Please have a look at the Box Office figures – what do you notice? Review any films you have seen...
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Transcript of Please have a look at the Box Office figures – what do you notice? Review any films you have seen...
Please have a look at the Box Office figures – what do you
notice?
Review any films you have seen this week
On the white boards write down three things you remember about Classical
Hollywood Cinema and the history of film.
Aims
• To explore the idea of Classical Hollywood Cinema and the studio System
• To understand the differences and links between CHC and contemporary US cinema
• To introduce the 3 main aspects of the film industry and their functions.
• To help you develop note taking skills – what is the key information
Classical Hollywood Cinema is a term used to describe American film production at a certain point in its history – mainly the 1930s and 1940s. It also describes a certain mode of production – a
way of making films.
As early as 1910 the US film industry was moving from the
East coast to California – specifically a small,
undeveloped rural area on the outskirts of Los Angeles
called……
Why do you think this happened?
In pairs think of three reasons why the film industry
moved from East to West?
By the 1930s film had both sound “talkies” and, sometimes,
colour.The Jazz Singer Gone With the World
Studios
By the 1930s most films were produced by a small number of
studios
Most of their names are familiar – who do you think they are?
Distribution
• Acquires the rights to the film• Decides/negotiates a release date
• Delivers prints to the cinema• Provides trailers and publicity material
• Negotiates promotional and merchandising deals
The BIG FIVE
Production – made the films
Distribution – & publicised the films and put them into cinemas because
Exhibition – they owned the cinemas
The LITTLE THREE
Production – made the films
Distribution – & publicised the films and put them into cinemas because
Exhibition – they had deals with the cinema companies
The Studios
Worked in a very industrial way. Films were made on a “Production Line”
with everyone having a specific role and responsibility. Stars were full
time employees and had little control over their roles. A director would
have little choice about the films he worked on.
MGM made lots of costume dramas and
musicals – their films were often
in colour and had high
production values
This was clearly an economically sound way of working since
everybody in the team would become a specialist on a particular
type of film and therefore able to set up equipment efficiently and
effectively.
Those setting up lighting could become
melodrama, horror or musical specialists
and be able to create the desired genre
lighting effects with the minimum of
direction, thereby saving time and
money.
The Bride of Frankenstein
This studio system broke down in the 1950s and 1960s when the US
government became concerned about the monopoly that the film companies had. The studios were
also struggling to survive against a new, exciting form of entertainment
3 Aspects
Production – there are still “big name” studios who produce many of the films we watch. Most of the big production companies are still American. Some films are “independent” and are produced outside the studios; they tend to be lower budget, are less star driven & are usually less successful at the box office.UK films are usually made by smaller companies, often set up to just make a single film.
3 Aspects
• Distribution – some big production companies distribute their own films. They have departments specifically to organise the marketing and promoting, to make trailers & posters and to ensure that their films reach as many cinemas as possible. Some production companies films, generally those making smaller, lower budget films, have to make deals with distribution companies to promote their films and make sure they are available to audiences. Most UK films are distributed in this way.
Distribution
Did you see Jurassic World in the summer?It took over £60m in the UK
Current global box office is $1,662,897,056
Distribution
How were other, similar, films released this summer marketed. In groups find examples of the strategies used by distributors to sell
their films.
3 Aspects
• Exhibition – most films are still made for cinema release but other forms of exhibition are increasingly important. These figures are quite old because it has become impossible to track domestic consumption.
Homework
Listen to The Business of Showing from Mark Kermode’s The Business of Film.
The final Radio 4 programme which covers exhibition.
http://www.bbc.co.uk/programmes/b054cbnp
Make notes on page 12 of your booklet