1. Okrajov formy vizualizace datTom MarekZdroj: FISCHER, Andreas Nicolas - http://anf.nu/

2. Okrajov formy vizualizace datTom Marek, 9. 5. 2012 Osnova: cholera a pragmatick vizualizace / trocha teorie (pr definic a zkladn taxonomie) / popis problmu umn a designokupuje vizualizaci / jak k tomu vlastn dolo (data - software - sdlen) / co je jet vizualizace a co u ne, aneb minimln poadavky /nejvraznj okrajov formy social infovis, ambientn vizualizace, umleck vizualizace / jak to cel uchopit: pr zkladnchtermn a model na zvr; Pro: protoe se s okrajovmi formami setkvme stle astjia je dobr vdt, co to vlastn je, jak to pojmenovat a kam to zaadit; 3. Zdroj: SNOW, John. On the Mode of Communication of Cholera. London: John Churchill, 1855. 4. Zdroj: SNOW, John. On the Mode of Communication of Cholera. London: John Churchill, 1855. 5. Zdroj: FROST, W. H. Snow on Cholera: being a reprint of two papers by John Snow. New York: Commonwealth Fund, 1936. 6. vdeck / akademicktradin / klasick / pragmatick / utilitrn 7. Pouit potaem podpoen, interaktivn, vizuln reprezentace dat za elemrozen kognice / zskn vhledu.Card, Mackinlay, Shneiderman (1999)Readings in information visualization: using vision to think.San Francisco, California: Morgan Kaufmann Publishers, 686 s. ISBN 15-586-0533-9. 8. Pouit potaem podpoen, interaktivn,vizuln reprezentace abstraktnch dat za elemrozen kognice / zskn vhledu. Card, Mackinlay, Shneiderman (1999) Readings in information visualization: using vision to think. San Francisco, California: Morgan Kaufmann Publishers, 686 s. ISBN 15-586-0533-9. 9. Taxonomie datov vizualizace Datavis InfovisScivis+ Geovis (Spence, 2007) 10. Data visualization has little to do with art, though aesthetics are involved in displaying data effectively. Rather, it mostly involves science, a set of rules based on what we know aboutvisual perception and cognition, which we can follow to display information effectively. When these rules are understoodand software is designed to support them, then, and only then,great things can happen. Stephen Few (2007) Data Visualization: Past, Present and FutureDostupn z: http://www.perceptualedge.com/articles/Whitepapers/Data_Visualization.pdf 11. Zdroj: Karen Mahoney, http://bostonhandmade.blogspot.com 12. Zdroj: Karen Mahoney, http://bostonhandmade.blogspot.com 13. Zdroj: Karen Mahoney, http://bostonhandmade.blogspot.com 14. Pouit potaem podpoen, interaktivn, vizuln reprezentace dat za elem rozen kognice / zskn vhledu (???). neer ozhodn homon, al , analytick hoklasickCard, Mackinlay, Shneiderman (1999)Readings in information visualization: using vision to think.San Francisco, California: Morgan Kaufmann Publishers, 686 s. ISBN 15-586-0533-9. 15. Zdroj: Karen Mahoney, http://bostonhandmade.blogspot.com 16. Co s tm? Klasick definice nepopisuj formy,se ktermi se setkvme stle astji.Klasick definice je teba rozit nebovymyslet jin, kter popou a zasad aktuln trendy do kontextu klasick datavis/infovis. 17. Jak se to vlastn stalo,e se o vizualizaci informac zaalazajmat mnohem ir komunita lid ne doposud? 18. 1,8 ZB vyprodukovno v roce 2011 Podle Digital Universe. EMC The Leader in Cloud, Big Data and Trust [online]. 2012 [cit. 2012-05-08].Dostupn z: https://www.datacenterknowledge.com/archives/2011/09/26/in-the-pipeline-a-tidal-wave-of-data/ 19. Data is the new oil.Andreas Weigend (a stovky dalch lid) 20. Zdroj: http://www.impure.com 21. Zakalen veejnho konsenzu, o em vlastnvizualizace informac vbec je.Michael Danziger (2008) DANZIGER, Michael J. Information visualization for the people. Massachusetts, 2008. URI: http://hdl.handle.net/1721.1/43199. 22. Okrajov formy vizualizace dat 23. Take co je vlastn jet infovis? (minimln poadavky)1) Je zaloena na nevizulnch datech 2) Produkuje zobrazen3) Vsledek je rozpoznateln a iteln 24. I. Social infovisVizualizace socilnch proces, socilnch sta socilnch situac je dalm rozvjejcm sea vzruujcm zemm pro vzkumnky z oblasti informan vizualizace. Pousman, Stasko, Mateas (2007) POUSMAN, Zachary, John T. STASKO a Michael MATEAS. Casual nformation Visualization IEEE Transactions on Visualization and Computer Graphics, 2007. Vol. 13, no. 6, s. 1145-1152. 25. Themail (2006)Fernanda Vigasov (@viegasf)Zdroj: Fernanda Vigas; http://alumni.media.mit.edu/~fviegas/projects/themail/study/index.htm 26. PeopleGarden (1999) Xiong, DonathZdroj: Xiong, Donath - PeopleGarden: Creating Data Portraits for Users, 1999 27. Pro adme social infovismezi okrajov formy?Ego-centrick, nikoliv data-centrick vhled.Sociln vhled msto analytickho vhledu. 28. II. Ambient infovisVystavna na mylence ubiquitous computingum za cl komunikovat vizualizovan data v periferiilidsk pozornosti a neruiv tak informovato zmnch v tchto datech. 29. Ubiquitous computing* Nejvym idelem je vytvoit potatak vnoen, tak zabudovan a pirozen,e ho pouvme, ani bychom na nj vbec mysleliMark Weiser (1996) WEISER, Mark. Ubiquitous computing [online]. 1996 [cit. 2012-05-09]Dostupn z: http://sandbox.xeros.com/ubicomp/ * jinde taky pervasive computing, ubicomp, everyware 30. Calm technology / klidn technologie &Ambient display / ambientn zobrazovnZdroj: http://www.we-make-money-not-art.com 31. ambientROOM (1997)MIT Media Laboratory / Tangible Media GroupZdroj: ISHII, WISNESKI, BRAVE et al. AmbientROOM: Integrating Ambient Media with Architectural Space. In: CHI 98 Conference Summary. New York: ACM, 1998, s. 173-174. 32. Koncept Informative Art (2000)Vzkumnci kolem Tobiase Skoga (@cottonlion)Zdroj: SKOG, LJUNGBLAD, HOLMQUIST. Between aesthetics and utility: designing ambient information visualizations. In: INFOVIS 03. Washington: IEEE, 2003, s. 233-240. 33. Plaforma Information Percolator (1999)Heiner, Hudson, TanakaZdroj: HEINER, HUDSON, TANAKA. The Information Percolator: Ambient Information Display in a Decorative Object. In: ACM Symposium on UIS&T, s. 141-148, 1999. 34. Ambient Orb (2002) a nsledn opad zjmu Ambient Devices TMZdroj: http://www.ambientdevices.com 35. Pro adme ambient infovis mezi okrajov formy?Nkdy nejsou vizuln (pozor na minimln poadavky).asto se obtn tou a deifruj. Zcela jin vzory pouvn.Awareness insight, nikoliv analytick vhled. 36. Znovuzrozen ambient infovis? persuasive technologie &eco-feedback technologie 37. Digital Family Portraits (2001)Elizabeth MynattovZdroj: http://gtresearchnews.gatech.edu/reshor/rh-f03/gvu-school.html 38. Power Aware Cord (2005) Interactive Institute - Gustafsson, GyllenswrdZdroj: HEINER, HUDSON, TANAKA. The Information Percolator: Ambient Information Display in a Decorative Object. In: ACM Symposium on UIS&T, s. 141-148, 1999. 39. III. Artistic infovis Nejproblematitj zaadit a uchopitz hlediska klasick vizualizace informac. 40. Umleck vizualizace jsou vizualizace dat vytven umlci s elem tvoit umn. Vigasov, Wattenberg (2007) VIGAS, WATTENBERG. Artistic data visualization: Beyond Visual Analytics.In: Online Communities ond Social Computing: Proceedings. New York: Springer, 2007, str. 182-191 41. Vistor.Files (2005)Christina RayovZdroj: http://glowlab.blogs.com/visitorfiles/ 42. Umleck vizualizace jsou vizualizace datvytven umlci s elem tvoit umn. +...vytven umlci s clem vyjdit se pomocpostup vizualizace informac k rznmaspektm spolenosti nebo svmu byt v n,promtnutm uvnit nebo vn vizualizovanch dat. 43. 3 Days in The Life (2008) Andreas Nicholas Fisher (@__anf)Zdroj: http://anf.nu 44. Of All the People in All the World (2006) Stans Cafe Theatre Company 45. Of All the People in All the World (2006) Stans Cafe Theatre Company 46. Pro adme artistic infovismezi okrajov formy? Nejvce poruuj klasick definice.asto subjektivn pohled tvrce (nap. They Rule).Reflexivn vhled, nikoliv analytick vhled. Dleitj je pochopit celkov zmr dla. 47. Aby to nebylo tak jednoduch... Vechny ti se mezi sebou prolnaj. 48. Alerting Infrastructure (2003) Jonah Brucker-Cohen (@coinop29)Zdroj: http://www.mee.tcd.ie/~bruckerj/projects/alertinginfrastructure.html 49. Tomorrows Weather, Copenhagen (2009) Bigert & BergstrmZdroj: http://www.bigertbergstrom.com/tomorrows-weather-copenhagen-2009-0 50. Tomorrows Weather, Copenhagen (2009) Bigert & BergstrmZdroj: http://www.bigertbergstrom.com/tomorrows-weather-copenhagen-2009-0 51. Modely okrajovch foremdosavadn snahy pochopitokrajov formy s ohledem na klasickou vizualizaci informac 52. Jednoduch modelysrozumitelnostemoce Grafy v The New York TimesSochy Andrease N. Fisheraurnalistickumleckpstup pstup entertainment 53. Casual Information Visualization Zasteujc pojem pro vizualizace odlinod klasickch forem pedevm v oblastech:kly uivatel / vzor pouit typu dat / vhledu Potaem zprostedkovan nstroje zobrazujcpro uivatele smyslupln informace vizulnmicestami za elem podpory kadodennch uivatelv kadodennch pracovnch i mimopracovnch situacch. 54. Model vzneenosti v systmech infovisRobert Kosara (@eagereyes)Upraveno z: KOSARA, Robert. Visualization Criticism: The Missing Link Between Information Visualization and Art. In: Iv07: Proceedings. Washington: IEEE, 2007, s. 631-636. 55. Info-estetick vizualizaceLauov, Vande Moere (@infosthetics)Zdroj: LAU, MOERE. Towards a Model of Information Aesthetics in Information Visualization. In: IV07: Proceedings. Washington: IEEE, 2007, s. 87-92. 56. Info-estetick vizualizaceLauov, Vande Moere (@infosthetics)Zdroj: LAU, MOERE. Towards a Model of Information Aesthetics in Information Visualization. In: IV07: Proceedings. Washington: IEEE, 2007, s. 87-92. 57. Akoliv jsou umleck zkoumn tohoto mdia hodnotn, vizualizace charakterizovateln jako krsn ale nepouiteln budou pi dosahovn irokho publika stejn neefektivn, jako typlin technick, expertn. Michael Danziger (2008)DANZIGER, Michael J. Information visualization for the people. Massachusetts, 2008.URI: http://hdl.handle.net/1721.1/43199. 58. Dkuji za pozornost.http://is.muni.cz/th/362075/ff_b/@marektomass