Pearson Longman © 2009 “This multimedia product and its contents are protected under copyright...
25
Pearson Longman © 2009 “This multimedia product and its contents are protected under copyright law. The following are prohibited by law: • any public performance or display, including transmission of any image over a network; • preparation of any derivative work, including the extraction, in whole or in THE ART OF BEING HUMAN 9 TH EDITION
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Transcript of Pearson Longman © 2009 “This multimedia product and its contents are protected under copyright...
Pearson Longman © 2009
“This multimedia product and its contents are protected under copyright law. The following are prohibited by law:• any public performance or display, including transmission of any image over a network;• preparation of any derivative work, including the extraction, in whole or in part, of any images;• any rental, lease, or lending of the program.”
THE ART OF BEING HUMAN9TH EDITION
CONVENTIONS OF FILMCONVENTIONS OF FILM
Conventions are the conditions accepted by the audience.
Cinematography is the way in which the camera tells the story.
Pearson Longman © 2009
CONVENTIONS OF FILMCONVENTIONS OF FILM
Conventions o establishing shot
o close-up
o sound
o background music
o point of view
Pearson Longman © 2009
CONVENTIONS OF FILMCONVENTIONS OF FILM
Conventionso intercuto elongated momento lingering takeo pano dissolve
Pearson Longman © 2009
CONVENTIONS OF FILMCONVENTIONS OF FILM
Conventionso freeze frameso tracking shoto cuto quick cuto flip
Pearson Longman © 2009
EARLY MILESTONESEARLY MILESTONES
Inventiono Thomas Edison “peep show” &
projector technology
Arts and Propagandao D.W. Griffith – The Birth of a Nation
o Eisenstein - Potemkin
Pearson Longman © 2009
MAJOR FILM GENREMAJOR FILM GENRESS
Slapstick Comedyo Chaplin & the Little Tramp – Gold
Rush, Modern Times
Farceo Marx Brothers – A Night at the
Opera
Pearson Longman © 2009
MAJOR FILM GENRESMAJOR FILM GENRES
Animated Filmo Snow White and the Seven
Dwarfs
o Who Framed Roger Rabbit?
o Ratatouille
Pearson Longman © 2009
MAJOR FILM GENRESMAJOR FILM GENRES
Film Noiro Huston - The Maltese Falcon
o Wilder - Double Indemnity
o Truffaut - Shoot the Piano Player
Pearson Longman © 2009
MAJOR FILM GENRESMAJOR FILM GENRES
Romantic Comedy
o It Happened One Night
o The Philadelphia Story (comedy of manners)
o Adam’s Rib
o When Harry Met Sally
o As Good as It Gets Pearson Longman © 2009
MAJOR FILM GENRESMAJOR FILM GENRES
Romantic Comedy
o Monsoon Wedding
o Lost in Translation
Screen Musical
o Singin’ in the Rain
o Dirty Dancing
o Shall We Dance? Pearson Longman © 2009
MAJOR FILM GENRESMAJOR FILM GENRES
The Western
o Destry Rides Again
o High Noon
o Butch Cassidy and the Sundance Kid
o Dances with Wolves
Pearson Longman © 2009
MAJOR FILM GENRESMAJOR FILM GENRES
Horror and Suspense
o Un Chien Andalou
Social Issues
o Mr. Deeds Goes to Town
o It’s a Wonderful Life
o Grapes of Wrath
o Sullivan’s Travels Pearson Longman © 2009
MAJOR FILM GENRESMAJOR FILM GENRES
Social Issues
o Do the Right Thing
o Tales from the Hood
o The Lives of Others
Pearson Longman © 2009
MAJOR FILM GENRESMAJOR FILM GENRESDocumentaries & Docudramas
Documentaries – a nonfiction film that usually has a narrator but not a structured storyline.
o Titicut Follies
o Winged Migration
o Roger and Me, Bowling for Columbine, Fahrenheit 9/11
o An Inconvenient Truth Pearson Longman © 2009
MAJOR FILM GENRESMAJOR FILM GENRES
Documentaries & Docudramas
Docudrama – a nonfiction film that has not only a narrator but characters, either real people or actors, and a story line.
o Ladybird, Ladybird
Pearson Longman © 2009
MAJOR FILM GENRESMAJOR FILM GENRES
Fictionalized Biographyo The Agony and the Ecstasy
(Michelangelo)
o Lust for Life (van Gogh)
o Amadeus (Mozart)
o La Vie en Rose (Piaf)
Pearson Longman © 2009
MAJOR FILM GENRESMAJOR FILM GENRES
Adaptationso The Killers (Hemingway’s “The
Killers”
o Tess of the D’Urbervilles (Hardy)
o Troy ( The Iliad)
Pearson Longman © 2009
TWO AMERICAN CLASSICSTWO AMERICAN CLASSICS
o Citizen Kane
o Casablanca
Pearson Longman © 2009
THE FILM AUTEURTHE FILM AUTEUR
Ingmar Bergmano The Seventh Seal
o Wild Strawberries
Federico Fellinio La Stada
o La Dolce Vita
o 8 1/2
Pearson Longman © 2009
THE FILM AUTEURTHE FILM AUTEURAlfred Hitchcock
o Shadow of a Doubt
o The Birds
o Psycho
Akira Kurosawa
o The Seven Samurai
o Throne of Blood
o RanPearson Longman © 2009
THE FILM AUTEURTHE FILM AUTEUR
Stanley Kubricko Paths of Glory
o Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb
o A Clockwork Orange
Pearson Longman © 2009
THE FILM AUTEURTHE FILM AUTEUR
Francis Ford Coppola
o The Godfather Trilogy
o Apocalypse Now
Martin Scorsese
o Mean Streets
o Age of Innocence
o The Departed Pearson Longman © 2009
THE FILM AUTEURTHE FILM AUTEUR
Pedro Almodovar
o To sobre mi madre (All About My Mother)
o Hable con ella (Talk to Her)
Pearson Longman © 2009
NOTES ON CRITICAL NOTES ON CRITICAL VIEWINGVIEWING
Some criteria to determine the merit of a film:
o Use of a style unique to cinema
o Characters with complex inner lives
o Relevance to the times
o Integrity
o Avoidance of stereotypes
o Gravity of theme
o No violations of probabilityPearson Longman © 2009
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