Percy Aldridge Grainger

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PERCY ALDRIDGEGRAINGER

Composer Brochure

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Dieser Katalog wurde im Oktober 2015 erstellt. Alle Zeitangaben sind approximativ.

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This catalogue was created in October 2015. All durations are approximate.

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CHRONOLOGY

1882 Born on 8 July 1882 in Brighton, near Melbourne

1888 Moves to Melbourne. Starts taking daily piano lessons

1890 His family leaves the fmaily after a voyage to London

1892 Studies piano with Louis Pabst

1894 Briefly attends school (his only formal schooling). Gives first public piano recital

1895 Moves to Europe to continue studies in piano and composition at the Hoch

Conservatory in Frankfurt

1898 Begins his Kipling 'Jungle Book' Cycle composed 'as a protest against civilization'

1899 Starts to compose the five works (completed in 1901, later revised) eventually

published in 1950 as Youthful Suite ; begins to teach piano in Frankfurt

1901 Moves to London, where he soon starts performing Completes Youthful Rapture

(originally A Lot of Rot ) and Love Verses from 'The Song of Solomon' ;

commences Marching Song of Democracy , inspired by Whitman

1902 First studies the music of Debussy. Arranges Irish Tune from County Derry for

unaccompanied mixed chorus; completes initial setting of Hill Song No. 1

1903 Meets and plays before Ferruccio Busoni, in London, who offers to teach him

without charge. Subsequently studies with Busoni in Berlin.

1905 Hears Lucy Broadwood's lecture about collecting folksongs, which rekindles his

earlier interest in folk music; joins the Folk-Song Society and begins collecting

Lincolnshire folk tunes.

1906 Meets Edvard Grief, initiating a close friendship. First uses phonograph to record

folksongs.

1907 Meets Delius in London. Sets Molly on the Shore for string quartet

1908 Meets Debussy, whom he finds 'a little spitting wild animal' His controversial

100-page article 'Collecting with the Phonograph' appears in the Journal of the

Folk-Song Society; makes the first gramphone recordings of short passages by

Grieg, Liszt and Stanford.

1909 Comes in contact with Polynesian music, in New Zealand, and claims the South Seas

as a potential 'second Scandinavia' for him musically. Completes Father and

Daughter setting of Faroe Islands music.

1910 Meets Richard Strauss in London, who programmes some of Grainger's pieces in

Germany in 1911.

1911 Comes to know Elgar, Beecham and Rodin. Changes his professional name to Percy

Aldridge Grainger. Completes initial setting of Shepherd's Hey. Schott (London)

starts to publish his compositions.

1912 English Dance is premièred in London by Beecham; visits an ethnographic museum

in Leiden, Holland, where his interest in south-east Asian percussion instruments is

aroused. Completes Handel in the Strand .

1913 Conducts Shepherd’s Hey and Irish Tune at a Promenade concert in London.

1914 Moves from London to Kent, then to USA amid accusations of cowardice and

failure to face up to his patriotic duty.

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1916 Première of In a Nutshell orchestral suite. Completes The Warriors: Music to an

Imaginary Ballet , dedicated to Delius.

1917 His father dies in Melbourne. Joins US army as a military musician.

1918 Becomes an American citizen. Completes CountryGardens , based on a Morris

Dance tune collected by Cecil Sharp. Completes Children’s March: Over the Hills

and Far Away , for band.

1919 Dischraged from the US Army

1920 First attempts at ‘elastic scoring’ with an arrangement of Irish Tune. Undertakes

long concert tours of the American Far West.

1921 Moves to 7 Cromwell Place, White Plains, New York (now The Grainger Library)

Rescores a number of his early works.

1922 Mother commits suicide in New York; many sensational press reports follow.

Première of The Bride’s Tragedy at Evanston Festival. Travels to Scandinavia to

collect Danish folk music.

1928 Marries Ella Première of To a Nordic Princess. Completes initial setting of his

Danish Folk-Music Suite.

1929 Writes Preface to SpoonRiver , outlining his views on ‘elastic scoring’ and

orchestration in general.

1932 Takes first steps towards building a museum at the University of Melbourne. Takes a

teaching post at New YorkUniversity.

1934 Learns of the death of Delius, a long time friend. Premiere of experimental Free

Music No. 1

1937 Writes Lincolnshire Posy.

1938 Appears in concert before President Franklin D. Roosevelt at the White House.

Official opening of the GraingerMuseum in Melbourne.

1939 Completes ‘The Duke of Marlborough’ Fanfare , subtitled ‘British War Mood

Grows’, and The Immovable Do. Begins glossary of his ‘Nordic English’.

1940 Move temporarily to Springfield, Missouri, as a war-time base.

1941 Travels widely giving many concerts for the Red Cross and troops (to 1945).

1942 Première of his Kipling ‘Jungle Book’ Cycle (incomplete).

1943 Completes orchestral version of The Power of Rome and the Christian Heart.

1945 Comes to know the scientist Burnett Cross, with whom he soon starts to work on

his ‘Free Music’ experiments. Collaborates with Stokowski in Hollywood Bowl

performance of Grieg piano concerto, In a Nutshell suite and Suite on Danish Folk

Songs.

1946 Première of Youthful Suite.

1948 Last formal concert tour in America. Performs Danish Folk Music Suite at a

Promenade Concert in London.

1954 Awarded St Olav medal for services to Norwegian music by the King of Norway.

1955 Returns to work at his museum in Melbourne, returning to the United States in June

1956.

1957 Health starts to decline.

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1958 Meets Benjamin Britten in the UK and Stockhausen in New York.

1960 Undertakes final work on ‘Free Music’ machines.

1961 Dies in White Plains, NY. Buried in Adelaide.

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ORCHESTRA - ORCHESTRA

English Dance(1st scoring) (1898, rev. 1906)edited by Kees Kramerfor orchestra

Orchestra instrumentation: pic.3.4.2ca.4.4-4.2.3.0-timp.perc(cym)-str(4.0.2.2.1)

10' 0''

Material on hire

English Dance(version without organ) (1898, rev. 1909)for orchestra

Orchestra instrumentation: pic.2.2.ca.Ebcl.3.bcl.2.cbsn-6.3.3.euph.1-timp.perc(glsp, cym,s.d)-hp-str(2.0.1.1.1)

10' 0''

Material on hire

English Dancefor theatre orchestra (1898, rev. 1925)

Orchestra instrumentation: (elastic scoring): any or all of the orchestral parts with the 2 piano (6 hands)edition

12' 0''

Material on hire

The Crew of the Long Serpentafter Longfellow (1898)for orchestra

Orchestra instrumentation: pic.2.2.3.2.cbsn-2.2.3.0-str(2.0.1.1.1)

5' 0''

Material on hire

Three Lyric Piecesoriginal music by Edvard Grieg (1898)for orchestra arranged by P. A. Grainger

I Walzer (op. 12/2) - II Volksweise (op. 12/5) - III Elfentanz (op. 12/4)

Orchestra instrumentation: 2.2.3Acl.2-2.2.0.0-str(2.0.1.1.1)

6' 0''

Material on hire

7

Early One Morningfor soprano solo (ad lib.), unison women's chorus (ad lib.) and orchestra (1899, rev. 1940)

Orchestra instrumentation: 2.0.0.1.cbsn-1.1.0.1-str(4.0.2.3.2/4.0.2.2.2)

4' 0''

Material on hire

Other editions: piano reduction with solo part BDE 431

Early One Morningold English song (1899, rev. 1950)for orchestra(Stokowski version)

Orchestra instrumentation: 2.1.2.bcl.2.[cbsn]-2.1.1.euph.1-str

3' 0''

Material on hire

Fisher's Boarding Houseafter Kipling (1899)for small orchestra

Orchestra instrumentation: 2.2.2.2-2.0.0.0-str(2.0.1.1.1)

7' 0''

Material on hire

We Were Dreamersafter Kipling (1899)for small orchestra


4' 0''

Material on hire

Youthful Suitefor orchestra (1899, rev. 1945)

I Northern March - II Rustic Dance - III Norse Dirge - IV Eastern Intermezzo - V English Waltz

Orchestra instrumentation: pic.2.2.ca.2.bcl.2.cbsn-4.3.3.1-timp.perc(gslp, xyl, vib, mar, hand bells, tubbells, tri, cym, tamb, s.d, b.d)-hp.cel.harm/reed org.pno-str

25' 0''

Material on hire

Charging Irishreyrealised by Eldon Rathburn (1901)for orchestra

Orchestra instrumentation: 2.2.ca.3Acl.2.cbsn-3.0.0.0-timp-str(3.0.2.4.1)

2' 0''

Material on hire

8

Hill Song IIfor orchestra (1901-1902, rev. 1946)

Orchestra instrumentation: pic.3.3.ca.3.bcl.2.cbsn-2.3.0.euph/baritone.0-perc(cym)-str(0.0.2.2.1)

6' 0''

Material on hire

Train Musicrealised by Eldon Rathburn (1901, rev. 1957)for orchestra

Orchestra instrumentation: pic.3.3.ca.3.bcl.3.cbsn-4.3.3.0-str(2.0.1.1.1)

2' 0''

Material on hire

Ye Banks and Braes O'Bonnie Doonfor small or massed orchestra (1901, rev. 1937)

Orchestra instrumentation: (elastic scoring, with any or all the following):pic.1.1.Ebcl.3.2bcl.saxoctet.2-2.2.2/euph,tuba-harm/org-str

3' 0''

Material on hire

Lord Maxwell's Goodnightfor orchestra (1904, rev. 1947)

Orchestra instrumentation: pic.2.2.2.bcl.2-2.2.2.0-str(4.0.2.2.1)

4' 0''

Material on hire

Colonial Song(1919 version) (1905-1912, rev. 1919)for orchestra

Orchestra instrumentation: pic.2.2.ca.2.bcl.2.cbsn-4.3/2.3.euph.1-timp.perc(cym,gong)-[pno]-2/1hp-str(2.0.1.1.1)

6' 0''

Material on hire

Green Bushes(1st scoring) (1905-1906)for orchestra

Orchestra instrumentation: 2(1.pic).2.ca.2.bcl.2-2.2cornets.0.2.0-timp-str(2.0.1.1.1)

7' 0''

Material on hire

9

Green Bushesedited by Barry Peter Ould (1905-1906)for orchestra

Orchestra instrumentation: 2(1.pic).2.ca.2.bcl.2-4.2.2.0-perc(tub bells, tri, cyms, s.d, b.d)-str(2.0.1.1.1)

7' 0''

Material on hire

Green Bushesfor 22 single instruments or orchestra (1905-1906, rev. 1921)Passacaglia on an English folksong

Orchestra instrumentation: 1(pic ad lib.).1.1.ssax(or cl, or tpt).barsax(or bsn).1(cbsn adlib.)-2(2asax).1.0.0-timp.1perc(s.d, b.d, cym, xyl)-harm(or pipe org).pno-str(3.0.2.2.1)

9' 0''

Material on hire

Green Bushesfor theatre orchestra (1905-1906, rev. 1921)

Orchestra instrumentation: (elastic scoring): any or all of the orchestral parts with the 2 piano (6 hands)edition

9' 0''

Material on hire

Molly on the Shorefor full orchestra (Stokowski version) (1907, rev. 1949)

Orchestra instrumentation: pic.2.1.ca.2.2.cbsn-4.2.3.1-timp.perc(s.d, cym, b.d, glsp, vibraharp)-str

4' 0''

Material on hire

Molly on the Shorefor orchestra (elastic scoring) (1907, rev. 1914)

Orchestra instrumentation: additional parts (any or all) to the original string parts:pic.2.2.2.2-4.2.3.1-timp.perc(s.d, cym, bells, xyl, glsp, resonaphone/mar)-cel-db

4' 0''

Material on hire

Shepherd's HeyMorris Dance Tune (1908-1909, rev. 1913)for orchestra

Orchestra instrumentation: pic.2.2.2-4.3(3rd opt.).3.1-timp.perc(s.d, b.d, cym, [tri], [glsp], [xyl])-2hp(2ndopt.)-[pno]-str

2' 0''

Material on hire

10

Handel in the Strandfor full orchestra (Stokowski version) (1911-1912, rev. 1949)

Orchestra instrumentation: pic.1.1.2.2.cbsn-4.3.3.1-timp.perc(glsp, xyl, mar, cym, s.d, b.d)-hp.pno-str

4' 0''

Material on hire

Handel in the Strandfor orchestra (arranged by Wood) (1911-1912)

Orchestra instrumentation: 3.3.3.3-4.4.3.1-timp.perc(glsp, xyl, cym)-2hp(2nd opt.).org(ad lib.)-str

4' 0''

Material on hire

Mock Morrisfor full orchestra (Stokowski version) (1911, rev. 1950)

Orchestra instrumentation: pic.2.2.2.2.cbsn-4.3.3.1-timp.perc(s.d, b.d, cym, tri, glsp, xyl, mar)-str

4' 0''

Material on hire

Mock Morrisfor orchestra (1911, rev. 1952)edited by Barry Peter Ould

Orchestra instrumentation: pic.1.1.1.1-1.1.0.1-harm/org.pno-str(3.0.1.2.1)

4' 0''

Material on hire

Mock Morrisfor orchestra (elastic scoring) (1911, rev. 1914)

Orchestra instrumentation: additional parts (any or all) to the original string parts:2.1.2.1-2.2.1.0-drums.xyl/bells

4' 0''

Material on hire

The Lonely Desert Man Sees the Tents of the Happy Tribesfor orchestra (1911, rev. 1949)

Orchestra instrumentation: 0.0.2/3.asax.0-1.1.0.0-perc(wooden mar (3-12), vib)-hp.pno-str(2.0.1.1.1)[many other combinations possible]

2' 0''

Material on hire

11

The WarriorsMusic to an Imaginary Ballet (1913-1916)for orchestra, 3 pianos and 'tuneful percussion'

for Frederick Delius, in admiration and affection

Orchestra instrumentation: pic.2.2.ca.[bass oboe/Heckelphone].2.bcl.2.cbsn-6.4.3.1-4timp.3perc(s.d,wdbl, tamb, cym, gong, b.d, casts, xyl, glsp, [wooden mar, steel mar/dulcitone, tub bells, staff bells/bellpiano ad lib.])-2hp.cel.3pno-str

19' 0''

Material on hire

Other editions: edition for 2 pianos ED 12557 · study score ED 12903

Premiere: January 20, 1917 New York, NY, Aeolian Hall (USA) · Conductor: Walter Damrosch · Symphony

Society of New York

In a NutshellSuite for orchestra, piano and Deagan percussion instruments (1915-1916)

I Arrival Platform Humlet - II "Gay but Wistful" (Tune in a Popular London Style) - III Pastoral - IV

"The Gum-Suckers" March

Orchestra instrumentation: pic.2.2.ca.2.bcl.2.cbsn-4.3.3.1-timp.perc(s.d, b.d, cym, gong, glsp, xyl, mar,staff bells, steel mar, nabimba)-hp.cel.pno[solo]-str ["The piano is not treated as a virtuoso soloinstrument, but merely as a somewhat outstanding item of the general orchestral make-up."]

16' 0''

Material on hire

Children's March: "Over the Hills and Far Away"for orchestra (1916-1918)arranged by Adolf Schmid

Orchestra instrumentation: pic.2.2.ca.2.[asax].[tsax].2-4.3.3.1-timp.perc(s.d, b.d, cym, wdbl, gong, tamb,bells/glsp)-[harm].hp/pno-[solo violin].str

7' 0''

Material on hire

Country Gardensfor full orchestra (1918, rev. 1950)(Stokowski version)

Orchestra instrumentation: pic.2.2.ca.2.bcl.2.cbsn-4.3.3.1-perc(glsp, vibraharp, s.d, wdbl)-hp.pno/cel-str

3' 0''

Material on hire

12

Country Gardensfor orchestra (1918, rev. 1952)arranged by Barry Peter Ould

Orchestra instrumentation: 1(pic).1.1.asax.1-1.1.0.0-harm.pno-perc(glsp, vib)-str(2.0.1.1.1) [N.B. Thisversion can also be played with bridge passage leading into "A Bridal Lullaby" (arr. by John Pickard) and1952 version of "Handel in the Strand" to make a 3 movement suite.]

3' 0''

Material on hire

Power of Rome and the Christian Heartfor orchestra (1918, rev. 1943)

Orchestra instrumentation:2pic.2.2.ca.Ebcl.3.acl.bcl.ssax.2asax.tsax.barsax.bsax.2-4.3.3.euph.baritone.0-timp.perc(glsp, xyl, woodenmar(4), steel mar/vib(4), tub bells, staff bells, cym, gong, s.d,b.d)-cel.pno(s).dulcitone-hp(s)-[str(2.0.1.1.1)]

12' 0''

Material on hire

Spoon Riverfor 3 players to full orchestra (1919-1929)

Orchestra instrumentation: (elastic scoring, parts available):pic.1.1.1.tsax.1-hn/asax.tpt/ssax.[3].[btuba]-timp.perc(s.d, b.d, cym, glsp, [metal & wooden mar], [tubbells], [staff bells])-hp.harm/pipe org.2 pno-[7-part strings]

4' 0''

Material on hire

Danish Folk Music Suitefor orchestra (elastic scoring) (1922-1941)

I The Power of Love - II Lord Peter's Stable Boy - III "The Nightingale" and "The Two Sisters" - IV

Jutish Medley

Orchestra instrumentation: instrumentation see under individual titles

20' 0''

Material on hire

Lord Peter's Stable Boyfor 4 instruments to full or massed orchestra (1922-1927)from "Danish Folk Music Suite"

Orchestra instrumentation: (elastic scoring, parts available):cl-horn/asax.tpt/ssax.tbn/euph/tsax-timp.perc(cym, bells)-harm/reed organ.pno(4 hands & 2hands)-str

3' 0''

Material on hire

13

The Power of Lovefor orchestra, piano and organ (1922)from "Danish Folk Music Suite"

Orchestra instrumentation: (elastic scoring, parts available):pic.2.2.2.bcl.2/2barsax.cbsn-4/4asax.3/3ssax.3/3tsax.btuba-timp.perc(mar, vibraharp, cym,s.d)-2hp.harm.pno.pipe/elec org-str

4' 0''

Material on hire

"The Nightingale" and "The Two Sisters"for orchestra (1923-1930)from "Danish Folk Music Suite"

Orchestra instrumentation: elastic scores, parts available:[pic].2.2.4[3.solo].bcl.2/2barsax.[cbsn]-4/4asax.2/2ssax.3/3tsax.btuba/Eb&Bb basses-hp.pno.pipeorg/harm-str

4' 0''

Material on hire

Jutish Medleyfor ensemble, small, full or massed orchestra (1923-1929)from "Danish Folk Music Suite"

Orchestra instrumentation: (elastic scoring, parts available):pic.2.2.2.bcl.2/barsax-4/asax.3/ssax.3/tsax.euph/tsax.btuba-timp.perc(s.d, b.d, cym, wdbl, xyl, glsp,[mar], tub bells, swiss bells)-hp.cel/dulcitone.harm/pipe org.2pno(4 hands)[2nd opt.]-str

8' 0''

Material on hire

Sangre de Cristo (Lenten Chant)for large room-music (Natalie Curtis arr. Grainger) (1925)

Orchestra instrumentation: 1(pic).1.1.1-2.0.0.0-timp.perc(metal mar, tub bells, staff bells)-hp.harm.pno(4hands).optional pno(4 hands)-str(2.0.2.2.1)

Material on hire

To a Nordic PrincessBridal Song (1927-1928)for orchestra

Orchestra instrumentation: pic.2.2.ca.2.bcl.2-4.3.3.euph.1-timp.perc(cym, glsp, [steel mar], [staff bells],[tub bells])-hp.(singly or massed).cel/dulcitone.harm/reed org(2 players).pno(singly ormassed).[org/pipe org]-str

14' 0''

Material on hire

14

Australian Marching Songfor orchestra (1930, rev. 1944)

Orchestra instrumentation:2.2.2.bcl.2ssax.mssax.asax.tsax.barsax.2-2.Ebhn.3.3(1euph).2euph.2baritone.0-[timp].[perc(glsp, staffbells(3-4), tub bells(1-2), steel mar(3), cym, b.d)]-harm(2)/2pno.org.[dulcitone/barpno]-[hp]-str(2.0.1.1.1)

7' 0''

Material on hire

Blithe Bellsfor small or massed orchestra (1930-1932)after J.S. Bach 'Sheep May Graze in Safety'

Orchestra instrumentation: 2(pic).1.2.2(2nd opt.)-2.2(2nd opt.).[tbn].0-perc(mar, [vib],glsp)-2pno[harm/pipe org].[cel].[hp]-str

4' 0''

Material on hire

Blithe Bellsfor theatre orchestra (1930-1932)after J.S. Bach 'Sheep May Graze in Safety'

Orchestra instrumentation: (elastic scoring): any or all of the above parts with the 2 piano (4hands)edition

4' 0''

Material on hire

Puellare GremiumEnglish Gothic Music arranged by P. A. Grainger (1934)for orchestra

Orchestra instrumentation: pic.2.2.ca.2.bcl.2-4.3.3.1-perc(cym)-str(2.0.1.1.1)

Material on hire

The Merry Kingfor orchestra (1936, rev. 1939)

Orchestra instrumentation: pic.1.0.3.acl.bcl.2.cbsn-1/asax.1/ssax.0.0-harm/org.pno-str(2.0.1.2.1) -alternative scoring: pic.1.0.2.2-1/asax.1/ssax.0.0-pno-str

4' 0''

Material on hire

Dreameryfor orchestra (1939, rev. 1943)

Orchestra instrumentation: 2.2.2(bcl).2asax.tsax.barsax.2-4.3.3.1/baritone-perc(wooden mar,vib)-pno.org-str(3.0.2.2.1)

7' 0''

Material on hire

15

CHAMBER ORCHESTRA - ENSEMBLE

Eastern Intermezzo(1st scoring) (1898)for small orchestra


2' 0''

Material on hire

Eastern Intermezzofor tuneful percussion (1898)

Orchestra instrumentation: perc(glsp, xyl(2), wooden mar(2), metal mar/vib, bells, staff bells(2), tubbells(4), "shaker" chimes)-harm.pno I(2)/pno II(2-3).dulcitone-db

2' 0''

Material on hire

English Dancefor ensemble (1898, rev. 1952)

Orchestra instrumentation: pno.org/elec org.harm.solovox/keyboard-str(2.0.1.1.1)

10' 0''

Material on hire

English Dance No. 4Rustic Dance (1st scoring) (1898)for small orchestra


5' 0''

Material on hire

Kleine Variationen-Formfor small orchestra (1898)


6' 0''

Material on hire

There Were Three Friendsafter Kipling (1898-1899)for small orchestra


2' 0''

Material on hire

16

Irish Tune from County Derryfor chamber orchestra (1902, rev. 1952)edited by Barry Peter Ould

Orchestra instrumentation: 1.1.0.asax.0-0.1.0.0-perc(cym)-harm.solovox/keyboard-str(2.0.1.2.1)

4' 0''

Material on hire

Irish Tune from County Derryfor small orchestra (Stokowski version) (1902, rev. 1949)

Orchestra instrumentation: 2.1.2.2-2.1.3.euph.0-perc(cym)-str

4' 0''

Material on hire

Irish Tune from County Derryfor small orchestra (arranged by Adolf Schmid) (1902)

Orchestra instrumentation: 2.2.2.[asax/tsax].2-4.2.[1].0-timp-pno.[harm]-[solo vn].str (1.1.1.1.1)

4' 0''

Material on hire

Pagodesoriginal music by Claude Debussy (1903) (1903, rev. 1928)arranged for keyboards and tuned percussion by P. A. Grainger

Orchestra instrumentation: glsp.3vib.3mar.tub bells.gong-cel.4pno.dulcitone.harm/reed org

5' 30''

Material on hire

Colleen DhasThe Valley Lay Smiling - after Thomas Moore (1907)for small room-music

Orchestra instrumentation: fl.ca-gtr/hp-str(2.0.1.1.1)

3' 30''

Material on hire

Shepherd's HeyMorris Dance Tune (1908-1909)for room music

Orchestra instrumentation: fl.bcl.[hn].baritone English (chromatic) concertina-str(3.0.2.2.1)

2' 0''

Material on hire

17

Handel in the Strandfor small orchestra (1911-1912, rev. 1952)edited by Barry Peter Ould

Orchestra instrumentation: 1.1.1.1-1.1.0.0-perc(glsp, xyl)-pno.harm-str(2.0.1.2.1)

4' 30''

Material on hire

My Robin is to the Greenwood Gonefor flute, cor anglais and 6 strings (1912)

Orchestra instrumentation: fl.ca-str(1.0.2.2.1)

6' 0''

Material on hire

Country GardensEnglish Morris Dance (1918, rev. 1950)arranged by Leo Artok

Orchestra instrumentation: (elastic scoring, with any or all of the following):2.2.2.2-2.2.3.1-timp.perc(xyl, cym, s.d, b.d)-harm.pno-vn.vc

3' 0''

Material on hire

Matachina Dancefor large room-music (Natalie Curtis arr. Grainger) (1925)for small orchestra arranged by P. A. Grainger

Orchestra instrumentation: 1.1.1.1-1.0.0.0-harm.2pno-hp-str(2.0.2.2.1)

Material on hire

The Shoemaker from Jerusalemedited by Barry Peter Ould (1929)for flute, trumpet, 2 pianos, violin, viola, cello and double bass

4' 0''

Material on hire

Harvest Hymnfor chamber orchestra (1932)

Orchestra instrumentation: (elastic scoring, parts available): 1.1.2.bcl.[saxquartet].2-1.1.1/euph.0-harm/org.pno-str

3' 0''

Material on hire

Premiere: November 27, 1934 Hobart, City Hall (AUS) · Conductor: Percy Aldridge Grainger

18

Paseábase, the Moorish Kingoriginal music by Diego Pisador (1934)for small orchestra and baritone solo (ad lib.) arranged by P. A. Grainger

Orchestra instrumentation: 1.1.1.1-0.1.1.0-hp-str(2.0.1.1.1)

Material on hire

Gamelan AnklungBalinese Ceremonial Music (1936)for instrumental ensemble

Orchestra instrumentation: pic.fl-perc(metal mar[2], 2 tam-t, chimes/handbells[2])-pno(2-4).[harm]-[db]

3' 30''

Material on hire

Brandenburg Concerto No. 3[interpolating "Air" from Overture No. 3 as slow movement] (1939, rev. 1946)for strings, piano and organarranged by P. A. Grainger

Orchestra instrumentation: pno(s).org in "Air"-str(3.0.3.3.1)/(6.0.3.3.1)

Material on hire

La Vallée des Clochesoriginal music by Maurice Ravel (1944)for tuneful percussion, harp and strings arranged by P. A. Grainger

Orchestra instrumentation: perc(wooden mar, metal mar/vib(2), staff bells, tub bells,gong)-hp.cel.pno(2).dulcitone/pno/hp-str(1.0.1.1.1)

Material on hire

Stalt VesselilProud Vesselil (1951)for flute, cor anglais, violin, 2 violas, 2 cellos and double bassarranged by David Tall

3' 0''

Material on hire

STRING ORCHESTRA - STRING ENSEMBLE

Scherzofor strings (1898)

Orchestra instrumentation: str(2.0.1.1.1)

2' 0''

Material on hire

19

Early One Morningfor strings (1899, rev. 1939)

Orchestra instrumentation: str (2.0.2.3.1)

4' 0''

Material on hire

Irish Tune from County Derryfor 10 solo strings or string orchestra and 2 horns (ad lib.) (1902, rev. 1913)

4' 0''

Material on hire

Near Woodstock Townfor strings (1903, rev. 1942)arranged by Barry Peter Ould

Orchestra instrumentation: str(2.0.2.2.0)/(2.0.2.2.1) (soli or massed)

2' 30''

Material on hire

Died for Lovefor strings (1906-1907)

Orchestra instrumentation: str(2.0.1.1.[1])

2' 0''

Material on hire

Molly on the Shorefor 4 strings or string orchestra (1907)

4' 0''

Material on hire

Sea Song 'Grettir the Strong'edited by Alan Stout (1907, rev. 1946)for harmonium or organ and strings

Orchestra instrumentation: harm/org-str(soli 1.0.1.1.0 + 2.0.2.2.1)

2' 0''

Material on hire

Arrival Platform Humletfor soli or massed violins (1908)

2' 0''

Material on hire

20

Mock Morrisfor 6 single strings or 6-part string band (1911)

4' 0''

Material on hire

Prelude and Fugueafter J.S. Bach arranged by P. A. Grainger (1927)for strings

Orchestra instrumentation: str(2.0.1.1.0)/(2.0.1.2.1)

Material on hire

The Quiet Brookoriginal music by Domenico Scarlatti (1927)for strings arranged by P. A. Grainger


Material on hire

Fantasy and Air No. 1original music by William Lawes (1932)for strings arranged by P. A. Grainger

Orchestra instrumentation: str(2.0.2.2.0)/(3.0.1.2.0)/(2.0.2.2.1)/(2.0.2.3.0)/(3.0.1.2.1)/(3.0.1.3.1) [soli ormassed]

Material on hire

The Immovable Dofor 9 single strings or string orchestra (1933-1940, rev. 1942)

5' 0''

Material on hire

A l'heure que je vousoriginal music by Josquin Desprez (1934)for strings arranged by P. A. Grainger


3' 0''

Material on hire

Allemandeoriginal music by William Brade (1934-1935)for strings arranged by P. A Grainger


Material on hire

21

Harraytre Amoursoriginal music by Johannes Stokem (1934)for strings arranged by P. A. Grainger


Material on hire

Lullabyfor strings and women's chorus (ad lib.) arranged by P. A. Grainger (1934)original music by Natalie Curtis


Material on hire

O Salutaris Hostiaoriginal music by Adrian Willaert (1934, rev. 1941)for strings and solo voices (ad lib.) arranged by P. A. Grainger

Orchestra instrumentation: [AT]-str(2.0.1.1.0)/(5.0.2.1.0)/(2.0.1.1.1)

Material on hire

Prelude in the Dorian Modeafter Antonio de Cabezón (1934, rev. 1939)arranged for strings by P. A. Grainger

Orchestra instrumentation: str(5.0.3.2.1)/(0.0.2.2.0)/(4.0.2.2.0)

5' 0''

Material on hire

Puellare Gremiumfor strings and voices ad lib. (1934, rev. 1943)arranged by P. A. Grainger


Material on hire

Other editions: choral score BDE 599

Quis Tibi Christe Meritasarranged by P. A. Grainger (1934)for strings


3' 30''

Material on hire

Free Music No. 1edited by Alan Stout (1935, rev. 1937)for strings

Orchestra instrumentation: str(1.0.1.1.1) (soli or massed)

2' 0''

Material on hire

22

Free Music No. 1for strings (1935)


2' 0''

Material on hire

Free Music No. 2edited by Alan Stout (1935, rev. 1936)for strings


2' 0''

Material on hire

My End is My Beginningoriginal music by Guillaume de Machaut (1936)for strings arranged by P. A. Grainger

Orchestra instrumentation: str(3.0.0.0.0)/(0.0.2.1.0)/(2.0.1.0.0)/(2.0.2.2.0)/(8.0.2.2.0)

Material on hire

Princesse of Youthfor strings, voices (ad lib.) and organ, harmonium or accordion (ad lib.) (1937)arranged by P. A. Grainger

Orchestra instrumentation: [SAA/SATBarB]-[acc.harm.org]-str(0.0.1.3.0)

Material on hire

Ballade No. 17for strings arranged by P. A. Grainger (1939)original music by Guillaume de Machaut


3' 0''

Material on hire

Beata VisceraEnglish Gothic Music (1939)arranged by P. A. Graingerfor strings and 3-part men's choir or 3-part mixed choir (ad lib.)


Material on hire

CredoEnglish Gothic Music (1939)arranged by P. A. Graingerfor strings and voices (ad lib.)


Material on hire

23

Dreameryfor strings (1939, rev. 1943)

Orchestra instrumentation: str(2.0.2.2.1) [C Major version] or (2.0.2.3.1) [Ab version]

3' 0''

Material on hire

Fulget Coelestis CuriaEnglish Gothic Music (1939)arranged by P. A. Graingerfor strings and voices (ad lib.)


Material on hire

Hac In Anni Januaanonymous, arranged by P. A. Grainger (1939)for strings and male or female choir (ad lib.)


Material on hire

La Bernardinafor strings arranged by P. A. Grainger (1939)original music by Josquin Desprez


Material on hire

O Rosa Bellaoriginal music by John Dunstable (1939)for strings and voices (ad lib.) arranged by P. A. Grainger

Material on hire

Pro Beati PauliEnglish Gothic Music (1939)arranged by P. A. Graingerfor strings and voices ad lib.


3' 45''

Material on hire

Veni Sancte Spiritusoriginal music by John Dunstable (1939)for strings and voices (ad lib.) arranged by P. A. Grainger


Material on hire

24

Worcester Sanctusfor strings and voices (ad lib.) (1939)arranged by P. A. Grainger


Material on hire

The Dairymaid's Lament(Sæterjenten’s Søndag) (1940)original music by Ole Bullarranged for strings by P. A. Grainger


2' 0''

Material on hire

Pretty Swalloworiginal music by Claude Le Jeune (1942)for strings arranged by P. A. Grainger


Material on hire

Alleluia PsallatEnglish Gothic Music (1943)arranged by P. A. Graingerfor strings and choir (SSA/TTB/SSATTB) and organ (ad lib.)


Material on hire

Angelus ad VirginemEnglish Gothic Music (1943)arranged by P. A. Graingerfor strings and choir (SSA/TTB/SSATTB) and organ (ad lib.)


Material on hire


Five Part Fantasy No. 1original music by John Jenkins (1944)for strings arranged by P. A. Grainger

Orchestra instrumentation: str(2.2.1.0.0)/(2.1.2.0.0)/(3.1.1.0.0)/(3.0.2.0.0)

Material on hire

25

The Four Note Pavanoriginal music by Alfonso II Ferrabosco (1944)for strings arranged by P. A. Grainger

Orchestra instrumentation: str(3.0.2.2.0)/(3.0.2.1.1)/(1.0.2.2.1)/(2.0.1.2.1)/(3.0.2.1.1)

5' 0''

Material on hire

Nenciozza Miaoriginal music by Jean Japart (1946)for strings arranged by P. A. Grainger


2' 0''

Material on hire

Marionette DouceEnglish Gothic Music arranged by P. A. Grainger (1950)for strings, chorus (ad lib.) and organ (ad lib.)

Orchestra instrumentation: [SSAA/TTBB/SATB]-[org]-str(2.0.1.1.[1])/(4.0.2.2.0)

Material on hire


Movement for Stringsfor string orchestra based on music by Henry Balfour Gardinerarranged by Percy Aldridge Grainger

9' 0''

Material on hire

WIND ORCHESTRA - WIND ENSEMBLE

Hill Song Ioriginal version (1901-1902)for woodwinds

Orchestra instrumentation: 2(2pic).6.6ca.0.6.cbsn

15' 0''

Material on hire

Mock Morrisfor brass band (1911)arranged by Denis Wright

Orchestra instrumentation: solo horn.2horns.solo cornet.2 cornets.repiano Bb[cornet].flugelhn.EbSoprano[cornet].Eb Bass[tuba].Bb Bass[tuba].2tbn.btbn.2 Bb baritones.euph-drums

4' 0''

Material on hire

26

Bruyèresoriginal music by Claude Debussy (1913, rev. 1918)for wind ensemble arranged by P. A. Grainger

Orchestra instrumentation: 1.1.bass ob/ca.2.acl/bcl.asax.1-1.0.0.0-harm

3' 0''

Material on hire

A Bridal Lullabytheme from the film 'Howards End' (1916)arranged by Walter S. Hartleyfor concert band

Orchestra instrumentation: 2.2.Ebcl.3.bcl.2asax.tsax.barsax.2-4.1.3.euph.1-timp-db

3' 0''

Material on hire

Blithe Bellsfor military band (1930-1932)after J.S. Bach 'Sheep May Graze in Safety'

Orchestra instrumentation:pic.2.2.Ebcl.5.acl.bcl.ssax.asax.tsax.barsax.bsax.2-4.2cornets.2.flugelhn.3.bar.euph.2-perc(glsp, steel mar,wooden mar)-db

4' 0''

Material on hire

Fantasy and Air No. 1original music by William Lawes (1932, rev. 1944)for wind band arranged by P. A. Grainger

Orchestra instrumentation: pic.2.2.3.acl.2bcl.ssax.2asax.tsax.barsax.2-4.2cornets.2.euph.1-perc(metalmar)

Material on hire

Fantasy No. 1original music by John Jenkins (1933, rev. 1953)for wind band arranged by P. A. Grainger

Orchestra instrumentation: pic.2.2.ca.Ebcl.4.acl.bcl.ssax.2asax.tsax.barsax.2-2.3cornets.2.euph.1-db

Material on hire

Intermezzofor winds arranged by P. A. Grainger (1937)original music by Herman Sandby

Orchestra instrumentation: pic.2.2.ca.3.2-2.3cornets.3.1

Material on hire

27

Lincolnshire Posy(1937)for wind band

I Dublin Bay - II Harkstow Grange - III Rufford Park Poachers - IV The Brisk Young Sailor - V Lord

Melbourne - VI The Lost Lady Found

15' 0''

Order number: condensed score ED 11343

Other editions: horn 3 and 4 ED 11343-24 · horn 1 and 2 ED 11343-23 · alto clarinet ED 11343-12 ·

trumpete 1 in Bb ED 11343-20 · timpani ED 11343-30 · bass saxophone ED 11343-19 · bass

trombone ED 11343-26 · bass tambour ED 11343-33 · oboe ED 11343-4 · soprano saxophone 1 ED

11343-14 · flute ED 11343-3 · contrabassoon ED 11343-7 · bassoon ED 11343-6 · percussion ED

11343-31 · clarinet 1 in Bb ED 11343-9 · baritone saxophone ED 11343-18 · baritone ED 11343-27 ·

cor anglais ED 11343-5 · tuba ED 11343-29 · bass-clarinet ED 11343-13 · Side Drum ED 11343-32 ·

trombone ED 11343-25 · double bass ED 11343-34 · euphonium ED 11343-28 · trumpet 2 in Bb ED

11343-21 · clarinet 3 in Bb ED 11343-11 · Alto saxophone I ED 11343-15 · Alto saxophone II ED

11343-16 · tenor saxophone ED 11343-17 · trumpet 3 in Bb ED 11343-22 · clarinet 2 in Bb ED

11343-10 · piccolo ED 11343-2 · clarinet in Eb ED 11343-8

Walking Tunefor wind band (1940)

Orchestra instrumentation: pic.2.2.ca.2.bcl.2.cbsn-4.3.3.1-db

4' 0''

Material on hire

March in Dfrom the Anna Magdalena Bach Notebook by J.S. Bach (1946)arranged for saxophone, clarinet, brass or wind choirs or wind band by P.A. Grainger

Material on hire

Hungarian Fantasyoriginal music by Franz Liszt (1959)for wind band arranged by P. A. Grainger

Orchestra instrumentation: pic.2.2.4.bcl.2asax.tsax.2-2.2.3.1-timp.perc(tri, cym, b.d)-pno-db

Material on hire

Harlem (125th Street) Walkaboutfor wind band (1989)arranged by Walter S. Hartley (1989)

Orchestra instrumentation: pic.2.2.Ebcl.3.bcl.2asax.tsax.barsax.2-4.3.3.euph.1-timp.perc(xyl, cym,chimes)-db

3' 0''

Material on hire

28

La Bernardinafor wind band arranged by P. A. Grainger original music by Josquin Desprez

Orchestra instrumentation: Assignment of instruments to tone-strands: 4 foot: Part A: piccolo, flutes,clarinet 3 / Part B: Eb clarinet, Eb cornet, sopranino sarrusophone, clarinet 4 / Part C: clarinet 5, horn2 8 foot: Part A: oboes, clarinet 1, cornet (trumpet) 1, soprano saxophone / Part B: clarinet 2, cornet(trumpet) 2, horn 1, alto saxophone 1, alto clarinet / Part C: bass clarinet, baritone 1, alto saxophone 2,tenor saxophone, bassoons, trombones, euphonium 16 foot: Part A: bass oboe (Heckelphone), tenorsarrusphone / Part B: baritone 2, baritone saxophone / Part C: bass saxophone, double bassoon, tubas,string bass

Material on hire

- SOLO INSTRUMENTS WITH ORCHESTRA OR ENSEMBLE PIANO

Handel in the Strandfor piano (singly or massed) and solo strings (violin, optional viola, cello) or string orchestra (vn,va, vc, db) (1911-1912)

4' 0''

Material on hire

A Bridal Lullabytheme from the film 'Howards End' (1916)arranged by John Pickardfor piano and orchestra

Orchestra instrumentation: 2.2.1.1.-2.0.0.0-str(2.0.1.1.1)

3' 0''

Material on hire

Children's March: "Over the Hills and Far Away"for piano and military band (1916-1918)or for piano and the wind and percussion instruments and the double-basses of the symphonyorchestraedited by R. Mark Rogers

Orchestra instrumentation: pic.3[3.substitute for Ebcl].2.bass oboe.ca[substitute for bassoboe].Ebcl.4.contra alto clarinet[substitute for basssax].contra bass clarinet[substitute for cbsn].altoclarinet.bcl.ssax.2asax[2.substitute for ssax].tsax.barsax.basssax.2.cbsn.contra basssarrusophone-4.4cornets.0.3.euph.1-perc(bells, crash cym, sus cym, gong, hammerwood [xyl], kettledrums, chimes, s.d, b.d, tamb, wdbl, casts)-db

7' 0''

Material on hire

Country Gardensfor piano and strings (1918, rev. 1932)arranged by Reginald King

Orchestra instrumentation: str (3.0.1.1.0)

3' 0''

Material on hire

29

ORGAN

English Dancefor orchestra and organ (1898, rev. 1925)

for Cyril Scott, with long love

Orchestra instrumentation: pic.2.2.ca.Ebcl.2.bcl.2.cbsn-4.3.3.euph.1-timp.4perc(glsp, cym, s.d,b.d)-pno(one or more)-str

12' 0''

Material on hire

VIOLONCELLO

Youthful Rapturefor cello and room music (1929)for cello solo, violin, harmonium (or pipe organ) and piano (other instruments ad lib.)

for Herman Sandby, in love and worth-prizement

Orchestra instrumentation: (elastic scoring, adding any or all of the following):fl-tpt/ssax/Bbcl.hn/asax-glsp-hp-vn II.va.vc II.db

5' 0''

Material on hire

2 AND MORE SOLO INSTRUMENTS

Irish Tune from County DerryCounty Derry Air (1902, rev. 1920)for three solo instruments, small or full orchestra(2nd version)

Orchestra instrumentation: (elastic scoring, parts available): 2.2.3.bcl.cbcl.saxquartet.2.cbsn-4.4.3.euph.1.sarrusophones-harmonium/pipe organ-str

6' 0''

Material on hire

Colonial Songfor 3 solo strings and orchestra (1905-1912, rev. 1914)

Orchestra instrumentation: pic.2.2.2.2-4.3.3.1-timp.perc(cym)-1/2hp.[pno]-str

6' 0''

Material on hire

The Immovable Dofor 9 solo strings and full orchestra (1933-1940)

Orchestra instrumentation: 2pic(2.opt.).2.2.[ca].2.bcl.2.[cbsn]-4.3.3.1-timp.perc(s.d, b.d, cym, tri)-str

5' 0''

Material on hire

30

KEYBOARD INSTRUMENTS - - PIANO PIANO SOLO

Colonial Songversion for two voices and piano or piano alone (1905, arr. 1911)

Composed as yule-gift for mother, 1911 · Scored as yule-gift for mother, 1912 · Rescored, early1914

Vocal instructions for Soprano and Tenor: "Breathe when you like, and sing on any combinations of

any vowels and consonants (such as (Italian vowels) la, ra, ta, ta-da, pa-da-ba, tr-ri-di, etc.) that you find

comfortable and effective.

6' 0''

Order number: score ED 12525

Der RosenkavalierRamble on the love-duet edited for piano by Percy Aldridge Grainger (1927) (1909-1910)

6' 0''

Order number: AF 9055

Free Settings of Favourite Melodies(1922/1924/1936/1939)for piano

G.F. Händel: Hornpipe from the "Water Music" - J. Dowland: Now, O now, I needs must part - J.

Brahms: Cradle Song (Wiegenlied), op. 49, No. 4 - G. Fauré: Après un rêve (After a Dream), op. 7, No.

1 - G. Fauré: Nell

Order number: ED 12778

To a Nordic PrincessBridal Song (1927-28)for piano

7' 0''


Blithe Bellsafter J.S. Bach's "Sheep may Graze in Safety" (1930-31)for pianoConcert Version and Easy Version


Other editions: version for 4 hands ED 12901

Variation 12from the Paganini Variations op. 35 for piano

Order number: BDE 4

31

Andante con motofor piano

Order number: BDE 22

Mock MorrisConcert Version for piano

Order number: ED 11182-2

Other editions: Popular Version for Strings ED 11182-1

Molly on the ShoreIrish Reel for piano


In Bristol Townfor piano


Shepherd's HeyMorris Dance for piano


Other editions: easy version ED 11184-2

Beautiful Fresh FlowerChinese Melody harmonised by Joseph Yasser for pianoPianised by Percy Aldridge Grainger

Order number: BDE 1

Shepherd's HeyNo. 4 from British Folk-Music Settings for pianoEnglish Morris Dance Tunefor piano, easy version

British Folk-Music Settings - The whole set lovingly and reverently dedicated to the memory ofEdward Grieg

2' 0''


Other editions: Original version ED 11184-1

Handel in the Strandfor piano for piano


32

Music for Solo Pianofor piano

Introduction - Editorial Notes - Country Gardens - Colonial Song - Knight and Shepherd's Daughter -

Irish Tune from Country Derry - Molly on the Shore - Shepherd's Hey - Appendix: Colonial Song


Other editions: Vol. 2 ED 12576 · Vol. 4 ED 12578 · Vol. 3 ED 12577

Rimmer & Goldcastlefor piano



Introduction - Mock Morris - The Sussex Mummers' Christmas Carol - Handel in the Strand - The

Hunter in his Career - The Merry King - Spoon River - Harvest Hymn



A Bridal Lullabyfor piano



Arrival Platform Humlet - Gay but wistful - Pastoral - "The Gum-Suckers" March



Near Woodstock Townfor piano



Children’s March - Eastern Intermezzo - The Immovable Do - Jutish Medley - Lullaby from “Tribute to

Foster” - My Robin is to the Greenwood Gone - One more Day my John - Scotch Strathspey & Reel -

To a Nordic Princess - Walking Tune



Peace & Saxon Twi Dancefor piano


33

Train Musicfor piano


Country GardensHandkerchief Dance for piano


Other editions: very easy version ED 11179-3 · easy version ED 11179-2

Tiger-Tigerfor piano


The Young Pianist's Solo Albumfor piano

Introductory Note - About Percy Grainger - Country Gardens - Shepherd's Hey - Molly on the Shore -

Mock Morris - Beautiful Fresh Flower (Chinese Folk-Song) - Australian up-country Song - Irish Tune

from Country Derry - Walking Tune - Hill-Song - To a Nordic Princess (Bridal Song) - One more day,

my John (Sea-Shanty) - Spoon River (American Folk-Dance) - Blithe Bells - Over the hills and far away

(Children's March) - Now, o now, I needs mast part - Notes on the music


Lisbonfor piano


The Rival Brothersfor piano


The Brisk Young Sailorfor piano


The Rag-time Girlfor piano (or voice and piano)


Klavierstuck in D majorfor piano


At Twilightfor piano


34

Irish tune from County Derryfor piano


Died for LoveLincolnshire Folk-Song for piano

Lovingly and reverently dedicated to the memory of Edvard Grieg


Sailor's Songfor piano


A Bridal Lullabyfor piano


Toccata and Fugue in D minorfor piano


The Nightingale & Two Sistersfor piano solo for Piano

Order number: BDE 2

Fugue E Majorfor piano


Fugue a-MollNo. XX from Book 1 of "The Well-Tempered Klavier" for pianoFugue in A MinorNo. XX from Book 1 of "The Well-Tempered Klavier"

Order number: BDE 3

Angelus ad Virginemfor piano


English Waltzfor piano


Other editions: piano (4 hands) BDE 36

35

Country GardensHandkerchief Dance for piano


Other editions: Original version ED 11179-1 · easy version ED 11179-2

Paraphraseon Tchaikovsky's "Flower-Waltz" for piano


Bridal Lullaby Ramblefor piano solo for piano


Lullabyfor piano


The Carman's Whistlefor piano


Lullabyfrom "Tribute to Foster" for piano


Prelude in Gfor Piano


Nimrodfor piano solo for piano

Order number: BDE 5

The Power of Lovefor piano


PIANO DUET

Walking Tune (Extended version)for Piano (4 hands)


36

Room-Music Tit-BitsNo. 6 Zanzibar Boat Song for piano (6 hands)

for mother


The Keel Rowfor piano (6 hands)


Oh I can't sit downfor piano (6 hands)


Walking Tunefor piano or organ (4 hands)


Embraceable Youfor piano (4 hands)

Order number: BDE 6

Harvest Hymnfor Piano (6 hands)


Lets Dance gay in green Meadowfor piano (harmonium) 6-händig


British Folk-Music SettingsNo 22 "Country Gardens" (Handkerchief Dance) for piano (4 hands)

1' 50''


Ye Banks & Braesfor piano (6 hands)


Harvest Hymnfor piano (4 hands)


In Bristol Townfor piano (6 hands)


37

Rondofor piano (4 hands)


When the world was youngfor 2 pianos (4 hands)


The Lonely Desert-Manfor Piano (4 hands)


English Waltzfor piano (4 hands)


Other editions: piano BDE 30

Children's Marchfor Piano (4 hands)


TWO AND MORE PIANOS

Green BushesPassacaglia on an English Folksong (1921)for 2 pianos (6 hands)


The Warriorsfor 2 pianos, 6 hands (1922)for 2 pianos (6 hands)

19' 0''


Other editions: study score ED 12903 · performance material

Blithe Bellsa free ramble on J. S. Bach's aria Sheep may Graze in Safety (1930-1931, rev. 1931)for 2 pianos (4 hands)for 2 pianos (4 hands)

For George H. Greenwood in friendship and worth-prize-ment.

3' 30''


Other editions: Version for 2 Hands ED 12545

38

Country Gardens(1936)for 2 pianos 8-händig

2' 0''


Music for Two PianosLincolnshire Posy (1938)for 2 pianos (4 hands)

Introduction (Barry Peter Ould) - Some Obsercations and Amendments (Leslie Howard) -

Program-note (Percy Aldridge Grainger) - Lincolnshire Posy, 6 movements - 1 Dublin Bay (Sailor's

Song) - 2 Harkstow Grange (The Miser and his Man, a local tragedy) - 3 Rufford Park Poachers

(Poaching Song) - 4 The Brisk Young Sailor (who returned to wed his True Love) - 5 Lord Melbourne

(War Song) - 6 The Lost Lady Found (Dance Song)

16' 0''


Other editions: Vol. 4 (1 Ex.) ED 12582-1 · Vol. 1 (2 Ex.) ED 12579 · Vol. 3 (2 Ex.) ED 12581 · Vol. 5

(2 Ex.) ED 12583 · Vol. 4 (2 Ex.) ED 12582

Music for Two Pianosfor 2 pianos (4 hands)

Introduction - Handel in the Strand - Molly on the Shore - Shepherd's Hey - Country Gardens


Other editions: Vol. 2 (2 Ex.) ED 12580 · Vol. 4 (1 Ex.) ED 12582-1 · Vol. 3 (2 Ex.) ED 12581 · Vol. 5

(2 Ex.) ED 12583 · Vol. 4 (2 Ex.) ED 12582

Harvest Hymnfor 2 pianos 8-händig


Country Gardensfor 2 pianos (4 hands)


Random Roundfor 2 pianos (5-6 player)


39

Music for Two PianosHill-Songs I and II for 2 pianos (4 hands)

Hill-Songs I and II



(2 Ex.) ED 12583 · Vol. 4 (2 Ex.) ED 12582


"In a Nutshell" Suite



(2 Ex.) ED 12581 · Vol. 5 (2 Ex.) ED 12583

Three Symphonic DancesArrangement for two Pianos by Percy Grainger for orchestra

Order number: piano reduction for 2 pianos ED 1855


Children‘s March - Eastern Intermezzo - English Waltz - Spoon River - Two Relics of my Mother



(2 Ex.) ED 12581 · Vol. 4 (2 Ex.) ED 12582

La Bel'Arondefor 2 pianos (4 hands)


Ye Banks & Braesfor 2 pianos (4 hands)



Introduction - "In a Nutshell" Suite

Order number: performance score ED 12582-1

Other editions: Vol. 2 (2 Ex.) ED 12580 · Vol. 1 (2 Ex.) ED 12579 · Vol. 3 (2 Ex.) ED 12581 · Vol. 5

(2 Ex.) ED 12583 · Vol. 4 (2 Ex.) ED 12582

40

The Duke of MarlboroughFanfare for 2 pianos (4 hands)


English Dancefor 2 pianos (6 hands)


Fugue in C minorfor 2 harmoniums (pianos) 4-händig


Fugue in E Minorfor 2 pianos 8-händig

Order number: performance score BDE 411

Jutish Medleyfor 2 pianos (6 hands)


Pritteling, Pratteling, Pretty Poll Parrotfor 2 pianos (4 hands)


Always Merry & Brightfor 2 pianos (4 hands)


The Widow’s Party Marchfor 2 pianos (6 hands)


41

- ORGAN ORGAN SOLO

Colonial Song(1911-14)for organ

6' 0''


Handel in the Strandfor organ


A Bridal Lullabyfor organ


Organ Album

A Bridal Lullaby - Children's March - Colonial Song - Country Gardens - Handel in the Strand - The

immovable Do - Irish Tunes from Country Derry - The Nightingale and the Two Sisters - The Sussex

Mummer' Christmas Carol


TWO AND MORE ORGANS

Early One Morningfor 2 organs


Walking Tunefor piano or organ (4 hands)


Tiger-Tigerfor 2 organs


42

CHAMBER MUSIC - - - STRING INSTRUMENTS VIOLIN VIOLIN AND PIANO

Sussex Mummers' Christmas Carolfor cello or violin and piano (1905)for cello or violin and piano

For my friend Herman Sandby, in happy memory of joys in 1905

Order number: score and part ED 12565

Mock Morris(1912)for violin and piano

4' 0''


Harvest Hymnfor Violin and Piano (arr. 1932)for violin and piano

3' 30''


Molly on the ShoreIrischer Volkstanz nach 2 Volkstänzen for violin and piano

Order number: BSS 31240

- VIOLA VIOLA SOLO

Arrival Platform Humletfor middle-fiddle (viola) solo (1908)for viola

2' 0''


- CELLO CELLO SOLO

The Shoemaker from Jerusalemfor cello and piano


43

ONE OR MORE CELLI AND PIANO

Sussex Mummers' Christmas Carolfor cello or violin and piano (1905)for cello or violin and piano

For my friend Herman Sandby, in happy memory of joys in 1905

Order number: score and part ED 12565

Variationson Handel's "The Harmonius Blacksmith" for voice (cello) and piano


The Maiden and the Frogfor cello and piano


Scandinavian Suitefor cello and piano


- STRING ENSEMBLE DUOS / TRIOS

Shepherd's Heyfor violin, cello and piano


QUARTETS

Molly on the ShoreBritish Folk-Music Settings No. 1 (Revised Edition) (1907)for string quartetfor string quartet

Lovingly and reverently dedicated to the memory Edvard Grieg.

4' 0''

Order number: score and parts ED 13808

Theme & Variationsfor string quartet

Order number: score and parts BDE 618

Free Music No. 1for string quartet


44

QUINTETS

The Running of Shindandafter Kipling (1946)for 5 cellos

2' 0''

Material on hire

Tiger-Tigerafter Kipling (1946)for 5 cellos

2' 0''

Material on hire

"Wach' auf"from R. Wagner's 'Die Meistersinger' for 5 cellos arranged by P. A. Grainger

Material on hire

SEXTETS AND MORE INSTRUMENTS

Mock MorrisPopular Version for 6 strings or string ensemble

Order number: score ED 11182-1

Other editions: Concert Version for piano ED 11182-2

- STRING ENSEMBLE WITH PIANO TRIOS

My Robin is to the Greenwood Gonefor piano trio (1912)

6' 0''


45

RECORDER MUSIC

Shepherd's Heyfor 3 recorders (SAT) and piano

Order number: separate part ED 10886-3

Other editions: score and parts ED 10886 · treble recorder ED 10886-2 · Descant recorder ED 10886-1

Mock Morrisfor 3 recorders (SAT) and piano


Other editions: treble recorder ED 12258-2 · Descant recorder ED 12258-1 · tenor recorder ED

12258-3



Other editions: tenor recorder ED 10886-3 · treble recorder ED 10886-2 · Descant recorder ED

10886-1



Other editions: score and parts ED 12258 · Descant recorder ED 12258-1 · tenor recorder ED 12258-3



Other editions: tenor recorder ED 10886-3 · score and parts ED 10886 · treble recorder ED 10886-2



Other editions: treble recorder ED 12258-2 · score and parts ED 12258 · tenor recorder ED 12258-3



Other editions: tenor recorder ED 10886-3 · score and parts ED 10886 · Descant recorder ED 10886-1

- WIND INSTRUMENTS FLUTE

Walking Tunefor flute and piano


46

HORN

A Bridal Lullabyfor horn (tenor horn) and piano


- WIND ENSEMBLES QUINTETS

Walking Tune(1912, rev. 1940)for wind quintet

4' 0''

Order number: set of parts ED 11342-10

Other editions: score ED 11342

Lisbon(1937)for wind quintet

2' 0''


HARFE

A Bridal Lullabyfor harp


CHAMBER MUSIC WITH GUITAR

Bridal Lullabyfor guitar


PERCUSSION

Bahrilyale v. Palandarifor Percussion and Harmonium Drone


47

VOCAL MUSIC - ONE OR MORE VOICES A CAPPELLA

English Gothic Music"Alleluia let us sing" for 3 Voices or Choirs (SMezA/TBarB) or 6-parts Choir (SMezATBarB)

Order number: choral score ED 12050

Other editions: Angelus ad virginem ED 12031

VOICE AND KEYBOARD INSTRUMENT

A Song of Autumnfor medium voice and piano (1899)text by Adam Lindsey Gordon

For my darling mother

2' 0''


The Men Of The Seafor low or medium voice and piano (1899)No. 10 from Kipling Settingstext by Rudyard Kipling from "The Light that Failed"

Dedicated to my beloved mother

2' 0''


DedicationNo. 1 from Kipling Settings (1901)for high male voice (tenor) and pianofor high male voice and pianotext by Rudyard Kipling from "The Light that Failed"

Dedicated to my mother

2' 0''


Bold William TaylorNr. 43 from British Folk-Music Settings (1908)for mezzo-soprano or baritone and piano

3' 30''


Other editions: performance material

48

British Watersideor The Jolly Sailor (1920)for voice and pianoNo. 26 from British Folk-Music Settingsfor voice and pianoHigh key version


6' 0''


Other editions: Low (original) key version ED 12522

The Pretty Maid Milkin' Her Cowfor voice and piano, high key (original version) (1920)for high voice and pianoNo. 27 from British Folk-Music Settingsas sung by Mr George Leaning on August 3-4, 1906 in Brigg, Lincolnshire, Englandcollected and set for voice and piano by Percy Aldridge Grainger

British Folk-Music Settings lovingly and reverently dedicated to the memory of Edward Grieg.Yule-gift to mother, Yule, 1920

2' 0''


The Pretty Maid Milkin' Her Cowfor voice and piano, low key (1920)for low voice and pianoNo. 27 from British Folk-Music Settingsas sung by Mr George Leaning on August 3-4, 1906 in Brigg, Lincolnshire, Englandcollected and set for voice and piano by Percy Aldridge Grainger

British Folk-Music Settings lovingly and reverently dedicated to the memory of Edward Grieg.Yule-gift to mother, Yule, 1920

2' 0''


The Sprig of Thymefor high voice and piano (1920)for voice and pianoNo. 24 from British Folk-Music Settingsas sung by Mr Joseph Taylor of Saxby - All-Saints, Lincolnshire, England

British Folk-Music Settings, Lovingly and reverently dedicated to the memory of Edvard Grieg. TheSprig of Thyme, Loving birthday gift to mother for July 3rd 1920.

3' 0''


Other editions: low voice ED 12534

49

The Sprig of Thymefor low voice and piano (1920)for voice and pianoNo. 24 from British Folk-Music Settingsas sung by Mr Joseph Taylor of Saxby - All-Saints, Lincolnshire, England

British Folk-Music Settings, Lovingly and reverently dedicated to the memory of Edvard Grieg. TheSprig of Thyme, Loving birthday gift to mother for July 3rd 1920.

3' 0''


Other editions: high voice ED 12533

David of the White RockDafydd y Garreg Wen (1954)arranged by Percy Grainger for high voice and pianotext by John Ceiriog Hughes with English translation by Richard Bowen

Arranged by Percy Grainger for Richard Bowen

2' 0''


Northern Balladfor male voice and piano


Songs of the Northfor voice and piano


Early One Morningfor high voice and piano



The Sea-Wifefor voice and piano


The Power of Lovefor high voice and piano


Land O' the Lealfor voice and piano


50

The First Chantyfor voice and piano


Dedication (2nd Setting)for high voice and piano


The Secret of the Seafor male voice and piano


6 Dukes Went Afishinfor voice and piano


Ganges Pilotfor male voice and piano


The Rag-time Girlfor piano (or voice and piano)


Creeping Janefor voice and piano


Merciful Townfor voice and piano


Anchor Songfor male voice and piano


Hard Hearted Barbra Ellenfor voice and piano


Sailor's Chantyfor voice and piano


Leezie Lindsayfor voice and piano


51

Soldier, Soldierfor voice and piano


Variationson Handel's "The Harmonius Blacksmith" for voice (cello) and piano


Lord Maxwell's Goodnightfor male voice and piano



The Power of Lovefor sopranos and piano


Love Song of Har Dyalfor voice and piano


Soldier Soldierfor male voice and piano


Ride with an Idle Whipfor male voice and piano


The Lonely Desert Manfor voice(n) and piano


The Bridegroom Gratfor voice and piano


Lukannonfor voice and piano


52

TWO OR MORE SINGING VOICES AND KEYBOARD INSTRUMENT

Colonial Songversion for two voices and piano or piano alone (1905, arr. 1911)

Composed as yule-gift for mother, 1911 · Scored as yule-gift for mother, 1912 · Rescored, early1914

Vocal instructions for Soprano and Tenor: "Breathe when you like, and sing on any combinations of

any vowels and consonants (such as (Italian vowels) la, ra, ta, ta-da, pa-da-ba, tr-ri-di, etc.) that you find

comfortable and effective.

6' 0''


Under a Bridgefor soprano, baritone and piano


The Lonely Desert Manfor voice(n) and piano


VOICE(S) AND ONE OTHER INSTRUMENT

Foweles in the frithfor tenor, baritone and viola


In Bristol Townfor medium voice and guitar


53

VOICE(S) AND CHAMBER ENSEMBLE (2-12 INSTRUMENTS)

The Running of Shindandfor male voices (TTBB) and 2 double basses (1901, rev. 1904)text by Rudyard Kipling

2' 0''

Material on hire

Other editions: choral score ED 12505

Willow Willowfor voice, string quartet and guitar or harp (1902, rev. 1911)settings of songs and tunes from William Chappell's "Old English Popular Music"

"The poore soule sate sighinge by a Sikamore tree..."

4' 0''

Material on hire

Other editions: piano reduction with solo part ED 11340

Willow, willowfor voice and piano (1902-11)for voice and pianofrom William Chappell’s Old English Popular Music

4' 0''

Order number: vocal/piano score ED 11340


O Glorious, Golden Eraoriginal music by Francesco Corteccia (1934)for voice, 2 violas and 2 violoncellos arranged by P. A. Grainger

Material on hire

English Gothic Music No. 4"Beata Viscera" for 3 voices or choir (TTB or ATB) a cappella with harmonium (opt.) and/or wind or stringinstruments

Order number: vocal/piano score BDE 597

- CHORAL MUSIC MIXED CHOIR

British Folk-Music SettingsNo. 30 Ye Banks and Braes o' Bonnie Doon (1901)for mixed choir



Other editions: No. 5 Irish Tune ED 11283 · No. 7 Brigg Fair ED 11190

54

The Three Ravens(1902)for baritone (ad lib.), mixed choir and 5 woodwinds or harmonium

Orchestra instrumentation: Ensemble: 5 cl/fl, 4 cl

4' 0''



Sir EglamoreBritish folk-music settings No. 13 (1904, rev. 1913)for double mixed choir, brass, strings and percussiontune and words from Stafford Smith’s “Musica Antiqua”


Orchestra instrumentation: 4-6hn.2tpt/2cornets.2cl.5tbn/2tbn.euph.2bsn.tuba-timp.perc(s.d, kettle dr,[b.d], cym, [large tri])-[1/2 harps]-str

4' 0''

Order number: study score ED 13586

I'm Seventeen come Sunday(1905-1912)for mixed choir and brass instruments

3' 0''

Order number: choral score ED 11339-1

Kipling Settings3. Morning Song in the Jungle (1905)for mixed choir a cappellafrom "The Second Jungle Book", Rudyard Kipling

dedicated to my mother


Other editions: No. 13 Soldier, Soldier ED 12507

Recessional(1905, rev. 1929)for mixed choir

3' 0''


55

Kipling Settings13. Soldier, Soldier (1907)for mixed choir (SATTBB) with soloists (SATTBB); harmonium ad lib.from "The Second Jungle Book", Rudyard Kipling

3' 30''


Other editions: No. 3 Morning Song in the Jungle ED 12116

Sprig of Thymefor soprano solo and choir (TTTB/SSATBB)


Australian up-country Songfor mixed choir a cappella; piano ad lib.


The Immovable Door The Cyphering C for Mixed Choir (SSSAATTBB) a cappella or with Organ or different Orchestratyps (Strings,Clarinets- or Saxophone Ensemble, mixed Wind Instruments, Symphonyorchestra, Wind band)Vokalisen

5' 0''


Sussex Mummers' Christmas Carolfor mixed choir (SAATBarB)

Order number: choral score BDE 19

Early One Morningfor mixed choir (SATB) a capella


March of the Men of Harlechfor mixed choir (SSAATTBB) and percussion



Died for Lovefor female voice and piano or instrumental trio for for voice and piano or instrumental trio (flute or violin, clarinet in A or viola and bassoon orcello)

Order number: vocal/piano score ED 12527

56

Country Gardensfor mixed choir (SATB)


Other editions: men's choir BDE 10 · female choir BDE 11

The lost lady foundfor mixed choir



Near Woodstock Townfor mixed choir (SATBB) a cappella


English Gothic Music No. 2"Alleluia let us sing" for 3 Voices or Choirs (SMezA/TBarB) or 6-parts Choir (SMezATBarB)


English Gothic Music"Angelus ad virginem" for 3 voices or choirs (SMezA/TBarB) or 6stg. choir (SMezATBarB); organ ad libitum


Other editions: Alleluia psallat ED 12050

British Folk-Music SettingsNo. 5 Irish Tune from County Derry for mixed choir (SATBarBarB)


Other editions: No. 30 Ye Banks and Braes o' Bonnie Doon ED 12117 · No. 7 Brigg Fair ED 11190

Agincourt Songfor mixed choir (SATB) a cappella


O Gin I were where Gadie Rinsfor mixed choir (SATB)


The Keel Rowfor mixed choir (SATB) and piano


57

British Folk-Music SettingsNo. 7 Brigg Fair "It was on the fifth of August" (England) for mixed choir (SATBB) with tenor-solo


Other editions: No. 30 Ye Banks and Braes o' Bonnie Doon ED 12117 · No. 5 Irish Tune ED 11283

Puellare Gremiumfor SMezA and/or TBarB; harmonium and/or wind instruments-/strings-accompaniment ad lib.



The Campfor mixed choir or men's choir



Marionette Doucefor S(A)ATBar(B) a cappella with optional harmonium and/or wind or string accompaniment



Six Dukes Went A-Fishin'for mixed choir (SATB) and flute


Angelus ad Virginemfor mixed choir (SATB)



A Song of Varmelandfor mixed choir (SATBarB)


Mary Thomsonfor mixed choir (SATB)


A Bridal LullabyGoodbye to love for mixed choir (SSATBB) and harp (piano)



58

O Mistress Minefor gemischter Chor (SATB)


Skye Boat Songfor choir unisono and piano


Mo Nighean Dubhfor mixed choir (SAATTBB)


The Gypsy's Wedding Dayfor mixed choir (SATB) a cappella


Six Dukes Went A-Fishin'for mixed choir (SATB) a cappella



English Gothic Music"Alleluia let us sing" for 3 Voices or Choirs (SMezA/TBarB) or 6-parts Choir (SMezATBarB)


Other editions: Angelus ad virginem ED 12031

Old Irish Tunefor mixed choir (SATBarBarB)


The English Gothic Musicfor mixed choir (SATB)


Afterwordfor choir unisono and wind instruments


The Sea-Wifefor mixed choir and piano



59

Dalvisafor mixed choir (SATBarB)


At Twilightfor solo tenor and mixed choir for Tenor solo and mixed choir a cappella


Thou Gracious Powerfor baritone and mixed choir (SATB)


My Love's in Germaniefor soloists (SATB) or mixed choir (SATB)




MEN'S CHOIR

Anchor SongNo. 6 from Kipling Settings (1899, rev. 1921)for baritone, men's choir (or 4 male voices) and pianofor solo baritone with 4-part male choir or 4 male voices and pianotext by Rudyard Kipling from "The Seven Seas"

Dedicated to my beloved mother

3' 0''


Danny Deeverfor male double chorus and orchestra (1903, rev. 1924)words from "Barrack Room Ballads" by Rudyard Kipling

Orchestra instrumentation: pic.2.2.3.bcl.[sax quartet].2.cbsn-4.2.3.euph.1-timp.perc(cym, s.d,b.d)-str(2.0.1.1.1)

4' 0''

Order number: study score ED 13598

Dollar and a Half a Day(1908-1909)for men's choir

4' 0''


60

Shallow BrownShanty (1910)for men's choir (Bar) and piano

5' 0''


Night Song in the Jungle (1st setting)for men's choir (TTBB)


Sprig of Thymefor soprano solo and choir (TTTB/SSATBB)


The Widow's Party"Where have you been" for men's choir unisono and piano (4 hands) or orchestra


Edi Beo Thufor female choir (SA) or men's choir (TB)


The Peora Huntfor men's choir (6-stimmig)


Lord Maxwell's Goodnightfor men's choir


The Campfor mixed choir or men's choir



Country Gardensfor men's choir (TTBB)


Other editions: mixed choir BDE 9 · female choir BDE 11

Tiger-Tigerfor men's choir


61



Danny Deeverfor Männer-Doppelchoir and orchestra




The Running of Shindand"Ther's a conrict" for men's choir (ATTBarBB)



Hunting Song of the Seeonee Packfor men's choir


Foweles in the frith (EGM)for men's choir (TTBB) a cappella


62

WOMEN'S / CHILDREN'S CHOIR

There was a pig went out to dig"Chrisimas Day in the morning" (1905, rev. 1910)for women's choir or children's choir (SSAA) or 4 solo voicesfor 4-part women's, or children's, or both's, chorusor for four single voicesor for four single voices



Country Gardensfor choir for two parts (SS/SA)


Afterwordfor choir unisono and wind instruments


Edi Beo Thufor female choir (SA) or men's choir (TB)


Country Gardensfor female choir (SSAA)


Other editions: mixed choir BDE 9 · men's choir BDE 10

- SYMPHONIC VOCAL WORKS SOLO VOICE WITH ORCHESTRA OR INSTRUMENTS

The Twa Corbiesfor male voice and 7 strings (1903, rev. 1909)


3' 0''

Material on hire

Lord Maxwell's Goodnightfor baritone solo, soli strings and strings (1904, rev. 1958)

Orchestra instrumentation: soli str 2.2.2.0.0 - str (2.0.1.1.1)

4' 0''

Material on hire

63

Lord Maxwell's Goodnightfor tenor solo, solo strings and strings (1904, rev. 1958)

Orchestra instrumentation: soli str (1.1.2.0.0 / 2.1.1.0.0) - str (2.0.1.1.0)

4' 0''

Material on hire

Colonial Song(Marjorie Lawrence version) (1905-1912, rev. 1961)for soprano solo and orchestra

Orchestra instrumentation: pic.2.2.ca.2.bcl.2-4.3.3.1-timp.perc(cym)-[pno]-2/1hp-str(2.0.1.1.1)

6' 0''

Material on hire

Brigg Fairarranged by Joe Conway (1906)for tenor and strings


4' 0''

Material on hire

Bold William Taylorfor mezzo-soprano or baritone voice and ensemble (1908)No. 43 from "British Folk Music Settings"

Orchestra instrumentation: [Acl].Bbcl-harm/reed org/chromatic Englishconcertina/accordion-str(1.1.1.2.1)

4' 0''

Material on hire

Other editions: piano reduction with solo part ED 13179

The Old Woman at the Christeningfor voice, harmonium and strings (1925)transcribed by Barry Peter Ould

Orchestra instrumentation: harm-str(2.0.1.1.1)

2' 0''

Material on hire

Le Jour s'endortoriginal music by Guillaume Dufay (1934)for voice and strings arranged by P. A. Grainger


3' 30''

Material on hire

64

O Schönes Weiboriginal music by Heinrich Finck (1934, rev. 1940)for voice and strings arranged by P. A. Grainger


Material on hire

Paseábase, the Moorish Kingoriginal music by Diego Pisador (1934)for voice, piano and strings arranged by P. A. Grainger

Orchestra instrumentation: pno-str(1.0.1.1.0)

Material on hire

Anima mea liquefacta estoriginal music by Lyonel Power (1943)for mezzo-soprano and strings arranged by P. A. Grainger


Material on hire

Farewell to an Atollfor soprano, mixed choir (optional) and orchestra (1945)arranged by P. A. Grainger

Orchestra instrumentation: 2.2.2.2-3.2cornet.0.2.btbn.0-str

2' 30''

Material on hire

Bell Pieceafter John Dowland (1951-1953)for tenor solo and orchestra

Orchestra instrumentation: 1.1.3.acl.bcl.2asax.tsax.barsax.1-4.4.3.euph.baritone.1-perc(glsp, vib, tubbells)-hp.pno.org-db

4' 30''

Material on hire

SEVERAL SOLO VOICES WITH ORCHESTRA OR INSTRUMENTS

King Solomon's EspousalsSong of Solomon - Part V (1900)for soprano, alto, tenor, bass and orchestra

Orchestra instrumentation: 2pic.4.8.2ca.8.2bcl.4.2cbsn-6.2.3.0-str(2.0.1.1.1)

Material on hire

65

Irish Tune from County Derryfor women's voices (men's voices ad lib.) (1902, rev. 1920)accompanied by harmonium and three single instrumentsor pipe organ and orchestra or military band

Orchestra instrumentation: (elastic scoring, maximum): 2.2.3.bcl.cbcl.saxquartet.2.cbsn-4.4.3.euph.1.sarrusophones-harmonium/pipe organ-str

6' 0''

Material on hire

Colonial Song(1st setting) (1905-1912)for soprano, tenor and orchestra

Orchestra instrumentation: pic.2/2(pic).2.[ca].2Acl[Abcl].2-4.2.3.1-2hp[hp]-str

6' 0''

Material on hire

Colonial Songfor soprano, tenor, harp and orchestra (1905-1912, rev. 1914)

Orchestra instrumentation: pic.2.2.2.2-4.3.3.1-timp.perc(cym)-1/2hp.[pno]-str

6' 0''

Material on hire

Who Built de Ark?for tenor solo, 2 tenors, bass, flute and guitar (1911)arranged by P. A. Grainger

Material on hire

Random Round2 versions: set and unset (1912-1914/1943/1954)for soprano, alto, tenor and orchestra

Orchestra instrumentation: unset version: elastic scoring including gut-strung guitar - set version:1.0.0.0-0.0.0.0-perc(wooden mar, xyl)-steel-strung gtr.gut-strung gtr.mand.ukulele-str(1.0.1.1.0)

Material on hire

Sekar Gadungfor 2 solo voices (soprano and tenor or baritone), piccolo and percussion (1932-1933)Javanese, arranged by P. A. Grainger

Orchestra instrumentation: pic-perc(metal mar(2)/vib(2), wooden mar, staff bells/tub bells/large tonedbells/gongs, xyl)

Material on hire

66

To Echofor soprano, mezzo-soprano, tenor, baritone and orchestra (1945-1946)arranged by P. A. Grainger

Orchestra instrumentation: pic.1.0.2.bcl.asax.tsax.1-0.0.0.0-perc(vib/pno/hp)-str(1.0.1.1.1)

2' 0''

Material on hire

Crying for the Moonfor soprano, mezzo-soprano, tenor, baritone, percussion and piano (1946)arranged by P. A. Grainger

Orchestra instrumentation: perc(wooden mar(3), vib/metal mar)-pno

3' 0''

Material on hire

Honey Pot Beefor soprano, mezzo-soprano, tenor, baritone and orchestra (1947)arranged by P. A. Grainger

Orchestra instrumentation: 1.0.1.ssax.0-0.0.0.0-perc(vib/metal mar)-harm.pno-str(2.0.1.1.1)

3' 0''

Material on hire

CHOIR WITH ORCHESTRA OR INSTRUMENTS

Kipling "Jungle Book"-Cyclefor small mixed chorus and chamber orchestra (1889-1947)

dedicated to my beloved mother

I The Fall of the Stone - II Morning Song in the Jungle - III Night Song in the Jungle - IV The Inuit - V

The Beaches of Lukannon - VI Red Dog - VII The Peora Hunt - VIII Hunting Song of the Seeonee

Pack - IX Tiger-Tiger - X The Only Son - XI Mowgli's Song against People

Orchestra instrumentation: 0.2.ca.[3].[bcl].2-2.[2].[3].0-[timp]-hp.[vibraharp].harm/org.pno-str(1.1.2.3.1)

19' 0''

Material on hire

The Sea-Wife(1st setting) (1898, rev. 1947)for mixed chorus and brass bandtext by Rudyard Kipling

Orchestra instrumentation: 0.0.0.0-4/2Ebhn.2baritones.3cornets(1Eb cornet).3.2.Eb bass.Bb bass-timp

4' 0''

Material on hire

67

The Sea-Wifefor mixed chorus and brass band and/or strings (1898, rev. 1905)No. 22 from "Kipling Settings"text by Rudyard Kipling

Orchestra instrumentation: 4hn.3tpt(3rd opt.).3tbn.[euph].tuba-timp.perc(cym)-str(2.0.2.2.1 min.)

4' 0''

Material on hire


Afterwordfor choir (unison women's, men's or mixed choir) and brass instruments (1900-1901, rev. 1957)edited by Barry Peter Ould

Orchestra instrumentation: 0.0.0.0-3.3cornets.3.euph.1

5' 0''

Material on hire

We Have Fed Our Sea For A Thousand Years(1st setting) (1900-1904)for boy's and men's chorus, 3 horns, violoncellos and double basses

Orchestra instrumentation: 3hn-12vc.6db

3' 0''

Material on hire

We Have Fed Our Sea For A Thousand Yearsfor 6-part mixed chorus, brass and strings (ad lib.) (1900-1904, rev. 1911)No. 2 from "Kipling Settings"text by Rudyard Kipling

Orchestra instrumentation: 4hn.3tpt(3rd opt.).3tbn.euph.btuba-str

3' 0''

Material on hire

Scotch Strathspey and Reelfor 4-part male chorus or single voices and ensemble (1901-1902)inlaid with several Irish and Scotch tunes and a sea-chanty

Orchestra instrumentation: [pic].1.1.1.1-0.0.0.0-xyl-2gtr/pno.concertina/harm-str(3.0.2.2.1)

8' 0''

Material on hire

The Hunt is Upfor unison men's chorus and orchestra (1901)edited by Barry Peter Ould


2' 30''

Material on hire

68

The Keel Rowfor unison chorus, whistlers and orchestra (1901)realized by Barry Peter Ould

Orchestra instrumentation: pic.1.2.2.2-2.1.1.1-str(3.0.2.2.1)

4' 0''

Material on hire

The Widow's Party(1st setting) (1901)No. 7 from "Kipling Settings"words from Rudyard Kipling's "Barrack Room Ballads"

Orchestra instrumentation: 0.0.3.2-3.0(bugles).0.0-str(0.0.1.1.1)

3' 0''

Material on hire

The Widow's Partyfor men's chorus and orchestra (1901, rev. 1906)No. 7 from "Kipling Settings"words from Rudyard Kipling's "Barrack Room Ballads"

Orchestra instrumentation: [pic].1.0.1.1-1.2.1.0-timp.perc([xyl], cym, s.d, b.d)-harm/reed org.2pno-str

3' 0''

Material on hire

The Widow's Partyfor men's chorus and wind band (1901, rev. 1923)No. 7 from "Kipling Settings"edited by Barry Peter Ouldwords from Rudyard Kipling's "Barrack Room Ballads"

Lovingly dedicated to my mother, Yule 1924

Orchestra instrumentation: pic.2.2.[Ebcl].3.bcl.[saxquartet].2.cbsn-4.3.3.euph.2/1E'&B''Basses-timp.perc(cym, s.d, b.d)-[str(2.0.1.1.1)] (all wind/brass partscan be doubled or trebled for military band performances)

3' 0''

Material on hire

Ye Banks and Braes O'Bonnie Doonfor mixed chorus and orchestra or wind band (1901, rev. 1932)Scottish folksong, words by Robert Burns

Orchestra instrumentation: (elastic scoring, parts available):pic.2.2.8.2asax.2tsax.barsax.2-2.1.2.euph.1-harm.org-str

3' 0''

Material on hire

69

Danny Deeverfor double male chorus and orchestra (1903, rev. 1924)words from "Barrack Room Ballads" by Rudyard Kipling


4' 0''

Material on hire

Other editions: score ED 12514

Danny Deeverfor male double chorus and orchestra (1903, rev. 1924)arranged by Stephen Carpenterwords from "Barrack Room Ballads" by Rudyard Kipling

Orchestra instrumentation: pic.2.2.3.acl.bcl.ssax.2asax.tsax.barsax.2.cbsn-4.2.3.euph.1-timp.perc(cym,s.d, b.d)-db

4' 0''

Material on hire

The Wraith of Odinfor double chorus (SATBarB) and orchestra (1903, rev. 1947)

Orchestra instrumentation: 2pic.2.0.6.2acl.2bcl.2.2cbsn-6.2.4buglehns.2.2euph.0-str(2.0.2.2.2)

6' 0''

Material on hire

Lord Maxwell's Goodnightfor unison men's choir and strings (1904, rev. 1958)


4' 0''

Material on hire

Other editions: vocal/piano score BDE 432

Lord Maxwell's Goodnightfor unison men's chorus and orchestra (1904, rev. 1958)

Orchestra instrumentation: [pic.2.2.2.bcl.2]-2.2.2.0-str(4.0.2.2.1)

4' 0''

Material on hire

Sir Eglamore(1st setting) (1904)for two mixed choruses, brass, strings and percussion

Orchestra instrumentation: 0.0.0.0-9.5(2bugles).3.3.3saxhorns.3tpts.3bugles.3ttbns-perc-str(0.0.2.2.2)

4' 0''

Material on hire

70

Sir EglamoreBritish folk-music settings No. 13 (1904, rev. 1913)for double mixed choir, brass, strings and percussiontune and words from Stafford Smith’s “Musica Antiqua”


Orchestra instrumentation: 4-6hn.2tpt/2cornets.2cl.5tbn/2tbn.euph.2bsn.tuba-timp.perc(s.d, kettle dr,[b.d], cym, [large tri])-[1/2 harps]-str

4' 0''

Material on hire

The Hunter In His Careerfor 4 men's single voices (ad lib.), unison male or mixed chorus and orchestra (1904, rev. 1929)No. 3 from "Settings of Songs and Tunes from William Chappells 'Old English Popular Music'"

Orchestra instrumentation: pic.2.2.2.2-4.3.3.1-timp.perc(glsp, cym, b.d)-2pno.org-str

2' 0''

Material on hire

The Hunter In His Careerfor unison chorus or unison men's chorus and orchestra (1904, rev. 1929)

Orchestra instrumentation: pic.1.1.2.1-4.3.3.1-timp.perc(glsp, cym, b.d)-2pno.org-str(2.0.1.1.1)

2' 0''

Material on hire

The Lads of Wamphrayfor men's chorus and 2 pianos or orchestra (1904-1905)text by Sir Walter Scott

Orchestra instrumentation: pic.2.2.ca.Ebcl.3Acl.acl.bcl.2.cbsn-6.2tenorhorns.3Ftpt.3cornets.3tbn.2euph.tuba-timp.perc(cyms)-str

9' 0''

Material on hire

The Lads of Wamphrayfor men's or mixed chorus and orchestra (1904-1905, rev. 1942)text by Sir Walter Scott

Orchestra instrumentation: pic.2.2.ca.[Ebcl].3Bbcl(3rd opt.).[acl].bcl.2.cbsn-4.2tenorhorns/asax.3tpt.[3cornets in Bb].3tbn.euph/baritone/2tba-timp.4perc(s.d, b.d, cym, gong)-str

9' 0''

Material on hire

71

I'm Seventeen Come Sundayfor mixed choir and brass (1905, rev. 1912)arranged by Paul Webster

Orchestra instrumentation: 0.0.0.0-2.2.3.0

3' 0''

Material on hire

I'm Seventeen Come Sundayfor mixed chorus (SATTBB), percussion and strings (1905, rev. 1912)

Orchestra instrumentation: timp.perc(tri, s.d)-str(2.0.1.1.1)

3' 0''

Material on hire

I'm Seventeen Come Sundayfor mixed chorus and brass (1905, rev. 1912)folk song from Lincolnshire and SomersetNo. 8 from "British Folk Music Settings"tune and words taken down from the singing of Mr. Fred Atkinson

Orchestra instrumentation: 4hn.3cornets/3tpt.3tbn.euph.Bb/Eb bass/2tubas-timp.perc(cym, s.d)

3' 0''

Material on hire

Marching Tunefor 4-part mixed chorus and brass (1905)

Orchestra instrumentation: 4hn.3tpt(3rd opt.).3tbn.tuba-timp.perc(cym, s.d)

5' 0''

Material on hire

The Rival Brothersfor mixed chorus (SMezAATTBB) and strings (1905, rev. 1940)


4' 0''

Material on hire

Died for Lovefor choir (unison women's, men's or mixed choir) and strings (1906-1907)

Orchestra instrumentation: str(2.0.1.1.[1])

2' 0''

Material on hire

72

The Bride's Tragedyfor mixed choir, optional male choir and orchestra (1908, scored 1914)text by Algernon Charles Swinburne

Orchestra instrumentation: pic.2.2.2.bcl.[sax quartet, optional].2.cbsn-4.3.3.1-3timp.perc(cym,gong)-org/harm-str

8' 0''

Material on hire

Shallow Brown(1st setting) (1910)for unison women's chorus and unison men's chorus and orchestra

Orchestra instrumentation: 0.0.1.0.cbsn-3.0.1.0-[banjos.gtrs.mands]-str(2.0.2.2.1)

5' 0''

Material on hire

Shallow Brownfor 1 or 2 voices (solo or chorus) and orchestra (1910)No. 3 from "Sea-Chanty Settings"collected from the singing of John Perring (Dartmouth, England, 1908)

Orchestra instrumentation:[pic].[fl].cl.bsn.[cbsn]-hn/asax.euph/hn,asax-[2ukuleles].[2mandolins/2ukuleles].[2mandolas].[4gtr]-harm.pno-str(1.1.2.2.1)

5' 0''

Material on hire

Six Dukes Went A-Fishin'for mixed chorus (SATB) and winds (1910)arranged by Paul Webster

Orchestra instrumentation: 2.1.ca.2.2-2.0.0.0

4' 0''

Material on hire


Six Dukes Went A-Fishin'for unison men's chorus, 2 horns and strings (1910)arranged by Steuart Bedford

Orchestra instrumentation: 2hn-str(2.0.1.1.1)

4' 0''

Material on hire

73

The Lost Lady Foundfor mixed choir and wind instruments (1910, rev. 1938)arranged by Paul Webster

Orchestra instrumentation: 2(afl).2.ca.2.2-2.2.3.0

3' 0''

Material on hire

The Lost Lady Foundfor single voice or unison chorus or mixed chorus and large room music (1910)English dance-folksong collected by Miss Lucy E. BroadwoodNo. 33 from "British Folk Music Settings"

Orchestra instrumentation: [perc]-[harm].pno-str(3.0.2.2.1)

3' 0''

Material on hire

The Lost Lady Foundfor single voice or unison chorus or mixed chorus and small orchestra (1910)English dance-folksong collected by Miss Lucy E. BroadwoodNo. 33 from "British Folk Music Settings"

Orchestra instrumentation: 0.0.0.0-3.2.1.0-timp.[perc]-[harm]-str(3.0.2.2.1)

3' 0''

Material on hire


The Lonely Desert Man Sees the Tents of the Happy Tribesfor chorus (STB) and orchestra (1911, rev. 1949)

Orchestra instrumentation: 0.0.2.asax.2-1.1.0.0-perc(2wooden mar, vib/hp)-2gtr.pno-str(2.0.1.2.1) [manyother combinations possible]

3' 0''

Material on hire

A Bridal Lullabytheme from the film 'Howards End' (1916)arranged by Alan Gibbsfor mixed choir or female choir, tenor solo (ad lib.) and orchestra

Orchestra instrumentation: hp.pno-str(2.0.1.1.1)

3' 0''

Material on hire

Other editions: choral and piano score BDE 47

74

Husband and Wifefor unison women's chorus, unison men's chorus and ensemble (1923)

Orchestra instrumentation: timp-2gtr/pno-vc

1' 0''

Material on hire

Australian Marching Tunefor mixed choir and orchestra (1930, rev. 1944)

Orchestra instrumentation: 0.0.0.0-1.1.1/euph.0-perc(ad lib. cym, b.d, hp/staff bells(3/4), steelmar(3)/bar pno/dulcitone, tub bells (keyboard preferably 1/2), glsp)-2pno.org/harm(2)-str(2.0.1.1.1)

8' 0''

Material on hire

The Immovable Dofor mixed chorus with organ or harmonium (ad lib.), solo strings or string orchestra, wind band orfull orchestra (1933-1940)

Orchestra instrumentation: (elastic scoring, parts available):2pic(2.opt.).2.2.[ca].2.bcl.2.[cbsn]-4.3.3.1-timp.perc(s.d, b.d, cym, tri)-str

5' 0''

Material on hire

Sanctusoriginal music by Lyonel Power (1934)for 2 violins, violoncello, voices (ad lib.) and harmonium or organ (ad lib.) arranged by P. A.Grainger

Material on hire

Ad Cantum Laetitiaeanonymous, arranged by P. A. Grainger (ca. 1940)for 2-part mixed chorus and strings

Material on hire

Hunting Song of the Seeonee Packfor men's choir (TTTTBBBB) and orchestra (1941-1942)movement no 8 of the "Kipling Jungle Book-Cycle"


Material on hire

The Beaches of Lukannonfor mixed choir (SSSAAATTBB), harmonium and strings (1941-1942)

Orchestra instrumentation: harm-str(2.0.2.3.1)

2' 30''

Material on hire

75

The Peora Huntfor mixed chorus (SSAATTBBB) and orchestra (1941-1942)movement no 5 of the "Kipling Jungle Book-Cycle"text by Rudyard Kipling

Orchestra instrumentation: barsax.2bsn-harm.pno-str(2.0.2.2.1) or harm.pno or 2bsn/2vc-[harm].pno orstr(2.0.2.2.1)-[harm].pno or barsax.bsn-[harm].pno or 2bsn-[harm].pno-str(2.0.2.2.1)

1' 0''

Material on hire

Thanksgiving Songfor large room-music and voices (SSATBB) (1945)

Orchestra instrumentation: pic.1.0.2.bcl.asax.1-1.1.0.[bar].1-perc(glsp, xyl, metal mar, staff bells, woodenmar(2), cym, s.d, b.d, wdbl)-harm(2).pno(2-4)-str(3.0.2.2.1)

12' 0''

Material on hire

Under a BridgeUnder en Bro (1945-1946)for unison women's chorus, unison men's chorus and orchestra

Orchestra instrumentation: 1.0.1.0-0.1.0.0-perc(xyl(2), wooden mar(2), vib(2), staffbells(3))-pno(2)-str(2.0.1.2.1)

3' 30''

Material on hire

The Love Song of Har Dyalfor soprano solo or unison women's chorus and ensemble (1957-1958)

Orchestra instrumentation: 0.1.0.1/0.0.0.0-hp.harm.pno-str(3.0.2.2.1)

3' 0''

Material on hire

SOLO VOICES, CHOIR AND ORCHESTRA OR INSTRUMENTS

Song of Solomonpart 2 (Love Verses 1st setting) (1899-1900)for mezzo-soprano and baritone solo, mixed chorus (SATB) and orchestra

Orchestra instrumentation: 2.4.2ca.4.2bcl.4.cbsn-4.0.0.0-str(2.0.1.1.1)

7' 0''

Material on hire

The Fall of the Stonefor mixed chorus and 6 or 7 men's single voices and ensemble (1901-1904, rev. 1923)movement no 1 of the "Kipling Jungle Book-Cycle"

Orchestra instrumentation: 0.0.[ca].2/barsax.0-2/asax.0.0.[euph].0-str(0.0.2.3.1)

2' 0''

Material on hire

76

The Fall of the Stonefor mixed chorus, men's single voices and ensemble (1901-1904, rev. 1942)movement no 1 of the "Kipling Jungle Book-Cycle"

Orchestra instrumentation: 0.0.[ca].2.2-4.0.3.0-harm.pno-str(2.0.2.3.1)

2' 0''

Material on hire

We Be Three Poor Marinersfor baritone solo, unison men's chorus and orchestra (1901)

Orchestra instrumentation: 0.4.2ca.0.2.cbsn-2.0.0.0-str(0.0.2.12.6)

Material on hire

The Three Ravensfor baritone, mixed chorus and 5 woodwinds (1902)No. 41 from "British Folk Music Settings"

Orchestra instrumentation: 5cl/1fl.4cl

4' 0''

Material on hire


March of the Men of Harlech(Welsh Fighting Songs No 2) (1904)for soloists (STTBB), unison men's chorus and percussion

Orchestra instrumentation: timp.perc(4 or more military drums)

2' 0''

Material on hire


The Camp(Welsh Fighting Songs No 1) (1904)for unison men's chorus, soprano, alto, tenor, 2 basses and ensemblerealised by Chalon Ragsdale (1996)

Orchestra instrumentation: 0.0.0.0-4.3.3.euph.1-2gtr

2' 0''

Material on hire

The Hunter In His Career(1st setting) (1904, rev. 1929)for unison men's chorus, 2 tenors, 3 basses and wind instrumentsrealised by Chalon Ragsdale

Orchestra instrumentation: pic.0.1.Ebcl.1.1-4.3.3.euph.1-timp.perc(tub bells, cym, s.d, b.d)-harm.pno-db

2' 0''

Material on hire

77

The Lads of WamphrayScots Border Ballad - Sir Walter Scott (1904-1905)for tenor and baritone solo, men's chorus (TBB) and orchestra(original scoring)

Orchestra instrumentation: pic.2.2.ca.3.acl.bcl.2.cbsn-6.2Ebhn.3.3cornets.3.2euph.1-timp.perc(cym,gong, s.d, b.d)-str(2.0.1.2.1)

9' 0''

Material on hire

Father and Daughterfor 5 male soloists, double mixed chorus, strings, brass, percussion and mandoline and guitarband (ad lib.) (1908-1909, rev. 1911)No. 1 from "Settings of Dance-Folksongs from the Faeroe Islands"English version of words freely translated by P. A. Graingerfree German translation by Johanna Plockross-Pohly

Orchestra instrumentation: 4hn.3tbn.euph.btuba-timp.perc(cym, side dr)-[4gtr/piano duet].[mand]-str

3' 0''

Material on hire

Edi Beo ThuEnglish Gothic Music (1939)arranged by P. A. Graingerfor viola, cello and voices and organ ad lib.

Orchestra instrumentation: [org]-va.vc

Material on hire

Mowgli's Song Against Peoplemovement no 10 of the "Kipling Jungle Book-Cycle" (1941-1942)for tenor, 2 baritones and bass solo, mixed choir (SSAATTBBB) and orchestratext by Rudyard Kipling

Orchestra instrumentation: 0.2.ca.0.0-4.3.3.0-harm.pno-str(2.0.2.3.1) or0.2[1].[ca].0.0-0.0.0.0-harm.pno-str(1.0.2.3.1)

3' 0''

Material on hire

Percy Aldridge Grainger

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Transcript of Percy Aldridge Grainger