Photo-Secession Movement
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Transcript of Photo-Secession Movement
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The earliest photography was devoted to its scientific and technical uses.
But by the late 1890s and into the turn of the 20th Century, photographers became more
interested in photography as an art in itself.
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• In 1902 Alfred Stieglitz formed the Photo-Secession Movement.
• As opposed to Dadaism, the Photo-Secessionist movement was VERY concerned with form and the aesthetic rules of photography.
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Edward Steichen, Milk Bottles 1915
Thirds, Corners & Lines
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Alvin Langdon Coburn, Broadway 1909
Vertical versus Horizontal
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Clarence White, Columbia College 1910
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Alfred Stieglitz, Apples and Gable 1922
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Alvin Langdon Coburn, Cadiz1908
Found Framing
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Edward Steichen, George Washington Bridge 1931
Angle / Point of View
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Clarence White, Ship Construction 1917
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Alvin Langdon Coburn, Smoke Stacks 1910
Use of light
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Alvin Langdon Coburn, Vortograph 1917
Abstract design
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Alfred Stieglitz, Back Window 1915
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Alfred Stieglitz, Equivalent 1926
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Clarence White, Raindrops 1902
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Edward Steichen, Time Space Continuum 1920
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Edward Steichen, Wheelbarrow with Flower Pots 1920
Repetition and Pattern
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Edward Steichen, Matches 1925
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Edward Steichen, Heavy Roses 1914
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Alfred Stieglitz, Hands and Thimble 1920
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