Paolo Decaro Portfolio Eng

PAOLO DECARO

portfolio

INDEX

Abstract

Concept

Nonfinito

Alba

Bho bros.

G.up

Damaci

Ette

Econet

Ecological footprint

Stand FBF

Link

Le vie di Sicilia

Palazzo Mirto

Ima

Pintori tribute

FEDECAR

Mille e una vela

Italia

Obiettivo Roma

CURRICULUMVITAE

THESIS

PRODUCT DESIGN

INTERIOR AND EXHIBIT

DESIGNYACHT DESIGN

VISUAL ANDGRAPHIC

DESIGN

From 2007 to 2010 I attended a degree course in industrial design at the University of Palermo.On July 20, 2010 I received my first degree in Industrial Design with the eva-luation of 110 cum laude with a thesis on “The Places of temporality: Design spaces for public and private halls of residence.. “

During the course of studies I have acquired skills related to 3D CAD mo-deling, I explored the use of graphics programs adobe, and perfected the design in the field of product design.

From 2006 to 2007 I attended the first year of study in Industrial Design at the University “La Sapienza” of Rome, acquiring skills and knowledge relating to product design, interior and exhibit design, graphic and visual design.

In 2006 I obtained a High School Diploma at the Liceo Scientifico V. Linares Licata.

WORK EXPERIENCE

a. a. 2009/2010 Teaching assistant in the Course of Laboratory of Industrial Design 1, the chair of prof. Arch. Viviana Trapani, University of Palermo.

In 2009 I did an internship at the business of interior design furniture ICAR Ltd.The task assigned was to create CAD drawings for the production of execu-tive furniture.

From 2004 to 2008 I worked on the design and airbrushes at Decaro bodywork.

EDUCATIONAND TRAINING

EXHIBITIONS AND WORKSHOP

November 2011 / SYDA samsung young design awardSYDA Finalist 2011:Exposure of the project at the Milan Triennale Museum.

November 2011 / Tecnoluce: competition of ideasThird place, with the project “Pomoingranà” tecnoluce the competition, organi-zed by Confindustria Veneto.

05/10/2007-13/10/2007Roma design +, Factory Lsd laboratorio sapienza design, exhibition.

November 2008Settimana dell’educazione allo sviluppo ecostenibile, Ri-Uso, workshop dedi-cated to Pet bottles reuse

November 2008“Il seme del design ha bisogno di un vaso”, sicilian-Turk contaminations, food-design workshop directed by A. Can Özchan.

Paolo DecaroAddress: via dei mandorli 4 - 92027 Licata AG

Telephone: 0922772638 - cell. 3491309051

E-mail: [email protected]

Nationality: Italiana

Date of birth: Licata 28 dicembre 1987

CURRICULUMVITAE

PERSONAL SKILLS AND COMPETENCES

MOTHER LANGUAGE TALIANOTHER LANGUAGES ENGLISH

• Reading skills B2• Writing skills B2• Oral expression skills B2

Other skills During my career both at school and work I always interacted with people of different skills, knowledge and culture.I have developed social skills through sports such as karate and tennis, and other non-sports activities, the university also created the conditions for carrying out group project activities with more than satisfactory results.I carried out the organizational skills to coordinate the various project work, managing to seize and exploit the different skills possessed by different mem-bers.

TECHNICAL SKILLS AND COMPETENCES

I just use the computer and specific programs of graphics and animation Adobe, Design CAD 2D and 3D CAD modeling, and rendering engines, V-ray. I possess excellent skills in the manual proto-typing, processing and arduino programming, use of airbrush, and heliographic and cutting plotter.These skills have been acquired either by study or through work experience.

November-December 2009Beautiful Ideas, workshop for the creation of Cersaie’s fair image, 2010, directed by Viviana Trapani.

Febbraio 2010More E Less LAB, paper and cardboard mobile box, workshop directed by Paolo Ulian.

THESIS

ABSTRACTCONCEPTNONFINITO

“A design object is a joint effort of many people from different specific technical, industrial, commercial and aesthetic skills. The work of the designer is a summary expression of this collective work. “

A. Castiglioni

AbstractThe university is for young people who experience it a sort of passage rite: not only about relationship with the study and professors, but above all the student will assume responsibility for a permanent lifestyle choice.This may be true for most students, the so-called off-site, the rite of passage is complicated by another, not insignificant, component: the removal from the family home and moving to a different city. Sense of freedom and precarious are linked in a phase where they build a new sense of belonging, which is made of new social relations, but also of where and how these relationships occur, the different ways in which these sites be-long to those who live there.This thesis has the burden of analyzing the evolution of living from the war to our days and to link these phenomena to the off-site students lifestyle.At first is necessary to distinguish the meaning of the term “living” than the “home”.The first indicates the relationship that exists between people and space, while the second refers to all sites relating to housing functions.So here justified the new way of living that is shown during the exhibition Italy: The New Domestic Landscape, in fact they tried to link housing and public spaces in housing units that contain both functions.It’ s also possible to identify four areas of living: private, semi-private, public and semi-public.Nowadays you can see that the advent of reality-shows and the replacement of the exterior walls with glass panels has led to ever-increasing publicity of private spaces.Instead, you can see that the advancement of technology has made it increa-singly necessary to move outside the home, which becomes a place of work and meeting, this leads to a relentless privatization of public spaces.The movement and the constant need to live a more flexibly to diverse needs, leading to the search for a temporary dwelling.The lifestyle of the college students, particularly university-residences are the most common examples of nomadism. The university home is a point of re-ference to the students, albeit for a short period, it is identified as a residence, but often do not fully meet the needs of the student.

Curato da: Paolo Decaro Francesco Provenzano

TESIDI LAUREA

ConceptOn the basis of previous research, kicks off a debate design that meets the requirements relating to the student way of living away from home, based on concepts of mobility and adaptability. This type of student can find in the university-residence the same fixity of his home, albeit for a limited time, in contrast with the mobility that characterizes their conditions. It is therefore necessary that they can take the places of resi-dence semi-interactive, allowing the user to fit their needs or at least to those of a group of people always different, through the use of specially designed pieces of furniture.This padded must be modeled to allow the widest variety of users, takinga temporary configuration, despite maintainingits permanent identity.It must be composed of modular furniture,but all tied together, simulating the relationship between building and user is in a university residence. The number of configurations will always be temporary, as if to mark the passage of the flow of people.ww

Curata da: Paolo Decaro

NONFINITOThe upholstered “Nonfinito” is designed in such a way that it can adapt to various esigenzefor-mali. “Nonfinito” has the ability to assume different configurations due to its composition.The main parts of the upholstery are two: the seat and the extension.

Viviana TrapaniPietro AiroldiIrene Manzella

Relator:Corelators:

THESIS

nonfinito combinations

THESISNONFINITO

The seat, is made of polyurethane foam with different densities, the lower to the outside and more inside. Finishing is made painting directly the polyure-thane with a paint called © Finflex, which creates a kind of waterproof and flame retardant skin, but retains the properties of the foam.The polyurethane block is supported on a base in PP, thermoplastic material 100% recyclable and having a great strength. The base is atta-ched to the main piece with feet that fit both the base and the seat, tying them together.The addition of the foot in this material and its conformation allows the seat to be moved easily and without damaging surfaces.

The extension is the middle part which is loca-ted between two seats, it allows blocks to de-part but never being completely separated.The extension is made from sheets of felt, thanks to the special conformation that acqui-res, implements at the time of closing a bellows effect which spend a large amount of air throu-gh the material cleaning it from any dust parti-cles. The layers of felt are sewn in a honeycomb pattern, and are specifically used 42 sheets of 430x900 mm.This part can stretch to more than one meter to make second bends around its vertical axis 90 ° and 180 ° around the horizontal axis.

THESISNONFINITO

The extension and the seat will be held togetherby a layer of velcro.The Velcro will be applied at the time of sale, the extension cord, but only the male will be sewn to it, while the female will be adhesive so it can be glued to the polyurethane.This will greatly simplified the maintenance of the hound itself, since the female is the one that ten-ds to spoil more easily, is much easier to remove it because it is simply stuck.

THESISNONFINITO

disposition 1

disposition 2

PRODUCT DESIGN

ALBABHO BROSG.UPETTEDAMACIECOLOGICAL FOOTPRINECONET

For years the chair of Bivona has rested comfor-tably millions of people throughout southern Italy.Alba broadens the market, improves comfort, higher ratio to its first user, the man, and lightens the structure, making adhere to the aesthetic and practical today.

ALBA

Laboratorio di Disegno Industriale 3

prof: Michele Argentino

PRODUCTDESIGN

XIXsecolo

Like in the tradition Alba is made of beech wood and the corresponding joints are assembled using only slightly modified from the original Bi-vona’s chair. The mending of the chair is made of bamboo yarn that with his finish, similar to silk, gives a graceful and elegant aspect.

XXI secolo

Fitting comfortably in the back seat Alba provi-des comfortable and correct posture avoiding annoying pain due to posture did not suit them, thanks to the push back date by cross-oriented purpose.

La risagomatura dei “cavigghi i corda” ha per-messo la riduzione degli spessori delle gambe della sedia alleggerendone peso e figura.

The finish is made with natural cycles of fire retar-dant paint that can lower the combustibility.

Wagner’s concept of “total work of art”, inspi-red the project idea to create objects that create sounds being in motion, trying to totally revolu-tionize the idea of static sound, but not for his act of procreation. Here come the three objects Bho Bros., BHO, BHO Stick and B. Stick 1 / 2, which produce a rotating whistle, more or less sweet.

BHO’S


prof: Michele Argentino

con: Jacopo Mangiameli

PRODUCTDESIGN

Small and attractive, in shape resembles an air-plane engine, used as a common bola juggling to make sure that the air is channeled into the small nozzles that produce the sound.

The BhoStick is basically a stick juggling. The rotary motion creates a vacuum at both ends, which causes a flow of air from the inside out.Moving the air inside the tubes creates turbulen-ce and leads to a melodic sound, almost natural.

Has the same function, B. Stick 1 / 2, which is none other than the reduced version of Bho Stick.

G. Up is a dynamic vessel anything but stuck in a static code, and an object which, althou-gh stable in its form, giving the impression that he is about to break, at any moment, a new item. E’caratterizzato by the presence of 100 items that leak from the vessel walls of different thickness, their disposition is entirely random, governed only by a few guidelines.

G.UP


prof: Luca Dal Bò

PRODUCTDESIGN

Looking at G:UP comes to mind a free climbing wall, here on this uneven surface you can see a free-climber trying to reach the top.Designed in a year where the price of oil reached historic highs here is that just a gas station be-comes the destination of the climber. The pump and ‘placed on the highest point of the vessel.

But because this goal, is so unattainable, it is impossible for the little man stuck on that since the parallelepiped is closer in his arms, so it will be destined to remain dry for ever ...

The different shades of color is attributed to le-vels, increasing a sense of depth in the tank.The free climbers and ‘dual-injection molded polyethylene in order to insert the rubber parts such as talc, which favors the socket for clim-bers.

Ette is a pedestal sink designed to remove the irritating presence of objects on the edge of the basin, thanks to a small shelf underneath the basin.

Ette is made of crystal plant that can be injection molded, gives it a certain lightness and excellent durability ‘.Its shape is the result of a summary of the ca-nons of standard pedestal sink, it was all sum-med up in one piece and enriched with a “shelf”.

ETTE

ConcorsoCristalplant

PRODUCTDESIGN

The Chinese checkers belongs to the family of abstract games, those games have always considered inappropriate for most children, pro-bably because some times the game is con-sidered an escape from their homes in open spaces where you can feel free . If until now the large family of abstract games has been weighed down by the stereotype of the game to keep in a drawer to be used only when we can not go to a playground now has become a game to take with if at any time .

DAMACI

Athelier di Product Design 1

prof: Antonino Paris

with: Edna La Rocca

PRODUCTDESIGN

The idea starts from the desire to give the possi-bility to leave their mark wherever environmental (ecological footprint), a symbol that states and highlights their ecosensibilità.The symbol in question is a green physical fo-otprint, a small icon of grass that can express a strong and complex thought, such as envi-ronmental care, using simple icons and free of double meanings.The moment comes this new medium and the user is free to use it in public or private spaces, depends on the will of the individual to decide whether to reserve your message to an audien-ce intimate or vast. In addition the purposes of communication products edited by ECOLOGI-CAL FOOTPRINT characterize the aesthetics of the environment in which they are inserted.Ecological Footprint, set with stencils for deco-rative patterns on the grass.The kit includes masks monographic punched in sheets of cardboard, the packaging of ECO.

ECOLOGICAL FOOTPRINT

WorkshopMore e Less

coordinator: Paolo Ulian

with: Francesco Provenzano

PRODUCTDESIGN

Econet is a system that allows you to create pa-nels for the decoration of recreations such as a shop.Econet is an entirely eco-friendly, in fact the materials are: bottles, packaging tapes, and recycled aluminum.At every intersection of the network is placed a cap stuck in the net through the cuts where you insert the tape. The cap is then screwed the bottle previously crushed.

ECONET

WorkshopRiuso

coordinatore: Angelo Pantina

con: Francesco ProvenzanoSusanna Lisma

PRODUCTDESIGN


DESIGN

STAND FBF

This exhibition booth (20 sqm), developed for the Athelier Interior and Exhibit Design, was thought to be placed at the festival “Cinema” in Rome, its design is based on one of its spon-sors, the FBF a design company for film, suita-ble for the realization of well-known TV commer-cials, trailers, abbreviations, etc. ... The booth is made taking into account the interactivity of new media, always referring to the image of the company.

STAND FBF

Athelier di Interior and Exhibit Design 1

prof::Lucia Nigri, Mariagrazia Rossetti

with: Stefania Bruno,Sonia Belaj


DESIGN

The stand is made with a system composed of masts and floating platform.

The stand has two interactive areas, the first of these is composed of a chroma key located in the output of the stand, and a video camera captures images of passers-by that will be in-serted into spots or trailers, made by FBF , bro-adcast on screens placed on the outside, thus attracting the attention of passersby.The second interactive area (opposite page) is located at the rear of the stand, and is compo-sed of a finger mouse that allows the visitor to choose for the video to see and get a personal overview of what is the production of ‘company.The screens above are holoscreen that allows viewing from both sides of the support are visible to passers-by and attract attention.

YACHT DESIGN

LINK

A boat designed for extreme pleasure adrenaline of speed, also represented by a fluid line, mini-mal, an indication of excellence at 360 degrees.These are the conditions from which arises Link. Prancing and light in his performances, Link is a new sailing boat 70 “which aims to maximize the sense of living in water.

LINK

Yacht designprof::Benedetto Inzerillo

with:Susanna Lisma,Francesco Provenzano

YACHTDESIGN

Furniture solutions simple and designed to offer li-ving space, traditional settings and at the same time innovative. Solutions comfortable, flexible and con-temporary, perfect for rational organization of the environment. The lounge is designed to comple-ment the living space, intimate and personal. New

design concepts to satisfy the desire for comfort first, with particular attention to ergonomics and the changing trends in the furniture and details. A uni-que style for an equally unique yacht.

A kitchen that impresses with high technology and sophisticated lines, a unique and innovative model that offers perfect combinations of straight lines and curves of the craft of cooking, unusual materials and configurations fascinating envi-ronment, creative concepts apparently futuristic that never forget the look functional for everyday use.His must be the decision to focus the whole area more operational space in a small but extremely well-organized.A fascinating, original area equipped with everything you need for the pleasure of cooking. Flexibility and functionality. Women and men today, they want answers to date, up-to-date. Why do they live their time, balancing between speed, innovation and technology.A kitchen dedicated to those who seek strong kitchens, complete and in a confined space can accommodate the dynamic rhythms of life in a boat, through practical and innovative technolo-gies and accessories.Simplicity and innovation are the foundations that lead to such great elegance and refinement in the kitchen, hydraulic systems that allow the escape of exhaust hoods and faucets.

A careful design and a strong innovative solu-tions which create the charm of materials and a wide choice of finishes joins the seduction of form, always essential, clean and effective in de-fining modern lifestyles.This is how additions and cabinets full of equipment and functions, beds and accessories around which the space becomes a pure emo-tion. The bedroom is furnished in a functional way, but keeping an eye on the well-being: here regenerate body and spirit!The simple and clean design and simple shapes of bathroom furniture pieces are unique. Different ways of conceiving the bathrooms, but a single goal unites them, made aesthetic excellence, quality and comfort. A modern style and cutting edge technology, a bathroom of the third millen-nium, no detail is left to chance.

LE VIE DI SICILIAPALAZZO MIRTOIMAOMAGGIO A PINTORIFE.DE.CAR.MILLE E UNA VELAITALIAOBIETTIVO ROMA

VISUAL ANDGRAPHIC

DESIGN

LE VIE DI SICILIAPALAZZO MIRTOIMAOMAGGIO A PINTORIFE.DE.CAR.MILLE E UNA VELAITALIAOBIETTIVO ROMA

The design of the brand “Le vied di Sicilia” was born to reevaluate a cultural association based in a historical tower of Palermo.The new brand looks elegant, stylish and lightweight.The whole corporate identity reflects the impor-tance of the association giving to it a new ima-ge, the more appealing and attractive than the previous.

L E V I E D I S I C I L I Avia Giuseppe De Spuches, 790141 Palermoweb: www.leviedisicilia.come-mail: [email protected]

PresidenteAntonio Licata

via Giuseppe De Spuches, 790141 Palermoweb: www.leviedisicilia.come-mail: [email protected]


L E V I E D I S I C I L I A

LE VIE DI SICILIA

Computer graphics labprof::Alessandro Fiore

with: Franscesco Provenzano Susanna Lisma

VISUAL AND GRAPHIC

DESIGN


PresidenteAntonio Licata

via Giuseppe De Spuches, 790141 Palermoweb: www.leviedisicilia.come-mail: [email protected]


L E V I E D I S I C I L I A

PALAZZO

PALAZZO

The idea of creating a coorporate image for the Mirto palace, born from the need to give birth to a place rich in culture, art and design. Strong is the reference of the family coat of arms of Filangieri in the new brand. The new brand aims to be an old poster about Filangeris’ elegance and all his wealth, luxury encloses the soul of the inhabitants of the historic building.

PALAZZO MIRTO

Anthropology of artifactsprof: Rita cedrini

VISUAL AND GRAPHIC

DESIGN

PA L A Z Z O M I R T O IL MARCHIO

Univers i tà deg l i S tudi d i Pa ler mo facol tà d i Archi te t tura CdL in Disegno Industr ia le corso d i Antropologia deg l i Ar tefat t i prof. Ri ta Cedr in i a .a 2008-2009

Tav. n°3 : appl icaz ioni marchio e logoP a o l o D e c a r o

PALAZZO

Museo Regionale di Palazzo Mirto - Via Merlo 2 , 90100 Palermo - tel. +39 091 6164751 - Direttore Maria Elena Volpe

PALAZZO

Museo di Palazzo Mirto

Palermo, Via Merlo 2

Tel. +39 091 6164751

PALAZZO

PA L A Z Z O M I R T O IL MARCHIO

Univers i tà deg l i S tudi d i Pa ler mo facol tà d i Archi te t tura CdL in Disegno Industr ia le corso d i Antropologia deg l i Ar tefat t i prof. Ri ta Cedr in i a .a 2008-2009

Tav. n°3 : appl icaz ioni marchio e logoP a o l o D e c a r o

PALAZZO

Museo Regionale di Palazzo Mirto - Via Merlo 2 , 90100 Palermo - tel. +39 091 6164751 - Direttore Maria Elena Volpe

PALAZZO

Museo di Palazzo Mirto

Palermo, Via Merlo 2

Tel. +39 091 6164751

PALAZZO

mai

mai

CTIVE DIVISIONV

CTIVE DIVISION

V

The purpose of the exercise is to give a new corporate image, create a new style of machine that is a strong impact on the market and espe-cially to strengthen and / or reassert a corporate identity that makes each car easily traceablethe company. Rejuvenate your corporate ima-ge, evolving characters present, through a de-sign strategy which would combine aesthetics and technology.

IMA CORPORATE

Cad designprof: Antonio Mancuso

wiith: Vincenzo centinaroGaspare barranca

Pietro martorana

VISUAL AND GRAPHIC

DESIGN

The purpose of the exercise is to create a tribu-te-poster to Giovanni Pintori.The poster is used as a reference is, “coun-tless numbers” realized for Divisumma, Olivetti in 1949.

PINTORI TRIBUTE

Visual communication labprof: Antonio Giancontieri

VISUAL AND GRAPHIC

DESIGN

The brand and logo FEDECAR are meant to give to the bodywork firm a touch of elegance and sophistication.

FEDECAR

Committee:Fedele Decaro

VISUAL AND GRAPHIC

DESIGN

FE.DE.CAR. s.a.s. C.da piana cannelle snc

tel:3385684373 e-mail:

jhhsjslsijdifjflkdgjgòdogòdgkjkdgàdgk

70

18,6

Bandito dall’università di Roma 3 Il concorso, “ Mille e una vela”, propone la realizzazone di pic-cole imbarcazioni che dovranno poi gareggiare in una regata.Dalla cooperazione di ingegneri e designer na-sce Zyz. Dato il significato della parola Zyz (anti-co nome di Palermo atrribuito alla città dai fenici) è fiore, ecco che prende piede l’idea di incor-porarli all’interno del logo, presente durante tutta la fase di comunicazione, come carta intestata e pagina web, e nella produzione della barca.

TEAM ZYZ

Mille e una vela per l’università

coordinatore: Antonio Mancuso

con: Vincenzo centinaroMariagrazia Vesco

VISUAL AND GRAPHIC

DESIGN

Sede Operativa:Dima, Facoltà d’Ingegneria

viale delle Scienze 90100 Palermo

Web:www.wix.com/dima2010/zyzteam

Tel: 091 66 57 145Fax: 091 48 43 34

e-mail: [email protected]

Team

merchandising

250

418

Il marchio Italia swim tech nasce da un’accurata ricerca del target, che cade nel campo delle at-trezzature sportive per il nuoto.Scelto il target si passa alla realizzazione del marchio che possiede personalità e modernità, caratteristiche atte a dare all’azienda un’immagi-ne accattivante e di facile collegamento.

ITALIA

Atelier di visual and graphicdesign

prof: Andrea Casale

VISUAL AND GRAPHIC

DESIGN

Obiettivo Roma è un progetto fgotografico che rappresenta parte dell’architettura moderna di roma.L’intento è quello di creare una guida fotografica 18 x 18 cm, che dia uno sguardo generale a ciò che di Roma non si vede, facedola conoscere non solo per la sua storia ma anche per la sua modernità.

OBIETTIVO ROMA

Atelier di visual and graphicdesign

prof: Eleonora Carrano

VISUAL AND GRAPHIC

DESIGN

villa borghese

stazione termini

Paolo Decaro Portfolio Eng

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