Oleg Kurilenko B. Arch. Portfolio

131
PORTFOLIO Oleg Kurilenko b.arch woodbury university .

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Transcript of Oleg Kurilenko B. Arch. Portfolio

  • PORTFOLIOOleg Kurilenkob.arch woodbury university.

  • If less is more maybe nothing is everything.Rem Koolhaas

    less is more.Mies van de Rohe

  • TABLE OF CONTENTS

    2013.SPRING.DEGREE PROJECT.Curt Gambetta Revbio 2012.FALL.STUDIO 5A.Theresa Hwang interFACE2012.SPRING.STUDIO 4B.Alan Loomis GECO [Glendale.Ecological.Neighborhood] 2011.FALL.STUDIO 4A.Nick Roberts woodbury university film school2011.SPRING.STUDIO 3B.Gerard Smulevich T.L.C [Textile.Living.Centre]2010.FALL.STUDIO 3A.Paulette Singley GenP appartment complex2010.SPRING.STUDIO 2B.David Freeland sliding plates cemetery2010.SPRING.PRO PRAC.Giulio Zavolta yoga house2009.FALL.STUDIO 2A.Linda Chung pacific rim culinary academy2009.SUMMER.INTERNSHIP.Grace Farenbaugh burbank cultural center model 2008.FALL.MATERIALS AND METHODS.Eric Olsen peter zumthors vals baths construct

    Molly Hunker

    Casey Huges

  • ANALYTICAL DIAGRAM OF THE THESIS PROJECT

    Superfund sites are remnants of an industrial age in Los Angeles. They are a ghostlike presence in the landscape of the city, contaminating surrounding communities. In order to revitalize these sites, the remediation of contaminated soil within the con nes of the site must be linked to the revitalization of the neighborhoods that surround it. Revbio is a revitaliza-tion project in which three distinct elements symbioti-cally interact with one another to create a hybridized landscape where alternative methods of composting combine with urban agriculture. The project devises an alternative trajectory for organic waste, integrating the afterlife of organic waste into the reinvigoration of contaminated sites.

    13.9 % OF TOTAL W

    ASTE

    IN

    TH

    E U

    SA

    Full Service Fast Food

    Groc

    ery Store

    s

    Lar

    ge Ho

    tels

    Unive

    rsitie

    s

    33 99 %% OO TOOTTAATTL WW

    AAWWWWSSTT

    ENN

    TTHHE

    UUSSAA

    Large-scaleMethods

    Separation o

    f

    Impurities

    Mixing(dry + w

    et/ N-rich + C-ric

    h/

    rough

    + fine)WettingDehydration/Drying Disintegration

    Separation ofImpurities

    STOR

    AGE

    Trans

    porta

    tion

    DRYING(aeration, mix

    ing)

    Mixing/Turning

    (dry and wet,

    hot and cool zon

    es)aeration

    mixing

    Turned

    Windr

    ows

    Landfill

    cattle

    20:1

    70 30

    bark

    60

    timothy grass pigs

    urinepaper

    vegetables

    80:1

    tomatoclover

    140

    130

    leaves

    fish m

    eal

    feces

    50

    50

    0

    sawdust

    75-85

    wood, wite fir

    10

    100

    40

    lawn clippings

    110

    45-55

    130

    120

    110

    50-55

    fern potato tops

    50:1

    30

    onion

    wheat straw

    90

    sheep

    cabbage

    20

    70:1

    soyb

    ean m

    eal

    horse

    0

    120

    45

    160

    75-90

    carrot

    60:1

    150

    40

    chicken

    10:1

    90

    compostablepaper

    150

    35

    foodscraps

    oat straw

    100

    30:1

    90

    40:1

    80 10

    15

    20

    80

    0

    5

    25

    140

    CropResidues

    C:N RatioEffects onCompostingWoody

    Material

    Live StockManure

    OrganicFertelizer

    KitchenWaste

    Time(days)

    Temperature

    C:N Ratio

    Water Content

    MaturationStage

    ThermophilicStage

    Humanure

    Turning Freq.Effects onComposting

    MesophilicStage

    Medium-scale

    Methods

    Small-scaleMethods

    Processing

    Preparation

    In-vessel

    Vermicompost

    Dimensions

    Small-scale 16 sq in x 25 in

    Institutional scale 5' x 6'

    Capacity

    Input per day 45-55 lbsOutput per week 200-250 lbs

    Medium-scale

    Length 18 to 42 feet

    Capacity 1250-3500 lbs/week

    Processing Time 4-14 days

    Large-scale

    Capacity 2 tons/day

    Compost

    Pile

    Passive Pile

    Transfer Station Composting Facility

    Landspreading

    In-vessel

    Composting

    Aerated Static Pile

    C:N Ratio

    Turning Frequency

    30:1

    60:140:1

    3 days

    30 days10 days

    COMPOST

    FE

    ED STOCK

    BIOREMEDIATIO

    N

    SCREEN-

    MONITORING

    PREPARATION OF WINDROW MAT

    COMPOSTANALYSIS

    WINDROWDISASSEMBLY/ DISPOSITION

    WINDROWFORMATION AND HANDLING

    AERATION OF WINDROWS

    EXCAVATION

    1

  • A superfund site in National City, San Diego acts as the main composting ground, where compost serves the purpose of bio-remediation and soil fertilization for community agriculture. Revbio is envisioned as a new type of Community Supported Agriculture (CSA), bringing together diverse users, ranging from local farmers to the surrounding community of National City.

    SITE LOCATION DIAGRAM

    RENDERING OF AGRICULTURAL ACTIVITY

    2

  • 13.9 % OF TOTAL WASTE IN THE USA

    Full Service Fast Food Grocery Stores Large Hotels Universities

    foodscraps

    compostable paper

    Landll

    Transfer Station Composting Facility Compost

    THE CYCLE OF BIOWASTE3

  • Compostanalysis

    Windrow disassembly and disposition

    MonitoringWindrow formationand handling

    Excavation Screening Preparation of windrow mat

    Aeration of windrows

    BIOREMEDIATION PROCESS

    PREPARATION OF A SITE

    Below is a general overview of ex-situ bioremediation process that is used to cure hydrocarbon contaminated soil at superfund sites. Gener-ally, excavated soils have to be transported to another location where they are stockpiled in long heaps called windrows until bioremediation process is complete. However, on-site applicaiton of this method is also a practical solution.

    BIOREMEDIATION OF SUPERFUND SITES

    MAP OF SUPERFUND SITES IN CALIFORNIA

    4

  • NATIONAL CITY, CALIFORNIA

    West 22nd Street and Wilson AvenueNational City, CaliforniaUnited States

    SUPERFUND SITE ANALYSIS

    SITE LOCATION DIAGRAM

    PARK SIDE

    The park side of the site is currently used by the city as a garbage transfer station and collection point for street sweeping materials.

    FACILITY SIDE

    A release from former underground storage tanks located on the maintenance yard has impacted soil and ground water in the southern portion of the property.

    5

  • Residential

    Citys garbage transfer station

    Paradise Creek

    A charter bus company

    National Citys Public Works Departments maintenance yardand administrative of ces

    FACILITY SIDE

    PARK SIDE

    ANALYTICAL SITE PLAN

    6

  • excavation

    The proposed method of soil bioremediation was inspired by crop URWDWLRQPHWKRGVXVHGLQIDUPLQJWRUHYLWDOL]HQXWULHQWGHSOHWHGHOGV

    Combining compost with excavated soil and transfering it to temporary adjacent location for ELRUHPHGLDWLRQ

    Establishment of temporary FRPSRVWLQJIDFLOLW\

    Establishment of three adjacent VRLOURWDWLRQHOGV

    Establishing permanant composting IDFLOLW\DWWKHELRUHPHGLHGORFDWLRQ

    excavation

    bioremediation

    bioremediationwindrow formation disassembly and disposition

    t

    ELRUHPHGLHG]RQH

    initial stage 0 - 1/2 years 1/2 - 1 years1/2 - 1 year

    BIOREMEDIATION PROCESS AT THE SITE

    Soil Rotation

    Shown is the stage of establishing composting facility at the site prior to any DJULFXOWXUDOHVWDEOLVKPHQWVDQGIDUWKHUELRUHPHGLDWLRQHIIRUWV

    DIAGRAM OF THE BIOREMEDIATION STAGES

    7

  • Using compost from permanantly established composting facility for ELRUHPHGLDWLRQSXUSRVHV

    Adjacent bioremediated zone is used as temporary storage ORFDWLRQIRUH[FDYDWHGVRLO

    Permanent composting facility is established at all three bioremedi-DWHGORFDWLRQV

    excavationbioremediation excavation

    bioremediation

    2 year1 - 1 1/2 years 1 1/2 - 2 years

    BIOREMEDIATION PROCESS TIMELINE

    8

  • FACILITY SIDE

    Investigations conducted to date indicate concentrations of volatile organic com-pounds, such as benzene, may be present in soil and ground water above state action levels.

    PARK SIDE

    Current environmental conditions in this area of the site include elevated petroleum hydrocarbon concentrations in the soil and undocumented ll materials.

    BIOREMEDIATION AREAS

    MAP OF BIOREMEDIATION AREAS

    9

  • PROGRAM DISTRIBUTION

    USERS AND METHODS

    FACILITY SIDE

    Intensive Agriculture

    USERS

    Farmers and Scientists

    TECHNOLOGY

    Advanced technology and methods pivot irragation system windrow turner tractor ...

    PARK SIDE

    Horticulture

    USERS

    Community of National City

    TECHNOLOGY

    Simple tools and equipment

    Allocation of the program to these areas of the site takes into account the qualities of each. The site is subdivided by the Paradise Creek into two parts with their own distinct characteristics. The right, bossiness and commercial portion of the site is surrounded by the void of parking lots that disconnect it from the populated areas of National City. On the other hand, the left, residential por-tion is inhabited by the neighbouring community.

    MAP OF PROGRAM DISTRIBUTION

    10

  • 5-0

    8-1/4

    75-0

    ARCHITECTURE OF PRECISION

    Center-pivot irrigation systems have low labor requirements, and are economically feasible option when it comes to irrigation of larger areas of land.

    PIVOT IRRAGATION SYSTEM DIAGRAM

    COMPOSTING FACILITY DIAGRAM

    11

  • PLAN OF COMPOSTING FACILITY5 10 20 40

    The leftover space between adjacent circles, which is considered the major disadvantage of center-pivot irrigation system, becomes a positive element in the design of the landscape. Circular arrangement of the program on the site is directly related to the technology used at these particular locations. In this way, the leftover space becomes the only designable space that is not subject to any limitations. The program at these parts of the landscape is in direct relationship to the RQHZLWKLQWKHFRQQHVRIWKHFLUFOHV

    LEFTOVER SPACE DIAGRAM

    12

  • FIELD CONDITION

    q7RJHQHUDOL]HDHOGFRQGLWLRQFRXOGEHDQ\IRUPDORUVSDWLDOPDWUL[FDSDEOHRIXQLI\LQJGLYHUVHHOHPHQWVZKLOHUHVSHFWLQJWKHLGHQWLW\RIHDFK)LHOGFRQGLWLRQVDUHERWWRPXSSKHQRPHQDGHQHGQRWE\RYHUDUFKLQJJHRPHWULFDOVFKHPDVEXWE\LQWULFDWHORFDOFRQQHFWLRQV,QWHUYDOUHSHWLWLRQDQGVHULDOLW\DUHNH\FRQFHSWV)RUPPDWWHUVEXWQRWVRPXFKWKHIRUPVRIWKLQJVDVWKHIRUPVEHWZHHQWKLQJVr

    6WDQ$OOHQ

    ),(/'&21',7,213$77(512)7+(6,7(

    4 years 6 years 8 years

    TIME is the central element that gives life to the project. Biore-mediation is seen as a gradual process that is undertaken by the community of National City and local farmers using simple machinery and methods of bioremediation in order to create Community Supported Agriculture (CSA).

    13

  • 10 years 12 years 14 years

    RENDERING OF ESTABLISHING HORTICULTURE ON THE SITE

    PROJECT DEVELOPMENT TIMELINE

    14

  • Harding Ave.

    W 21st St.

    W 22nd St.

    W 20th St.

    Wilson Ave.

    Wilson Ave.

    Hoover Ave.

    SITE PLAN10050 200 400

    WaterwaysCirculation

    Community PlotsTerraced Gardens

    IslandsChimampas

    Small FieldsLarge FiledsComposting Facility

    Horticulture

    Legend

    Creek Park

    Agriculture

    15

  • 80402010LONGITUDINAL SECTION

    RESIDENTIAL AREA

    16

  • COMMUNITY

    COMMUNITY GARDENING

    Underground RainwaterCollection Tank

    The shading devices are strategically placed in locations of the site where most of communal work takes place. Besides creating a shaded atmosphere for work and recreation, these collect runoff water during rainy seasons, thus making self-suf cient farming possible.

    17

  • HORTICULTURE

    CREEK PARK

    Sheet-Pile Sea Wall

    Retaining wall

    Original Sectionof the Creeck

    18

  • FARMERS

    SMALL SCALE AGRCULTURE

    19

  • AGRICULTURE

    LARGE SCALE AGRICULTURE

    20

  • SADIMENSITE RUNPRECIPIT

    FARMERS/SCIENTISTS

    COMPOST PROBE STATION

    Leachate Collection Pool

    21

  • NTNOFFTATION

    2-4 3-41

    COMPOSTING

    COMPOSTING FACILITY

    Bioremediated soil

    Contaminated soil

    22

  • RENDERING OF COMPOSTING FACILITY

    A network of compost probe stations that are interlinked by a series of bridges above the com-post piles allow for on-site compost probing, making the process more ef cient and less time consuming.

    23

  • PHOTO OF THE SECTIONAL MODEL (COMPOSTING FACILITY)

    PHOTO OF THE SECTIONAL MODEL (CREEK PARK)

    24

  • interFACE

    SERVICE LEVEL RENDERING

    The intention of the project is to augment the feeling of HOME in an old hotel in the heart of Downtown Los Angeles that houses neighboring homeless community. It accomplishes that by recon guring various aspects of the buildings initial design, which enhances communal interaction and creates a closer bond between the residents and social workers.

    The project is very person oriented. One of the goals of design was to reincorporate this variable into the equation of architecture. Through several community engagement sessions students were able to person-ally interact with the residents of St. Marks and hear of its positive and negative sides. This information helped to formulate guiding principles that informed the design stage of the project.

    25

  • CALIFORNIA, U.S.ALOS ANGELES

    SKID ROW

    DEVELOPMENT St Marks HotelYEAR COMPLETED 1992ARCHITECT CavaediumDESCRIPTION 89 SRO unitsSUBSIDY 89 Section 8 subsidized units

    PHOTOGRAPH OF BUILDINGS FACADESITE LOCATION MAP

    SITE ANALISIS

    26

  • 105 20 40FIRST FLOOR PLAN (ORIGINAL)

    Legend:

    01 Elevator02 Lounge03 Entry04 Lounge/Kittchen05 Light Court

    06 Storage07 Trash Room08 Janitors Closet09 Bathroom10 Guest Room11 Managers Appartment

    01

    03

    02 01 05 01 05 06

    0708 09

    09

    05 10

    101004

    11

    10

    Removal of existing lightwells will free up the oor plan and permit reorganization of the program

    27

  • NOTABLE ISSUES/COMMENTS

    DESIGN PROBLEM Inadequate storage space for personal belongingsDESIGN GOAL Create an enlarged storage/locker areaPROJECT NARRATIVE To investigate how incorporation of additional storage space may make living conditions more bearable

    DESIGN PROBLEM Inadequate number of bathrooms (unisex/ADA)DESIGN GOAL Upgrade and increase the number of bathroomsPROJECT NARRATIVE To explore how incorporation of additional EDWKURRPVZLOOIUHHXSWKHWUDIFDQGHOLPLQDWHVRFLDO problems between residents

    DESIGN PROBLEM Some locations require more privacyDESIGN GOAL Introduce the element of privacy through rearrage ment of the program and selective use of protective materialsPROJECT NARRATIVE To explore how emphesis on privacy in selective areas alter the notion of home

    DESIGN PROBLEM Lobby area is too smallDESIGN GOAL Enlarge lobby area by selectively rearranging/ removing spacesPROJECT NARRATIVE To explore how the factor of spaciousness reinforces the notion of comfort

    DESIGN PROBLEM Reception area holds mail for two buildingsDESIGN GOAL Incorporate personal mailboxesPROJECT NARRATIVE To explore how direct access to personal mail extends the notion of home

    28

  • LEVEL 1 EXTRUDED FLOOR PLAN

    LV 1 CONGREGATION AREA

    LV 1 MAJOR PATH / MAIL BOX AREA

    29

  • ENCOURAGE FRIENDLY ENCOUNTERS

    Brief encounters are enhanced when a limited number of people share a common open space.

    APPLICATION Major routes pass through communal open spaces Incorporate seating along major routes

    DESIGN GUIDING PRINCIPLES

    CLUSTER SERVICES

    Clustering services around some common open space or communal area encoureges interaction between the occupants.

    APPLICATION Clustering services

    SHARED WORKSPACE

    Sharing a common workspace provides a possiblity for collaboration between residents.

    APPLICATION Incorporate facilities that meet common need around the dwelling units.

    VISUAL PERMIABILITY

    A feeling of spaciousness and visual interaction between the residents is a necessary aspect of an infomal environment.

    APPLICATION ,QFRUSRUDWHORZZDOOVWRGHQHVSDFH Use transparency whereever possible

    PROTECTION OF PRIVACY

    +LJKGHQVLW\HQYLURQPHQWRIWKHUVWRRUZKLFKLVWREHFRQYHUWHGLQWRDQLQIRUPDOVSDFHZLOOstill need to address the privacy needs of the occupants.

    APPLICATION Incorporation of Tanslucency in formal/private spaces Double-grazing as a noise brarier

    30

  • LV 2 COMMUNAL / GARDENIG AREA

    LV 2 CLOSET SPACE / COMMUNAL AREA

    LEVEL 2 EXTRUDED FLOOR PLAN

    31

  • SHARED WORKSPACES are an important element of the project that helps to reestablish the spirit of community in otherwise very individual oriented atmosphere. The strategic placement of this area along the main route allows for constant interaction between passersby and those engaged in the activities that it offers.

    COMMUNITY GATHERING PLACE/ GARDENING AREA RENDERING

    32

  • 1 25 mm pear-veneered moulded plywood element2 stainless-steel support3 60/6 mm stailess-steel angles bolted to primary supporting member on both sides4 vinyl upholstery

    1 60/6 mm stailess-steel angles bolted to primary supporting member on both sides2 vinyl upholstery

    14 3

    2

    12

    CONGREGATION AREA SEATING DESIGN

    MAJOR PATH SEATING DESIGN

    1 25 mm pear-veneered moulded plywood element2 stainless-steel support3 60/6 mm stailess-steel angles bolted to primary supporting member on both sides4 vinyl upholstery1

    4

    32

    LV 2 COMMUNAL AREA DESIGN

    33

  • 105 20 40

    FIRST FLOOR PLAN

    Design of the furniture for major areas of the project links the overall design and enhances the feeling home.

    34

  • 105 20 40

    TYPICAL FLOOR PLAN

    35

  • 105 20 40

    LONGITUDINAL SECTION

    36

  • + =

    GECO (Glendale Ecological Neighbourhood)

    MODEL PHOTO

    What will happen if the contrasting qualities of suburban area are blended together with the urban ones? Will this relationship create an atmosphere of tension with the surrounding environment, or will it gradually assimilate and become a part of the city?

    37

  • Neighbourhood Name Distinguishing Quality Ongoing Activities Predominant Typology Span

    Eco-CommunityGardening

    JoggingWalkingBiking

    Single Family Houses Geneva St.N. Glendale Ave.

    Eco-Gardening

    Neighbourhood Name Distinguishing Quality Ongoing Activities Predominant Typology Span

    Typical Commerceoriented

    Department storeFast-food restaurantResidential Appartments

    Geneva St.N. Glendale Ave.

    Commercial

    134 FreewayN.

    Glen

    dale

    Ave.

    +

    =This project is a utopian vision that blends distinctive qualities of suburban environment in an urban setting, attempting to create an innovative solution to urban farming. To ac-complish this, it establishes symbiotic relationship between two adjacent neighborhoods in Glendale, California. Separated from one another by freeway, these neighborhoods evolved distinctive qualities which when combined together create a super unit that stiches together fragmented city fabric.

    Agricultural urbanism is the link that fuses together eco-community gardening neighbor-hood and commercially oriented one. By introducing contrasting qualities of an agrarian life-style into the city environment, the project looks at a possibility of such implementa-tions in a hasty urban environment like Los Angeles.

    The transformation process happens mostly at the level of implementation, rather than demolition. The removed elements of existing city fabric are replaced by ones that serve similar purpose in the proposed urban farming scheme.

    The aim of the studio was not to seek out working solutions to existing problems, but rather take existing conditions and respond to them in an innovative and creative way.

    NEIGHBOURHOOD MAP

    38

  • 100300 sq ft

    167000 sq ft

    329862 sq ft

    122713 sq ft

    1%

    3%

    90%

    6%

    Analysis of existing neighborhood struc-ture shows that approximately 95% of the neighborhood is residual space that may be subjected to transformation.

    NEIGHBOURHOOD ANALYSIS DIAGRAM

    39

  • furnace feed

    LIVESTOCK PROCESSING AGRICULTURE

    wormcomposting

    cane forage andpasture

    legumes

    export production

    rice and beans

    corn and sorghum

    patiostorage

    GRAINS - FRUITS - VEGETABLES

    recycled water - irragationdirtywater

    EGGS - MEAT - MILK

    Birds

    Pigs

    Cattle

    GXFNDQGVKpond

    rain water collection

    PHDWDQGVKPHDOIRUKXPDQIRRGDQGDQLPDOV

    1HDUJUDVVHOGV Near trees

    Near water pond

    irrigation

    animal food

    fertelizer

    chopper

    OWUDWLRQ

    latrine

    KITCHEN

    Transformation of the neighborhoods involves incorporation of features of self-sustaining farm design, in which relationship between separate sectors plays a crucial role.

    SELF-SUSTAINING FARM DIAGRAM

    40

  • EXISTING CONDITIONS SITE PLAN

    Movement through the site is a dif cult task due to several reasons. The site is framed by on-way streets on the western and southern side, so in order to get to desired destination a driver has to cover long distances, at times, circulating around the entire block. Replacement of these streets with agricultural elds and incorpora-tion of alternative infrastructure to serve the needs of agrarian community was chosen as compromise to achieve the goals of the project.

    EX50 100 200 400

    XISTING CONDITIONS SITE PLAN

    Movement through the site is a dif cult task due to several reasons. The site is framed by on-way streets on the western and southern side, so in order to get to desired destination a driver has to cover long distances, at times, circulating around the entire block. Replacement of these streets with agricultural elds and incorpora-tion of alternative infrastructure to serve the needs of agrarian community was chosen as compromise toachieve the goals of the project.

    50 100 200

    41

  • INTERGRATION SITE PLAN

    Alterations to the existing environment happen at several levels. At the neighbor-hood scale, it is incorporation of large, agricultural elds which become shared-workspaces that foster a communal atmosphere. At the level of dwellings it is individual plots that offer an option of speciali-zation.

    Irrigation of the elds is maintained by a grav-ity based irrigation system that relies on two basins that eventually drain into a pond located at the entrance to the freeway.

    INTE

    Altehoosharof dzatio

    Irrigity on tdraithe free

    50 100 200 400ERGRATION SITE PLAN

    rations to the existing environment happen at several levels. At the neighbor-d scale, it is incorporation of large, agricultural elds which become red-workspaces that foster a communal atmosphere. At the level

    dwellings it is individual plots that offer an option of speciali-on.

    ation of the elds is maintained by a grav-based irrigation system that relies two basins that eventually n into a pond located at entrance to theway.

    50 100 2005 00LAN S

    200RATIO PLANRATION TE PSITT

    42

  • SITE PLANSIT50 100 200 400

    TE PLAN50 100 200 4

    43

  • HOUSING TYPOLOGIES

    Incorporation of these main elements into the fabric of existing neighborhood subdivides the farming community into specialized zones that require hybridiza-tion of the newly implemented elements with existing conditions. Several typologies that arise from this are market typology, livestock farm typology, sh farm typology, wash farming typology.

    HOUSING TYPOLOGIES

    Incorporation of these main elements into the fabric of existing neighborhoodsubdivides the farming community into specialized zones that require hybridiza-tion of the newly implemented elements with existing conditions. Severaltypologies that arise from this are market typology, livestock farm typology, shfarm typology, wash farming typology.

    FISH FARM TYPOLOGY

    WASH FARMING TYPOLOGY

    MARKET TYPOLOGY

    LIVE STOCK FARM TYPOLOGY

    44

  • COMMUNAL GARDEN COLLAGE

    FISH FARM COLLAGE

    Is this sort of life-style possible in the urban context?

    45

  • LIVE STOCK FARM COLLAGE WASH FARMING COLLAGE

    If so, how the values of life associated with community oriented gardening will in uence the neighboring community?

    46

  • FREEWAY SECTION COLLAGE

    The produce from the farm is regularly sold at the farmers market located in the commercial area on the opposite side of 134 freeway.

    The terraced gardens and sh farm create a place with opportunities for recreation.

    GARDEN SECTION COLLAGE

    47

  • Large agricultural elds link neighbors closer together, fostering atmosphere of community and cooperation.

    48

  • INTERIOR RENDERING

    WOODBURY UNIVERSITYFILM SCHOOL

    The central part of the project is the grand stairway that besides serving its main purpose also acts as a congregation space. As one ascends or descends it, he is constantly bombarded by visual stimuli, be it silk-screen printed glass overlaid with a layer of moving people behind it, or a direct view into a production space. This experience that affects all the senses forms in the mind of a spectator an overall image of the lm school.

    49

  • The main materials used in the project are concrete and glass. With the aid of silk-screen printing they are transformed into visual billboards that speak to the inhibitors of the space through means that go beyond their material properties.

    This new cinematic aesthetics of density seems to be highly appropriate for our age. If we are surrounded by highly dense information surfaces, from city streets to Web pages, it is appropriate to expect from cinema a similar logic. In similar fashion, we may think of spatial montage as re ecting another contemporary daily experience working with a number of different applications on a stream of traditional cinema.

    Lev Manovich

    EXTERIOR RENDERING

    CONCEPT DIAGRAM

    CONCEPTUAL DESIGN

    The intention of the project is to manifest the idea of montage in architecture. The major part of its conceptual design is in uence by Lev Manovichs spatial montage theory.

    The attempt to recreate spatial montage experience within the project relies on the graphic methods used by Herzog & de Meuron in Eber-swalde Library, combining them together with an assortment of views that unfold before a spectator as he journeys though the building.

    The shape of the building that is very minimal in its nature is created through simple subtractions from a solid rectangular form. This elementary cutting and editing process produces visually permeable space with an extensive opportunity for montage experience.

    50

  • 00 SOUND STAGE

    11 Legend01 Equipment02 Set Shop03 Sound Stage04 Control Room05 Dressing Room06 Makeup Room07 Costumes08 Props09 Service Elevator10 Freight Elevator11 Hallway12 Restrooms13 Fan Room

    02

    05

    01

    13

    03

    09

    0405

    06

    07

    08

    10

    8

    10 20 40 80

    51

  • 01 PRODUCTION

    20

    0904

    09

    07

    18

    17

    1016

    15

    09

    08

    11

    1903

    01 02

    10

    07 07

    Legend01 Sound Editing Classroom02 Still Photo Studio03 Motion Capture Roo04 After Effects05 Ajunct Space06 Conference Room2IFHV08 Garden09 Classrooms10 Cafeteria11 Lobby12 Restooms13 Service Elevators14 Freights Elevator15 Set Shop16 Sound Stage17 Main Entrance18 Arcade19 Pool

    0

    10 20 40 80

    52

  • 02 CLASSROOMS/ADMINISTRATION

    The grand stairway, at various levels, morphs into an outdoor social space where students may congregate in their spare time.

    01

    14

    15

    06

    05

    02

    07

    03

    10

    09

    12

    10

    0408

    09

    13

    16

    08

    11

    16

    Legend01 Parking Lot Entrance02 Loading Dock03 Media Library04 Directing Studio05 Screening Room06 Projecting Room07 Classrooms08 Seminar Rooms09 Editing Rooms10 Sound Editing Room11 Administration12 Gym13 Equipment14 Dressing Room15 Swimming Pool16 Restroom

    10 20 40 80

    53

  • 03 ROOF PLAN

    03

    04

    01

    02

    Legend01 Parking Lot Entrance02 Service Elevator03 Loading Dock04 Swimming Pool05 Gym

    05

    10 20 40 80

    54

  • 01

    55

  • 06 05

    08 03

    06

    02

    04

    Legend01 Outdoor Garden02 Caffe03 Lower Level Lobby04 Sound Stage05 Directing Studio06 Entrance to the Screening Room07 Projection Room08 Equipment

    03 Lower Level Lobby

    5 10 20 40

    LONGITUDINAL SECTION

    56

  • 05

    07

    03

    04

    57

  • 13

    01

    09

    02

    11 14

    10

    12

    08

    Legend01 Main Entrance02 Caffe03 Lounge04 Interior Pool05 Elevators/Stairs06 Loading Dock07 Library08 Projection Room09 Screening Room10 Grand Stair11 Hallway12 Rooftop/YAZAKI Solar Cooling Panels13 Props14 Dressing Room

    5 10 20 40

    CROSS SECTION

    58

  • The method of construction uses tilt-up walls out of precast concrete. Use of concrete is bene cial for the program of the project that requires noise free environment in the area of production.

    CIRCULATION DIAGRAM

    STRUCTURE DIAGRAM

    CONCRETE

    STEEL

    VERTICALCIRCULATION

    HORIZONTALCIRCULATION

    The grand stairway that cuts diagonally through the building, starting at the upper level and going all the way down into the basement is the primary circulation path. The secondary path-ways branch off of it, like nerves in the spinal cord.

    59

  • The envelope of the building consists of precast concrete rain screen panels and double glazing windows with silk-screen pattern printed on them.

    ACCESSIBLE ROUTES DIAGRAM

    ENVELOPE DIAGRAM

    LIFE-SAFETYAND EXITING

    Primary life-safety and exiting routes are indicated by yellow arrows. In case of re, either primary circulation routes or enclosed re stairs may be used.

    60

  • Interior pool coolsGRZQLQFRPLQJDLUcurrents

    People, lights, and surroundingsbecome potential heating sourcesfor air currents

    %\PHDQVRIQDWXUDOFRQYHFWLRQZDUPDLUHVFDSHVWKURXJKthe opening on the opposite side.

    7KHVORSHRIWKHJUDQGVWDLUZD\aids in leading the currents outof the space.

    61

  • YAZAKIAbsorbtionChiller

    Silkscreen Film

    Sunlight

    Limited Exposureto Exterior Light

    $LURZWKURXJKadjustable vents

    Radiant HeatingTubing

    Chilled Beams

    StorageTank

    Solar ThermalCollector

    ENVIRONMENT/LIGHTING DIAGRAM

    The silk-screen printed glass that lines the skin of the building serves as protection mechanism against excessive solar radiation. Only insigni cant amount of light enters into the space, thus providing only enough solar energy to illumi-nate the space but not to warm up the concrete mass. In the long run this conceptual move that serves double purpose reduces energy cooling costs without requiring much maintenance.

    62

  • THE HOMELESS CAPITAL OF THE NATION

    T.L.C. is the missing thread in the urban fabric of downtown Los Angeles that acts as a mediator between the HOMELESS and the COMMUNITY, a TEXTILE RECLAMATION and the FASHION DISTRICT. Production and distribution of clothing form a cycle that gives clothing and homeless a new chance in life.

    Participation of the homeless is a vital part of the textile recycling program that establishes sym-biotic relationship between the contrasting INDUSTRIAL scale and the ASSISTANCE CENTER. Acting as both primary and secondary elements for the homeless, the textile recycling program helps to give new opportunities to those in need by enriching their moral character and opening the door to a better place in society.

    The southern faade of the building is a constant FLUCTUATING CLOTHING BILLBOARD that uses sunlight as the primary process to dry and sanitize washed textiles. In addition to acting as a useful brise- soleil that shades and lters sunlight, it is a COMMUNITY FAADE that creates oblique visual corridors to the interior as well as passages for the body to move through. This surface is a veil that creates ambient conditions for the T.L.C. The rest of the surface for the building is organized by the tectonic order where the transparency of the building is gradually dispersed as ones eyes move vertically along the building. The factory is seen as transparent, of ce as semi-transparent, and housing as private-transparent. The limit of perception of the interior belies the condition of transparency and spectacle from the exterior.

    The CELEBRATION OF CLOTHING becomes a visible symbol of a new typology in the urban fabric of downtown L.A.

    T.L.C [TEXTILE.LIVING.CENTRE]rethreading humanity back into the urban fabric

    Team Members:Aaron Guilford

    Kevin LeOleg Kurilenko

    CALIFORNIA, U.S.A

    SKID ROW

    63

  • LOS ANGELES

    EXTERIOR RENDERING

    SITE LOCATION DIAGRAM

    64

  • singlerooms

    cubicles

    bunks

    cloth

    ing c

    arou

    sel.

    cloth

    ing c

    arou

    sel.

    cloth

    ing c

    arou

    sel.

    cloth

    ing c

    arou

    sel.

    production factorydistribution (market)

    administration+

    treatment facilities

    housing

    retail

    PROPOSAL FOR FACTORY, ASSISTANCE + HOUSINGTYPICAL MIXED USE PROGRAM

    PROGRAM CONCEPT DIAGRAM

    65

  • PRODUC

    TION

    DISTRIB

    UTION

    damaged clothingfrom homless

    donation truckgood will

    donation binshelping hands

    loundry facilities

    clothing carousel

    refurbished clothingto holemless

    fashion institute ofGHVLJQDQGPHUFKDQGLVH>GP@919 grand ave.1.2 mi

    DPHULFDQDSSDUHO>DD@747 warehouse st.1.1 mifashion district9 th st. & towne ave.0.8 mi

    IN

    OUT

    The process of clothing operates as a cycle PRODUCTION + DISTRIBUTION

    66

  • EN

    7 pm

    3 pm

    12 pm

    9 am

    east sixth street

    south

    san p

    edro

    stree

    t

    TENANTS REMOVE + FOLD CLOTHESFROM CAROUSEL

    AMBIENT LIGHT IS FILTEREDAFTER PASSIVE THROUGH CLOTHES

    june sun

    winter sun

    SOUTHWEST

    CLOTHING CAROUSEL: BRISE SOLEIL

    SUN DIAGRAM

    The clothing carousel is oriented to the south, where clothes are ex-posed to warm California sun throughout most of the day.

    67

  • CLOTHING RACK:SWAP MEET + DISTRIBUTION01 1-1/4 Z-FRAME TUBING02 4 DIA. INDUSTRIAL CASTERS03 61 LENGTH X 69 HIGH04 WELDED SUPPORT TUBE @ 45 DEG.

    CLOTHING DONATION BIN01 1/4 STEEL PLATE02 2 TUBING; APPLY ANTI-RUST PAINT03 SEMI-ENCLOSED LOCK BOX

    01 01

    02

    02

    03

    03

    04

    PANTS

    WORKERS MOVE CLOTHESTO WASH

    HATCH ALLOWS TENANTSTO DROP CLOTHES TOFACTORY

    SHIRTS UNDIES

    CLOTHING CHUTE: CIRCULATION + DIRTY LAUNDRY01 ELEVATOR02 CLOTHES BIN

    01

    02

    68

  • C CLOTHING CAROUSEL: MECHANICAL SYSTEM

    01 GUIDE GEAR02 CHAIN TRACK SYSTEM03 CLOTHING HANGING RAIL04 CLOTHING LINE STRUCTURE ASSEMBLY05 TENSION BRACING

    01

    02

    03

    04

    05

    The factory manufactures products that SHADE the homeless who reside there.

    INTERIOR PATIO RENDERING

    69

  • DT: C

    DT: B

    DT: A

    2 units available

    4 units available

    16 units available

    per

    modu

    le pla

    n

    per m

    odule

    plan

    per m

    odule

    plan

    16 housing: single room

    15 housing: single room

    14 housing: single room

    18 roof

    01 ground level: factory00'-00"

    344'-0"

    332'-0"

    208'-0"

    220'-0"

    196'-0"

    181'-0"

    166'-0"

    151'-0"

    136'-0"

    121'-0"

    106'-0"

    91'-0"

    76'-0"

    61'-0"

    47'-6"04 lobby mezzanine: cafeteria

    02 lobby + cafeteria

    OREE\PH]]DQLQHRIFHV

    23'-6"

    35'-0"

    05 exterior space

    06 housing: bunk beds

    09 housing: bunk beds

    08 housing: bunk beds

    07 housing: bunk beds

    10 housing: cubicles

    11 housing: cubicles

    12 housing: cubicles

    13 housing: cubicles

    17 housing: single room

    Cots

    Bunks

    SROs

    SOUTHWEST SECTION20 40105

    70

  • B STRUT DETAIL

    01 12" I-BEAM02 3" STEEL DECK03 CONCRETE FLOOR04 STEEL PIPE05 GUSSET PLATE06 STEEL BOLTS

    01

    02

    03

    04

    05

    06

    A ADMINISTRATION FLOOR ASSEMBLY+ TRUSS SYSTEM

    01 T MEMBER02 INSET FLOOR PANELS03 STEEL STRUT04 GUSSET PLATE05 STEEL BOLTS

    01

    03

    0402

    05

    71

  • 02

    05

    07

    06 03

    01

    04

    01 lobby

    02 main entrance

    EHUUHFODPDWLRQPLOO04 receiving area

    05 laundry

    06 clothing line

    07 drop-off area

    08 clothing market area

    LVL 00 FACTORY

    205 10 40

    The heart of the building is its lower level. This is the beginning and the end to the whole cycle of operation that happen on it premises.

    72

  • 205 10 40

    LVL 06 HOUSING; TYP.

    05

    03

    0402

    01

    01 bunks

    02 circulation core

    03 clothing chute

    04 sorting area

    05 clothing carousel

    73

  • MODEL PHOTO OF THE LOWER LEVEL

    VIEW OF THE CLOTHING CAROUSELWORMS VIEW OF THE BUILDING

    The structure ehibits the free plan methodology to contradict the principle of load distribution.

    74

  • Helix Wind Turbines

    POWERED BY BIOF

    UEL

    PPPen

    Public vs Private Diagram Circulation Diagram Concept Diagram

    75

  • Algae PhotoBioreactor

    Steel Collumns of ExistingPower Station

    Reinforced Concrete Construction

    Solar Panels

    SummerSolstice

    WinterSolstice

    Equinox

    BatteryBank

    CO2

    Recycled WaterWater ProcessorAir ProcessorNutrients

    The intention of this project is to introduce safe and ef cient ways of generating energy in an urban environment. It aims to accomplish this by rejuvenating an old, unwelcoming pow-er station that stands in the midst of lively environment near LAX.

    This monument to ancient technology nds its new beginning in the self-sustaining apartment complex, which becomes the symbol of a new generation, when reliance on a single power source is a thing of the past.

    Elevated high above the ground level, the apartment complex is il-luminated by the sun from its southern side year-round. In addition, its proximity to the ocean is the cause of a windy and humid en-vironment. These potential forces of nature become the sources of power generation through the use of windmills and biotechnology.

    Modi ed to accommodate load of the building existing steel structure of the power station provides foundation for the reinforced concrete construction.

    Power Distribution Diagram

    SITE PLAN

    76

  • OHOO

    O

    OO

    OO O

    OH

    OH CH3O

    CH3OCH3O

    CH3

    CH3CH3

    CH3

    CH3CH3

    Sun light

    Oil Extraction

    AlgaeMonoculture

    ExistingTechnology

    BiofuelProduction

    CH3OHKOHheat

    Protein Residue

    A population of algae is stored in the panels that make up the main skin of the building, which act as environmental protection barrier. Relying on natural process of photosynthesis algae absorbs sunrays and harmful carbon di-oxide from the surrounding environment and release oxygen and biodiesel fuel as the by-products of this process. By having enough of these panels on the building and also creating arti cial conditions for algae growth in the place of older power station this project aims at greener ways of produc-ing energy and contributing to the economy through production of biofuel.

    PROCESS DIAGRAM

    77

  • Gulan

    a Ave.

    Talbert Ave.

    lana A

    ve.

    Talbert Ave.

    The shape of the building reveals its func-tions through strategic mixture of the wind turbines and algae stations with the program of the apartment complex, which gives it chess board-like organization in elevation.

    BIRDS EYE VIEW

    ELEVATIONAL VIEW

    78

  • Organization of the units follows the shape of the bio-fu-el molecule, breaking down living space into a se-ries of subspaces appropriated for different functions.

    ONE BEDRROOM UNIT PLANONE BEDRROOM UNIT PLAN

    79

  • THREE BEDRROOM UNIT PLANTWO BEDRROOM UNIT PLAN

    0 5 10 30

    Three Bedroom

    Two Bedroom

    One Bedroom

    THREE BEDRROOM UNIT PLANTWO BEDRROOM UNIT PLAN

    0 5 10 30

    80

  • Modi ed steel structure of the power station pro-vides foundation for the reinforced concrete construction.

    81

  • Three Bedroom

    Two Bedroom

    Single

    One Bedroom

    Private Spaces

    Vertical CirculationVertical Circulation

    0 5 10 20SECTION

    82

  • The lower level parking area can only be accessed through a gently sloped ramp running between two wings of the apartment com-plex. Staircases and elevator serve as the main circulation routes.

    0 10 20 40

    MECHANICAL

    EQUIPMENT

    ELEVATOR LOBBY

    TRASH

    PARKING LEVEL PLAN

    83

  • 0 10 20 40Second (Typical) Floor Plan of the building shows general distribu-tion of dwelling units and wind turbine stations throughout the build-ing. Most of the horizontal and vertical circulation is located on the inner side of the building, which is protected from direct daylight.

    Horizontal Circulation

    Vertical Circulation

    TYPICAL LEVEL PLAN

    84

  • A A

    Several bands of paper constructs are joined together to create a eld condition with unique spatial characteristics.

    FIELD CONDITION PLAN

    JOINING DIAGRAM

    FIELD CONDITIONS STUDIES

    85

  • Paper studies of the chosen eld condition revealed possible manipulations that could be applied to the landscape on the site. BIRDS EYE VIEW

    86

  • 0 50 100 200Key:

    Steep Slope

    Flat SlopeShallow Slope

    Slope Angle

    East

    West

    Chapparal

    Oak and Walnut

    Major Plant Communities Significant Slope Orientations

    SITE ANALYSIS DIAGRAMATIC PLAN

    SITE RESEARCH

    87

  • Careful examination of the map revealed that the slope, which is the main variable in water runoff, is directly in uenced by the runoff in return. It is dis-tinctly visible when slope orientation and hydrology layers are examined. Concave regions created by erosion house a wide variety of vegetation.

    Knowing the effects of water runoff on the formation of the slope, it is possible to point out potentially

    dangerous zones on the site where the building would be the most susceptible

    to natural forces.

    DIAGRAMATIC SITE MODELKEY PLAN

    RESEARCH GROUP MEMBERS:

    Oleg KurilenkoManuel Sanchez

    88

  • The design of the cemetery may be viewed as a series of sliding plates that by oating on the surface of complex topography cre-ate a variety of opportunities. The site having a slope that is beyond acceptable limits, is accessible by a series of ramps that wind around the plates. These begin at the lower elevation and gradually as-cend higher, breaking down the space into a series of sub-areas.

    CEMETERY BIRDS EYE VIEW

    SLIDING PLATES

    CEMETERY

    89

  • Over time, natural features slowly inte-grate themselves into the layout of the cemetery. Using gabion wall as the main reinforcing strategy will eventually make architecture a part of nature.

    The program is localized in these areas in such a way that the circulation through the space becomes meaningful. As one ascends the ramps, he is always walking towards scenery framed by surrounding walls or a memorial space.

    In addition, features like interplay of shad-ows and light and framed view ahead in-tensify experience of the space.

    VIEW OF THE LOCULI

    INTERIOR RENDERING

    90

  • Male/Female Restrooms and LavatoriesChapelsDrinking FountainsOfficesAsh Distribution Location

    Program

    4

    1

    2

    3

    5

    0 20 40 80

    1

    1

    5

    22

    2

    2

    3

    3

    4

    Memorial spaces, instead of breaking continuity of the eld condition estab-lished on the site, are integrated into it in such a way that its integrity is preserved.

    SITE PLAN

    91

  • Natural Burial PlotsInurnments ColumbariaLoculli

    Burial Plots

    0 20 40 80

    BURIAL PLAN VIEW

    92

  • NATURAL BURRIALPLOTS

    GABION WALL

    COMPACTED SOIL

    SECTION DETAIL

    SECTION DETAIL

    93

  • 0 10 20 40

    INURNMENTS PLOTS

    CONCRETE WALL

    SECTION DETAIL

    The placement of the plots strictly responds to conditions set by the site, particularly hydrology and ora. The natural burial plots are located at higher elevation, whereas loculli, columbaria, and inurnments are placed at lower locations depending on appropriateness and necessity.

    Location of the natural burial plots at higher elevation aids in fertilization of the soil. Water runoff caries nutrients and minerals to the surrounding vegetation and also washes away the toxins. Thus the water that ar-rives to the collection pond at the bottom of the hill is free of pollutants.

    SITE SECTION

    94

  • Orderly appearance of the cemetery on the face of unorderly landscape, establishes a new order. A eld condition created by the sliding plates al-lows expansion upon necessity. It may be adapted to nearby hillside con-ditions, which facilitates future planning and management of the cemetery.

    SITE MODEL

    95

  • MATERIAL DIAGRAM

    gabion walls soil concrete

    CIRCULATION DIAGRAM

    MORPHOLOGY DIAGRAM

    96

  • Fictional client chosen for this project is a 74 years old certi ed yoga instructor, who specializes in esoteric methodic to combat Multiple Sclerosis. Due to personal reasons he was urged to move from his Beverly Hills house in California, where he has been teaching yoga classes since 1951, to the newly designed one.

    He wants the atmosphere of his new place to resemble the one of his prior dwelling, and incorporate into it as many of the memorable features as possible. Those would be: a spacious meditation room, where he conducts classes on regular basis, and a small garden space, where he likes to meditate.

    He prefers natural materials over man made ones, because he believes that these act as transistors of energy that circulates within the universe. Wood, to which he is already accustomed to, would be a perfect choice.

    His main emphasis in the program of the space is the yoga studio, because he spends most of the time there. Its preferred location would be close to the garden facing the hillside. The rest he leaves up to our design crew and entrusts us to design a convenient dwelling place that would satisfy his material needs.

    He also likes to maintain the spirit of companionship and celebration in the house, so he keeps a close relationship between himself and his students. Thus, he requested that the house has an open plan, and the studio space is not alienated from the rest of it.

    YOGA HOUSE

    97

  • SCHEMATIC DESIGN

    CONCEPTUAL SKETCH

    ELEVATIONSSITE PLAN

    98

  • The site chosen for the project is a sloped one. Elevating the building above the ground and placing a carport below proved to be a successful strategy for redistribution of soil.

    99

  • 0 5 10 20

    SITE PLAN

    100

  • 101

  • 0 5 10 20

    SITE SECTION

    102

  • 0 4 8 16

    103

  • FIRST FLOOR PLAN

    104

  • 0 4 8 16

    CROSS SECTION

    105

  • 0 4 8 16

    NORTH ELEVATION

    106

  • 0 1 2 4 WALL DETAIL

    107

  • 0 1/2 1 2

    FOOTING DETAIL

    108

  • Garden Space

    Seminar Space

    Locker Rooms/Restrooms

    Kitchens/Workstations

    Storage

    Library

    Conference Room

    Private Office/Open Office

    Public Restrooms

    Cafe

    Bookstore

    Restaurant

    Auditorium

    Program Diagram of the building analyses distribution of spaces in relationship to each other.

    Cutting and slicing is an important part of culi-nary art. One may even speculate that it is the most essential act which begins the process. This notion is expressed in the sectional form of the building that exposes interior spaces and as the result accentuates the open nature of organic farming, which has nothing to hide be-cause it offers only that which nature provides.

    PACIFIC RIM CULINARY ACADEMY

    PROGRAM DIAGRAM

    109

  • Main circulation stairway that connects the three stories is exposed to the public. Interior circulation that is associated with private mat-ters is concealed from the public within the wall of the building.

    CIRCULATION DIAGRAM

    STUDY MODELS

    CONCEPT DIAGRAM

    110

  • INTERIOR RENDERINGThe gardens provide outdoor lounge areas for students.

    111

  • NSE

    W

    NE

    SE

    SW

    NW

    Horizon Plane

    Winter Shadow at Midday

    Summer Shadow at Midday

    Sunrise

    Sunset

    9 AM

    6 PM

    Midday79 degrees

    32 degrees

    Location: Pasadena, CaliforniaLatitude: 348' 52'' NLongitude: 1188' 40'' W

    SUN DIAGRAM

    112

  • Garden Space

    Lounge

    Restaurant

    Audito

    Outdoor Cafe

    W

    S/FS

    W

    S/F S

    10 40

    20

    The stepped-slab typology of the build-ing makes gardens an inseparable part of the building. Oriented south, they are elimi-nated by the southern sun most of the year, which increases their yield capacity. Besides that winter, spring and fall sun light enters into workshops and lounge areas provid-ing natural light throughout most of the year.

    113

  • PublicRestroomsEmployee Room

    Bookstore

    Library - StacksReading Room

    Library - Stacks

    Semenar SpaceLockers - Men Lockers - Women

    Kitchen/Workshop Kitchen/Workshop

    Main Enterance

    orium

    M W

    Restrooms

    LONGITUDONAL SECTION

    114

  • Auditorium

    Garden Space

    Library - Stacks

    Library - Stacks

    Kitchen/Workstations

    Semenar Space Semenar Space

    10 40

    20

    Classrooms are located above the ground level, close to the gardens and away from noisy environment of the street. The rest of the program, on the other hand, gravitates towards the ground lev-el that is freely accessible to the public.

    115

  • Auditorium

    Restaurant

    Outdoor Cafe

    Garden Space

    Garden Space

    Lounge

    CROSS SECTION

    116

  • BookstoreOutdoor CafeRestaurant

    B St. An

    In plan the building emphasises openness of space and re ects sec-tional morphology of the building.

    117

  • Library - Stackse

    C

    Andrew Ave.

    Hollywood Blvd.

    0 5 10 20

    GROUND LEVEL PLAN

    118

  • Reading Room

    Garden Space

    Open Office

    AuditoriumSeating AreaRestaurant

    119

  • Library - Stacks

    e Space Private Office Public Restrooms

    Conference Room

    0 5 10 20

    Stage Lobby

    PublicRestrooms Entrance

    Employee Room Entrance 0 5 10 20

    UNDERGROUND LEVEL PLAN

    FIRST LEVEL PLAN

    120

  • Team Members:Castellanos, Paul

    Kurilenko, OlegYang, Mike

    Design Firm: Gangi Architecture in cooperation with Debbie Gates

    Development Consultant: Grace Farenbaugh

    The internship was mainly focused on construction of a scaled model of Burbank Cultural Arts Center designed by Gandi Architec-

    ture rm. The intention of the project was rejuvenation of an old Burbank neigh-bourhood through introduction of a cultural center with a large programmatic spectrum.

    DETAILS VIEWSOF THE MODEL

    BIRDS EYE VIEW OFTHE MODEL

    121

  • SITE PLAN

    BIRDS EYE VIEW / PROGRAM DESCRIPTION

    122

  • MATERIALS AND METHODS: THE THERME VALS BY PETER ZUMTHOR

    EXTERIOR VIEW OF THE CONCTRUCT

    123

  • The objective of the project was to choose a precedent for a thorough study and analyse materials, and methods of con-struction used in the project. Based on the information obtained each group of students was asked to design a small space that would communicate the essence of the project. Peter Zumthors Baths at Vals, Switzerland was the project of choice for our team.

    The space was designed in such a way that the main open-ing that admits light into the space is a slit created by partition-ing of the roof. The interior of the space has a chamber like enclosure that is intended to be lled up with water so the wet surface of stone would glitter in the dim interior atmos-phere. Unfortunately the project, when presented, was miss-ing a roof because the concrete did not cure completely. Nonetheless, functionality of the space did not suffer from this.

    INTERIOR VIEW OF THE BATHS

    GROUP MEMBERS:Cesar BeltranOleg KurilenkoChristinaJoel Leon

    124

  • EXPLODED AXONOMETRIC

    125

  • 15 c

    m15

    cm

    15 c

    m

    STONE SLAB PATTERN DIAGRAM

    STONE SLAB PATTERN PHOTOGRAPH

    126

  • STRUCTURAL DIAGRAM

    Concrete

    Stone Slabs

    CONSTRUCTION PROCESSIn the original construction the stone is the framework into which concrete is poured, so when the stone bonds with the concrete a lay-ered wall is created that is able to withstand and preserve high thermal levels in the baths.

    The original method of construction could not be followed because of unavailability of the natural stone used in construction. In-stead, thin slate was cut to the right thick-ness and attached to the wooden frame-work into which concrete was poured.

    127

  • 128