Piggyback

9
REFLECTIONS AND NOTES OVER MICHAEL CONNORS POST- INTERNET: WHAT IT IS AND WHAT IT WASCONNOR FREW 2015

description

Dissection of a text by Michael Connor. PIGGYBACK is a document of the organic processes (fracturing, erosion, and accumulation of debris) that information undergoes as an object under scrutiny.

Transcript of Piggyback

  • REFLECTIONS AND NOTES OVER MICHAEL CONNORS POST-

    INTERNET: WHAT IT IS AND WHAT IT WAS

    CONNOR FREW

    2015

  • translated from online origins to a more stable presentation format suited

  • translated from online origins to a more stable presentation format suited

    to a gallery context

    -translation of the work to a more stable material format

  • Artists after the internet thus take on a role more closely aligned to that

    of the interpreter, transcriber, narrator, curator, architect.7

    These days its not popular to ascribe shifts to the mere appearance of a

    new technology rather than to shifts in perceptual regimes or economic

    models, but lets just say it: the iPhone was released in 2007.

    proliferation of smartphones and the growing pressures of an attention-

    based economy.

    knowing participants in a system of circulating data in which the line

    between artist-made, user-generated, and commercial content is

    decidedly blurred.

    Brand Innovations for Ubiquitous Authorship

    -the artist as user

  • works reliance on a network of friends, a kind of autonomous zone in

    which her image circulates,

    in contrast

    reliance on a network of logistics and manufacturing, on a network that

    transmits digital files to on-demand manufacturers and documentation to

    YouTube, and the less tangible networks that assign value to an art

    work.

    originally articulated by Olson, positioned the artistic creation after or

    structurally outside of the internet, while acknowledging that the digital

    artist was a fully vested participant in internet culture.

    internet-enabled neoliberal ether. Outside the internet is not presumed

    to exist.

  • Not an airy declaration of independence, but a reckoning of ones

    immersionto address a fluid object, we need a new social politics of

    collective inter-reliance.

    -post-internet as contemporarily defined most effectively refers to the artists

    recognizance of their simultaneous status as user.

    | fluid object

    the artist is v slippery, situated firmly w/in the expansive, flowing neolib

    network of neoliberalism & corporate mediation of cultural production