Place of [Sub]Consciousness
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Transcript of Place of [Sub]Consciousness
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Material and Lived Space cinema constructs spaces in the mind, creates mind-spaces,
reflecting thus the inherent ephemeral architecture of human mind,thought and emotion
The mental task of buildings and cities is to structure our being-
in-the-world and to articulate the surface between theexperiencing self and the world.
Lived space resembles the structures of dream and theunconscious, organized independently of the boundaries of physicalspace and time.
Lived space is always a combination of external space andinner mental space, actuality and mental projection.
In experiencing lived space, memory and dream, fear and desire,value and meaning, fuse with the actual perception
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The Mental Reality of Place
Place and event, space and mind, are notoutside of each other.
Architecture gives the cinematic episode its
ambience, and the meanings of the event are
projected on architecture.
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Stage of Fear
Architecture, as a resonator or amplifier of
mental impact
Applying metaphysics of fear andmelancholy
architecture directs human intentions,
emotions and thoughts by means of the
hallucinatory air which it awakens
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The Architecture of Erosion
empties a building of its emotional content
prevents the viewer from projecting his/her
positive emotions onto it
fills it with terror
The normal architecture of our time hasstandardized emotions by eliminating the
extremes of the spectrum of human
emotions: melancholy and joy, nostalgia
and
ecstacy.
allows erosion and mold to
corrode the walls, rain penetrate
the roof and water flood the floor,
takes away the building's mask of
utility, which addresses our
reason and common sense.
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The Logic of Emotions
Images of Light and Matter
The Stairs of Cinema The Exchange of Emotions
The Meaning of the Invisible
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Alice in
Wonderlandparty theme design by
Gabriela Rabelo;
designed for a 15-
year-olds debut
party, andpainstakingly recreates
every detail from the
Disney film version of
Alice in Wonderland.
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Magic Mushroom House, Architect Andre Ulrych inspired by seashells and not
psychedelic illicit substances. Varying levels and spiral staircases create a seamlessexperience that dazzles and confounds.
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nendo: mental health clinic, tokyo
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stylized visuals
strange asymmetrical camera anglesatmospheric lighting
harsh contrasts between dark and light.
Learning from
German Expressionist Film
Shadows and silhouettes were an
important feature of expressionism
The story lines matched the visuals interms ofdarkness and disillusionment.
Often sombre in mood and featuring
characters from a corrupt underworld of
crime, the films' dramatic effects produced
motifs ofclaustrophobia and paranoia
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The Cabinet of Dr. Caligary (1920)?
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The Mental reality of Place
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The lived space the architexture
Stage of fear
Claustro-phobic space
Altophobic place
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Meaning & Understanding
Meaning emerges from understanding (Younghee Jung)