Painting Intermediate - What Have You Learned?

78
What Have You Learned? Paint Intermediate Fall 2016 Glenn Hirsch, Instructor

Transcript of Painting Intermediate - What Have You Learned?

Page 1: Painting Intermediate - What Have You Learned?

What Have You Learned?

Paint Intermediate Fall 2016

Glenn Hirsch, Instructor

Page 2: Painting Intermediate - What Have You Learned?

9/19 Color and “Light” – project 1 ltd palette underpainting project 2 monochromatic palette9/26 no class10/3 Color and “Light” – continue projects 1 and 210/10 Space – landscape – project #3 painting(s) emphasizing space 10/17 Space – architectural or abstract– continue project #310/23 SUNDAY 1pm-4pm studio visit to artist Travis Somerville San Francisco10/24 Style – investigating a master – project #4 master study and response10/31 Style – investigating a master – project #4 master study and response11/7 Series - exploring an original voice – project #5– series of paintings11/14 Portraits – drawing and painting the head – continue project #5 11/20 SUNDAY 11am-2pm studio visit to artist Zheng Chongbin San Rafael11/21 Zheng Chongbin / Portraits in a Dream11/28 What Have You Learned?12/5 Final crit – all assignments due

Page 3: Painting Intermediate - What Have You Learned?

Work from thin to thick, allowing each layer to dry

Page 4: Painting Intermediate - What Have You Learned?

Background defines the shape

Page 5: Painting Intermediate - What Have You Learned?

Brush technique

Lucian Freud

Page 6: Painting Intermediate - What Have You Learned?

Glazes Impasto

Page 7: Painting Intermediate - What Have You Learned?

• GLAZING is the contrast of layers• Transparent layers over each other• Each layer is painted, and then dried, before proceeding to the next

Page 8: Painting Intermediate - What Have You Learned?

Layering – contrasts between one layer and another

Page 9: Painting Intermediate - What Have You Learned?

an eye for detail

Page 10: Painting Intermediate - What Have You Learned?

an eye for texture

Page 11: Painting Intermediate - What Have You Learned?

‘warm’ and ‘cool’ varieties of the

same color

Page 12: Painting Intermediate - What Have You Learned?
Page 13: Painting Intermediate - What Have You Learned?

Chromatic scale• Light to dark• Bright to dull• Warm to cool

Page 14: Painting Intermediate - What Have You Learned?

Student study of Winslow Homer

Page 15: Painting Intermediate - What Have You Learned?

1.Value2.Spotlight3.Reflected light from water4.Back light 5.Cast shadow 6.Glowing light7.Monochromatic color

dramatic light

Page 16: Painting Intermediate - What Have You Learned?

“value’ = the black-and-white of the color

Page 17: Painting Intermediate - What Have You Learned?

chiaroscuro light

a spotlight

Page 18: Painting Intermediate - What Have You Learned?

Reflected light from water

Page 19: Painting Intermediate - What Have You Learned?

Back lighting

creates a ‘halo’ behind the object

Page 20: Painting Intermediate - What Have You Learned?

Cast shadow

Page 21: Painting Intermediate - What Have You Learned?

Glowing Light

light is coming from the object, not reflected on it

Page 22: Painting Intermediate - What Have You Learned?

monochromatic color

Page 23: Painting Intermediate - What Have You Learned?

Space ‘aerial perspective’

Page 24: Painting Intermediate - What Have You Learned?
Page 25: Painting Intermediate - What Have You Learned?

color and ‘style’

Page 26: Painting Intermediate - What Have You Learned?

Hiroshige

Manet

Rembrandt

Page 27: Painting Intermediate - What Have You Learned?

Study and response

Page 28: Painting Intermediate - What Have You Learned?

Study of Van Gogh and response

Page 29: Painting Intermediate - What Have You Learned?

Discovering a voice in color by working in ‘series’

Page 30: Painting Intermediate - What Have You Learned?

Peggy Millar

Page 31: Painting Intermediate - What Have You Learned?

John Reamer

Page 32: Painting Intermediate - What Have You Learned?

Maggie Engebretson

Page 33: Painting Intermediate - What Have You Learned?

How can the illusion of near and far (“aerial perspective”) in a landscape be enhanced by manipulating the color?

Page 34: Painting Intermediate - What Have You Learned?

Van Gogh

Page 35: Painting Intermediate - What Have You Learned?

Theatrical chiaroscuro light (in which the subject emerges from the shadow) was first developed by which painters?

Page 36: Painting Intermediate - What Have You Learned?

Rembrandt 1610

Caravaggio 1605

Page 37: Painting Intermediate - What Have You Learned?

Why do painters work in layers?

Page 38: Painting Intermediate - What Have You Learned?

Joan Mitchell

Page 39: Painting Intermediate - What Have You Learned?
Page 40: Painting Intermediate - What Have You Learned?
Page 41: Painting Intermediate - What Have You Learned?

Richard Diebenkorn

Page 42: Painting Intermediate - What Have You Learned?
Page 43: Painting Intermediate - What Have You Learned?

What does “glazing” mean? Why do painters use it?

Page 44: Painting Intermediate - What Have You Learned?

Morris Louis, 1959

12’ x 14’

Page 45: Painting Intermediate - What Have You Learned?

What does “wet-in-wet” mean?

Monet detail

Page 46: Painting Intermediate - What Have You Learned?

What does “working in series” mean? Why are reasons that artists do this?

Page 47: Painting Intermediate - What Have You Learned?

Chuck Close – series of portraits in different media and technique

Page 48: Painting Intermediate - What Have You Learned?
Page 49: Painting Intermediate - What Have You Learned?
Page 50: Painting Intermediate - What Have You Learned?
Page 51: Painting Intermediate - What Have You Learned?
Page 52: Painting Intermediate - What Have You Learned?
Page 53: Painting Intermediate - What Have You Learned?
Page 54: Painting Intermediate - What Have You Learned?
Page 55: Painting Intermediate - What Have You Learned?
Page 56: Painting Intermediate - What Have You Learned?
Page 57: Painting Intermediate - What Have You Learned?
Page 58: Painting Intermediate - What Have You Learned?
Page 59: Painting Intermediate - What Have You Learned?
Page 60: Painting Intermediate - What Have You Learned?
Page 61: Painting Intermediate - What Have You Learned?
Page 62: Painting Intermediate - What Have You Learned?

What do the terms “warm’ color and “cool” color mean?

Page 63: Painting Intermediate - What Have You Learned?
Page 64: Painting Intermediate - What Have You Learned?
Page 65: Painting Intermediate - What Have You Learned?
Page 66: Painting Intermediate - What Have You Learned?
Page 67: Painting Intermediate - What Have You Learned?
Page 68: Painting Intermediate - What Have You Learned?
Page 69: Painting Intermediate - What Have You Learned?
Page 70: Painting Intermediate - What Have You Learned?
Page 71: Painting Intermediate - What Have You Learned?
Page 72: Painting Intermediate - What Have You Learned?

What is the black-and-white quality of a painting called?

Page 73: Painting Intermediate - What Have You Learned?
Page 74: Painting Intermediate - What Have You Learned?
Page 75: Painting Intermediate - What Have You Learned?
Page 76: Painting Intermediate - What Have You Learned?
Page 77: Painting Intermediate - What Have You Learned?

“Emotion in art only depends on the subject matter depicted.” True/false

Page 78: Painting Intermediate - What Have You Learned?