PAPER-III VISUAL ARTS - Examrace€¦ · Paper-III 2 D-79-14 VISUAL ARTS Paper – III Note : This...
Transcript of PAPER-III VISUAL ARTS - Examrace€¦ · Paper-III 2 D-79-14 VISUAL ARTS Paper – III Note : This...
1. Write your roll number in the space provided on the top ofthis page.
2. This paper consists of seventy five multiple-choice type ofquestions.
3. At the commencement of examination, the question bookletwill be given to you. In the first 5 minutes, you are requestedto open the booklet and compulsorily examine it as below :(i) To have access to the Question Booklet, tear off the
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(iii) After this verification is over, the OMR Sheet Numbershould be entered on this Test Booklet.
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9. You have to return the test question booklet and OriginalOMR Sheet to the invigilators at the end of the examinationcompulsorily and must not carry it with you outside theExamination Hall. You are, however, allowed to carry originalquestion booklet and duplicate copy of OMR Sheet onconclusion of examination.
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Number of Pages in this Booklet : 32 Number of Questions in this Booklet : 75
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[Maximum Marks : 150Time : 2 1/2 hours]
PAPER-III
(To be filled by the Candidate)
Signature and Name of Invigilator
OMR Sheet No. : ...............................................
Roll No.
(In words)
1. (Signature) __________________________
(Name) ____________________________
2. (Signature) __________________________
(Name) ____________________________Roll No.________________________________
7 9(In figures as per admission card)
D 1 4
D-79-14 1 P.T.O.
VISUAL ARTS
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Paper-III 2 D-79-14
VISUAL ARTS
Paper – III
Note : This paper contains seventy five (75) objective type questions of two (2) marks each. All
questions are compulsory.
1. In Indian art, the term medhi is related to which discipline from following :
(A) Painting (B) Sculpture
(C) Architecture (D) None of above
2. Finial of the famous Brihadeswara Temple of Tanjavur represents the form of
(A) Dhvaja (B) Trishul
(C) Kalash (D) Stupika
3. Kaknadbot was the ancient name of which one ancient sites given below :
(A) Sarnath (B) Sanchi
(C) Rajgriha (D) Kapilvastu
4. In Buddhist Iconography who is depicted in bhumisparsh mudra (earth touching gesture) ?
(A) Akshobhya (B) Amitabh
(C) Ratnasambhav (D) Amoghsiddhi
5. Which museum of the following has best collection of Gandharan sculptures ?
(A) Archaeological Museum Sarnath
(B) Site Museum of Sanchi
(C) Bharat Kala Bhavan, BHU
(D) Government Museum and Art Gallery, Chandigarh
6. From the following archaeologists whose birth centenary was celebrated in January 2014 ?
(A) Sir John Marshal (B) Sir Alexander Cunningham
(C) Sir Aurel Stein (D) Sir Mortimer Wheeler
7. Where did Rocco art style blossom ?
(A) Greece (B) France
(C) Spain (D) Italy
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D-79-14 3 Paper-III
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Paper-III 4 D-79-14
8. Who painted the copy of Manet’s Olympia ?
(A) Paul Gauguin (B) Henri Matisse
(C) Andre Derain (D) Oskar Kokoschka
9. Who painted The Raft of Medusa’ ?
(A) Theodore Gericault (B) Piet Mondrian
(C) Wassily Kandinsky (D) Gustav Courbet
10. What is the medium of “Portrait and Township” done by F.N. Souza in 1957 ?
(A) Oil colour (B) Tempera
(C) Water colour (D) Pen and Ink
11. Which of the Rajasthani school is supposed to have largely produced paintings on Hunting
theme ?
(A) Jaipur (B) Kishangarh
(C) Kota (D) Jodhpur
12. Who painted “The Calling of St. Mathew” ?
(A) Caravaggio (B) Zurbaran
(C) Giuseppe Ribera (D) Alfonso Abril
13. Modern crucibles for molten metal are made of
(A) Porcelain (B) Iron
(C) Graphite (D) Stoneware
14. A sculptor who made works that hang rather than stand
(A) Eva Hess (B) Anish Kapoor
(C) Henry Moore (D) Rachel Whiteread
15. Plaster of Paris is made by
(A) Dehydrating Silica (B) Dehydrating Quartz
(C) Crushing White Marble (D) Dehydrating Gypsum
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D-79-14 5 Paper-III
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(C) �� 4� �$���� � : � � ! �� ! ����� � ��� � �� ��! �� (D) � 1� ��� � ��� ��� �� 1� �� � ��! �B � �<�� ! �� �
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Paper-III 6 D-79-14
16. The Terracotta Army of the Han dynasty in China was buried for centuries because
(A) The sculptures were meant to be kept hidden from invaders
(B) They were part of funerary rituals and were meant to be buried
(C) They were accidentally covered during a sandstorm
(D) They were built over by subsequent dynasties
17. One of the earliest artists to harness television signals to make interactive sculpture was
(A) Nam Jun Paike (B) AtsukoTanaka
(C) Yoko Ono (D) Isamu Noguchi
18. Bodhisattava Avalokiteshvara in the Indian Museum Kolkata is made of
(A) Pink Sandstone (B) Bronze
(C) Schist (D) Granite
19. Name the tool in calligraphy.
(A) Totter Ball Pen (B) Reed Pen
(C) Technical Pen (D) Mapping Pen
20. ‘CC’ is a measuring unit in
(A) Indoor Advertising (B) Radio Advertising
(C) Outdoor Advertising (D) Newspaper Advertising
21. Which one of the following is not the name of font ?
(A) Garamond (B) Collins
(C) Bodoni (D) Caslon
22. Who said ‘Advertising is the greatest art form of the 20th
century’ ?
(A) Marshall Mcluhan (B) David Ogilvi
(C) Jeremy Bullmore (D) Rosser Reeves
23. The term inverted landscape used in advertising refers to
(A) Wider advertisement (B) Vertical Advertisement
(C) Square advertisement (D) Normal Advertisement
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D-79-14 7 Paper-III
16. ,� � �� ���� � �� ��Q �� �� �� ���� �7� �! �� ���� 7 �� ��� � R ��� � $��� �� ��� � �1� �� �� �� � �$��� � �! � �� �/ �� �� � ��
(A) ��� �� - . �� ��� � ����� ��� �O �� �� �� �� � ���� ��ST�� � ��! ��! �&� �� � ���� ��� � �� �� 1� �� �8� � ���
(B) � � � ���� �� � ��� � ���� ! ����� ������ ���� ��8 � � ��� *! ��"� � ��$� 4��� � �� � �1� � �� � ��%� � I7 ��8 � � ���
(C) � � � �!� �� �� �� � ���9 � �� �� �� ��� � �$� �%� � :�� �� ���$��� �: ��� 0 ��
(D) � � � ���! �� �� �R �! �� 1�� �� �� �� �<�� ! �� ��� �� � �� � �: � ��� �8 �0 ���
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7 � �� �� �� � 1� �� �� �� : �� � � ���� ��� � ��� 11� � ����! ��� $��� � �+
(A) �� � � �1� - �� ��� � ���� (B) �� � �� � ��� � ��� �� � ���
(C) �� � ���� � ���� ��� � (D) ��� � � - ��� �� :� �� ,� �
�
18. %� � ! ��� � �� ��� �: �� �� � ��� ����� � � ��� � �� �� ���� � �� �� ���� � ���� � �� �� ��� �� ��� ! ����� �� - .� � �� ���� �� � ��� ��� � *��+
(A) : � �� �� ��� ��� �� � � � ��� �8 � ! �� (B) ��� 9 �� �
(C) � �� �7 �� (D) : � �� ��� �7 ���
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19. �* �� �� :� � � 4�� ��� �"�� �� �� :� �� ����� �1� � ��� �� � �� �� �"�� ��! �B � ���� ��� � � �/ �� � � * ��+
(A) 7 �� ? 7 �! ����� ?� � ���� �� (B) ! �� (���� � ��
(C) 7 � �/ �� ���� � ���� �� (D) � * E ��: � ���� �� �
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20. ‘�� � ��� �’ � �� ��� � �� &�� � �� � ���� �� ���� ��� �� � �� ����� � � * ��+
(A) ��(�� � ! ��� �� ;�� �� �� (B) ! � �� (���� � �� � � ;� � �� ��
(C) �� "7 �(�� � ! ���� � ;�� �� �� (D) �� � � ,� �! ��� � ��� � ;� � �� �� �
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21. � �� �� � �� � &� �� �� � ��� � ����* �� ��� � �4�� � �7 ���� � � ��� �0 � * ��+
(A) : � *! �� � �� �(�� (B) ��� ? �� � ��� �
(C) �� � � (�� � �� � (D) �* ��� � �� � �� �
�
22. ‘� � � ;� � �� �� �UV� � 0 ��� $�� ���� ��� �� �� � ��� (D �� ���� �� �����5 6�� � * ���’ – �� ��"� / � � �� �� �� �� �� &�� � �� � ��� � �� ���� ��� � * ��+
(A) � � �� � � �� * ���� � ��� (B) (� �� �� (���� � �: �� �� �
(C) 1� � ! �� � ��� � �� � �� ! �� (D) ! �� � 1�! ��! �� � �� ��
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23. � � � ;� � �� �� �� � �‘��� � 7H �(��� � * �(���� ���’ � ���� �� � ��� �� � ���� � � * ��+
(A) � � � �(�! ���(��� 7 �� �1� � � �7 �� (B) � � .7 ���� � ��(��� 7 �� �1� � � �7 ��
(C) �/ � � * �� ! ���(�� �7 �� �1� � � �7 �� (D) �� � ? � � � ��(�� � 7 �� �1� �� �7 ���
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Paper-III 8 D-79-14
24. What is Glossary in printed book ?
(A) List of Illustrations (B) List of Technical words
(C) List of photographs (D) List of tables
25. In which year contemporary print making was introduced in India ?
(A) 1556 (B) 1570
(C) 1630 (D) 1910
26. Name the earliest surviving compilation printed in Goa.
(A) Lust for life (B) The Vinci code
(C) Bhagvatam (D) Compendio Spiritual de Vide
27. The Intaglio printing in India was introduced by
(A) Rabindra Nath Tagore (B) Somnath Hore
(C) Bartholomew (D) Crawford
28. Who is also print maker from the following ?
(A) Rembrandt (B) Michelangelo
(C) Raphael (D) Canova
29. Of the following which tool has mushroom shaped handle ?
(A) Burin (B) Burnisher
(C) Roulette (D) Mattoir
30. What is drypoint in engraving ?
(A) It’s a liner engraving on hard metal surface.
(B) It is a technique where no liquid is used.
(C ) It is process where powder is used for printing.
(D) None of above.
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D-79-14 9 Paper-III
24. � � � F�� � ���� �� � ���� � ��� �$�� �� �� � �/ �� � ��� �� � � �� � � * ��+
(A) � �� $��� �� ,� � ��� - ,�� (B) � � ���� � ��� ��� �$�� � ���� ��� - ,� �
(C) ST� �� � � ,� � �� �'4�� � 7 ��� )���� ��� - ,�� (D) �� � ! �B �� ��� - ,�� �
�
25. � ���� �� � I� �%� �! �� � �� � ��� � ��� � � �� ���ST� �� � � ,� � ���� ���� �� ��� !� �%� � � ��� �+
(A) 1556 (B) 1570
(C) 1630 (D) 1910
�
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(A) � � �7 ��4�� ? ! ��4�� �� ! �� (B) $��� � � ��� � ���� � (�
(C) %� � :� �� �� � (D) ���� � � �(��� �� �� ���� ! �,��� �� � �$��� � � (���
�
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(A) ! �� � � �F��� �8 � �7* �: �� �! �� (B) �� � � � ��� 8� � �� � ! ��
(C) �� � 8� �H � �� � ��- (D) �O �� 4�� � ( ���
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(A) ! � ��� O� � (B) � � ��� ��� ��� 1� �� ��
(C) ! �� 4� �� � � (D) �� ��� �� �� � �
�
29. � �� �� � �� � &� �� �� � ��� � �� ���� �"�� ��! �B� ���� � �� 8 � � �' � �(��� )�&� � �� �'� �� 5 6� )��� ��� ! ����� � * ��+
(A) ��� -� ! ��� (B) �� . �� ��! �
(C) ! �� ? �� �7 � (D) � � 7 ��? �� ! ��
�
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(A) �� ����Y �� � ! ���� �� �� ���� ��� � � ���� ! ��!* �� &� ������ : �� �E �� : � � * ���
(B) �� ���� �� � ��� ���� � ��� * ��� 1� �� � � �� ���� � �F�� � ���� �"�� ��� �: � ��� �0 � ��� � �� ��
(C) �� �������� � � �O ��� � � * ��� 1� �� � � �E �� �E 7 �:���� ��� � � ��,�- B � �'�� � "(�! �)���� �"�� ��� � :� �� ����� �1� �� �� � * ���
(D) "�� �� � / �� �� � ��� � ����� � ��� �0 ��
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Paper-III 10 D-79-14
31. Choose the correct chronology of the artists.
(A) Cellini, Lorenzo Ghiberti, Donatello, Michelangelo
(B) Lorenzo Ghiberti, Cellini, Donatello, Michelangelo
(C) Donatello, Lorenzo Ghiberti, Cellini, Michelangelo
(D) Lorenzo Ghiberti, Donatello, Cellini, Michelangelo
32. Chose the correct chronology of the monuments.
(A) Hagia Sophia, Reims Cathedral, Medici palace, St. Peters Basilica
(B) Reims Cathedral, Hagia Sophia, Medici palace, St. Peters Basilica
(C) Hagia Sophia, Medici palace, Reims Cathedral, St. Peters Basilica
(D) Hagia Sophia, St. Peters Basilica, Reims Cathedral, Medici palace
33. Choose the correct chronological order of the monuments.
(A) Sultangarhi, Quwat Ul Islam, Tomb of Shershah Suri, Red Fort Delhi
(B) Quwat Ul Islam, Sultangarhi, Tomb of Shershah Suri, Red Fort Delhi
(C) Tomb of Shershah Suri, Quwat Ul Islam, Sultangarhi, Red Fort Delhi
(D) Quwat Ul Islam, Tomb of Shershah Suri, Sultangarhi, Red Fort Delhi
34. Choose the correct chronological order.
(A) Johannes Vermeer, Peter Paul Rubens, John Constable, Salvador Dali
(B) John Constable, Peter Paul Rubens, Johannes Vermeer, Salvador Dali
(C) Peter Paul Rubens, John Constable, Salvador Dali, Johannes Vermeer,
(D) Peter Paul Rubens, Johannes Vermeer, John Constable, Salvador Dali
35. Choose the correct sequence according to Samrangansutradhar.
(A) Rekhakarm, Bhumibandhan, Vartana Karm, Lekhanam
(B) Bhumibandhan, Rekhakarm, Vartana Karm, Lekhanam
(C) Bhumibandhan, Vartana Karm, Rekhakarm, Lekhanam
(D) Bhumibandhan, Lekhanam Rekhakarm, Vartana Karm
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D-79-14 11 Paper-III
31. � �� �� ���� � � ��� ! ��� ���� ��� �� ���� �� �O �� �,� � � �� ��Z
(A) �� � � �� ��� @ �� �� �! � �1�� � ��: � �� �. 7 �@ �(�� � �� � 7� �� �� � @ �� � ��� �� ���� 1� �� ��
(B) � � �� !� �1� �� �� :� ��� . 7 �@ ���� � �� ��� @ �(�� � �� � 7� �� �� � @ �� � ��� �� ���� 1� �� �� �
(C) (�� � ��� 7 � ��� �� @ ��� � �! � �1�� � ��: � �� �. 7 �@ ��� �� �� ��� @ �� � ��� �� � �� � 1�� �� �
(D) � � �� !� �1� �� �� :� ��� . 7 �@ �(��� ��� 7 � ��� �� @ ��� �� �� ��� @ �� � ��� �� � �� � 1�� �� � �
�
32. � �� �� � �� � &� �� ��� � ! ���� � ���� ���� � � �O�� ��� ����� � ��� ! ���� �� ��O �� �,�� � ����Z
(A) �� � 1� ��� ��� �� � 4���� @ �! � ��� ��* �8� (�! �� �@�� � � (�� �����* � �� �� @ ���� 7 ���� �7 ��� ���* � ���� � ���
(B) ! � ��� ��* �8 � (�! ��� @ � �� � 1� ��� ��� � �� 4��� �@�� � � (�� �����* � �� �� @ ���� 7 ���� �7 ��� ���* � ���� � ���
(C) �� � 1� ��� ��� �� � 4���� @ �� � � (�� �� ��� *� �� �� @ �! � ��� ��*�8 � (�! ��� @ ��� �7 ���� � 7 ��� ���* � ���� � ���
(D) �� � 1� ��� ��� �� � 4���� @ ��� � 7 ����� 7 ��� ��� *� �� � �� ��� @ �!� ��� ��* �8 � (�! ��� @ �� �� (�� �� ��� * �� � �� �
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33. � �� �� � �� � &� �� ��� � ! ���� � ���� ���� � � �O�� ��� ����� � ��� ! ���� �� ��O �� �,�� � ����Z
(A) �� � � �� �� �� :� CD �� @ ����� �� �"� � ���� � � � @ ��� � ! ��� � ����- ! �� ���� �� ���� ! ��@ �� �� �� �� ��� �� �� $�� � ��
(B) ���� � � �"� � ���� �� � @ ��� � �� �� � ��: � CD �� @ ��� � ! ��� � ����- ! �� ���� �� ���� ! ��@ �� �� �� �� ��� �� �� $�� � ��
(C) �� � ! ���� ���� - ! �� ���� �� ����! �� @ ����� �� �"� � ���� � � �@ ���� � �� �� �� :� CD �� @ �� ��� � �� ���� � �� $�� �� �
(D) ���� � � �"� � ���� �� � @ ��� �! ��� � ���� - ! �� ���� �� ���� ! ��@ ��� � �� � �� ��: � CD �� @ �� �� �� �� ��� �� �� $�� � �� �
�
34. �� �� ���� � � �O �� �,� �� �� ��Z
(A) 1� � ? ��� ��� ! �� �! �@ ��� �7 �! ���� � ?� � �5 6�� ���@ �1� � ? �� ���� � �7 ���� � @ ��� �� �� $�� � ! ��(�� ���
(B) 1� � ? �� ���� � �7 ���� � @ ���� 7 �! ����� ? �� �5 6�� ��� @ �1� � ? ������ ! �� �! �@ ��� � �� � $��� ! ��(�� �� �
(C) �� � 7 �! ����� ? �� �5 6�� ���@ �1� �? �� ���� � �7 ���� � @ ��� �� � � $��� ! ��(�� �� � @ �1�� ? ��� ��� ! �� �! �
(D) �� � 7 �! ����� ? �� �5 6�� ���@ �1� �? ��� �� � ! ��� ! �@ �1� � ? �� ���� � �7 ���� � @ ��� �� �� $�� � ! ��(�� ��� �
�
35. �� � ! � �:� �� ��- � �� �! ���� ����� � ��� ! ���� ������ � � �O �� �,�� � �� ��Z
(A) ! � �&�� ��� @ �%� -� � ��� �� �� @ ��� �� ��� ���� @�� � � &� ���
(B) %� - � ���� �� �� @ �!� �&�� ��� @ ��� �� ��� ���� @�� � � &� ���
(C) %� - � ���� �� �� @ ��� �� ��� ���� @ �!� �&�� ��� @�� � � &� ���
(D) %� - � ���� �� �� @ ��� � &� �� � @ �!� �&�� ��� @ ��� �� ��� ���� �
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Paper-III 12 D-79-14
36. Choose the correct chronological order of the painters :
(A) Mir Saiyad Ali, Mansoor, Basawan, Maularam
(B) Mir Saiyad Ali, Basawan, Maularam, Mansoor
(C) Mir Saiyad Ali, Maularam, Basawan, Mansoor
(D) Mir Saiyad Ali, Basawan, Mansoor, Maularam
37. Choose the correct reverse order of colour scheme.
(A) Primary, Secondary, Quaternary, Tertiary
(B) Quaternary, Primary, Tertiary, Secondary
(C) Tertiary, Quaternary, Secondary, Primary
(D) Quaternary, Tertiary, Secondary, Primary
38. Choose the correct sequence of advertising design.
(A) Audience Identification, Concept Development, Comprehensive Design, Final
Design
(B) Concept Development, Audience Identification, Comprehensive Design, Final
Design
(C) Audience Identification, Comprehensive Design, Concept Development, Final
Design
(D) Audience Identification, Comprehensive Design, Final Design, Concept
Development
39. Choose the correct chronology of printing invention.
(A) Wood types, Dotmatrix, Metal types, Laser
(B) Metal types, Wood types, Dotmatrix, Laser
(C) Wood types, Metal types, Dotmatrix, Laser
(D) Dotmatrix, Wood types, Metal types, Laser
40. Choose the correct chronological order from the following :
(A) Serigraphy, Offset, Xerography, Laser Printing
(B) Offset, Serigraphy, Xerography, Laser Printing
(C) Serigraphy, Xerography, Offset, Laser Printing
(D) Xerography, Serigraphy, Offset, Laser Printing
41. Choose the correct sequence of colour scheme in modern printing technology.
(A) Magenta, Cyan, Yellow, Black
(B) Black, Cyan, Magenta, Yellow
(C) Cyan, Magenta, Black, Yellow
(D) Cyan, Magenta, Yellow, Black
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D-79-14 13 Paper-III
36. � �� �� � �� � &� �� �� ,� � ��� ! ��� ���� ���� ���O �� ��� ����� ��� �! ���� �� ��O �� �,� �� �� ��Z
(A) � � ! ���� * �� $���� � �@ �� � ��- ! �@ ��� ��� �� �� @�� � * � �� ! ���
(B) � � ! ���� * �� $���� � �@ ��� ��� � � �� @ �� �* � ��! �� � @ �� � ��-! �
(C) � � ! ���� * �� $���� � �@ �� � *� �� ! �� � @ ��� �� �� � �� @ ��� �� -! �
(D) � � ! ���� * �� $���� � �@ ��� ��� � � �� @ �� � ��- ! �@�� � * � �� ! ��� �
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(A) �� � �8 �� � ��@ �� <�� �� �� ��@ �,� � �� I��@ �� �3 � ���� ��
(B) ,� � �� I��@ ��� � �8 �� � ��@ �� �3 �� � �� ��@ �� <�� ���� ���
(C) � � 3� � ��� ��@ �,�� �� I��@ �� <�� � � �� ��@ ���� � 8� �� ��
(D) ,� � �� I��@ �� � 3� �� �� ��@ �� <��� � �� ��@ ���� � 8� �� ���
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(A) $��� ����� �,� � �� @ ���� �� �! �B � � �� � � ����� @ �� �� � �� ����(�1�� ��� @ ���- B � �� (�1� � ���
(B) �� � �� �! �B �� �� �� ��� �� @ �$��� ����� �,���� @ �� ��� �� ����(�1�� ��� @ ���- B � �� (�1�� ���
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(D) $��� ����� �,� � �� @ �� �� � �� ���� (�1� � ��� @��� - B � �� (�1�� ��� @ ��� � ��� ! �B� � ��� � ����� ��
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(A) � � � (��7 �� ����@ �(�� ? 7 ��� �� 7N �/ �� @ �� �7 �� � �7 �� ���� @ �� �� �� ! ��
(B) � � 7 �� � �7 �� ���� @ �� �� (��7 �� ���� @ �(��? 7 ��� � �7 N �/ ��@ �� � � �� ! �
(C) � � � (��7 �� ����@ �� � 7 ��� �7 �� ���� @ �(��? 7 ��� � �7 N �/ ��@ �� � � �� ! �
(D) (�� ? 7 ��� �� 7 N �/ ��@ �� �� (��7 �� ���� @ �� �7 �� � �7 �� ���� @ �� �� �� ! ��
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40. � �� �� � �� � &� �� ��� � ��� �� ���� �� � ��� �O �� � ����O �� ���� �,� �� �� ���� � 1� ��Z
(A) �� � ! ��: �� � 4�� @ ���? 4��� � 7 �@ �1�D � ! �� �: � �� 4�� @ �� � � ��! ��E ��� E 7 �: � �
(B) �� ? 4��� � 7 �@ ���� ! ��: �� � 4�� @ �1�D � ! �� �: � �� 4�� @ �� � � ��! ��E ��� E 7 �: �
(C) �� � ! ��: �� � 4�� @ �1�D � ! �� �: �� � 4�� @ ���? 4��� � 7 �@ �� � � ��! ��E ��� E 7 �: �
(D) 1� D �! �� �: �� � 4�� @ ���� ! ��: �� � 4�� @ ���? 4��� � 7 �@ �� � � ��! ��E ��� E 7 �: � �
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41. �� �� � � �� ���� � F�B � ��� �� * [�� �: � ��� �� � �! � �:� ��� �� 1� ��� ���� ��� �� ���� � �O �� ��� � �� ���Z
(A) � * 1� �7 �� @ �� �� �� �� @ ���� � �� @ ����� � �
(B) ��� � �� @ �� �� �� �� @ �� * 1�� 7 ��@ ��� �� � �
(C) � �� �� �� @ ��* 1� �7 �� @ ����� � �@ ��� �� � �
(D) � �� �� �� @ ��* 1� �7 �� @ ���� � �� @ ����� � � �
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Paper-III 14 D-79-14
42. Choose the correct sequence of techniques.
(A) Woodcut, Wood Engraving, Metal Engraving, Lithography
(B) Wood Engraving, Woodcut, Metal Engraving, Lithography
(C) Metal Engraving, Woodcut, Wood Engraving, Lithography
(D) Lithography, Woodcut, Wood Engraving, Metal Engraving
43. In which order did humans develop their technical skills ?
(A) Clay Modelling, Stone Carving, Metal Casting, Wood Carving
(B) Clay Modelling, Wood Carving, Stone Carving, Metal Casting
(C) Metal Casting, Wood Carving, Stone Carving, Clay Modelling
(D) Wood Carving, Clay Modelling, Metal Casting, Stone Carving
44. Select in order of chronology.
(A) Devi Prasad, Jyotsana Bhatt, P.R Daroz, Vinit Kakkar
(B) Jyotsana Bhatt, Devi Prasad, Vinit Kakkar, P.R Daroz
(C) P.R Daroz, Jyotsana Bhatt, Vinit Kakkar, Devi Prasad
(D) Vinit Kakkar, P.R Daroz , Jyotsana Bhatt, Devi Prasad
45. Choose correct sequence for sand casting.
(A) Making of positive mould, Coat with Shellac and Talcum, Taking of impression,
Pouring of molten metal
(B) Taking of impression, Making of positive mould, Coat with Shellac and Talcum,
Pouring of molten metal
(C) Coat with Shellac and Talcum, Making of positive mould, Taking of impression,
Pouring of molten metal
(D) Pouring of molten metal, Making of positive mould, Coat with Shellac and Talcum,
Taking of impression
46. Assertion (A) : As compare to marble sculptures very few monumental sculptures in
metal from ancient Greece have survived to our time.
Reason (R) : Because metal sculptures were usually melted by the subsequent regimes for
reuse.
(A) (A) is correct and (R) is not correct.
(B) (A) is not correct but (R) is correct.
(C) (A) and (R)both are incorrect.
(D) (A) and (R) both are correct.
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D-79-14 15 Paper-III
42. � �� �� � �� � &� �� �� � ����� ���� ��� ���� �� ���� � �O �� ���� �,� �� �� ����� 1� ��Z
(A) ��� IY ��� ,� � @ ���� IY ��"� ��� B� ��@ ��� � �� � �"� ��� B� ��@�� �� 8 �� �: �� � 4��
(B) ��� IY ��"� ��� B � ��@ ���� IY ��� ,� �@ ��� � �� � �"� ��� B� ��@�� �� 8 �� �: �� � 4��
(C) �� � � �� �"� ��� B� ��@ ���� IY ��� ,� � @ ���� IY ��"� ��� B � �� @�� �� 8 �� �: �� � 4��
(D) � � �8 � �� :� �� 4�� @ ���� IY ��� ,� �@ ���� IY ��"� ��� B � �� @ ����� �� �"� ��� B � �� �
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(A) / � � � ��� ? (�E� �: � @ ��7 ��� �� ���� \� �: �@ �� * 7 �� � ���� E �7 �:� @ ��� � (�����\ �� : �
(B) /� � � ��� ? (�E� �: � @ ��� � (�����\ �� : �@ ��7 �� � �� ���� \ �� :� @�� *7 �� � ����E �7 �: �
(C) � * 7 �� � ����E �7 �:� @ �� �� (����� \� �: � @ ��7 ����� ���� \ �� :�@ �/ � �� �� �? (�E �� :�
(D) � � � (�����\ �� :� @ �/ � �� �� �? (�E �� : �@ �� * 7 ��� ���� E �7 �:�@ ��7 �� � �� ���� \� � :� �
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44. � �� �� � �� � &� �� ���� ���� � �� ��� �O �� �� � �,� �� �� ����� 1���Z
(A) $� �� � � ���� �� � $�@ �1�� �� � �� �� � �%� ]�@ ��� �A �� ! �A �$�! �� �1�D @ ��� � ��� � � ���/ ��(D �
(B) 1�� � �� �� �� � �%� ]�@ �$� �� � � ���� �� � $�@ ��� � ��� �� ���/ ��(D�@ ��� �A �� ! �A �$�! �� � 1� D
(C) �� � A ��! �A �$�! �� � 1�D @ �1�� �� � �� �� � �%� ]�@ �� �� �� �� � ���/��(D �@ �$� ��� � ���� �� � $�
(D) � � � �� � �� ���/ ��(D �@ ���� A ��! �A �$�! �� � 1� D@ �1�� � �� �� �� ��%� ]�@ �$� �� � � ���� �� � $��
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(A) �� � �� 1�D � 7 �� � �� �� � (��'�� � 9 ,� � )�� �* ��� ! ����! ��� � @ ��� ?� �* ����� * ! ��7* �� � ��� ���� ��� ��,� CD �� �� �@ �ST� �� ��� � �� � @ �� �� >� � �� ��� �� � � �(��� � ���
(B) ST� �� �� � � ��� @ ���� �� 1� D� 7 ��� �� � �� (��'�� � 9 ,� � )�� �* ��� ! ����! ��� � @ ���? �� * ����� *! ��7 * ��� ��� ���� �� � ��,� CD�� �� �@ �� �� >� � �� ��� ��� � �(�� �� �� �
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46. �����������(A)��� �� �: � � ! �� ! �� �-. � � �� �� � ��� � � �� �� �� � � �� � ��� �� � � ��� � �� �� �� �� � ! ���� �� � �- .� � �� �9 � ��� � ,� � ��� :� �� �� � �� � � �� � !� �� �� � �� � �� ���
�� � ��� ���� ��� ,� � � � �����
� ������(R) : / �� �� � ������� � �� �R ��� � �� ��� � ��� ��<�� ! �� ���� �� � ���� �� -. �� ��� � �������� � �� Z�"�� ��� �: � � � ��� � ���� � �� Z�� ��>� �� � �� ��1� � � �� �8 �� ���
� ���� ���
(A) (A)� �� �� � * �@ �(R)��� �� ��� �0 � * �� � (B) (A)� �� �� ��� �0 � * �@ �(R)��� �� � * �� �
(C) (A)��� * ! ��(R)� $�� � �� � � �:� �� � � � � ��� (D) (A)��� * ! ��(R)� $�� � �� � � ��� �� � � ����
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Paper-III 16 D-79-14
47. Assertion (A) : A ‘Sculpture Park’ is equivalent of a ‘White Cube’ gallery.
Reason (R) : Because both aspire to the condition of neutrality.
(A) (A) and (R) both are correct.
(B) (A) is correct and (R) is not correct.
(C) (A) is not correct and (R) is correct.
(D) (A) and (R) both are not correct.
48. Assertion (A) : Rodin sculptures are known for spontaneity.
Reason (R) : Because he was sculpting after live models.
(A) (A) and (R) both are correct.
(B) (A) is correct and (R) is not correct.
(C) (A) is not correct and (R) is correct.
(D) (A) and (R) both are not correct.
49. Assertion (A) : Edvard Munch is a well known painter who also did some work in
woodcuts and lithography.
Reason (R) : Munch’s self portrait ‘with skeleton arm’ is done with an etching needle -
and ink method.
(A) (A) and (R) both are correct.
(B) (A) is correct and (R) is not correct.
(C) (A) is not correct and (R) is correct.
(D) (A) and (R) both are not correct.
50. Assertion (A) : Etching prints can be made using wood or soft surface.
Reason (R) : Etching is easy and fast process.
(A) (A) and (R) both are correct.
(B) (A) is correct and (R) is not correct.
(C) (A) is not correct and (R) is correct.
(D) (A) and (R) both are not correct
51. Assertion (A) : Printmaking is methodology of visual communication and expression
through use of form, space and design.
Reason (R) : Sometimes the term ‘Graphic Art’ is used interchangeably due to
overlapping skills involved in the process.
(A) (A) and (R) both are correct.
(B) (A) is correct and (R) is not correct.
(C) (A) is not correct and (R) is correct.
(D) (A) and (R) both are not correct.
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D-79-14 17 Paper-III
47. �����������(A)���‘���� �� ,� ! ����� � �’ � �� �� �� � �� � �‘� �� �7 ��/ ��- ��’ : �*� � ! �� ��� ���� � � �� ��� * ����
� ������(R) : / �� �� � ���$�� � ��� � � �� ��� 7 ��8 � �� � ���� �� �8� � �� ��� ��� �� ���� ���� =�� ���! �� � � � � ����
� ���� ���
(A) (A)��� * ! ��(R)� $�� � �� � � ��� �� � � ��� (B) (A)� �� �� � * ���� * ! ��(R)��� �� ��� �0 � * ����
(C) (A)� �� �� ��� �0 � * ���� * ! ��(R)��� �� � * ��� (D) (A)��� * ! ��(R)� $�� � �� � � ��� �� ��� �0 � � ����
48. �����������(A)���! �� � $�� 9 ���� �� - . ���� �9 ��� �1� � �� ��� ��� � ���� �� &����� � � �����
� ������(R) : / �� �� � ����� �� �1� �� � �� � ��� ? (�� �� � ����� �$� �&� ��! ���- .� � �� �9 ��� �� � �� � �8 � � ���
� ���� ���
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49. �����������(A)��� �(�� � ( �� � � ,� � ���� � � � &�� �� � � � ,� � ��� ! �� %�� � � �� ��*! �� "� �� � �� � � ��� IY �� � ,� � ���! �� � �� 8 �� � �� � 8 �� �: �� � 4�� � �� � %�� � �� �ST �
��� � �� ���� � � * ����
� ������(R) : � � ,� ���� ��� � � ,� � �'�� �� 4���� � ? 7 NH �7 �)@ �‘� � � $����� �� �Q 7 ��� ��� � ’ �E ,� :� ��� � � ��� 8� � ���� � �� ��� 2�� �� ��� ��<�� ! �� ��� ������ �: � ����
* ����
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� ������(R) : �E ,� T:� ��� �� � �� �� �8 �� �� � � 1� ��� � �F� ��� :� � �� ��� �� �O ��� � � * ����
� ���� ���
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51. ����������� (A)� �� ST� �� � ��� � � � 'E �� � 7 ��� E ��: � )� 5 6�� @ � 1� :� �� '��� � �� )� �� * ! �� � (�1� � ��� � �� �� "�� �� �� :� � <�� ! ��� ^���� � �� �� � �I� B � � ��� �
�� 2�� �� � * ����
� ������(R) : ��� � �O ���� � � � @ � �� ! ���� ! �� �� � �� � � ���* �� ���� � � �� �� 1�� (D � �� �� � �� � � �� �� ��� ! �B � � ��%� � ���%�� �‘: � �� � 4���� ��7 �’ �� �$�� ��� � "�� �� � � :� �
����$- ��� ! � ���� ���8 � � �� ��� ! ��� ���� � �1� �� � � � * ����
� ���� ���
(A) (A)��� * ! ��(R)� $�� � �� � � ��� �� � � ��� (B) (A)� �� �� � * ���� * ! ��(R)��� �� ��� �0 � * ����
(C) (A)� �� �� ��� �0 � * ���� * ! ��(R)��� �� � * ��� (D) (A)��� * ! ��(R)� $�� � �� � � ��� �� ��� �0 � � ����
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Paper-III 18 D-79-14
52. Assertion (A) : Tughlaq architecture stylistically shows preference for Massive and
Bartered wall.
Reason (R) : Because they add more strength to defense and durability.
(A) (A) is correct and (R) is not correct.
(B) (A) is not correct and (R) is correct.
(C) (A) and (R) both are correct.
(D) (A) and (R) both are not correct.
53. Assertion (A) : Plato in Republic has condemned art.
Reason (R) : Because arts are means of catharsis.
(A) (A) is correct and (R) is not correct.
(B) (A) is not correct and (R) is correct.
(C) (A) and (R) both are correct.
(D) (A) and (R) both are not correct.
54. Assertion (A) : From Gupta period onwards river goddesses were used to be carved on
door jambs of entrance of Brahmanical temples in Northern India.
Reason (R) : Because rivers were main life lines of culture, civilization and trade.
(A) (A) is correct and (R) is not correct.
(B) (A) is not correct and (R) is correct.
(C) (A) and (R) both are correct.
(D) (A) and (R) both are not correct.
55. Assertion (A) : Sans serif type face has lines at the end of stems and arms of letters.
Reason (R) : Sans serif type face has a typical character of thin and thick strokes and the
end of stems and arm.
(A) (A) is correct and (R) is not correct.
(B) (A) is not correct and (R) is correct.
(C) (A) and (R) both are correct.
(D) (A) and (R) both are not correct.
56. Assertion (A) : The sale of famous brand ‘Volks Wagon’ cars soared all over the world.
Reason (R) : Because of its famous campaign “At 60 miles an hour loudest noise in the
car comes from the electric clock”.
(A) (A) is correct and (R) is not correct.
(B) (A) is not correct and (R) is correct.
(C) (A) and (R) both are correct.
(D) (A) and (R) both are not correct.
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D-79-14 19 Paper-III
52. �����������(A)��� �� * � �� :� �� � �� �* ! �� �� ! �� � �� :� � � ��� �� � ��� � ��� �� � %� �!��%� ! ���� � � � 8 �� � ��$�! �� ��� � �� � ! �� P �� ��� � � �� � $�� �� �! �� � � �� �� � �� ��
1�� � $�� ��� � ,� � �� �� � * �����
� ������(R) : / �� �� � ����� � �! �=� � ��� 8� � �� 7 ���� _��� �� ����� �1�� � $�� ��� � ^�CD �� �� ��� �$�� �� ���! �� � � � * ����
� ���� ���
(A) (A)� �� �� � * ���� * ! ��(R)��� �� ��� �0 � * ��� (B) (A)� �� �� ��� �0 � * ���� * ! ��(R)��� �� � * ���
(C) (A)��� * ! ��(R)� $�� � �� � � ��� �� � � ��� (D) (A)��� * ! ��(R)� $�� � �� � � ��� �� ��� �0 � � ����
�
53. �����������(A)����� � � 7 �� � ���� �:� B ��� �� �� � ���� �� ���� �� �� �$�� ���� � * ����
� ������(R) : / �� �� � ������ �� �9 �� �� ! � �,��� �'�� � ��* �8� �. �� �� )���� �� � ��� � � � ����
� ���� ���
(A) (A)� �� �� � * ���� * ! ��(R)��� �� ��� �0 � * ��� (B) (A)� �� �� ��� �0 � * ���� * ! ��(R)��� �� � * ���
(C) (A)��� * ! ��(R)� $�� � �� � � ��� �� � � ��� (D) (A)��� * ! ��(R)� $�� � �� � � ��� �� ��� �0 � � ����
54. �����������(A)��� : � � ��� � ��� :� � �� �,� � �� � "#� ! �� � %� �! �� � � �� � �� O� `B � � �� �$�! �� � � �� �� �� � �� � �� � �� �� (�� �! �� 1� * �� �� Q � �� ! �� ��$�� � $� �� � � ��� 9 � "� ���B � �
��� �1� � �� � �8 �0 ���
� ������(R) : / �� �� � ����� � ��3 �� �� @ ��� %�� � �� �� �8 �� �� ��� ��� ! ����� �� � &�� �1� � ���� �! � �&�� �9 �'��� ��� �� �! �)��� � $��� � 9 �8� 0 ���
� ���� ���
(A) (A)� �� �� � * ���� * ! ��(R)��� �� ��� �0 � * ��� (B) (A)� �� �� ��� �0 � * ���� * ! ��(R)��� �� � * ���
(C) (A)��� * ! ��(R)� $�� � �� � � ��� �� � � ��� (D) (A)��� * ! ��(R)� $�� � �� � � ��� �� ��� �0 � � ����
55. �����������(A)����� �� ��� � � ! �4��7 � � ��� �4� ��� �� � ��=� ! �� � ���� �(� �� (��� �� ������ �� ! � ��� � 8� � ��� � 1�- ��� ! ��! � �&� � �9 � �� � �� � � � ����
� ������(R) : �� � � �� � � ��� � � �� � 7� �� �7 N ����Q ��� � � � 8� � � (� �� (���� � � �� * ! �� �� � 1�- � � � � �� �� � � � � �� ! � �� ��� �� � � ��� � �� � �� � ���� ! �4�� 7 �� � �� � 4� ��� � ��� � Y� �Y ��
� � � �� � I�� �� � * ����
� ���� ���
(A) (A)� �� �� � * ���� * ! ��(R)��� �� ��� �0 � * ��� (B) (A)� �� �� ��� �0 � * ���� * ! ��(R)��� �� � * ���
(C) (A)��� * ! ��(R)� $�� � �� � � ��� �� � � ��� (D) (A)��� * ! ��(R)� $�� � �� � � ��� �� ��� �0 � � ����
56. �����������(A)���� � � &��� �� ��� O� B(��‘� � � ? / �� ��� *: � ��’ ��� ! ��� ���� �� �� �O ���� � � ��� %� ! ��� � ��� �� � �� ����� CD ��: � � � * ����
� ������ (R) : / �� � � � ��� "�� ��� � � ��&�� �� � � �� %� �� � �� � 8 �� � � ��� “��� �� � >� �7 �� � aV� � � � � � ��� � ! �G� � �! �� �� ! �� ���! �� � � � �� �� � � �� ��� _9 �,���
�� � �� 1� �� �� 1� �� � ���� �>� (D �� ���� ��� �� � � * ���” �
� ���� ���
(A) (A)� �� �� � * ���� * ! ��(R)��� �� ��� �0 � * ��� (B) (A)� �� �� ��� �0 � * ���� * ! ��(R)��� �� � * ���
(C) (A)��� * ! ��(R)� $�� � �� � � ��� �� � � ��� (D) (A)��� * ! ��(R)� $�� � �� � � ��� �� ��� �0 � � ����
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Paper-III 20 D-79-14
57. Assertion (A) : A typographer of an advertising agency’s creative department works in
close association with art director.
Reason (R) : Because he finds out or invents type face that meets the tone and mood of
an advertisement.
(A) (A) is correct and (R) is not correct.
(B) (A) is not correct and (R) is correct.
(C) (A) and (R) both are correct.
(D) (A) and (R) both are not correct.
58. Assertion (A) : Van Gogh was creating immense texture on painted surface by paint
itself.
Reason (R) : Because he was using glaze.
(A) (A) is correct and (R) is not correct.
(B) (A) is not correct and (R) is correct.
(C) (A) and (R) both are correct.
(D) (A) and (R) both are not correct.
59. Assertion (A) : In the frescoes of Michelangelo one can see very distinct lines of relief.
Reason (R) : Because he was basically a sculptor defining his form with utmost clarity.
(A) (A) is correct and (R) is not correct.
(B) (A) is not correct and (R) is correct.
(C) (A) and (R) both are correct.
(D) (A) and (R) both are not correct.
60. Assertion (A) : Impressionist painters were not after emotional or intellectual contents.
Reason (R) : Because they were faithful to paint changing optical reality in environment.
(A) (A) is correct and (R) is also correct.
(B) (A) is not correct and (R) is correct.
(C) (A) is correct and (R) is not correct.
(D) (A) and (R) both are not correct.
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D-79-14 21 Paper-III
57. ����������� (A)� �� � � � ;�� �� �� � � ��%� � :� � �� �� ! �,� ��� � � ��� �� � %� �: � � �� �� 7 �� ��� �� :� �� 4�! �� >� � �� I7 �� 5 6�� � �� � � ���� � � � �� $H ��� ��� �� �� �� � 8 � �
� � � � ��! ����� � ���! �� �� � � ����
� ������(R) : /��� �� ��� � �� � � "�� � 7 ��� �� � 4� ��� � ��� � ��� �� � � �: �� �� � � * �� ��� � "�� ��� � �� � � I��� ! �� ��! ��� � � * �� 1�� � � �� � ;�� ���� � �� �� �� �! �� �� * ! ��
� � 1� � 1� ����� ��� �� �� I7 ����! �� � � � * ����
� ���� ���
(A) (A)� �� �� � * ���� * ! ��(R)��� �� ��� �0 � * ��� (B) (A)� �� �� ��� �0 � * ���� * ! ��(R)��� �� � * ���
(C) (A)��� * ! ��(R)� $�� � �� � � ��� �� � � ��� (D) (A)��� * ! ��(R)� $�� � �� � � ��� �� ��� �0 � � ����
�
58. �����������(A)���� � * �� �:� �? :� �� ,�� � � � ��� �� ���� ! ��� � �7 � ���� �7 ��<�� ! �� � �� �%� �! �� ��� � �� � �� 7 ����� ��� 3 1� �� �� ����� ���! ���� �8 � � ���
� ������(R) : / �� �� � ����� �� �: �� � 1�D �������� � � � � �� �� ����� ���! �� ���8 �� ���
� ���� ���
(A) (A)� �� �� � * ���� * ! ��(R)��� �� ��� �0 � * ��� (B) (A)� �� �� ��� �0 � * ���� * ! ��(R)��� �� � * ���
(C) (A)��� * ! ��(R)� $�� � �� � � ��� �� � � ��� (D) (A)��� * ! ��(R)� $�� � �� � � ��� �� ��� �0 � � ����
�
59. �����������(A)���� � ���� � �� � 1�� � �� ��� ��� %�� #� �� ,� � �� �� � ��� � �� � ��� �:�-�� � :� �! � �&� � ��� ���� � ���� I7 ��� � ��� � �$� �&� � �1� � ��� ���� � � * ����
� ������(R) : / �� �� � ����� �� �� - �� �5 6�� ��� � �� - .� � ���! ��8 � � ���* ! ���� �3 �� �� ���� � ��� � � � � �� ������ I7 �� � � ��� ���� �8 � ��� � �� ����� � ���! �� �� �8 � � ���
� ���� ���
(A) (A)� �� �� � * ���� * ! ��(R)��� �� ��� �0 � * ��� (B) (A)� �� �� ��� �0 � * ���� * ! ��(R)��� �� � * ���
(C) (A)��� * ! ��(R)� $�� � �� � � ��� �� � � ��� (D) (A)��� * ! ��(R)� $�� � �� � � ��� �� ��� �0 � � ����
�
60. �����������(A)����� � %� �� � �� � $�� �� ,� � ��� ! ��%�� �� ��� � � ���� �8 �� ��� �*� 2����� � � I� �� �� �� �� �� � ��� ���� � S� T��� �0 �! � �� ���8 � �����
� ������ (R) : / �� � �� ��� � � �� � ��� � � � 8 �� � �� �� �� � �� � � � � � �� $�� ! �� 8 ��� � ��� ! � �: � � '�� � 7 �)� �� �� � � �! �B � � � � � �� � ��� �� � �� �� ��� ! �B � � � �� �� �� � � ��� ���
�� $�� � � �� �! � �� �� � * ����
� ���� ���
(A) (A)� �� �� � * ���� * ! ��(R)�%� � ��� �� � * ��� (B) (A)� �� �� ��� �0 � * ���� * ! ��(R)��� �� � * ���
(C) (A)� �� �� � * ���� * ! ��(R)��� �� ��� �0 � * ��� (D) (A)��� * ! ��(R)� $�� � �� � � ��� �� ��� �0 � � ����
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Paper-III 22 D-79-14
61. Match the following :
a. Planography i. Matrix retains its original surface
b. Stencil ii. Colour is processed through separation
c. Collography iii. Texture obtained by pasting
d. Woodcut iv. Block printing
Codes :
a b c d
(A) ii iv iii i
(B) iv iii ii i
(C) ii i iv iii
(D) i ii iii iv
62. Match the following :
a. Lithography i. CMYK
b. Etching ii. Mesh
c. Screen iii. NH3
d. Digital iv. Gum
Codes :
a b c d
(A) iv iii ii i
(B) iv ii iii i
(C) ii i iv iii
(D) i ii iii iv
63. Match the following :
a. Raja Ravi Varma i. Mother and Child
b. Rabindranath Tagore ii. Dandi March
c. Jamini Roy iii. The Maharashtrian Lady
d. Nandalal Bose iv. Dancing Woman
Codes :
a b c d
(A) ii iv iii i
(B) iv iii ii i
(C) iii iv i ii
(D) i ii iii iv
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D-79-14 23 Paper-III
61. � �� �� � �� �&� �� ���� �� � �� � �� ���� � 1���Z
a. �� � � �� �� :� �� 4�� i. � * � 7N �/ �� ���� ��� �� - � � ���� � ���� ��� ��! �&� � �� � * ���
b. �7 * �� ��� � � ii. ! � �:� ���� ��� 3 8� ���� � ��� ��<�� ! �� ���� � �O ��� B��� ���� � �1� �� �� � * ���
c. ��� � �� �� :� �� 4�� iii. �� � ��� �� 7 ����� � ���� E �7 �: � �<�� ! �� ���� � �� � �� ���� � �1� �� �� � * ���
d. ��� IY ��� ,� � �'� �� (����7 �) iv. �� � �? ���ST�� � �
���� ��:
a b c d
(A) ii iv iii i
(B) iv iii ii i
(C) ii i iv iii
(D) i ii iii iv
62. � �� �� � �� �&� �� ���� � ���� � �� � �� � ����� 1���Z
a. � � � 8� �� :� �� 4�� i. CMYK
b. �E ,� :� �'�� � � � ���� ) ii. � * ��
c. ��O �� �� iii. NH3
d. � (�� 1� 7 ��� iv. : � �
���� ��:
a b c d
(A) iv iii ii i
(B) iv ii iii i
(C) ii i iv iii
(D) i ii iii iv
63. � �� �� � �� �&� �� ���� � ���� � �� � �� � ����� 1���Z
a. ! �� 1� � �! ��� � ��� � � i. � � 9 ��� *! ���� ,,� �
b. ! �� � � �F��� �8 � �7 * �: �� � ! �� ii. $�� � (�� ��� � � �
c. 1� � � � �� � �! �� �� � iii. � ! �� Y �� �� � �� ��
d. �� �$�� � � � � ��� �� �� iv. �� 3 � �� ���! �� �� �� � �� ��
���� ��:
a b c d
(A) ii iv iii i
(B) iv iii ii i
(C) iii iv i ii
(D) i ii iii iv
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Paper-III 24 D-79-14
64. Match the following :
a. Hindola Mahal i. Chittorgarh
b. Gol Gumbaj ii. Bijapur
c. Vijay Stambh iii. Mandu
d. Sarkhej iv. Ahmedabad
Codes :
a b c d
(A) iii ii i iv
(B) iv iii ii i
(C) ii i iv iii
(D) i ii iii iv
65. Match the following :
a. Sleeping Muse i. Art for Art’s sake
b. Franz Halls ii. Brancusi
c. Victor Cousin iii. Jolly Jester
d. Roger Fry iv. Formalism
Codes :
a b c d
(A) ii iii i iv
(B) iv iii ii i
(C) ii i iv iii
(D) i ii iii iv
66. Match the following :
a. Hans (Swan) i. Kuber (Jambhala)
b. Peacock ii. Brahma
c. Mongoose iii. Kartikeya
d. Garuda iv. Vishnu
Codes :
a b c d
(A) ii iv iii i
(B) iv iii ii i
(C) ii iii i iv
(D) i ii iii iv
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D-79-14 25 Paper-III
64. � �� �� � �� �&� �� ���� � ���� � �� � �� � ����� 1���Z
a. E �(�� � �� � �� �� � � i. � ,� �� �* (D �:� CD �
b. : � �� �� �: �� � �� 1� � ii. �� � 1�� ��� ! ��
c. � � � 1� �� ��� �� %� iii. � � � (- �
d. �� ! �&� � 1� � iv. � �� $�� �� � $�
���� ��:
a b c d
(A) iii ii i iv
(B) iv iii ii i
(C) ii i iv iii
(D) i ii iii iv
65. � �� �� � �� �&� �� ���� � ���� � �� � �� � ����� 1���Z
a. �� � � E �� :� ��� - 1� i. ��� � � ��� ��� �� ����� ��
b. 4� � �1� � �� � �� ii. �� O� � �� ��� �
c. � � � /7 �! ����� 1� D �� iii. 1� � ? �� � �1�� �7 �! ��
d. ! �� � 1� ! ��4� �� � iv. 4�� � � �� 1�
���� ��:
a b c d
(A) ii iii i iv
(B) iv iii ii i
(C) ii i iv iii
(D) i ii iii iv
66. � �� �� � �� �&� �� ���� � ���� � �� � �� � ����� 1���Z
a. � ��� i. �� ��� �! ��'1� � �� � �� � )
b. � � � ! � ii. �� O `�
c. �� � �� � �� iii. ��� . �� �� ���
d. : � W X(D � iv. � � � IB� �
���� ��:
a b c d
(A) ii iv iii i
(B) iv iii ii i
(C) ii iii i iv
(D) i ii iii iv
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Paper-III 26 D-79-14
67. Match the following :
a. Haniwa i. Jaipur
b. Celedon ii. Korea
c. Porcelain iii. Japan
d. Blue pottery iv. China
Codes :
a b c d
(A) ii iv iii i
(B) iv iii ii i
(C) ii i iv iii
(D) iii ii iv i
68. Match the following :
a. Rape of Sabine Woman i. Bologna
b. Gate of Paradise ii. Bernini
c. Ecstasy of Teresa iii. Rodin
d. The Kiss iv. Lorenzo Ghiberti
Codes :
a b c d
(A) ii iv iii i
(B) i iv ii iii
(C) ii i iv iii
(D) i ii iii iv
69. Match the following :
a. Pointing i. Externally applied plastering that can be molded or carved
b. Stucco ii. A metallic carving instrument
c. Glaze iii. A mechanical technique of copying from a three dimensional
model
d. Chisel iv. A vitreous surface coating
Codes :
a b c d
(A) iii i iv ii
(B) i iv ii iii
(C) ii i iv iii
(D) i ii iii iv
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D-79-14 27 Paper-III
67. � �� �� � �� �&� �� ���� � ���� � �� � �� � ����� 1���Z
a. ��� � � �� i. 1� �� ��� ! ��
b. �� � � �� (��� �� ii. ��� � �! ��� �
c. �� � � �� �� � �� iii. 1� � ��� ��
d. �� �� - ��� �� 7 �! �� iv. ,� � ��
���� ��:
a b c d
(A) ii iv iii i
(B) iv iii ii i
(C) ii i iv iii
(D) iii ii iv i
68. � �� �� � �� �&� �� ���� � ���� � �� � �� � ����� 1���Z
a. ! � ��� ��� ? 4���� * �� � ��� ��� - �* �� i. �� �� � �� :�
b. : � �7 ���� ? 4���� * ! �� (�� �1� ii. �� . �� �� �
c. �/ �� 7 * ��� � ���? 4��7 � �! � ���� iii. ! �� � $�� ��
d. $��� ���� iv. � � �� ! � �1�� � �� :� �� 7 �R
���� ��:
a b c d
(A) ii iv iii i
(B) i iv ii iii
(C) ii i iv iii
(D) i ii iii iv
69. � �� �� � �� �&� �� ���� � ���� � �� � �� � ����� 1���Z
a. �� � � �� E 7 �: � i. �� �b � � Z� ��� � �7 �! �� � ����� � 1� � �� � � � 1� �� � � �� � (D �� � �8 ��� � � � 1� �� ����
"� ��� B � �� �� ����� �1� � ��� �� ���
b. �7 �/ ��� � ii. �� � � �� � �"� ��� B� �� �"�� ��! �B �
c. : � �� 1� iii. � ���� � �� � �� ��� � � ��� ? (��� ��� � ���� ? �� ����! ��� � ������� �� � � ����� ����� ���
d. � ,� 1�D � � iv. ��� 9 ,� ��� �� �� ���� �E 7 �:� �
���� ��:
a b c d
(A) iii i iv ii
(B) i iv ii iii
(C) ii i iv iii
(D) i ii iii iv
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Paper-III 28 D-79-14
70. Match the following :
a. Brand Name i. A set of assets linked to brand association
b. Brand Image ii. A symbol put on product by the manufacturer
c. Brand Equity iii. Leading personality used for product promotion
d. Brand Stretching iv. A major of individual brand ability
Codes :
a b c d
(A) ii iv iii i
(B) ii iii i iv
(C) ii i iv iii
(D) i ii iii iv
71. Match the following :
a. Brown colour i. Knowledge and Warmth
b. Orange colour ii. Passion and Love
c. Blue colour iii. Quietness and Sorrow
d. Purple colour iv. Truth and distance
Codes :
a b c d
(A) iii i iv ii
(B) i iv ii iii
(C) ii i iv iii
(D) i ii iii iv
72. Match the following :
a. Account Review i. Team of specialists in the Ad agency
b. Account Planning ii. Acting link between client and Ad agency
c. Account management iii. Maintaining quality of services for clients
d. Account Group iv. Process of devising advertising strategy
Codes :
a b c d
(A) ii iv iii i
(B) i iv ii iii
(C) ii i iv iii
(D) iii iv ii i
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D-79-14 29 Paper-III
70. � �� �� � �� �&� �� ���� � ���� � �� � �� � ����� 1���Z
a. �� � (���� � � � i. �� O� (����� � �� �� ��� �� ��� � �1� � (D �� ��� � ����� �� ���� ��� �7 �
b. �� � (���� �� �� E �� �� ii. � �� � � �� � �<�� ! �� �"� ��� $���� ! ���� � �� � ����,� c �� ��(��� � �� �
c. �� � (���� / �� 7 �� iii. "� �� � $�� ��� � � �� CD �� �� � � $� ��� � � �� �� � � ��� � ���� � � � ���� �
��� � � ���� �"�� �� �� :� ���! ��� � �
d. �� � (���7 N � �E ,� :� � iv. �� � � �&� �� �� � /� �: �� � ���O � (��=� � �� �
���� ��:
a b c d
(A) ii iv iii i
(B) ii iii i iv
(C) ii i iv iii
(D) i ii iii iv
71. � �� �� � �� �&� �� ���� � ���� � �� � �� � ����� 1���Z
a. %� - ! �� �! � �:� � i. ;� � �� ��� 8� � �:� � 1�� � �� �
b. �� � !� �: �� �! � �:� � ii. ��� � ! ��: � ��� 8 �� ����� ! ��
c. �� � �� � �! � �: � � iii. � � * �� ��� 8� � �$� �Z&�
d. �� �: � ��� �! � �: � � iv. �� � �� ��� 8 �� �$- �! ��
���� ��:
a b c d
(A) iii i iv ii
(B) i iv ii iii
(C) ii i iv iii
(D) i ii iii iv
72. � �� �� � �� �&� �� ���� � ���� � �� � �� � ����� 1���Z
a. � � � &� � ��� �� =� � i. � � � ;� � �� �� ��1�� �� � �� � �� � � �� � I� ;� �$�� � �
b. � � � &� � ��� �� 1� ��� ii. : � �� ����� � 8� � ��� � ;� � �� �� ��1�� �� � ��� ���� � ,� ��� �� � ����� ���� �� ���! ��� � �
c. � � � &� � ���� �� � �� �� iii. : � �� ���� � ���� ���� �� � ��� ���� �:� � B� �� #� � ��� �� ���� �! �&� ���
d. � � � &� � ��� �- �� iv. � � � ;� � �� �� ���� �/ � � �� � � ��� �� �� ���! ��� � ���� ��� � � �O ����
���� ��:
a b c d
(A) ii iv iii i
(B) i iv ii iii
(C) ii i iv iii
(D) iii iv ii i
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Paper-III 30 D-79-14
73. Match the following :
a. Three Graces i. Michelangelo
b. Sleeping Venus ii. Masaccio
c. Tribute Money iii. Titian
d. Last Judgment iv. Peter Paul Rubens
Codes :
a b c d
(A) iv iii ii i
(B) i iv ii iii
(C) ii i iv iii
(D) i ii iii iv
74. Match the following :
a. Impasto i. Transparent and Opaque
b. Water colour ii. Opaque
c. Oil Pastel iii. Transparent
d. Acrylic iv. Thick and Opaque
Codes :
a b c d
(A) ii iv iii i
(B) iv iii ii i
(C) ii i iv iii
(D) i ii iii iv
75. Match the following :
a. Encaustic i. Waste material
b. Tesserae ii. Computer
c. Collage iii. Mosaic
d. Morphing iv. Wax
Codes :
a b c d
(A) ii iv iii i
(B) i iv ii iii
(C) iv iii i ii
(D) i ii iii iv
________
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D-79-14 31 Paper-III
73. � �� �� � �� �&� �� ���� � ���� � �� � �� � ����� 1���Z
a. 8 � d� �: �� � ��� 1� � i. � � ��� �� ���� 1� �� ��
b. �� � � E �� :� �� �� �� �� ii. � �� � � ���� ��
c. � 7 N ���� - 7 ��� ��� iii. � 7 �� �� �� ��
d. � � � �7 ��1� 1� � � �7 �� iv. �� � 7 �! ����� ? �� �5 6�� ���
���� ��:
a b c d
(A) iv iii ii i
(B) i iv ii iii
(C) ii i iv iii
(D) i ii iii iv
74. � �� �� � �� �&� �� ���� � ���� � �� � �� � ����� 1���Z
a. ��� � �7 �� � i. �� � ! �$��� R �� �8 �� ���� � ! �$��� R
b. � � �7 �! ����� � ! �� ii. ��� � ! �$��� R
c. �� �� �� ��� � �7 ��� � iii. �� � ! �$��� R
d. �� �O ��� � ��� iv. � � � 7 �� ��� 8� � ����� ! �$��� R
���� ��:
a b c d
(A) ii iv iii i
(B) iv iii ii i
(C) ii i iv iii
(D) i ii iii iv
75. � �� �� � �� �&� �� ���� � ���� � �� � �� � ����� 1���Z
a. ��� ��� "� �7 ���� i. �� � � �� I7 ���� $�� 8�
b. 7 � ��� �� ! � ii. ����� - 7 �! ��
c. ��� � �� � 1� iii. � � � 1�� ���
d. � � \ 4�: � iv. � � � �
���� ��:
a b c d
(A) ii iv iii i
(B) i iv ii iii
(C) iv iii i ii
(D) i ii iii iv
____________
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