Petrarch and the Love Lyric (Volume C). Petrarch classical influence civic duty love versus reward...
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Transcript of Petrarch and the Love Lyric (Volume C). Petrarch classical influence civic duty love versus reward...
![Page 1: Petrarch and the Love Lyric (Volume C). Petrarch classical influence civic duty love versus reward pastoral elements Humanism and Poetry.](https://reader033.fdocuments.net/reader033/viewer/2022061517/56649f3e5503460f94c5ec2c/html5/thumbnails/1.jpg)
Petrarch and the Love Lyric (Volume C)
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• Petrarch
• classical influence
• civic duty
• love versus reward
• pastoral elements
Humanism and Poetry
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Petrarch (1304–1374)
• Arezzo, Italy• Colonna family• Rime Sparse• Laura• sonnet form: octet
problem, sestet resolution
• a-b-b-a rhyme form
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“Although I hope, without any doubt, to spill a river of your blood—indeed, I am certain I can, without shedding a drop of my own—what if you were to offer me peace? What if, all weapons laid aside, you too the path opened to a love match in bed?” (p. 177).
Interior/Exterior Life
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Garcilaso de la Vega (ca. 1501–1536)
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Louise Labé (1520–1566)
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Veronica Franco (1546–1591)
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• “I find, in light of how I lost my way,
I might have met a much more bitter fate” (Garcilasco, Sonnet 1)
• “Hard destiny makes me act like one who’s been stung by a scorpion but still hopes to heal” (Labé, Sonnet 1)
Emotion
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Shakespeare (1564–1616)
sonnet form: • 16 lines• a-b-a-b rhyme pattern• problem: 3 quatrains• resolution: final
couplet• enjambment
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• “Why with the time do I not glance aside
To new-found methods and to compounds strange?” (Sonnet 76)
• “O no! it is an ever-fixèd mark
That looks on tempests and is never shaken;
It is the star to every wandering bark” (Sonnet 116)
References
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How do the lover and beloved represent, respectively, interior versus exterior life in humanist poems?
Discussion Questions
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Humanist poets often employ classical elements and themes in their works. Which do you see presented in the cluster selection?
Discussion Questions
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The Norton Anthology
of World Literature