Plea to keep West Genesee High School dance program

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To Chris Brown and the West Genesee S chool Board, You may know my family. My brother, Michael McCartney, was deeply involved in the music program. He played percussion in band, snare drum in marching band, and he did the lighting for most of the school plays. My parents, Greg and Andrea McCartney, were involved in the program as well. They spearheaded Tournament of Bands for the marching band, and were those parents who showed up for every band practice, dance show, musical, and play. I was the one involved in everything. I played tenor saxophone in marching band and band, sang in Chorale, danced in Ms. Brackett’s Dance Ensemble, choreographed Thoroughly Modern Millie(200 8), and spent most of my time in the “music wing”. Before I begin my plight about the ending of the dance program, I just have to say that my high school experience was the best it could have been. I spread my wings creatively. I began to understand why “The Arts” were a p rivilege. We were so privileged at West Genesee High School. Have you ever danced? I don’t mean as a ballerina or a tapper. I mean at a wedding or in your backyard or in front of your mirror when you’re alone? Do you remember how you felt? It’s pure joy to dance at a wedding. It’s pure silliness to dance in your backyard. When you dance in the mirror, you see the beauty of your body and the rhythm that life has given you. Imagine all of those feelings and multiply them infinitely. When a dancer steps out onto the floor in socks, barefooted, or in tap shoes, the dance floor becomes their music score. I have never been more creative than when I am on a dance floor. I have never felt more vulnerable. There have been several pieces I have danced to, specifically Ms. Brackett’s RENT piece, that I have left the floor in tears. What other class can you achieve that from? At the end of my senior year, I was sick with Mononucleosis. Kaleidoscope was in a few weeks, and I was devastated that I might not be able to dance. I practiced with Chorale, but I had to sit out for most of dance class. I begged my doctor to approve me for Kaleidoscope, but she was hesitant. She told me I could dance for a minute of the piece, but not the entire four minutes. I explained this to Ms. Brackett, who was more than willing to find a small spot for me in the dance. When Kaleidoscope arrived, I sang with Chorale and then rushed down to change into my dance costume. We made our wa y to the stage. All of my girlfriends squeezed my hand as they walked by me. The music began and I waited for my turn to dance. That one minute of dance during the last Kaleidoscope I would ever be a part of meant more to me than walking across the stage at graduation. Do you know why the musicals and marching band are so successful? Because there is an entire music wing dedicated to creating artists who have amazing abilities. The Dance Program is no exception to this. Color Guard is filled with dancers from the

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To Chris Brown and the West Genesee School Board,

You may know my family. My brother, Michael McCartney, was deeply involved in

the music program. He played percussion in band, snare drum in marching band,

and he did the lighting for most of the school plays. My parents, Greg and Andrea

McCartney, were involved in the program as well. They spearheaded Tournament ofBands for the marching band, and were those parents who showed up for every

band practice, dance show, musical, and play.

I was the one involved in everything. I played tenor saxophone in marching band

and band, sang in Chorale, danced in Ms. Brackett’s Dance Ensemble, choreographed

Thoroughly Modern Millie(2008), and spent most of my time in the “music wing”.

Before I begin my plight about the ending of the dance program, I just have to say

that my high school experience was the best it could have been. I spread my wings

creatively. I began to understand why “The Arts” were a privilege. We were so

privileged at West Genesee High School.

Have you ever danced? I don’t mean as a ballerina or a tapper. I mean at a wedding

or in your backyard or in front of your mirror when you’re alone? Do you remember

how you felt? It’s pure joy to dance at a wedding. It’s pure silliness to dance in your

backyard. When you dance in the mirror, you see the beauty of your body and the

rhythm that life has given you.

Imagine all of those feelings and multiply them infinitely. When a dancer steps out

onto the floor in socks, barefooted, or in tap shoes, the dance floor becomes their

music score. I have never been more creative than when I am on a dance floor. I

have never felt more vulnerable. There have been several pieces I have danced to,

specifically Ms. Brackett’s RENT piece, that I have left the floor in tears. What otherclass can you achieve that from?

At the end of my senior year, I was sick with Mononucleosis. Kaleidoscope was in a

few weeks, and I was devastated that I might not be able to dance. I practiced with

Chorale, but I had to sit out for most of dance class. I begged my doctor to approve

me for Kaleidoscope, but she was hesitant. She told me I could dance for a minute of

the piece, but not the entire four minutes. I explained this to Ms. Brackett, who was

more than willing to find a small spot for me in the dance.

When Kaleidoscope arrived, I sang with Chorale and then rushed down to change

into my dance costume. We made our way to the stage. All of my girlfriendssqueezed my hand as they walked by me. The music began and I waited for my turn

to dance. That one minute of dance during the last Kaleidoscope I would ever be a

part of meant more to me than walking across the stage at graduation.

Do you know why the musicals and marching band are so successful? Because there

is an entire music wing dedicated to creating artists who have amazing abilities. The

Dance Program is no exception to this. Color Guard is filled with dancers from the

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West Genesee Program. You cannot deny that our Color Guard is disciplined and

well-trained, and a lot of that is due to dance class. When I helped choreograph

Thoroughly Modern Millie, I pulled many friends from the Dance Ensemble to tap

dance, because there weren’t enough girls signed up for the musical that could. I’m

not sure what I would have done without that choice.

Many, many friends have gone on from the Dance Program to dance for their career.

Caitlin Reinhardt, who now owns Caitlin Clark’s Center of Dance in Solvay,

Stephanie Dattellas, who teaches for the Syracuse City Ballet amongst other things,

Jake Casey, who has danced all over the country for different companies, and David

Scarantino, who graduated from SUNY Purchase and dances in New York City, have

all prospered from the program. Have you ever seen any one of those students

dance? Look them up on YouTube when you get a chance.

And there are plenty who have gone on from the Dance Program to continue

dancing, even if it’s not for their career, including myself. I hope you can see what

good the West Genesee Dance Program has done for the Syracuse community andbeyond.

I am pleading for the school board and Chris Brown to overturn their decision to cut

the dance program. It’s absolutely abhorrent that West Genesee, which claims to be

an elite Fine Arts school, is tossing aside one of the best Fine Arts programs it has to

offer.

With Passion for the West Genesee Dance Program,

Meghan McCartney

Class of 2008