overflowoverflow overflowoverflowoverflow overflow ... · “overflow” and takes part in both at...
Transcript of overflowoverflow overflowoverflowoverflow overflow ... · “overflow” and takes part in both at...
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overflowoverflow
overflowoverflowoverflowoverflowoverflow
overflowoverflowoverf lowoverflowoverflow
overflowan experiment
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overflowan experiment
with
Birthe Blauth
Carlotta Brunetti
Judith Egger
Suzon Fuks & James Cunningham
Peter Gregorio
Lin Weilung
Jarek Lustych
Susanne Pittroff
Michaela Rotsch & Kadir Fadhel
toffaha
Wang Teyu
curated by Cornelia Osswald-Hoffmann
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Art is playing around with boundaries and breaking
out of them. It acts in a semi-natural, semi-
empirical way, it acts by chance, without control,
spilling over, knowing no bounds, with daring.
It is substantiated by materiality (digital or
analogue), by experience and by artistic ability.
It calculates the opportunities and risks of the
“overflow” and takes part in both at the same time.
Art determines where social, political, commercial
… developments escape control and surf in the zone
of the “overflow”. Art reserves the zone with the
foaming white horses for itself. As long it can
keep itself on the surface, as long as that surface
doesn’t disappear, it can ride along on a euphoric
wave. The danger of disintegration and collapse is
always there.
OVERFLOW consists of a broad sample of artists, curators and scientists
from different continents (Europe, Asia, America, Australia), who are
studying the process of flowing. It is an interdisciplinary, cross-
disciplinary and overlapping team. The disciplines are not necessarily
separate, nor are they unique. A pattern emerges out of artists’ walk,
performance, reading aloud, installation and presentation.
overflow
dr. cornelia osswald-hoffmann
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Birthe Blauth
White Noise / 2011 / video 09:39 min / still
Hamlet‘s Mill / 2012 / video 61:00 min / still
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Carlotta Brunetti
Fisherie / video 17:20 min / stills
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“Overflow” takes place when one - or more –
elements immanent in a system plays a bigger part
than intended and bursts out. In order to chan-
nel the “overflow”, drainage schemes are developed
which define their boundaries and work out how
they are likely to move. Natural, self-examining
processes will thus be simulated and distilled
into a dramaturgy. The plan for the process will
be carried out in parallel with the actual process
(the flow of the river, the osmosis of the cells,
the social explanations for which there are no
words, etc) and they will only affect each other
at certain points. The actual process is not
concerned with its dramaturgy. It flows blind-
ly away. The dramaturgy helps to make the process
look tangible and therefore controllable and thus
calculable.
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Judith Egger
Dissolution / 2011 / digital photografie / 60 x 85 cm
Life goes on / 2012 / temporary installation
Hundun / 2016 / performance and installation / sound composition: Neele Hülcker
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Suzon Fuks & James CunninghamFLUIDATA Performances
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Peter Gregorio
Deconstructed Architectural Image Layered with π [11,111 digits]
84x84in UV Transfer, Acrylic, Linen, 2016
SIN (Singularity Is Near), HD Video With Sound, Projection Variable, 2:20 Minutes, 2011
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Jarek Lustych
Nuthe / sound installation
Performance
Metamorphoses / 2006
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Lin Weilung
Performance
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The process that simulates dramaturgy starts
with established empirical values. These
guarantee a certain control over what is taking
place. How much loss of control is needed in
order to release a self-regenerating system in
a major activity? How far can one stretch con-
trol? What factors yield their elasticity and
what kind of dramaturgy will this stretching
lead to? How much can be left to chance in
order to keep account of the loss of control or
to control the path of the “overflow”? How much
potential is there in processes which escape
control and of what does this potential consist?
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Susanne Pittroff
Put Away, municipal gallery of the Kartothek Munich, 2014
Ground Adhesion, New Gallery Dachau, 2001
Echo, MaximiliansForum - Passage for interdisciplinary art Munich, 2017
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Michaela Rotsch & Kadir Fadhel
BAGHDAD_POOLS
Kadir Fadhel / A Scenerie in Baghdad / 2016 / photo
Michaela Rotsch / Pool Cleaning / 2016/ video loop 15 min
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toffaha
Light House / 2014 / video performance
The bridge Geffira Megalou Potamou/ 2013, 2016 / video performance
Senza piu Lontananze / 2016 / video performance
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Wang Teyu
No.84 / 2016 / fabric, fans / Apartment of Art, Munich, Germany
No.85 / 2016 / fabric, fans / Ibaraki Prefecture, Japan
No.88 / 2016 / fabric, fans / National Taiwan Museum of Fine Arts, Taichun, Taiwan
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for more information please have a look at
birthe blauth____www.bblauth.de
carlotta brunetti____www.carlotta-brunetti.de
judith egger____www.judithegger.com
kadir fadhel____www.villa-waldberta.de/en/archive/details
peter gregorio____www.petergregorio.com
suzon fuks & james cunningham____http://igneous.org.au
lin weilung____www.apartmentofart.org/artists.php?s=lin-wei-lung
jarek lustych____www.lustych.art.pl/index_pl_cv.htm
susanne pittroff____www.susannepittroff.de
michaela rotsch____www.michaelarotsch.com
toffaha: rasha ragab & christoph nicolaus____www.toffaha.org
wang teyu____www.facebook.com/teyu.wang.9
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credits:
english translation by caroline gathorne-hardy
layout by birthe blauth
photos / stills by the artists
contact:
dr. cornelia osswald-hoffmann
www.repository-art.net
0151 15547495
participating scientists:
system biology: dr. manfred gödel, lmu munich
health sciences: dr. ildiko meny
sociology: dr. irmtraud voglmayr, university vienna
economics: N. N.
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