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‘Wasabi Sake’ logo & packaging.

‘Tough Tea’ Packaging

‘For the Good of the Colony’, Macnaught CD cover and poster.

Bookcover series for Raymond Chandler’s crime fiction novels.

BLUES2013

fest

feat.

d r o p k i c k m u r p h y s g l e n h a n s a r d w i t h t h e f r a m e s

t e d e s c h i t r u c k s b a n d f r a n k s t u r n e r & t h e s l e e p l e s s

s o u l s n e w t o n f a u l k n e r w i l l i a m e l l i o t w h i t m o r e

c r a i g p o t t e r p l a y i n g f o r c h a n c e b e n c a p l a n

B E N H A R P E R S A N T A N Ai g g y p o p & t h e s t o o g e sS t e v e m i l l e r b a n dc h r i s i s s a k w i l c o B o n n i e R a i t t

and many, many more to c�e...

Re-branding of Byron Bay Blues Fest.

BLUES2013

fest

28th March to 1st AprilBYRON Blues 2013fest

COLOUR

28th March to 1st AprilBYRON Blues 2013fest day1

Preferred Seating does not provide the information or services relating to entertainment or events displayed on this web site. All such information and services are provided by Pinpoint Pty Ltd ACN 002 693 656 ("Pinpoint",

"We" and "Us"). The following terms and conditions represent the agreement between the purchaser of tickets via this web site ("You" and "Your") and Pinpoint. Tickets to events acquired via this website ("Events") are issued by

third parties ("Promoters") promoting and/or providing venues for those Events. Tickets are usually sold by a Ticketing Agency (an "Agent"). The terms and conditions regulating the rights and obligations of the Promoter, the

Agent and holder of tickets are generally available from: The ticket; and/or Information published by the Promoter or its Agent.. In most cases, the Promoter and/or the Agent will be a member of the Australian Entertainment

Industry Association, trading as Live Performance Australia. Members of this Association using that membership as a endorsement are bound by the Associations Code of Practice for Event Ticketing reproduced below and

published at: http://www.liveperformance.com.au. The Live Performance Code forms part of these terms and conditions.Waitlist registration will expire 12 months from the date of registration. You may renew Your registration

at any time. In very few instances where demand for tickets exceeds supply we may not be able to satisfy all requests. Therefore it is important that you register early, re-register and update your contact information every 12

months. If tickets become available we will endeavour to contact you to make a booking should you wish to proceed.By booking a ticket, You represent and warrant to Pinpoint that You are an Australian resident. No agreement

for the sale of a ticket arises unless and until Pinpoint has confirmed your order or booking and full payment has been received.All bookings will be charged to Your nominated credit card. No other form of payment is available.

The offer of tickets from this website is only made to, and is only capable of acceptance by Australian residents. By booking a ticket, You represent and warrant to Pinpoint that You are an Australian resident. No agreement for

the sale of a ticket arises unless and until Pinpoint has confirmed your order or booking and full payment has been received.

T&Cs

11am till 12pm

T Y A G A R A H T E A T R E E F A R M

yRON BLUES2013

fest

28th Mar

A DM I T O N E

A DM I T O N E

ADULT & CHILD WRISTBAND



O V E R 1 8

yRON BLUES2013

fest

pass

U N D E R 1 8pass

TICKETS & wristband

28th March to 1st AprilBYRON Blues 2013fest day1

Preferred Seating does not provide the information or services relating to entertainment or events displayed on this web site. All such information and services are provided by Pinpoint Pty Ltd ACN 002 693 656 ("Pinpoint",

"We" and "Us"). The following terms and conditions represent the agreement between the purchaser of tickets via this web site ("You" and "Your") and Pinpoint. Tickets to events acquired via this website ("Events") are issued by

third parties ("Promoters") promoting and/or providing venues for those Events. Tickets are usually sold by a Ticketing Agency (an "Agent"). The terms and conditions regulating the rights and obligations of the Promoter, the

Agent and holder of tickets are generally available from: The ticket; and/or Information published by the Promoter or its Agent.. In most cases, the Promoter and/or the Agent will be a member of the Australian Entertainment

Industry Association, trading as Live Performance Australia. Members of this Association using that membership as a endorsement are bound by the Associations Code of Practice for Event Ticketing reproduced below and

published at: http://www.liveperformance.com.au. The Live Performance Code forms part of these terms and conditions.Waitlist registration will expire 12 months from the date of registration. You may renew Your registration

at any time. In very few instances where demand for tickets exceeds supply we may not be able to satisfy all requests. Therefore it is important that you register early, re-register and update your contact information every 12

months. If tickets become available we will endeavour to contact you to make a booking should you wish to proceed.By booking a ticket, You represent and warrant to Pinpoint that You are an Australian resident. No agreement

for the sale of a ticket arises unless and until Pinpoint has confirmed your order or booking and full payment has been received.All bookings will be charged to Your nominated credit card. No other form of payment is available.

The offer of tickets from this website is only made to, and is only capable of acceptance by Australian residents. By booking a ticket, You represent and warrant to Pinpoint that You are an Australian resident. No agreement for

the sale of a ticket arises unless and until Pinpoint has confirmed your order or booking and full payment has been received.

T&Cs

11am till 12pm

T Y A G A R A H T E A T R E E F A R M

yRON BLUES2013

fest

28th Mar

A DM I T O N E

A DM I T O N E

ADULT & CHILD WRISTBAND



O V E R 1 8

yRON BLUES2013

fest

pass

U N D E R 1 8pass

TICKETS & wristband

K A T I E P I P E R 2 Ak a t i e a p i p e r @ g m a i l . c o m

1

2 12

B L U E S F E S T . D E S I G N

The design was inspired by classic Chicago Blues posters. The

more retro aesthetic helps to echo back to the roots of Blues

music and at the same time stays quirky and modern with

the typographical elements. The posture of the man and the

collage of the Blues instruments that form his head, create a

musical and vibrant feeling to the design that represents the

energy and atmosphere of the festival. Creating a dancing,

fun, musical graphic to represent the rhythm and movement

of Byron Bay’s Blues Festival.

R A T I O N A L E


3 F E M A L E A N D M A L E S T Y L E S


3 F E M A L E A N D M A L E S T Y L E S

Byron Bay Blues Fest. T-Shirt Design

C H A N N E L O R A N G E

FRANK OCEAN C H A N N E L O R A N G E

Frank Ocean ‘Channel Orange’ LP Cover.

‘Disappearing Words’ - a typographical exercise.

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NIT IDNIT IDNIT ID

D I M N E S S

D I M N E S S

D I M N E S S

D I M N E S S

CALIGNOSITY

CALAAAAAAAAAL

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THE STUDY OR TREATMENT OF MENTAL DISEASES, ESPECIALLY IN THEIR RELATION TO LEGAL PROBLEMS.THE STUDY OR TREATMENT OF MENTAL DISEASES, ESPECIALLY IN THEIR RELATION TO LEGAL PROBLEMS.THE STUDY OR TREATMENT OF MENTAL DISEASES, ESPECIALLY IN THEIR RELATION TO LEGAL PROBLEMS.THE STUDY OR TREATMENT OF MENTAL DISEASES, ESPECIALLY IN THEIR RELATION TO LEGAL PROBLEMS.

IN THEIR RELATION TO LEGAL PROBLEMS.

A L I E N I S M

A

l

IEN

IS

M

S I N C E 1 9 4 4

PICCOLO. .PA S TA

. .

. .. .

. .

NUTRITION INFORMATION

P R O D U C T O F I TA LYP E S O N E T T O 5 0 0 GS T O R E I N A D R Y P L A C E

Ingredienti : semola di grano duro .

Ingredients: durum wheat semolina

Produzione artigianale di pasta di

semola di grano duro . Produtto tipico

Italiano . Da consumarsi

preferibilimente ento il: (vedi data sul sacchetto).

A r tisa n p asta p r od u c e d f r om 100% d u r u m w h e at se mol in a . Au th e n tic Ita l ia n ma d e . Best be f or e (se e d ate p r in te d on box ) .

Portare ad ebollizione in una pentola

abbondante acqua salata , e farvi cuocere la pasta . Scolaria al dente .

Br in g a l a r g e p ot of sa lte d wate r to th e boil . A d d th e p asta , a n d st ir oc c asion a l ly .

C ook th e p asta to taste or u n til ‘a l d e n te ’ .

ENERGY

PROTE IN

FAT , TOTA L

- SATU RATED

CARBOHYDRATE

- SU GARS

SODIU M

Servings per package : 4Serving s ize 125g

A V E R A G E Q U A N T I T Y P E R S E R V I N G

A V E R A G E Q U A N T I T Y P E R 1 0 0 G S E R V I N G

145kg12.0g14g0.47g717g4.2g4mg

ENERGY

PROTE IN

FAT , TOTA L

- SATU RATED

CARBOHYDRATE

- SU GARS

SODIU M

1817kg15.0g175g0.58g89.63g5.25g5.0mg

. .

G O U R M E T A R T I S A N P A s TA

SQU I D I N K PAS TA

G O U R M E T

A R T I S a N

P A s T A

S I N C E 1 9 4 4

SQUID INK PASTA

TAGLIATELLE AL NERO DI SEPPIA

PiccoloPASTA

125G

S I N C E 1 9 4 4

PICCOLO. .PA S TA

. .

. .. .

. .









Artisan pasta produced from 100% durum wheat semolina. Authentic Ital ian made . Best before (see date printed on box) .



Bring a large pot of salted water to the boil . Add the pasta, and st ir occasionally .

Cook the pasta to taste or until ‘al dente ’ .

ENERGY

PROTE IN

FAT , TOTA L

- SATURATED

CARBOHYDRATE

- SUGARS

SODIUM




145kg12.0g14g0.47g717g4.2g4mg

ENERGY

PROTE IN

FAT , TOTA L

- SATURATED

CARBOHYDRATE

- SUGARS

SODIUM

1817kg15.0g175g0.58g89.63g5.25g5.0mg

. .



G O U R M E T

A R T I S a N

P A s T A

S I N C E 1 9 4 4

SQUID INK PASTA


PiccoloPASTA

125G

S I N C E 1 9 4 4

PICCOLO. .PA S TA

. .

. .. .

. .









Artisan pasta produced from 100% durum wheat semolina. Authentic Ital ian made . Best before (see date printed on box) .



Bring a large pot of salted water to the boil . Add the pasta, and st ir occasionally .

Cook the pasta to taste or until ‘al dente ’ .

ENERGY

PROTE IN

FAT , TOTA L

- SATURATED

CARBOHYDRATE

- SUGARS

SODIUM




145kg12.0g14g0.47g717g4.2g4mg

ENERGY

PROTE IN

FAT , TOTA L

- SATURATED

CARBOHYDRATE

- SUGARS

SODIUM

1817kg15.0g175g0.58g89.63g5.25g5.0mg

. .



G O U R M E T

A R T I S a N

P A s T A

S I N C E 1 9 4 4

SQUID INK PASTA


PiccoloPASTA

125G

S I N C E 1 9 4 4

PICCOLO. .PA S TA

. .

. .. .

. .









Artisan pasta produced from 100% durum w heat s emo lina. Authen tic Ita l ian made . B est b efore (see date printed o n bo x) .



Br i n g a la rge pot of salted water to the boil . Add the pasta, an d st ir oc c asionally .

Cook th e p asta to taste or un til ‘al dente ’ .

ENERGY

PROTE IN

FAT , TOTAL

- SATURATED

CARBOHYDRATE

- SUGARS

SODIUM

S ervings per package : 4S erving s ize 125g



145kg12.0g14g0.47g717g4.2g4mg

ENERGY

PROTE IN

FAT , TOTAL

- SATURATED

CARBOHYDRATE

- SUGARS

SODIUM

1817kg15.0g175g0.58g89.63g5.25g5.0mg

. .



G O U R M E T

A R T I S a N

P A s T A

S I N C E 1 9 4 4

SQUID INK PASTA


PiccoloPASTA

125G

‘Piccolo Pasta’ box series.

FRANK’

S

SPRIN

G BREA

K

FEATUR

ES

FRANKS

THE QUEEN OF ZEF:YOLANDI VI$$ER

MIKE BROWN: “HOW I KILLED PLUTO”

CACTI, ALL THE COOL KIDS PLANT IT..

MICKEY MOUSE: TRASHIN FASHIN

VERTIGO - GREATEST MOVIE OF ALL TIME

2012

263154

The new succulant craze taking over

student rented inner-west terraces

near you! p.26

Mickey Mouse hits the runway. New comic chic prints in Spring. p.31

British artist Rooth Malice shares her latest atomic

works with Sydney. p.45

Mike Brown, How I Killed Pluto & Why It Had it Coming book review. p. 12

The Queen of Zef, Yolandi

Vi$$er on D

ie Antw

oord and her love of rats. p.20

Model Profile: Cara Delevinger

Proverbs from John Waters

Alexander Wang's inspiration

On the Inside:Topshop

WE LOVE

Shopping Folk Fancy

Bella Donna

Notorious: Photography by Tung Walsh

Tall, Dark and Handsome by Philip Gay

In Person by Alex Franco

Think: Spiritulised.

Rooth Malice''s Atomic Greeting Cards

Oh Mercy!! Talk to Frank

The Diamond Collective

FASHION

UPFRONT

ART&MUSIC

03

14

27

47

51

05

18

29

59

61

11

16

39

64

FRANKS

01

‘The Queen of Zef’ - Yolandi Yi$$er double page spread

Contents Page for ‘Frank’s’ Magazine.

THEQUEEN

OF:

ZEFQUE

EN OF

ZEF

YOLAND

I VI$$

ER:

“I FIN

K YOU’

RE FRE

AKY

AND I

LIKE Y

OU A L

OT.”

into the phenomenon, it became apparent that the duo of Ninja and Yolandi had been involved in various music groups and art projects over the years. Was this a calculated effort to exploit people like me who find great entertainment in clueless overseas assimilation of American pop culture? At this point I didn’t care, as I started to actually enjoy the songs. Also Yolandi was a total freaking babe. I went to their show at 9:30 Club

not knowing what to expect, and was given one of the best performances I had seen in a while. The energy on stage made up for the lack of weird ass visuals in their videos. Sure, I was still cracking up at the spectacle, and had no idea how authentic these larger than life personalities were on stage, but like Exit Through the Gift Shop or Lana Del Rey, if the product is this good who gives a shit? The quality of the put on is as good as the reality. So here is the interview.

When the offer came in to interview Die Antwoord, to say I was excited would be an understatement. Also very very scared. Like most people, I discovered their music through their strange viral videos, at first laughing at the unintentional hilarity of their apparent foreign naivety. After a while though it began to seem that it was all an elaborate hoax. Some of their lyrics suggested they were a bit more clever than you might think. As theinternet began to delve

21

clueless overseas assimilation of American pop culture? At this point I didn’t care, as I started to actually enjoy the songs. Also Yolandi was a total freaking babe. I went to their show at 9:30 Club not knowing what to expect, and was given one of the best performances I had seen in a while. The energy on stage made up for the lack of weird ass visuals in their videos. Sure, I was still cracking up at the spectacle, and had no idea how authentic these larger than life personalities were on stage. But so many people Exit Through the Gift Shop or Lana Del Rey, if the product is this good who gives a shit? The quality of the put on is as good as the reality. So here is the interview. Let me set the stage just a bit - I was dreading

Trying to understand these guys, the thick accents and slang were tough enough, but over a cell phone speaker on the other side of the planet it became near impossible. They were barely coming through as I was hunched over my desk with my ear as close to the phone as possible trying to follow Ninjas stream of consciousness rants while Yolandi mumbled in the background. In the end I had to disengage a bit as I simply had no idea what they were talking about, and just let them ramble on hoping for the best. Luckily the recorder was able to pick up what they said a lot clearer than my actual ear was so I got most of it down, but I’ve added some notes in brackets.

When the offer came in to interview Die Antwoord, to say I was excited would be an understatement. Also very very scared. Like most peo-ple, I discovered their music through their strange viral videos, at first laughing at the unintentional hilarity of their apparent foreign naivety. Af-ter a while though it began to seem that it was all an elabo-rate hoax. Some of their lyrics suggested they were a bit more clever than you might think. As the internet began to delve into the phenomenon, it became apparent that the duo of Ninja and Yolandi had been involved in various music groups and art projects over the years. Was this a calculated effort to exploit people like me who find great entertainment in

“JUST BECAUSE THE WHOLE WORLD’s GONE DWANKY, DOESN’T MEAN WE’RE GONNA. . . ”

TECHNO

BEAT,

A TEC

HNO TE

CHNO

BEAT..

.

“FREE PUSSY

RIOT!”

not knowing what to expect, and was given one of the best performances I had seen in a while. The energy on stage made up for the lack of weird ass visuals in their videos. Sure, I was still cracking up at the spectacle, and had no idea how authentic these larg-er than life personalities were on stage. But like Exit Through the Gift Shop or Lana Del Rey, if the product is this good who gives a shit? The quality of the put on is as good as the reality. So here is the interview. Let me set the stage just a bit - I was dreadin Trying to understand these guys, the thick accents and slang were tough enough, but over a cell phone speaker on the other side of the planet it became near impossible. They were barely coming through as I was hunched over my desk with my ear as close to the phone as possible trying to follow Ninjas stream of conscious-ness rants while Yolandi mumbled in the background.

When the offer came in to interview Die Antwoord, to say I was excited would be an understatement. Also very very scared. Like most peo-ple, I discovered their music through their strange viral videos, at first laughing at the unintentional hilarity of their apparent foreign naivety. Af-ter a while though it began to seem that it was all an elabo-rate hoax. Some of their lyr-ics suggested they were a bit more clever than you might think. As the internet began to delve into the phenom-enon, it became apparent that the duo of Ninja and Yolandi had been involved in various music groups and art projects over the years. Was this a calculated effort to exploit people like me who find great entertainment in clueless overseas assimilation of American pop culture? At this point I didn’t care, as I started to actually enjoy the songs. Also Yolandi was a total freaking babe. I went to their show at 9:30 Club

In the end I had to disengage a bit as I simply had no idea what they were talking about, and just let them ramble on hoping for the best. Luckily the recorder was able to pick up what they said a lot clearer than my ac-tual ear was so I got most of it down, but I’ve added some notes in brackets. When the offer came in to interview Die Antwoord, to say I was excited would be an understatement. Also very very scared. Like most peo-ple, I discovered their music through their strange viral videos, at first laughing at the unintentional hilarity of their apparent foreign naivety. Af-ter a while though it began to seem that it was all an elabo-rate hoax. When the offer came in to interview Die Ant-woord, to say I was excited would be an understatement. Some of their lyrics suggested they were a bit more clever than you might think. As the internet began to delve into the phenomenon.

2423

‘Smallpox’ booklet was an info graphic exercise in depicting the design process metaphorically through an organically growing organism.

SMALLPOXKATIE PIPER

B R E I F

R E S E A R C H

R O U G H S

R E F I N E DR O U G H S

P R E S E N T T O

C L I E N T

R E F I N E

P R I N T E D

F I N I S H E D A R T

SMALLPOX

Website for creative director Lotte James Barneslottebarnes.com

K I L L I N G S H I T & T A K I N G N A M E S

PIPERPIPER

1988

Design Centre Enmore ‘Grad Show’ exhibit.

1

B E T T E R R E A D T H A N D E A D

EST 1990

B ette r R e a d T h a n D e a d

EST 1990


The maximum size of the logo is A6, should usually be displayed as 116mm x 61mm. Smallest reduction should be

80mm x 45mm.

EST 1990


A6

(min.)

(max.)

45mm

80mm

{s ize}

Re-branding of Newtown bookstore ‘Better Read Than Dead’.

Katie PiperGraphic Designer

0417 417 275piper-piper.com

[email protected]

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