Perspective
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Transcript of Perspective
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PERSPECTIVEPERSPECTIVE
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Perspective – the illusion Perspective – the illusion that an image has depth that an image has depth and 3-dimensional space and 3-dimensional space
(volume)(volume)
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TRICKS/TECHNIQUES
OVERLAPPING (ORDER)
RELATIVE (diminishing) SIZES
VERTICAL PLACEMENT
ATMOSPHERIC
LIGHT
LINEAR (ONE OR TWO POINT)
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VERTICAL PLACEMENT & OVERLAPPING
INTERPRETED AS 3 RECTANGLES
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NOT
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RELATIVE SIZE
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SASSETTAThe Meeting of St. Anthony and St. Paulabout 1440Wood
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TRICKS/TECHNIQUES
OVERLAPPING (ORDER)
RELATIVE (diminishing) SIZES
VERTICAL PLACEMENT
ATMOSPHERIC
LIGHT
LINEAR (ONE OR TWO POINT)
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Atmospheric
Imitation of atmospheric effects:
hues more bluish & more pale
outlines less precise
small details lost
color contrasts muted
sfumato (“vaporous”) gradual transition
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David Hockney, Portrait of an Artist (Pool with Two Figures), 1971
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astronauts got disoriented on the moon because of . . .
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the lack of atmospheric perspective.
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TRICKS/TECHNIQUES
OVERLAPPING (ORDER)
RELATIVE (diminishing) SIZES
VERTICAL PLACEMENT
ATMOSPHERIC
LIGHT
LINEAR (ONE OR TWO POINT)
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LINEAR PERSPECTIVE
One point; central
Vanishing point
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Canaletto (Giovanni Antonio Canal), The Campo di Rialtoc. 1758-63 Oil on canvas, 46 7/16 x 72 1/2 in
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Canaletto (Giovanni Antonio Canal), The Campo di Rialtoc. 1758-63 Oil on canvas, 46 7/16 x 72 1/2 in
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Vanishing points at horizon
picture frame
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After 600 years of perspectivist tricks, a
return to the flat surface in the 20th Century . . .
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Frank Stella, Wolfeboro II, 1966
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Frank Stella, Wolfeboro II, 1966
a hint of perspective . . .
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Gustav KlimtPortrait of Adele Bloch-Bauer I1907138 x 138 cm
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The dawn of perspective
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Cimabue, Madonna
Enthroned, 1280-90
TEXTBOOK p. 185
NO PERSPECTIVE
flat pictorial space similar to Ancient & Byzantine works
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GIOTTOMadonna in Glory
c. 1311Tempera on panel128 x 90 1/2 in.
suggestions of PERSPECTIVE in a GOTHIC ERA work; PERSPECTIVE is a major development of the RENAISSANCE
(key words in BOLD)
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. . . in music?
Yes!
Can you tell the difference between a loud sound far away and soft sound nearby?
Psycho-acoustic effects of near and far (reverb, TDOA, spectral roll-off, timbre, etc.)
- used in film music, electronic music, and some orchestral music, particularly MAHLER
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In retrospect . . .
• notice perspective, lack of perspective, and suggestions of perspective in 2-D work