POLISH CINEMA IN THE 1970 s

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THE CINEMA OF MORAL CONCERN

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THE CINEMA OF MORAL CONCERN. POLISH CINEMA IN THE 1970 s. Poland in the 1970 s. 1970: Food prices increased, riots (brutally suppressed) followed. The First Secretary of the Communist Party, Gomułka, replaced by Edward Gierek. - PowerPoint PPT Presentation

Transcript of POLISH CINEMA IN THE 1970 s

Page 1: POLISH CINEMA IN THE 1970 s

THE CINEMA OF MORAL CONCERN

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1970: Food prices increased, riots (brutally suppressed) followed. The First Secretary of the Communist Party, Gomułka, replaced by Edward Gierek.

Later in the decade: the “Golden Age” economy of borrowing; another crisis and formation of opposition.

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1976: Strikes. 1978: the Archbishop

of Kraków, Karol Wojtyła, elected Pope as John Paul II.

The nation’s opposition solidified through church, trade unions, underground media, and unofficial culture.

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The term coined by Janusz Kijowski; first used by Wajda in 1979.

Refers to realistic films of late 1970s that focus on contemporary problems, moral choices, ethical issues of individuals, often in conflict with the state.

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JERZY SZTUR IN KIEŚLOWSKI’S AMATOR (1979) MAIN REPRESENTATIVES

Established masters, such as Andrzej Wajda, Krzysztof Zanussi, and a younger (“Third”) generation: Janusz Kijowski, Krzysztof Kieślowski, Agnieszka Holland, Felix Falk.

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Director: Andrzej Wajda.

Starring: Krystyna Janda, Jerzy Radziwiłowicz.

Time: the 1970s and 1950s.

Place: Nowa Huta. Theme: socialist

propaganda lies and moral corruption of the system.

Protagonists: a winner of Stakhanovite socialist competition and a young filmmaker.