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Transcript of PLANIRANJETO, PRAVILNOTO RAKUVANJE I PAKUVANJE KAO PREDUSLOVI ZA NAMALUVANJE NA RIZIKOT OD...
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:
- Bauer E., Packing Museum Objects for Shipment, Conserve O Gram, 17/2, Washington,
1993
- Bauer E., Crating Museum Objects for Shipment, Conserve O Gram, 17/3, Washington,
1993
- Browning M. E., Checklist for Planning the Shipment of Museum Objects, Conserve O
Gram, 17/1, Washington, 1993
- Corvaia C., Supports and Packaging for Museum Objects in Travelling Exhibitions, AICCM
Bulletin, Vol 15, No. 3 and 4, Canberra, 1989
- Dudley D., Museum Registration Methods, Chapter 7: Packing and Shipping, Washington,
1979
- Gallery Association of New York State, Way to Go: Crating Artwork for Travel, Box 345,
Hamilton, 1985
- Keck K. C., Safeguarding Your Collection in Travel, American Association of State and
Local History, Nashville, 1970
- Mecklenburg F. M., Ross M. M., Mervin R., Art in Transit, Handbook for Packing and
Transportating Paintings, Washington, 1991
- Mervin J. R., Elements for Effective Packing, Museologist, Vol. 45, No. 166, Winter, 1983-
84
- Richard M., Foam cushioning materials: techniques for their proper use, Art in Transit:
Studies in the Transport of Paintings, Washington, 1991
- Rowlison B. E., Rules for Handling Works of Art, Museum News, Vol. 53, No. 7, 1975
- Shelley M., The Care and Handling of Art Objects, New York, 1987
- Stolow N., Conservation and Exhibitions-Packing, Transport, Storage and Environmental
Considerations, Museum and Monuments XVII, UNESCO, Boston, 1987
- Taylor M., A manual for the handling and packaging of museum objects, Wellington, 1981
- http://cool.conservation-us.org/byauth/maravilla/handling.html
- https://portfolio.du.edu/portfolio/getportfoliofile?uid=112312
- http://www.si.edu/mci/english/learn_more/taking_care/movefurn.html
- http://www.nmmuseums.org/imls/travexres.phtml
- http://www.vam.ac.uk/content/journals/conservation-journal/issue-53/planning-the-packing-
for-a-touring-exhibition/
- http://www.nedcc.org/contact/packing.php
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17
Milcho Georgievski, Senior Curator-Art Historian
N.I Institute for the Protection of the Monuments of Culture and Museum-Ohrid
Boro Shain No. 10, 6000 Ohrid, Republic of Macedonia
PLANNING, PROPER HANDLING AND PACKING AS PRECONDITIONS FOR
MINIMIZING THE RISK OF DAMAGING THE MUSEUM OBJECTS DURING THE
TRANSPORTATION
(ABSTRACT)
Any transfer or transportation of museum objects from one place to another, no matter if it is
in the showroom itself or the storeroom, from one building to another or from one institution to
another, is a potential risk for damage which may be of mechanical, biological or chemical nature.
The reasons for moving museum objects are different: transportation to the laboratory for
conservation treatment, transfer from the exhibition space in the storeroom and vice versa or to
some other institution for exhibition or for scientific research. In all these cases museum objects are
additionally exposed at risk of potential damages that, according to previous planning, can be
identified in advance or, at least, reduced to minimum.
Including and taking into account all changes in the external environment and specific needs of
each individual object is a very complex process that can be greatly facilitated if appropriate and
more or less standardized procedures are followed. Any missed step in this process can be
disastrous in terms of endangering the integrity and value of museum objects or increase the level of
its potential damage.
These procedures in the form of a manual can be used in carrying out preparations for the
realization of specific research projects or exhibitions, but also for future planning and, which is of
particular importance, for dealing with emergencies (natural and other disasters), when the transfer
of museum objects urgent and necessary.
Depending on the nature of material, importance, sensitivity of the objects and other characteristics,
this manual can contain some more categories, but it usually refers to the planning steps for
handling, packaging and transportation of the objects, including commercial transportation services,
insurance, security and coordination of the involved staff.
All the steps that should be taken in the preparation and realization of exhibitions in order to fully
eliminate or reduce the risk of possible damage to a minimum, will be more extensively exposed
and elaborated in this paper on the example of the latest international exhibition at which our
institutions borrowed a large number of objects from different materials and executed in several
techniques.
Keywords: planning, risk, damage, transportation, museum object.