Pianoforte studies in progressive order for the ...
Transcript of Pianoforte studies in progressive order for the ...
N911A.
APP=Qcfifion
cUJood.
Progressive Studies
Op. 66.
Book I.
Grinnell Bros. Music House,DETROIT, MICH.
Adrian, Bay City, Delray, Escanaba, Flint, laouoct, Killsdale, Jackson, Kalamazoo, Lansing,Pontiac, F>tt Huron, Petoskey, Sr.ginaw.SaultSte. Marie, Traversa Ciiy,
Ypsvlanti, and Windsor, Ont.
&fct
Digitized by the Internet Archive
in 2012 with funding from
Brigham Young University
http://archive.org/details/pianofortestudie661loes
in progressive orderfor the
Development ofTechnic and Expression
with fingeringby
Part. I. For Beginners.. .Op. 65. Book!. 2.3.(EditionWood N910.A.B.C.)
Part. E. Fop Progressed Pupils0p.66.Book1. 2.3.(Edit.onWoodN?\1.A.B.C
Part. m.ForAdvancedPupils..0p.67.Book1. 2.3'EditionWoodN?l2.A.B.C
i2iSiSJS!SiS!^3SSiSSJS!S!^53iS13I^^S^Si^^^i^i^^^iS!SiS^^5lSi^!S
(^C708
WeWFWodMusic C*-Boston, JVew York, £eipzig,
fondon,
^7^ ^
ETUDEN FUR PIANOvon
A. LOESCHHORN.
Theil II. Fur Fortgeschrittene, 0p.66.Heft I.
Part II. For Intermediate Grade. Op.66.Book I.
Preliminary Exercise.
^ Vortibunff.
20 time*.20 mal.
ETUDE N?I.
Allegro
The Preliminary Exercises are to bepractised first with eacli hand alone.*' Die Voriibungen sind zuerst urit jeder Hand allein zu iiben. „,.. .., , ., n .& J hdition Wood NV 11A.
THE LIBRARY
BR.eHAM
THYO0NG UJJVBSnY
PROVO, UTAH
B.F.W. 174 -22.
4Esce?'cise.
Vor iibung-
.
/ y timesVZ mal.
4 5
ETUDE N9II.
WWZ&&
Edition Wood N°ll A. B..F. W. 174 -22
^m^^p ip^f-/
k h m^ * iint.
^r te.
i t >l>l b
cresc.
t m ± 0-m-0m m gii i
>Edition Wood N911A. B.F. W. 174 -22
6Exercise.Yoriibung-.
20 times.
Allegro non troppo.5
ETUDE N9III
&U&
« ^Ut£
Edition Wood N911A. B.F.W. J "74 - 2Z
Exercise.Yoriibu
?M$ $'&&££% ^ggm
-*^
-o-
ETUDE N? IV.
Allegro mo&erato.5
Edition Wood N9 HA. B.F.W. 174 - Ml
10Exercise.Vorubung".
16 times.
16 mal.
ETUDE N?V.
Allpg«ro
\*ftfl ^rrrrrrrTr^i 1
^trmmf fffj» #7^
|
»/*j: r r p r r/ Ij <l $ FJ ->
|
4tttf^)Wtttf
i. :o
igi&ruhritil
&*
Edition Wood N9 HA. B.F. w. 174 -22
12
Exercise.Yoriibung-
.
Id times.ltt mal.
h
ETUDE N9VI.
Allegro
Edition Wood N? 11 A. B.F. W. 174 - 2U
i3
I*£*-+ :*=£
2 4. 4
Pii^r i
4
^T3J ? Se^* i :
»/
"51
3=r i=» me?e*
Edition Wood N° 11 A. B. F. w. 174 -yy
14 Fjeercine. 20 times.20 mal.Voriibung^,.
ETUDE N9VIL
Allegro
A* '^
fe^ ^*
J^I33P
Mr egJH- # 19TO /^feisfi
4»3, ^\41fir*
i!EB igg B * £* ^*
Edition Wood N?llA. B. F. W.174 -22
lti
Exercise. 20 times*Voriibung-. 20 raal.
1252 1 2 42 1 252 1 25 135 j 2 4
42* 5 2 1 42* 3 2l 1^1 ^T
Moderate1 2 5
ETUDE N9VIII.
\i mn^rwiifflMm —S -a E~—:-*+-=3^
—
=hi3t!-
i ~
*^—i—p2 ^
J * ?3 5 f 2 *21*1 1
T—h*— r"~"
^^ttJ r ^ 5
I3 5#. .* p?ropi eg#^#- # » *=* t^d*„* * s;vf^ j*^- #!<?4 #
&- 1
£ p=*s
Tiemark. In the Exercises on broken chords thefingers should, where the harmonies are the same, remain on their covres -
ponding keys.
\nmerkung. to den Accord- Ubungen bleiben die Finger bei den zu einer und derselben Harmonie gehorenden Tonen auf den entsprechenden Tas -
ten liegen. Edition Wood N? 11 A. B.F. W. 174 - 2y
17
mm IBB mfm *r*g s J% -&*-*- * J#^^E3d** % 5 ? ^-4'^ 05 * • p.* * #* ?T^¥
1 t=km
r\
Edition Wood N9I1A.
WB.F. W. 174- 22 ~t
18 Exercise.Yoriibung.
16 times.16 mal.
.. ^£Wftfi$M ,raMul«
WZJm̂lS1
/TTl r 3i5
*n-*i?tf'
iic-iM
im6* Jl
P
1<S—
25
Vivo. ETUDE N° IX.
53 . * 4
„ # H*AjJ £ *_
y-FVetoV"
^MS *
pjEgj £EE£fti i
%e± i *
te* S i
J
PH Fi=#5 A3 ifcis . u3 1
t*
5 5
2i«a J^5i IP *m^^ ^ ////
yrr^2
^yn^r-t
«£>>
4 a : a #-s.S £e£ *^#^«S
<
* P£
fe£<"/r **rw db
yj U^ *T^ SlPlp
* ie 13 #- 2 4
1 fp r i 1 # rF-pr jlT- i P «P i P «P
cfforaia s*&g&
yP ^ • *A w d
-? 9 *
S*=SEE5
I^PI•-^—
#
r~s^4
15 * *Edition Wood N? HA
3
B.F. W. 174 -22
19
sf °»j»^^
1 m +.
Jh &fe*
1 2
ujr 'd j
4 X!
Hi
/
%±
-M..M.. ff
^gi
# 9A
S *F
PIPy?//
* $[i _[ iteEfc *#
* <t #
/ >^
i* i =fc
* * ^ ^ > * *
i* f*.Tf i^w—rzP
mf
m
0-zrt 14~#^#2 1
*
5 5 # 4 #
VA4 *.» IllS£# # S §g§ii
«i3=» £ * feEEfe ?i
i 4
5
JTim i/ijjpfff1
5 i2 m_* m^ —
f f
Lu/ 5 *4 J 3 J 2 4 , * LU
If TTl-=J= ^^ gg!hu-
^ F
—
&- "9--iT3
-t W —
*
*
—
;£*
•y
w^ 3 12 5 2
*"*JT'J *==* f^=* * J
§3 f* iUfs. P r il
&& 4 Z l
y
K w Q TT-3> "ZT
Edition Wood N9 11 A. B. F. W. 174- 22
20
Exercise.Yoriibung'.
13 3
SffrTTZin%^jp^;_ — 5 4
HP m
Every Exercise 12 times.
Jede Ubunc- 12 mal.
»3*W#3SIS
J*-*;»-is
si^ la54-*:
HI^ 4 1S3* ^J4*
iS
LTes
££L
ETUDE N? X.Andante cantabile
2/ ^tfsso marcato
Edition Wood N° 11 A. B. F.W. 174 -22
22
Exercise.Voriibuni?.
V-l times.12 nial.
,(
* 4 ^5 4 5 2 4 ii i»-
42 fl 4 *
^„1 .2i_3i3
42 #-5*
4 2 .^4„
6>-
1
8 5 ^4fl
2f2 &5
ETUDE N9XI.
Allegro marcato.
e ^^ /ZT~*> 1 2 4 m /^2
4 *fgpg%P
i^^gEdition Wood N? 11 A. B.F. W. 171-22
'&Btion WoodA series of Volumes of Standard Works, including Studies, Recreations and Classical Works, in which the greatest care has beentaken, not only in the selection, but in the editing, engraving and printing This series will be continued by constant additions bothfrom the Classics and from -he best Modern Works. A complete cata.ogue showing contents may be had on application. Whenordering please give nuir.be, omy. The contents of volumes marked* may be had in sheet form.
is-
"J67-
•104.
•388.
126.
127.
190.
238.
•310.
35-
201/4.
285.
286.
287.
302.
•112.
-2.J7
3«-
348/9.
223/4-
215.
jih/7.
*35°-
35<>A.
*3°°-
300A.
•'7.
205.
268.
345-
34b.
326.
-U7/8.
289.
180.
81/4.
316.
48.
239-
332-
357-
338/63.
3t4-
305/8.
3'7-
318/9.
240.
320.
•-53-
•.78.
•|6o..
•295.
•263.
*!</>.
39»-
So.
3«3/S-
91.
3'*/7-
•84.
v 3»o.
•116.
•148.
PIANO SOLOALETTKR, W. 10 Melodious Recreations.
The Same, with English Fi> -ering.
—Six Children's Pieces (First Grade).
The Same, with English Fing.
BACH, J. 8. Two-Par: Inventions.
—Three-Part Inventions.
—Two- and Three- Part inventions.
—Short Preludes and Fugues.
BARRETT, R. Op. 38. Birthstone Suite.
Book I.
The Same. Book II.
BBBTHOVBN. Album of Twelve Favorite
and Easy Compositions.
BBRBIfS, B. Op. 61. New School of
Velocity. In 4 books.
BBRTINI, H. Op. 29 24 Etudes.
—Op. 32. 24 Etudes. .
—Op. 100. Etudes Without Octaves.
—Twelve Little Pieces and Preludes.
BROWN, A. L. Op. 16. Scenes frorr Pixie-
Land.
The Same, with English Fitig.
—Op. 21. Souvenirs du Voyage.
BURGMULLER, F. Op. ino. 2; Easy
and Progressive Etudes.
The Same, in 2 books.
—Op. 105. Twelve Etudes Brillantes et
Melodiques. Complete.
The Same, in 2 books.
—Op. 109. Etudes de Genre. Complete.
The Same, in 2 books.
CHOPIN HOCTURWES. Complete.
The Same. Cloth Binding.
CHOPIi; WALTZES. Complete.
The Same. Cloth Binding.
CHOPIN ALBUM NO. 1.
CLEMENTI. Op. 36, 37, 38. Sonatinas.
CONCONE, J. Op. 24. Melodious Etudes.
—Op. 25. Studies in Style and Expression.
—Op. 30. Studies for Acquiring the SingingTouch.
CZBRNY. Op. 139. 100 Progressive Studies
Without Octaves.(
The Same, in 2 books.
—Op. 261. 125 Exercises in Passage Play'g.
—Op. 299. School of Velocity. Complete.
The Same, in 4 books.
—Op. 337. Forty Daily Exercises.
—Op. j53. Octave Studies.
—Op. 599. Method for Beginners.
—Op. 636. Preliminary School of Finger
Dexterity.
—Op. 740. Finger Dexterity. Complete.
The Same, in 6 books.
— 100 Easy Recreations. Complete.
The Same, in 4 books.
—Op. 823. Little Pianist. Complete.The Same, in 2 book*.
—Op. 849. New Studies in Technics.
U17 BELLI. Op. 151, 168. nSonatines.DUCELLB, PABL. Op. 26. 12 MusicalMemor is.
The Same, with English Fing.—Op. 1- Twelve Musical Favors.The Sanu, « ih English Fing.—Op. ao. Ten Storiettes.
The Same, wuh English Fing.
DUSSEK. Op. 20. Six Sonatinas.
DUVERNOY, J. B. Op. 120. Mecanisme.The Same, ;n 3 books.
—Op. 176. Ecoic Primaire.
The Same, in 2 books.
EILENBFKG, R. Op. 19. Ten Tone Pic-tures (Tonbilder).
The Same, with English Fing.
—Op. 23. Six Silhouettes.
—Op. 2;. Ten Recreations.
*I2I.
•l22.
•123.
343-
344-
45-
46.
47-
189.
3-
•3b.
•290.
•85.
•177.
•130.
•291.
*«47-
•292.
*'93-
•384.
•194.
•3S5.
*333-
*334-
•301.
•322.
•250.
•293-
•279.
•294
*356.
199.
aoo.
•54-
•158.
-159.
32'-
262.
54-
3'3-
"3'4-
3'5-
•234.
'75-
275A.
383-
383A.
33-
28.
•128.
•298.
•129.
*299-
•233
•jss.
3i>-
352/3-335-
336/7."37'-
*396.
*376.
*397-
•64.
100/3.
.38.
323-
324/5-
*392-
2 7-
PIANO SOLOGADE.N.W. '»p. 19. Aquarellen. Bk. I.
The Same Boc—Op. 19. Aquarelles. Complete.
GRIEG, E. Op. 12. Lyric Pieces. Bk. I.
—Op. 46. Peer Gynt. Suite II.
HXLLER, S. O] 45- Melodious Studies.
—Op. 46. Progressive Studies.
-rOp. 47. Rhythm and Expression.
HERZ, H. Scales and Exercises.
KOHLER. I. Op. 50. First Studies.
KROGYAtflf, C. W. Op. 10 Ten Musi-cal Bonbons.
The Same, with English Fing.—On 15. Zephyrs from Melody-land.
The S..me, with English Fing.
—Op. 35. A Wreath of Melodies.
The Same, with English Fing.
—Op. 45. Revels in Toneland.
The Same, with English Fing.
—Op. 49. Musical Fancies. Book I.
The Same, with English Fing.
—Op. 49. Musical Fancies. Book II.
The Same, with English fing.
—Salon \lbum No. I.
—Salon A 'bum No. 2.
—Op. 55. Little Tone PiAures.
—Op. 52. Three Souvenirs.
—Op. 63. Etchings in Tone Colors.
The Same, with English Fing.—Op. 64. Twelve Miniatures.
The Same, with English Fit. 7—Op. 67. 12 Lilliputian Idylls.
KUHLAU. Op. 20, 55, 59. Sonatinas. Bk. I.
—Op. 60, 88. Sonatinas. Book II.
KULLAK, TH. Op. 2, 81. Scenes from
Childhood. Complet..—Op. 62. Scenes from Childhood. Bk. 1.
—Op. 8i. Scenes from Childhood. Bk. II.
LECOUPP"? F. Op. 17. The Alphabet.
25 Easy fc.'.ud^s
-Op. 20. L'Agi '.te\ Studies for Mechan-ism and Light "ouch.
LEMOINE, H. Op. 37. Etudes Enfantines.
LISZT, FR. Consolations. Complete.
—Liebestraurr e (Dreams of Love)
.
—Consolatir s and Liebestraume.
McINTYR-i, B. V. Op. 12. Ten Melo-dies from Song-Land.
MENDELSSOHN. 49 Songs WithoutWords. Complete.
The Same. Cloth Binding.
—42 Songs Without Words. English Edit 'n.
The Same. Cloth Binding.
—Op. 72. Six Christmas Pieces.
NOTES, B. R. Eight Album Leaves.
ORTH, L. B. Op. 10. 12 Miniatures.
The Same, with English Fing.
—Op. n. Ten Pictures from Toneland.
The Same, with English Fing.
QUIGLEY, L. J. Op. 10. Five AlbumLeaves for Young Pianists.
The Same, with English Fing.
RAVIWA, H. Op. 50. 25 Etudes Harmon-i-uses. Complete.
The Same, in 2 books.
—Op. 60. 25 Etude Mignonnes. Complete.
The Same, in 2 b
REGBR. Op. r3. sue First Pieces.
The Same, with English Fing.—Op. rs. Ten Melodious Pieces.
The Same, with English Fing.
SARTORIO, A Op. 269 Six Recreations
Without Octaves.— Op. 342. Modern Method for Pianoforte.
In 4 books.—
' >p. 417. Technica. Exercises.
—Jp.550. Melodious Etudes. Complete.
The Same, in 2 books.
SARTORIO SALON ALBUM NO. 1.
SCFMITT, ALOYS. Prep. Exercises.
PIANO SOLO398.
399-
400.
400A.
3«9-
•354.
264.
•308.
168.
*«33-
•'34-
8).
4Ci.
198.
3di.
394-
JSS.
•'52.
243-
3'2-
Scenes fromSCHUMANN, R. Op.
Childhood.
—Op. 68. Album for the Young.
—Op. 68, Album for the Young, and Op. 15,
Scenes from Childhood.
The Same, Cloth Binding.
—Op. 124. Album Leaves (Albunihiltter).
TELLIER, A. Op. 14- Ten Morceaux
Caracteristiques.
WILLIS, M. B. Op. 14. Kasy Recreations
in Unfamiliar Keys.
—Op. 14A. Ten Melodious Sketches
—Op. ij. Twelve Melodious F.tudes in
Unfamiliar Keys.
WOLFF, BBRNHARD. Op 8-.Thirteen
Easy Pieces. Book I.
The Same. Book 1 I.
— Op. 18S. Twelve Melodious Etudes.
PIANO FOUR HANDSBROWN-SARTORIO. Op. 16. Scenes from
Pixie-Land.
DIABBLLI, A. Op. 149. 28 Melodious
Pieces (on five notes;.
—Op. 24, 54, 58, 60. F:ve Sonatinas.
—Op. 150. Sonates Mignonnes and RondoMilitaire.
—Op. 163. Pleasures of Youth, f- ive Nona-
tines (on five notes).
SARTORIO, A. Op. 424. Pleasure* of
Youth \primo nan • « five notes-. Book I.
The Same. Book 1 1
.
—Op. 432. Duet Album. Instructive andMelodious Pieces for Teadier and Pupil.
WC-FAHRT, H. Op. 87. Children s
Friend.
VOCAL.—with Piano Accompaniment
369. CONCONB, J. Op. 9. Fifty lessons for
Medium Voice.
370. The Same, for Low Voice.
•309. KAVANAGH. Six Songs for High Voice.
•301. KROGMANN, C. W. Op. 55. Five TonePictures.
•29. NOYES, EDITH ROWBNA. Seven LoveSongs for Low Voice.
VIOLIN SOLO86. GRUN, C. Modem Elementary Method.
2tr. KAYSBR, H E. Op. 20. Elementary and
Progressive Etudes. Complete.
212/4. The Same, in 3 books.
TWO VIOLINS58/9. MAZAS, P. Op. 38. Twelve Easy Duets.
In 2 books.
6o/i. —Op. 70. Twelve Easy Duets. In 2 books.
55. PLBYBL, I. Op. 8. Six Easy Duets.
56. —Op. 48. Six Kasy and Prog. Duets.
57. —Op. 59. Six Easy Duets.-
VIOLIN AND PIANO•136. ALBUM CLASSIQUE. Twelve Celebrated
Pieces by Schubert and Mendelssohn.
•232. ARMSTRONG, W. D. Twelve Melodious
Pieces for the Young.
*-49. KROGMANN-GRUN. Op. 15. Zephyrs
from Melody-Land.
MANDOLIN MUSIC•150. KROGMANN-LANSING. Op. 15. Zephyrs,
for Mandolin and Piano.
•179. The Same, for Mandolin and Guitar.
87. LANSING, G. L. Thirty-three Special
Studies for Mandolin.
•135. PIETRAPBRTOSA, J. Op. 212. Twelve
Celebrated Pieces by Schubert and Men-
delssohn for Mandolin and Piano.