OUTDOOR · 2020. 4. 6. · from by the ancient crochet tech-nique of Cantù, this lace of natural...

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OUTDOOR

Transcript of OUTDOOR · 2020. 4. 6. · from by the ancient crochet tech-nique of Cantù, this lace of natural...

Page 1: OUTDOOR · 2020. 4. 6. · from by the ancient crochet tech-nique of Cantù, this lace of natural tones that recaptures the traditional stitching in a contemporary style. 32 33 FROG

O U T D O O R

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03

U n v i o t t o l o , u n a r a d u r a , u n p r a t o , u n a p i s c i n a , u n ’ a l t a n a , u n d e c l i v i o , u n a s i e p e , u n a n f r a t t o . N e l v e r d e o g n i c o s a r i n a s c e . D u e p o l t r o n c i n e s e m b r a n o a n t i c i p a r e l ’ a r r i v o d e g l i o s p i t i . U n g r u p p e t t o d i s e d i e s o g n a c h i l e o c c u p e r à . U n t a v o l i n o p r e g u s t a l a s o r p r e s a d i u n i n c o n t r o . U n g r a n d e d i v a n o i m m a g i n a l e c o n v e r s a z i o n i c h e s a r a n n o i n t r e c c i a t e s u d i l u i . L o s p a z i o è c o m e u n t e a t r o v i v e n t e c h e s i a p r e l a r g o e a r m o n i o s o , i n a t t e s a d i e s s e r e i n v a s o d a v o c i e p r e s e n z e .

A p a t h , c l e a r i n g , m e a d o w , s w i m m i n g p o o l , t u r r e t , s l o p e , h e d g e , o r c l e f t . E v e r y t h i n g i s r e b o r n f r o m g r e e n . T w o a r m c h a i r s s e e m t o a n t i c i p a t e t h e a r r i v a l o f g u e s t s . A g r o u p o f c h a i r s d r e a m a b o u t t h e p e o p l e w h o w i l l s i t o n t h e m . A c o f f e e t a b l e l o o k s f o r w a r d t o t h e s u r p r i s e o f a n e n c o u n t e r . A l a r g e s o f a i m a g i n e s t h e c o n v e r s a t i o n s t h a t w i l l b e i n t e r w o v e n u p o n i t . T h e s p a c e i s l i k e a l i v i n g t h e a t r e w h i c h o p e n s u p , l a r g e a n d h a r m o n i o u s , w a i t i n g t o b e i n v a d e d b y v o i c e s a n d p r e s e n c e s .

E N P L E I N A I R

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2 3 , 2 55 77 86 4 , 7 48 25 21 4 , 1 64 2 , 4 45 7, 7 69 07 0 , 7 25 80 7, 3 6 , 3 8 , 4 13 3 , 3 5 , 8 08 04 6 , 4 8 , 5 08 48 86 66 1, 6 48 2 , 9 08 76 22 9, 3 05 40 8 , 1 06 11 4 , 2 3 , 3 3 , 3 8 , 4 2 , 6 8

0 8 , 1 11 8 , 2 02 6

1 22 9, 8 7

O U T D O O R

A G R A / D . L o p e z Q u i n c o c e s

A N I N / D . L o p e z Q u i n c o c e s

B U B B L E R O C K / P . L i s s o n i

C A B R I O / P . L i s s o n i

C A F È / P . L i s s o n i

C A R B O N F R O G / P . L i s s o n i

C L I V I O / K e i j i T a k e u c h i

D A Y D R E A M / M i s t - o

E X T R A S O F T / P . L i s s o n i

E X T R A W A L L / P . L i s s o n i

F A M I L Y C H A I R / J . I s h i g a m i

F I L O O U T D O O R / P . L i s s o n i

F L O W / S h i b u l e r u

F R O G / P . L i s s o n i

F R O G L O U N G E / P . L i s s o n i

G E O R G E ’ S / D . L o p e z Q u i n c o c e s

H I T E C H / P . L i s s o n i

I L E C L U B D A Y B E D / P . L i s s o n i

I L E P O U F / P . L i s s o n i

I L E T A B L E / P . L i s s o n i

J E L L Y T A B L E / P . L i s s o n i

M A J A D / P . L i s s o n i

M A T E / ( a + b ) d o m i n o n i , q u a q u a r o

M I N I T O M B O L O / P . L i s s o n i

N I N A / D . L o p e z Q u i n c o c e s

N O T E S / M . M a r i a n i

P O N C H O / L u c i d i P e v e r e

R A B B I T & T H E T O R T O I S E C O L L E C T I O N

/ S t u d i o J u j u

R I V U L E T / J u n p e i & I o r i T a m a k i

S A L E / D a v i d L o p e z Q u i n c o c e s

T O M B O L O / P . L i s s o n i - r e a d y m a d e b y

S t u d i o U N p i z z o

V I Z I O / L e o n a r d o T a l a r i c o

W E D G E / A . L e v y

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F L O W /

07

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N O T E S / R I V U L E T /

08

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10

I l t a v o l o N o t e s , n e l l a v e r s i o n e p e r e s t e r n i , a b b i n a u n e s s e n z i a l e p i a n o i n g r a n i t o a l l a r i g o r o s a s t r u t t u r a m e t a l l i c a .T h e N o t e s t a b l e , i n t h e o u t d o o r v e r s i o n , c o m b i n e s a n e s s e n t i a l g r a n i t e t o p w i t h t h e r i g o r o u s m e t a l l i c s t r u c t u r e .

N O T E S / R I V U L E T /

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V I Z I O /

12

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14 1514

C L I V I O / R A B B I T & T H E T O R T O I S E C O L L E C T I O N /

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16 1717

D U M A S /

16

C L I V I O /

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1918

S A L E /

S n e l l o , e l e g a n t e , d i s i n v o l t o , S a l e è u n a p r e s e n z a s o f i s t i c a t a i n u n g i a r -d i n o , a b o r d o p i s c i n a o i n u n a S p a . S l e n d e r, e l e g a n t , c a s u a l , S a l e i s a s o p h i s t i c a t e d p r e s e n c e i n a g a r d e n , b y t h e p o o l o r i n a S p a .

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212020

S A L E /

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23

A G R A / R A B B I T & T H E T O R T O I S E C O L L E C T I O N /

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25

A G R A /

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26

T O M B O L O /

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28 29

M I N I T O M B O L O / W E D G E /

29

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30 31

M I N I T O M B O L O /

M i n i To m b o l o è r e a l i z z a t a i s p i r a n d o s i a l l ’ a n t i c a t e c n i c a d e l p i z z o d i C a n t ù , q u e s t o m e r l e t t o d a i t o n i n a t u r a l i c h e r i p r e n d e i p u n t i d e l l a t r a d i z i o n e r i n n o v a t i i n c h i a v e c o n t e m p o r a n e a . M i n i To m b o l o i s m a d e t a k i n g i n s p i r a t i o n f r o m b y t h e a n c i e n t c r o c h e t t e c h -n i q u e o f C a n t ù , t h i s l a c e o f n a t u r a l t o n e s t h a t r e c a p t u r e s t h e t r a d i t i o n a l s t i t c h i n g i n a c o n t e m p o r a r y s t y l e .

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32 3333

F R O G /R A B B I T & T H E T O R T O I S E C O L L E C T I O N /

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35

F R O G /

L’ i c o n i c a p o l t r o n c i n a F r o g n e l l a p r i n -c i p e s c a v e r s i o n e i m b o t t i t a , m a n t i e n e l e s u e c a r a t t e r i s t i c h e : b a s s a , l a r g a , a m p i a , a g i l e c o m e u n a r a n a p r o n t a a l s a l t o a c c a n t o a u n a p o z z a d ’ a c q u a .T h e i c o n i c a r m c h a i r F r o g , e v e n i n a p r i n c e l y p a d d e d v e r s i o n , k e e p s i t s f e a t u r e s : l o w , w i d e , g e n e r o u s a n d l i v e l y l i k e a F r o g , n e x t t o a p o n d a n d r e a d y t o j u m p .

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36 37

F L O W /

F l o w , p e r f e t t a s o t t o i l s o l e d e l l e s p i a g g e c a l i f o r n i a n e o i n u n p i c c o l o t e r r a z z o m i l a n e s e , è c a r a t t e r i z z a t a d a s t r u t t u r a u l t r a l i g h t i n m e t a l l o v e r n i c i a t o c a n n a d i f u c i l e c h e d i s e g n a u n t r a t t e g g i o n e l l ’ a r i a .F l o w , p e r f e c t u n d e r t h e C a l i f o r n i a n s u n o r i n a M i l a n e s e t e r r a c e , i s c h a -r a c t e r i z e d b y a n u l t r a - l i g h t s t r u c t u r e i n g u n m e t a l - p a i n t e d s t e e l t h a t m a k e s a h a t c h i n g e f f e c t i n t h e a i r .

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F L O W / R A B B I T & T H E T O R T O I S E C O L L E C T I O N /

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41

F L O W /

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4342

D A Y D R E A M /R A B B I T & T H E T O R T O I S E C O L L E C T I O N /

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44 45

D A Y D R E A M

L a s t r u t t u r a i n t r e c c i a t a d i D a y d r e a m o s p i t a e l e g a n t i c u s c i n i , p e r u n d a y b e d c a s u a l c h i c c h e n o n r i n u n c i a a i d e t t a g l i d i s t i l e e a d u n a c o m o d i t à s u p e r i o r e . T h e s t r u c t u r a l w e a v e d p a r t o f D a y d r e a m i s a c c o m p a n i e d b y e l e g a n t c u s h i o n s : a c a s u a l c h i c d a y b e d t h a t d o e s n o t r e n o u n c e t o t h e d e t a i l s o f s t y l e a n d c o m f o r t .

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46 47

G E O R G E ’ S /

P u r a n e l d i s e g n o , G e o r g e ’s v i e n e r e s a p r e z i o s a d a l g i o c o d i r i v e s t i m e n t ie f i n i t u r e c h e s i c o m b i n a n o i n m o d o d i v e r s o , c r e a n d o m o l t e p l i c i p o s s i b i l i t à d i u t i l i z z o . W i t h a v e r y s i m p l e d e s i g n , G e o r g e ’s i s m a d e p r e c i o u s b y t h e c o m b i n a t i o n o f m a t e r i a l s a n d f i n i s h i n g t h a t a r e c o m b i n e d i n m u l t i p l e s t y l e , c r e a t i n g d i f f e r e n t p o s s i b i l i t y o f u s e .

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4948

G E O R G E ’ S /

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5150

G E O R G E ’ S /

L i e v e e s b a r a z z i n a , l a s e d i a G e o r g e ’s s a i n d o s s a r e i l c o l o r e c o n g r a z i a .L i g h t a n d c a r e f r e e , t h e G e o r g e ’s c h a i r w e a r s c o l o u r g r a c e f u l l y .

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5352

C A R B O N F R O G /

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54 55

N I N A /

L o s g a b e l l o N i n a s i d i s t i n g u e p e r l a s t r u t t u r a i n t u b o l a r e d ’ a c c i a i o d a l g a r b a t o d i s e g n o . Q u i i n v e r s i o n e r i v e s t i t a i n t e s s u t o p e r e s t e r n i .The Nina stool stands out for the graceful d e s i g n o f i t s t u b u l a r s t e e l f r a m e . H e r e i n t h e f a b r i c v e r s i o n f o r o u t d o o r u s e .

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56 57

E X T R A S O F T / A N I N /

57

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58 59

F I L O O U T D O O R /

C o n v e r s a z i o n e e n p l e i n a i r c o n F i l o O u t d o o r, c a r a t t e r i z z a t o d a l l e m i s u r e g e n e r o s e e d a l l a s t r u t t u r a i n t u b o l a r e d ’ a c c i a i o . C o n v e r s a t i o n e n p l e i n a i r w i t h F i l o O u t d o o r, c h a r a c t e r i s e d b y i t s g e n e r o u s s i z e a n d i t s f r a m e i n t u b u l a r s t e e l .

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60 61

P O N C H O / I L E T A B L E /

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6362

M A T E /

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64 65

C A B R I O / I L E T A B L E /

64

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66 67

I L E P O U F /

66

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68 69

R A B B I T & T H E T O R T O I S E C O L L E C T I O N /

F r e s c h e , p o e t i c h e e s e m p l i c i , l e f o r m e d e i t a v o l i n i R a b b i t & t h e To r t o i s e C o l l e c t i o n a r r e d a n o c o n o r i g i n a l i t à a n c h e g l i s p a z i e s t e r n i .F r e s h , p o e t i c a n d s i m p l e , t h e f o r m s o f t h e R a b b i t & t h e To r t o i s e C o l l e c t i o n l o w t a b l e s f u r n i s h o u t d o o r s p a c e s w i t h o r i g i n a l i t y .

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70 71

F A M I L Y C H A I R /

70

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F A M I L Y C H A I R /

72

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C A B R I O /

I l d e s i g n f o r t e d i C a b r i o a b i t a g l i s p a z i v e r d i c o n u n t o c c o a n t i c o n f o r m i s t a . T h e s t r o n g d e s i g n o f C a b r i o i n h a b i t s g r e e n s p a c e s w i t h a n o n - c o n f o r m i s t t o u c h .

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76 77

E X T R A S O F T /

L a m o d u l a r i t à d i E x t r a s o f t p e r m e t t e d i p e r s o n a l i z z a r e a n c h e g l i a m b i e n t i e s t e r n i a t t r a v e r s o i n f i n i t e c o m p o s i z i o n i . T h e m o d u l a r n a t u r e o f E x t r a s o f t g i v e s t h e c h a n c e t o p e r s o n a l i z e e v e n o u t d o o r s p a c e s t h r o u g h i n f i n i t e c o m p o s i t i o n s .

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78 79

B U B B L E R O C K /

78

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80 81

F R O G / F R O G L O U N G E /

I n a m b i e n t i a l l ’ a p e r t o , F r o g , i n v e r s i o n e p o l t r o n a o c h a i s e l o n g u e è a n c o r a p i ù f r e s c a e l i e v e , u n t o c c o d i p u r a e l e g a n z a .I n o p e n - a i r e n v i r o n m e n t s , F r o g , i n a r m c h a i r o r c h a i s e l o n g u e v e r s i o n s i s e v e n f r e s h e r a n d l i g h t e r , a t o u c h o f p u r e e l e g a n c e .

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82 83

C A F É / J E L L Y T A B L E /

82

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84 85

H I T E C H /

P e r l a s u a s p a r t a n a e n u d a b e l l e z z a , q u a s i B a u h a u s , H i Te c h è l a p o l t r o n a i d e a l e p e r t u t t i g l i a m b i e n t i e s t e r n i . D u e t o i t s a u s t e r e a n d n u d e , a l m o s t B a u h a u s b e a u t y , H i Te c h i s t h e p e r f e c t a r m c h a i r f o r a l l o u t d o o r e n v i r o n m e n t s .

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87

M A J A D / W E D G E /

U n t o c c o d i g l a m o u r p e r g i a r d i n i e t e r r a z z i c o n We d g e v e r s i o n e e s t e r n i , c o n s t r u t t u r a i n a l l u m i n i o v e r n i c i a t o .A t o u c h o f g l a m o u r f o r g a r d e n s a n d t e r r a c e s w i t h t h e o u t d o o r v e r s i o n o f We d g e , w i t h i t s f r a m e i n p a i n t e d a l u m i n i u m .

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I L E C L U B D A Y B E D /

C o m o d a , e s t i v a e c h i c , I l e C l u b D a y b e d i n v e r s i o n e e s t e r n i , è p e r f e t t a p e r v i v e r e i l r i p o s o a l l ’ a p e r t o .C o m f o r t a b l e , s u m m e r y , a n d c h i c , t h e I l e C l u b D a y b e d i n i t s v e r s i o n f o r o u t d o o r u s e , i s p e r f e c t f o r r e s t i n g i n t h e o p e n a i r .

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E X T R A W A L L / J E L L Y T A B L E /

90

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a.d. Graph.X foto T. Sartori styling Elisa Ossino Studio fotolito Cd Cromo

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