Performing Archives: Sensitive Data, Social Justice, and the Performative Frame
Transcript of Performing Archives: Sensitive Data, Social Justice, and the Performative Frame
Performing Archives: sensitive data, social
justice, and the performative frame
Jacqueline Wernimont, Ph.D.Arizona State University
Lincoln Center for Applied Ethics FellowLiterature and DH Faculty
@profwernimont | jwernimont.wordpress.comhttps://vibrantdata.wordpress.com/
#vibrantlives & #performingarchives
Authorized by eugenics laws more than 64,000 people underwent sterilization procedures in the U.S. between 1907-1963
Source: https://eugenicsarchive.org
California Eugenics Archive ProjectCollaborator: Alexandra Minna Stern and team (Michigan)
GoalCapture and illuminate demographic patterns and individual experiences of eugenic sterilization over four decades in California
Scope18,000 sterilization recommendations processed by the state of California from 1921 to 1953
patient records that includes 212 discrete variables culled from over 30,000 individual documents.
nearly 1/3 of all sterilizations performed in 32 states in the U.S. in the 20th century
“Individually identifiable health information”
– A person’s past, present or future physical or mental health or condition,
– provision of health care to the individual, or
– past, present, or future payment for the provision of health care to the individual,
– Individually identifiable health information includes many common identifiers (e.g., name, address, birth date, Social Security Number).
Source: http://www.hhs.gov/ocr/privacy/
To edit the missing…Morris Eaves (2011) ”The Editorial
Void: Notes toward a Study of Oblivion”
Given that “dispersal and disposal are the normal fate of information when it hits a generational border.”
“how might we edit the missing?”
HIPAA data as promise-crammed instantions
Wai Chee Dimock (2006) and Simon Palfry (2015) on “fractal” histories
Palfry: the archival record as “in one sense an insufficient shard of the true substance; in another sense, a promise-crammed instantiation of everything”
Performing ArchivesDiana Taylor via Rebecca Schneider :
“there is an advantage to thinking about a repertoire performed through dance, theater, song, ritual, witnessing, healing practices, memory paths, and the many other forms of repeatable behaviors as something that cannot be housed or contained in the archive”
Vibrant Lives and Data Shedcollaborators: Jessica Rajko (ASU) and Eileen Standley (ASU)
Sonifying the Archive
Visual Map of Sonified Sterilization Data(selection of 100 files from first two years of data)
M + consent =51F + consent = 75M w/o consent=250F w/o consent=300
“Haptifying” the ArchiveHaptics : tactile experience, knowing through touch/skin
Woojers (personal sub-woofers, essentially) playing the same sonified selection, currently attached to enameled wire to make group experience possible
Performance helps to orient away from thinking of data and archives as something
upon which we act toward the idea that data and archives are already acting.
It is also a way to imagine that to engage the archive/ data is pledge ourselves as
responsible for the kinds of knowledge and subject positions that our efforts engender.