "ere served #y lo"erclass citi0ens.

     The fullery of

    /tephanus and

    umachias "ool

    store house in the

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    Commerce: -AA

    privately o"ned

    shops, "or'shops,

    #ars, taverns and

    inns have #eenexcavated. Private

    houses often had a

    front room used as a

    ta#erna9 i.e. a

    tavern./ocial

    structure:

    men,

    "omen,

    freedmen,

    slaves

     The highest class in &oman society "ere the

    no#ility. They held o5ce in positions such as

    senators, magistrates, duumviri and aediles. The

    next class "ere the e8uestrians or #usiness

    people "ho "ere tax collectors, #an'ers, miners

    and exporters and also #uilt roads and

    a8ueducts. The mass of the people "ere the

    Ple#eians "ho had a range of occupations.

    $elo" them "ere the freedmen. Their status "as

    lo" and they could not hold o5ce although some

    "ere "ealthy. The lo"est class "ere slaves. The

    pater familias "as the head of the house andhad every authority over his children and "ife

    including life and death. 7omen could not hold

    o5ce or vote and "ere not considered citi0ens.

    7omen in Pompeii had to #e dependent and

    lin'ed to a close male relative or hus#and. They

    could not vote or ta'e part in politics and "ere

    restricted from ma'ing independent decisions,

    for example #usiness decisions, #ut evidence

    suggests that they actively too' part in pu#lic

    life. %any "omen "or'ed in conBunction "ith

    their hus#ands or found "ays to gain inuence

    or independence "ithout a male. They could o"n

    and operate taverns, inns and #ars. 7ealthy

    "omen could fund #uilding proBects or donate to

    the council in order to gain recognition and

    status( ho"ever they had no say in ho" the

    money "as used. They could #uy, sell and leaseproperty #ut "ere not allo"ed to #ecome

     The "omen9s seats

    in the amphitheatre

    highlight their lo"

    status as they "ere

    only permitted to sit

    right at the #ac'(

    even #ehind the

    slaves

    Gra5ti in front of

    houses and shops

    a#out upcomingelections "as often

    done #y "omen,

    highlighting their

    interest in pu#lic life.

     =ulia

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    #an'ers. Priestesses "ere the most inuential

    "omen. 2 "oman could only operate

    independently, for example in #usiness or trade,

    if she "as "ido"ed.

    upper class family.

    /he donated money

    to the council and

    "as recognised in

    inscriptions.Local

    political

    life

     The 2ediles >3? "ere responsi#le for the

    maintenance of streets, roads and pu#lic

    #uildings and the supervision of the mar'et.

     They "ere also responsi#le for the Budicial

    system and games and pu#lic entertainment.

     The o5ce a#ove them "as the duumviri >3?.

     They carried out the decrees of the 4ecurion

    council, administered local +nance and handled

    local la" cases. $oth magistrates held their

    position for one year and then there "ould #e

    another election. They "ere normally "ealthy

    and funded proBects "ith their o"n money to

    ma'e themselves or their families 'no"n.

    4ecision ma'ing "as assisted #y a council of

    1AA mainly ex magistrates. ;oung men #egan

    their political career path cursus honorum9 #y

    #ecoming priests and participating in politicallife to #ecome 'no"n. The Comitium "as the

    people9s assem#ly9 "here adult men and

    freedmen elected magistrates and voted

    honours. The ordo decurionum met in the Curia

    and made la"s "hich "ere carried out #y

    magistrates.veryday

    life:

    leisure 

    activities,

    food and

    dining,

    clothing, 

    health, 

    #aths,

    "ater

    supplyand

    Pompeii and Herculaneum had a technologically

    advanced method of water supply consisting of 

    a8ueducts. 7ater "as derived from the 2r8uaro

    /prings and #rought in #y the /erinium

    a8ueduct. t "as then distri#uted #y the

    Castellum 28uae "hich divided the "ater into

    the three lead pipes to provide for diEerent

    areas of the city. The Castellum Plum#eum "as a

    lead pillar that acted as a pressure top and

    ensured e8ual "ater pressure so that it could

    reach "ater fountains, latrines, #aths andhouses. The "ater also o"ed to secondary

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    sanitation tan's of "hich 1@ have #een found. Pompeians

    did not have to go more than A metres to

    collect "ater from a fountain. xcess "ater ran

    do"n the street and cleared ru##ish. The

    "ealthy could have "ater connected to theirhouses for a fee.

    Clot#in!) 7e only 'no" a#out clothing from

    artistic depictions ho"ever this not "hat "as

    "orn in everyday life. The toga "as a ceremonial

    out+t "orn #y men and stola "as the ceremonial

    out+t of "omen. These restricted movement so

    in everyday life a short tunic "as "orn #y men.

    8uestrians had purple stripes on their tunic and

    their "idth sho"ed their ran'. Ple#eians and

    slaves "ore a similar tunic made of courser "ool.

    $at#s "ere a popular place to sociali0e, #athe,exercise, get massages, conduct #usiness andengage prostitutes. Apodyterium: changingroom. Palaestra: exercise area. Trepidarium:warm room. Calidarium: hot room, Frigidarium:cold room.$aths include the /ta#ian #aths and

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    temples, 

    forum, 

    theatres, 

    palaestra,

    amphitheatres

    activities too' place. mpressive pu#lic #uildings

    served to reinforce the progressive nature of the

    &omans. The temple o' (upiter or Capitolium 

    "as dedicated to =upiter, =uno and %inerva. The

    )acellum or mar'et place "as "here +shproduce "as sold as "ell as other agricultural

    goods. The )ensa Ponderaria "as a pu#lic

    measuring ta#le "here the "eights and

    measures used in shops and mar'ets "ere

    chec'ed. The "emple o' t#e %aires housed

    statues of the royal family and the "emple o'

    *espasian "as #uilt #y the priestess %amia as

    a tri#ute to the city. "#e $uildin! o'

    Eumac#ia, "hich "as constructed #y the

    priestess umachia could have #een used as a

    mar'et for "oollen cloth or a more civic purpose

    as a meeting place. The $asilica housed the la"

    courts of Pompeii. The interior "as decorated

    "ith imitation mar#le and had gra5ti on it.

    Pu#lic toilets or Latrines9 "ere also included in

    the

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    houses,

    shops

    rooms of the house "hich opened up onto the

    street "ere used as shops. Houses "ere

    designed to provide maximum security and

    privacy from the noise of the city and so had

    thic' "alls and heavy doors. They loo'ed in"ardto a courtyard rather than out"ard to the street.

    Houses of the "ealthy had a door from the street

    "hich opened into a narro" hall"ay. 2n entrance

    hall called the atrium contained the household

    shrine >lalarium?. n the oor of the atrium

    directly #elo" the compluvium, an opening in

    the ceiling that let in light and air "as a

    rectangular pool called the impluvium. This

    collected rain "ater from the roof. The "ater

    then piped oE to the houses "ater storage tan'

    >cistern?. The reception room >ta#linum? "as

    "here the head of the house received clients

    and other visitors. The house included an inner

    courtyard called the peristyle and one or t"o

    dining rooms. $edrooms >cu#icula? "ere small

    and usually "indo"less. There "as a familyroom >oecus? and a small 'itchen "ith Bust

    enough room for an oven, a #ench and a sin'.

    !illas "ere #uilt in the countryside outside the

    to"ns and along the coast outside of

    Herculaneum. They had terraces, verandas,

    pergolas and "indo"s loo'ing out to the sea.

     They "ere summer holiday retreats for the

    "ealthy.

    ot all people lived in spacious homes. There

    "ere many small family houses "hich consisted

    of cramped living 8uarters a#ove shops and

    "or'shops. 2fter the 24-3 earth8ua'e some of

    the larger houses had #een divided into small

    ats. There are examples of cheap and rushed

    repairs and renovations. There "ere many largeapartment #loc's providing lo" cost housing in

    for its #eautiful

    murals depicting the

    cult of 4ionysus. t

    has -A rooms. The

    !illa of Papyri hadela#orate fountains

    and statues and the

    greatest collection of 

    ancient #ron0es ever

    to #e found. The

    most precious +nd in

    this villa "as the

    li#rary of papyri.

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    &ome in the +rst century 24, some "ith up to

    storeys. There is evidence for an apartment

    #uilding in Herculaneum that is more than 1F

    metres tall.

    nuenceof Gree'

    and

    gyptian

    culture:

    art,

    architectu

    re,

    religion

    Gree' and gyptian inuence "as an integralpart of art, architecture and religion in Pompeii

    and Herculaneum. The Gree' language "as a

    sign of education for the &omans. Gree' culture

    predated Latin culture in southern taly. This

    meant that there "as preference for Gree'

    artistic styles and religion and art often depicted

    Gree' and gyptian su#Bect matter. The &omans

    adopted Gree' stoa >long columned #uildings?

    and the diEerent styles of columns >onic,

    Corinthian and 4oric?. *ther features of Gree'

    architecture include the peristyle >courtyard? in

    temples. &eligion that "as adopted from Greece

    includes the cult of 4ionysus and the &oman

    adaptation of the Gree' Pantheon >family of

    gods?. The name Herculaneum possi#ly derived

    from the Gree' god Hercules and it "as #elieved

    that he had once spent time in the city.

    gyptian inuence "as due to its introduction to

    the &oman mpire in F1$C, although trade and

    cultural lin's #et"een Pompeii and 2lexandria

    has existed since the 3nd century $C. The cult of

    sis "as a maBor cult in Pompeii and

    Herculaneum. The House of =ulia gens? "as

    "orshipped and

    associated "ith

    peace and good

    fortune. 2fter his

    death the "orship of 

    each emperor "as

    oEered as part of

    the state cult.

    &eligion:temples,

     The &oman9s "orshipped their o"n version ofthe Gree' Pantheon as "ell as other imported

     Temple sacri+cesand votive oEerings

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    househol

    d gods,

    foreign

    cults,

    tom#s

    cults. Hercules "as also "orshipped and a

    num#er of statues of Hercules have #een found

    in Herculaneum #ut a temple has not #een found

    yet.

    ,orei!n cults: 4ionysus "as the Gree' god of

    fertility and divine intoxication. He oEered

    devotees a state of ecstasy that came from

    intoxication #y the God and "as associated "ith

    a lac' of restraint. *ne message of the cult "as

    that the natural passions had to #e

    ac'no"ledged for a human society to #e sta#le

    and #alanced.

     The cult of sis "as one of the most popular

    cults. 7orshippers "ere mostly "omen, slaves,

    freedmen, traders, soldiers and later as the cult

    #ecame more popular, o5cials. sis "as 'no"n

    for her healing po"ers, displayed "hen she

    #rought her hus#and *siris #ac' to life after he

    had #een 'illed and cut up into pieces #y his

    #rother. /he found parts of his #ody all overgypt and pieced these parts to resurrect him.

    /ince she didn9t +nd his penis she fashioned a

    ne" one from dirt and #y this means #ecame

    pregnant "ith his child Horus. The +nding of

    *siris #ecame a sym#ol of resurrection and "as

    lin'ed to the rising of the sun and to the rene"al

    of the "orld through the seasons. n ovem#er

    at the

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    "ashing of the statue of the goddess. n the

    afternoon there "as a special #lessing and

    puri+cation "ith ile "ater 'ept in a tan'. There

    is no direct evidence of a temple of sis at

    Herculaneum #ut the num#er of sis)

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    household shrines suggests that sacri+ces "ere

    performed on a domestic scale. The

    neigh#ourhood sacri+ced at cross roads or

    altars.

    ritualistic dance. t is

    suggested that cult

    o#Bects and their

    placement indicate

    the "orship of/a#a0ius. T"o right

    hands made from

    #ron0e are

    interpreted as ritual

    hands that "ere

    used in a rite of

    divination. n the

    palm of the hand is

    a seated +gure of

    /a#a0ius. He "ears

    clothes associated

    "ith Phrygia. He is

    standing on a ram9s

    head and is near a

    sna'e, #oth of "hich

    are his sym#ols.

    House#old

    reli!ion: *ne

    "ooden example of

    a shrine of the Lares

    has survived in a

    car#oni0ed state in

    the House of the

    $lac' /alon at

    Herculaneum. 2

    cavity in the ground

    has #een excavated

    and appears to store

    the #one remains

    left over from

    sacri+ce. $ones of

    lam#s and coc'erels

    indicate sacri+cialanimals.

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    F. nvestigating, reconstructing and preserving the past

    Syllabus

    Point

    Content Sources/

    EvidenceChanging

    methods

    and

    contri#ution

    s of

    nineteenth

    and

    t"entieth

    century

    archaeologis

    ts to our

    understandi

    ng of

    Pompeii and

    Herculaneu

    m

    arly archaeologists laid out the platform for further

    research on Pompeii and Herculaneum. Their

    innovations allo"ed for the discovery of more

    advanced preservation and reconstruction methods.

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    into a crisis after the earth8ua'e of 24-3, resulting

    in the patricians leaving the city and leaving lo"er

    classes to da##le in politics. He uncovered many

    signi+cant #uildings such as The House of %enander

    and many more. He deepened excavations atsigni+cant locations to investigate pre) &oman levels

    and restored the tri#unal of the #asilica and roofs of

    houses. He also studied the structure of "alls and

    to"ers.

    &uggerio is also a prominent +gure and "as

    responsi#le for the consolidation and restoration of

    over -AA paintings from the House of the /ilver

    7edding and the House of the $alcony.Changing

    interpretatio

    ns: impact

    of ne"

    research

    and

    technologies

    e" technologies and techni8ues give

    archaeologists ne" perspectives that challenge

    previous interpretations. n the last @A years there

    has #een little ne" excavation in Pompeii and eEorts

    have #een concentrated of preservation. %uch of

    archaeology is no" carried out in the la#oratory,

    instead of on the site, and tiny fragments of pollen,

    charcoal and su#stances found in containers revealthings a#out Pompeii. /ome of the recent research

    done in an 2pplied &esearch La#oratory includes a

    study of contents in Bars and a geomorphologic

    reconstruction of the !esuvian area #efore the 24DI

    eruption.

    2ustralian archaeologist, Penelope 2llison,

    investigated the remains of houses in order to reveal

    the domestic lives of the people in Pompeii.

    2rchaeologist 7ilhelmina =ashems'i made an

    extensive study on gardens, orchards and vineyards

    in Pompeii. /he is credited "ith creating a ne" +eld

    in archaeology: the investigation of ancient gardens.

    Her research is credited "ith revealing information

    a#out diet and trade.

    stelle La0er used techni8ues of forensic medicine

    2spects of

    everyday life

    such as the

    function of

    homes, food

    and gardens

    reveal

    informationa#out health,

    culture, trade.

    tc.

    2llison studied

    the location of

    everyday

    artefacts and

    furniture "ithin

    ordinary

    households in

    order to

    interpret the

    room9s

    function. The

    changed

    interpretationgained from

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    and physical anthropology to determine gender, age,

    height, signs of disease and population

    characteristics. /he "or'ed on a sample of

    disarticulated #ones stored in the /arno and

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    poured plaster

    over

    car#onised tree

    roots, vines

    and pollenfound in the

    ash to reveal

    the fruit and

    vegeta#les

    gro"n in

    Campania. /he

    discovered a

    large

    commercial

    vineyard, near

    the

    amphitheatre

    "hich provides

    evidence

    regarding

    trade, leisure

    >as it "as neara commercial

    place? and diet.

    Ho"ever this

    has not #een

    investigated

    yet.ssues of

    conservatio

    n and

    reconstructi

    on: talian

    and

    international

    contri#ution

    s and

    responsi#iliti

    es( impactof tourism

    Environmental 'actors cause issues of

    conservation. 7eeds hasten the decay of the site #y

    pushing crac's open and penetrating plaster

    surfaces. Poor drainage results in fungi that erode

    the oors of the #uildings.

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    Poor -uality restoration wor.  is caused #y a lac'

    of organisation and a lac' of consulting

    archaeologists. KConservation is an experimental

    science says 2ndre" 7allace Hadrill. Mr#an andinfrastructural planning near#y causes the

    movement of the earth "hich aEects the ancient

    structures. &estoration "or' is done #y +rms "ith

    little specialised 'no"ledge, often chosen "ith the

    aim of doing the cheapest Bo# possi#le and up

    'eeping the site temporarily for tourists.

    Conservators do last minute repairs instead of

    systematic maintenance to prevent sudden

    collapses. *ften structures #uilt to protect sites

    actually damage them. The tim#er roof erected on

    the House of %eleager in Pompeii could not support

    the "eight of the tiles. t collapsed, ta'ing "ith it

    parts of the #uilding. %any frescoes have #een left in

    the sun and have faded completely. The poor

    drainage system means that "ater erodes #uildings

    and oor mosaics. The "rong choice of modern

    materials "hich are unsuita#le to sustain the sitecause more damage than protection. /teel and

    concrete have #een used together. 7here the

    concrete has a'ed a"ay, the exposed steel has

    rusted and expanded, ma'ing crac's in the #uilding.

     The poor 8uality mortar over the ancient stone"or'

    has caused it to decay and the salts that modern

    concrete, plaster or mortar contain also do damage.

    7hole paintings have #een destroyed due to

    attempts to stic' them #ac' on the "alls using a ne"

    mortar. The old and ne" mortars resulted in a

    chemical reaction causing the paintings to crac'.

    &esin varnish and "ax coatings have #een used in

    an attempt to protect frescoes #ut instead they have

    sealed the painting against the damp and salt

    #uilding up #ehind the plaster.

    "#e mana!ement o' tourists and protection'rom t#e eapolitan )a0a are issues regarding

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    the conservation of the site. The %a+a often corrupt

    "or'ers in order to steal from the site and sell on the

    #lac' mar'et. Tourists oEer #ri#es to custodians to

    #e allo"ed into closed areas and cause further

    erosion of the site. Pompeii and Herculaneum have#een su#Bect to looting since the earliest excavations

    and many artefacts are in private collections. n

    1IIA a store room "as ro##ed at Herculaneum and

    more than 3A artefacts "ere ta'en including the

    gold Be"ellery "orn #y the &ing Lady9. t is thought

    that there "as #lac'mailing #et"een the eapolitan

    %a+a and the "or'ers and directors of the site for

    this to happen. There is no re8uirement for tourists

    to chec' in large #ags #efore entering, therefore

    providing ideal conditions for theft. There aren9t

    enough guards to stop tourists from entering closed

    areas or clim#ing ruins, leaving the site su#Bect to

    negligent #ehaviour. The lac' of educational

    information in the area means tourists do not

    respect or appreciate "hat they are loo'ing at. They

    often lean or sit on structures or thro" "ater on

    frescoes to see them clearer. They also may samplepieces of the site "hich is detrimental due to the

    large num#er of tourists that do this. 4ogs cause

    damage to the site #ut have no" #een removed.

    o"adays maps and audio guides have #een

    included in a feat to help visitors appreciate the

    artefacts. Closer monitoring of conservation resulted

    in the head of a construction company #eing

    arrested for violating the terms of an earlier

    preservation proBect "ith the aim of maximising

    costs. o"adays there are random inspections to

    ma'e sure local %a+a has not strong) armed its "ay

    into restoration "or'. The custodians have #een

    reprimanded for as'ing tourists for money to sho"

    them areas closed to the pu#lic.

    "#e 0!#t between t#ose w#o want to modi'y

    t#e ancient city 'or tourism purposes andt#ose w#o want to preserve it in its aut#entic

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    state is a conservation issue. n 3A1A a

    commissioner "ith po"ers to su#vert #ureaucracy

    "as placed under investigation on suspicion of using

    state money for proBects that "ent #eyond

    maintenance, li'e renovating an old theatre forperformances. This "as done 8uic'ly "ithout

    consulting archaeologists and this theatre is used for

    performances to this day. %oney is #eing invested to

    glamori0e the city for tourism purposes and this

    reconstruction alters it from its original state, posing

    threats to the integrity of the site. 2n example of this

    is the hologram of tour "here =ulius Poly#ius, a

    no#leman of 2ncient Pompeii, guides visitors around

    a F4 virtual version of his villa. There are constant

    collapses due to #uildings that receive no or little

    maintenance #ecause they are not main tourist

    attractions. Tourists are important #ecause of the

    revenue they #ring #ut that may #e at the cost of

    the integrity and condition of the site. The daily

    tra5c of people causes streets to erode and too

    much human contact "ith the structures causes

    damage.

     Throughout the years there have #een many proBects

    initiated #y international partners "hich have helped

    "ith the preservation of the site. 1nternational

    contributions include a N1FD million eEort #y the

    European 2nion "hich aims to #alance preserving

    the authenticity of the site "ith accessi#ility to

    tourists. The Houses in Pompeii3 Pro4ect 

    investigated #uildings "hich had #een excavated #ut

    had not #een recorded. The 1nsula o' )enander

    pro4ect "as a three stage analysis and

    documentation of a "hole insula "hich aimed to

    address de+ciencies in earlier records conducted #y

    %aiuri. There "ere three stages put in place to

    determine architecture, interior decoration and the

    examination of loose +nds. 2rchitects and drafts

    people analysed surviving structures, archaeologistsdated "alls and oors and experts in "all) painting,

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    mosaics and pottery studied loose +nds and

    decorations. "#e Pompeian ,orum pro4ect,

    other"ise 'no"n as the Porta Stabia pro4ect is

    dependent on advanced technology, particularly

    computer science and is ongoing to this day. TheproBect "as initiated #ecause the existing

    architectural plans for the

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    study and

    display of

    human

    remains

    of monuments and sites. Mnaccepta#le conduct

    includes the practice of posing s'eletons for

    dramatic aEect. n %aiuri9s time, a pile of s'eletons

    "ere glued together and portrayed to the "orld as if

    they had #een found li'e that. This "as done fortourism purposes and "as eventually revealed #y

    stelle La0er in the 1IIA9s. /ome #ones "ere also

    found to #e fa'es and La0er discovered that

    s'eletons had #een put together in inaccurate "ays,

    for example "ith t"o left thigh #ones. These 'inds of 

    practices demean the historical value of the site and

    promote false information.

     The nternational Council of %useums does not #an

    human remains #ut rather encourages sensitivity to

    community reactions. There are some religions

    "hich are against the display of human remains. n

    taly the display of human remains is a long tradition

    as the #odies of saints and martyrs have #een

    displayed this "ay for hundreds of years, so this is

    not an issue.

     There is the ethical argument a#out human remains

    #eing displayed "here they "ere found or in a

    museum. $odies are displayed in Pompeii9s Garden

    of the

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    important to 'eep information authentic and

    availa#le to avoid corruption and misinformation.