OGLEBAY INSTITUTE

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• ART • OGLEBAY INSTITUTE

OGLEBAY INSTITUTE

WHEELING, WEST VIRGINIA

Spring Camp, May 27-30

Jimmy Drury Sandy Starkman Don Armstrong

..

Oglebay Institute Folk Dance Camp's

Dedicated to the Memory 0£:

Rl..l.6 Ac:ton.

Ro.6 e Ch.-la.zza.

B..f....l..l H vun.a.n.

H eM.Y L a.-0 h..

F-loyd Uh.l-lc,h..

·--~··~·~·· ~~- t t. -~li! 11i!l• • • .- • • - • • j[ll:'

This camp's Memorial Scholarship recipients are:

Cindy Hannikman

Jeanne Hannikman

Carrie Kirbish

To be considered for a memorial scholarship, please submit a letter of introduction requesting ~ full or partial scholarship, perhaps highlighting your dance experience and future plans regarding folkdance.

Oglebay Institute Spring Folk Dance Camp Wheeling, West Virginia, May 27 - 30, 1994

Instructors: Jimmy Drury, Sandy Starkman, Don Armstrong

SPRING FOLK DANCE CAMP

Camp Russel Oglebay Pa

INS'rRUCTORS

Hoster Wheeling, West Virgi a

May 27-30, 1994

Don Armstrong, P. 0. Box 1060, Canon City, CO 81215 .Jimmy , Route #2, Bo~" 196-K, Smithville, 'l'X 78957 Sandy , 27 Invermay Avenue, Downsview, Ont o,

Canada M3H lZl

OGLEBAY INSTITU'l'E FOI .. K DANCE COMMI'l'TEE

Shirley Carnahan, Co-Chairman, R.D. #2, Box 29, Stone ch Road, Wheeling, WV 26003 ·

Fred Wade, Co··Chai:rman, R.D. #1, Box 416, WEd.lsburg, 2607 Vince er, 386 Clearview Avenue, Wheeling, WV 2 03 A. Lloyd Carnahan, R.D. #2, Box 29, Stone Church Road,

Wheeling, WV 26003 Helen Cindrich, P. O. Box 118, Neffs, OH 43940 Aud~ey Ciripompa, 71 Brentwood Avenue, Wheeling, WV 26003 James Denham, 66479 Kirkwood Heights Road, Bellaire, OH 43906 Hazel Ellison, R,D, #2, Box 77, Triadelphia, WV 26059 Ann & Paul Forshey, 1810 National Road 182-207,

Wheeling, WV 26003 Beverly Fox, 55991 w. Second Street, Bridgeport, OH 43912 Janet & CharlE~s Kalo, 4411 Wetzel Street, Wheeling, WV 26003 Ethyl oss, 116 Commodore Lane Apt. 9, Barnesville, OH 4371 Nicki Melissinas, 1902 Center Street, Moundsville, WV 26041 Bet Parker, 794 Mozart Road, Wheeling, WV 26003 Patty Sampson, 1810 National Road #Bl-104, Wheeling, WV 2 03 Jane Sneddon, 47 Alice Avenue, Wheeling, WV 26003 Ingrid Timmin, 137 South Park Street, Wheeling, WV 26003 Mary Tocash, 327 Main Street, Tiltonsville, OH 43963 Bob & Kathy Tomlinson, 71628 'I'readway Road,

Martins Ferry, OH 43935 Tess Vaglienti, 64602 Patterson Hill Road, Bellaire, OH 43 6 Dolores WilliE1ms, 1810 National Road #Bl-103, Wheeling, WV Janice Whipke]', 2520 Cadillac Avenue, Wheeling, WV 26003

OGLEBAY INSTITQ'I'E S'rAF~"'

Stifel Fine ts Center, 1330 National Road, Wheeling, WV 2 0 Kate Crosbie, Director Phone (304) 242-7700 Phil Maxwell, Craft Specialist Doris W, Long, Administrative Assistant



CAMPERS

Ammon, Sandy, 316 E. 214th Street, Euclid, OH 44123 Allen, John, 1530 Green Valley Drive, Ashland, KY 41102-9736 Bailey, Mary Lea, 2859 West S.R. 37, Delaware, OH 43015-1375 Berman, Sid & Carol, 1721 Wainwright Drive, Reston, VA 22090 Booth, Richard & Patty, 2278 Route 75, Kenova, WV 25530* Caruso, Hank & Dot, 7245 Grant Blvd.,

Middleburg Heights, OH 44130 Cummings, Bobbi, 27151 Drakefield Avenue, Euclid, OH 44132 Cutler, Jack, 4201 Butterworth, NW, Washington, DC 20016 Fassnacht, Pollyann, 895 Florida Avenue, Akron, OH 44314* Fluke, Mary, 243 Second Street SW, Carrollton, OH 44615 Forshey$ Ann, 1810 National Road #82-207, Wheeling, WV 26003* Fraley, Mae, 405 Baltimore Road, Rockville, MD 20850 Hallett, Leslie & Elizabeth, Box 92, Gates Mills, OH 44040 Hannikman, Cindy & Jeanne, 27461 Fullerwood, E:u.clid, OH 44132** Hellish, Frank & Connie, 439 Morningview, Akron, OH 44305 Hull, Janet & Ma on Arena, 300 Sixth Ave., Baltimore, MD 21225 Kelley, Mary & Billie Jo, 86 Main St., West Liberty, WV 26074* Kirbish, Carri«!, 1460 East 22lst Street, Euclid, OH 44117** Malan, Paul J., P. o. Box 603450, Cleveland, OH 44103 M&tlack, Bill & Pat Travis, 351 Atlanta Drive,

Pittsburgh, PA 15 8 Merritt, Bruce, 3315 Evergreen Drive, Murrysville, PA 15667 Legg, Diane, 702 Tenth Avenue, Apt. C., Huntington, WV 25701* Prietzel, Rudy, 2928 Crestview Drive, Catlettsburg, KY 41129* Ratney, Cecille, 125 Chaplin Crescent, Toronto, .Ontario,

Canada M5P 1A6 Reynolds, rginia E. & Monica Butler, 1699 Church Street,

Indiana, PA 15701 Rojeck, Sarah, 25530 Zeman Avenue, Euclid, OH 44132 Rothenberg, Irv & Marina, 2420 Buckhurst Drive,

Beachwood, OH 44122 Sabol, Aurelie, 4094 Ellison Road, South Euclid, OH 44121 Sallee, Deborah, 3701 Circle Blvd., Indianapolis, IN 46220-5554 Schockey, Juanita, 14533 Maidstone Road, Orlando; FL 32826 Siffin, Jean W., 34025 Bainbridge Road, Solon, OK 44139 Smith, Walter & Marisa, 1140 Lakemont Drive,

Pittsburgh, PA 15243 Vaglienti, Tess, 64602 Patterson Hill Road, Bellaire, OH 43906 Vydra, Richard, 342 Franklin Avenue, Cuyahoga Falls, OH 44221 Warner, LeVerne Anthony, Box 498, Conneaut, OH 44030-0498 Webb, Donald, 17606 Archdale, Lakewood, OH 44107 Wilmoth, Bruce & Janet, 2306 Surrey Drive, Morgantown, WV 26505

*Attending camp on a working scholarship **Attending camp on full scholarship

List of campers current as of May 24, 1994 Oglebay Institute Spring Folk Dance Camp Wheeling, West Virginia, May 27 - 30, 1994


TABLE OF CONTENTS

Presented Don Armstrong

Page 1 l 1 2 2 3 4 4 5 5 5 6 6 6 7 7 7 8 8 8 9 9 9

10 10 10 11 11 11 12 12 12 13 13 13 14 14

Kansas ty Heel roll and Twirl

Falling in Love Again Ladies 1 Star Turn Allynn 1 s No Mountain Reel Hank's Dance Black rest Quadrille '.LA .. G, Eric's Reel Insomnia Reel Happily Ever After Mica Flats Aw Shucks Really Richard's Lonesome Bluebonnet II Balance· and Duck Marion 1 s Delight Hey Nonny Nonny Sylvia's Choice Winter in the Woods Star 'I'hru Polka Purple Heys Siege of Carrick Do What the Twos Say Tamarack Reel Ms. Hays' Delight The Meanwhile Mescolanza

ee Hand Star Mission Bay II The Northdown Waltz Contra Frank's Birthday Bunch of Fives Manitou Rye Waltz Waterfall Waltz High Country Mixer America the Beautiful



Dances presented by Jim Drury

Page 15 Mexican Mixer 16 Evangelina 17 Santa ta 18 Santa Rosalia 20 lena Guerrerense

Dances presented by Sandy Starkman

Page 1 Airie Bennan 1 Hora ca la Cava

22 Niguno Shel i 22 Black Velvet 23 Lemonia 24 Assoulis 25 El Haderech 26 Le Rend l\rr;r2:1 t 27 Les Couets 28 Papouri 29 Pravo Pestersko Hora 30 Rata 31 Sheleg Al Iri 32 Svornato

.f.



KANSAS CITY REEL by Don Arm~trong

Formation: Duple improper contra, 64 counts. Recorq·; LS E-52-B,. Kansas City Reel. Excel 1 ent record! Live music: Title tune or rollicking reel.

INTRO, 1-8 9-16

17-24 25-32 33-4.0 41-48 49-56

- - - - , Corner dosado and touch to a wave, - - - - , Turn right hand half, - - Left hand half, - - Gypsy partner, - - - - Swing - ,

Half promenade, Ladies chain,

Slow square thru (4 changes, 16 counts},

STROLL AND TWIRL by Don Armstrong (1956)

Formation: Duple improper contra, 64 counts. Record: Southerners Plus Two, RP-500, B-1. Live music: Maple Leaf Jig, St. Anne's Reel.

INTRO, - -1-8 9-16 - -

17-24 - -

25-32 - -33-40 - -41-48 49-56 - -

...;. -

- -- -- -- -- - ·'

Allemand left, once, and a little bit more, ·· - Ladies chain, Circle left, 3/4s. Slant left and stroll (anes down, twos up, cpls holding near hands, W pass R shoulders) California twirl, stroll back, · Men turn left, go once and a half,

- Swing, Half promenade,

FALLING IN LOVE AGAIN by Ken Bonner

1

Formation: "Beckett" - Contra lines with couples facing couples across the set, partners alongside, 64 counts.

Record: We Live music:

Love Contras, VRLP-333, B-1 Tour of Puget Sound.

INTRO, 1-8 9-16

17-24 - - - -25-32 - - - -33-40 - - - -41-48 49-56 - - - -

Long lines go forward and back, Circle left around. (once) with opposite two, Diagonally left, ladies chain, i>iagonal 1 y right, 1 ad:i.es chain, Btraight across, right and left thru, Harne two, half slow square thru, Dosado the next in line, pass them by, Partner swing and face across,



2

LADIES~ STAR TURN by Tony Parkes

Formation: Four coupl in a square, Record: LS# 312 (Square Dance Reel) 7 x 64 counts. Live music: lly in the Low Ground.

INTRO, 1-8 9-16

17-24 25-32 33-40 41-48 49-56

Four ladies star right, once around 7

- - - - Turn partner left, once and a half, - ~ - - Dosado the corners all, ~ - - - Four ladies star left, once around, - - - - Balance and swing the corners all,

I

Promenade them arciund the hall,

To shorten swing, on line 25-32, Dosado the corners all OR With the corner, double balance can be substit ed, and then on the next line, 33-40, Step up and corner swing should, be used there.

Use any 64 opener, middle break or closer, as desired.

ALLYNN'S NO MOUNTAIN REEL by Allynn Riggs

(Slight change by Don Armstrong)

Formation: nBecke,tt" ·· Contra lines with couples facing couples across the s , partners alongside, 64 counts. Record: LS E-54-A - Reel St. Sauver. Excellent record! Live music: Same.or of Quebec.

INTRO, 1-8 9-16

17-24 25~32

33-40 41-48 49-56

Straight across, two ladies chain, - - - ~ With cpl across, circle left,

Same four, circle right, Ladies chain, turn a quarter more, Promenade, go up and down,

1 around, - - come back, Find those two and half promenade, SLANT RIGHT, right and left through **

** Two couples, one at each end of the set will have no couple diagonally to their right. They wait, in place, for 8 counts as all f~ce across the set for the ladies chain.

Note: All ynn 1 s original dance, Snow Moun ta in Reel, used a "Hey for Four 11 instead of the circle left and :right. It. i:~ a delightful dance for more experienced dancers:

Ladies lead, hey for four, I

Ladies chain, turn a quarter more,



\

HANK'S DANCE by Don Armstrong

3

Formation: Four couple contra sets, FIRST couple active and crossed over, 8 x 64 counts.

Note: This dance may be danced in traditional long sets with couples 1, 4, 7, etc., active and crossed over. However, this is a different, yet very acceptable,•way to dance some "triple set-up" contras. Many Scottish.Country Dances utilize this formation. ·

Dancing a three.,.. coup! e figure in a four coup! e set: The first time, couple #1 will dance with couples #2 and #3; while couple #4 waits out one turn. Then the second time, #1 will dance the figure again, this time with couples #3 and #4 (who 'are automatically "re"'.'numbered" as new #2 and #3), whi 1 e the original #2 couple waits out~ne turn at the top of the set. At the end of the second time, the original #1 couple slips unobtrusively to the foot of the set (where they get a chance to rest), while the "new top couple" begins the dance .. now as "couple #1" {They were the "original" #2 couple). Thus, with eight repeats of the music,~.every couple gets to dance each "place" twice, and rest once at each end of the set.

Record: LS# 328, (Seanna's Reel). Live music: On the Road to Boston.

INTRO, 1-8 9-16

17-24 25-32 33-40 41-48 49-56

With the corner dosado, - - - - With the corners, circle left,

Same four, circle right, - - - - Active couples swing - , - - - - , Actives down the center, pass two, - - - Cast out, up around just one and in, - - - Up, cast off, slow square through,

- Turn, - - - turn,

Remember that each active couple dances the figure only twice and then goes to the f:oot of the set. At that time a NEW active coup! e starts the dance.at the head of the set!

Not all trip! e formation dances are danced comfortably in this formation. Before deciding to do so, visualize the dance and feel confident that the choreography will let the active couples flow from the end of the dance to the foot of the set in a convenient manner as the new couple starts at the top.

This dance, a "training dance" choreographed to easily acquaint leaders and danc·1~rs with an alternate method of dancing triple formation contras, is named for my friend, Henry "Hank" Caruso, Vice-president (1994) and long-time member of the Lloyd Shaw Foundation board of directors.



4

BLACK FOREST QUADRILLE Chip on

(Sli fi Don Armstrong)

Formation: Faur couples in a square, 7 x. 64 c s. Record: Grenn 12237, Walking in a Forest.

ve Music: Title tune or Quickstep.

BREA.K

(INTRO 1-8 9-16

17-24 25-32 33-40 41~48

19-516 57-64

FIGURE

1-8 9-16

17-24 24-32 33-40 41-48 49-56 57~64

Four ladies

Si

n) DO NOT REPEAT!

, face, g square,

, - Reverse,

square ough 3/4,

as a couple, promenade half, squa e through 3/4,

Separate, go hal round, All join hands and circle left, - ~ Cornet' - - AU pr

H square t 3/4 - OR THE BREAK

Routine: Br , figure for the sides, br

ce for heads, break, figure twice

T.JLG. r Whynot

( for er, Terry)

Formation: Four couple proper contra, 4 or 8 X 64 counts. Reco LS E-27. Live music: Meeting f:! Waters or .ia.rry's Marc11.

INTRO, 1-8 9-16

17-24 25-32 33-40 41~48

49-56

couple go center, Turn alone come back to place, Cast out, men star left, ladies star right, Once around e in the stars,

them ck, couple lead, promenade up,

Cast off 1 to the foot, an a duck under,

This is a unique dance because of the old "Venus and Ma:rsn star figure! Most ers prefer to dance it twice through.



( c f

Formation le Reco LS E- 1-A,

ve music:i~ Sarne

IN''.t'RO, t 1·-8 9-16

17-24

33~ 140

in~4a

49~55

Formation: le Reco LS E-52-A, I ' ' u; 1 Ve Tl.1llS l. C :

IN'rRO 1-8 9~16

17~·2·(

33~40

4:1~48

4 ·- 6

E;,t~. ' S R.EEL: Don e,1:rn;s t r-ong

f i

;' 64 c s. i

Excell

1 go forward once a half,

gypsy -

I JS!SC:MN A, REEL Pai,ul .Moo:re

s, Sauveur. Excell

four,

re)

re co

back,

:record!

round,

HAPPIL EVER AFTER

25~32

33~.irn

41~4

L,i9- 6 57 ·-

11 Bust n Parkes

64 c , s Ji!f!}~;<J ~

e lance s ng,

lines, go forward back, in t center, face up, (!'f~nter =- ,

urn, down between twos, cast full around,

under, Bring new ouple t C!or.ner balance

5



6

MICA FLATS author unknown to me

Formation: Duple improper contra, 64 counts. Record: Chestnuts 2, FR-204, A-1. Excellent medley! Live 'music: The Old Grey Cat.

INTRO, 1-8 9-16

17-24 25-32 33-40 41-48 49-56

With the corner dosado, ~ - Corner swing,

- - - - Join hands in lines, go forward and back, Actives UP, half figure of eight, - - Turn contra corners,

I

Actives balance and swing, ~ - - -

AW SHUCKS by Carol Kopp

Formation: Duple improper contra, 64 counts. Record: LS 344, Combination Rag. Live music: Same or Gandy Dancers Rag.

INTRO, 1-8

9-16 17-24 25-32 33-40 41-48 49-56

Actives in and sashay down, - - Sashay up, - - sashay down,

- - Sashay up~ between the couple below and clap, Both, right, both left, turn both, right, both, swing; - - - - , - - Down in fours, - - Turn as a couple, - - come on back,

, Bend the line, two ladies chain, - - , - - Chain back,

REALLY RICHARD'S by Don Armstrong

Formation: Triple improper contra, 64 counts. Record: F&W-F75 A.-1, Honey Harbour Two Step. Excellent tune! Live music: Same or Year End Two Step.

INTRO, 1-8 9-16

17-24 25-32 33-40 41-48 49-56

Mirror hey for three, down the sides, I I

- - - - , Actives down the center -- - Wheel turn, - - back to place, - - Cast off, turn contra corners -

' Actives balance and swing,



' LONESOME BLUEBONNET II author unknown to me

(Slight change by Don Armstrong)

Formation: Duple improper contra, 64 counts. Record: LS 304. Live music: Fisher's Hornpipe or Lightning Hornpipe.

Actives balance and swing, I I

- - , Active man and two ladies down,

7

INTRO, 1-8 9-16

17-24 25-32 33-40 41-48 49-56

- - Right lady high, left lady under and back to - - Bend the line, join hands in line, forward &

place, back,

- - - - , - - Ladies chain, · - - - - Ladies lead (R shoulder) hey for four,

BALANCE AND DUCK by Don Armstrong

Formation: Duple improper contra, 64 counts. Record: Dances With a Difference, Vol. 2, A-1. Live music: Starter's Orders or Staten Island.

INTRO, 1-8

9-16 17-24 25-32 33-40 41-48 59-56

- - , Actives full figure of eight below, ** I I

- - - - , Join hands in fours, balance in and out, Circle half, - - balance in and out, Circle half, ladies turn right full around,

- - - - To your partner, swing - , - - - - Face across, circle left three-quarters,

Balance in and out, actives duck under,

** Both couples c~n do a double figure of eight if desired, l's start down thru center, 2's start up around outside.

MARION'S DELIGHT by Carol Kopp

Formation: Duple improper contra, 64 counts. Record.,: LS 348, Spider Bit the Baby. Excel 1 ent tune! Live music: Same or Tobin's Favorite.

INTRO, 1-8 9-16

17-24 25-32 33-40 41-48 49-56

With one below balance and swing, I

Long lines forward and back, Ladies dosado once and a half,

Partner Gypsy, - - Partner swing, Men allemand left, once and a half, With the opposite, half promenade,



8

HEY NONNY NONNY by Ken Bonner

Formation: Duple improper contra, 64 counts.

...

Record: Southerners Plus Two, RP 500, B-8, Year End Two Step. Live music: Same or The Rose Tree.

INTRO, 1-8 - - - -9-16

Long lines forward and back, Men allemand right twice around, Allemand left corners, twice around, - - Ladies chain, 17-24 - - - -

25-32 - - - -33-40

Ladies lead (Rt. should~r) Hey for four,

41-48 - - - -49-56

I

Ladies dosado, once and a half, Corner swing,

SYLVIA'S CHOICE by Penn Fix

Formation: Duple improper contra, 64 counts. Record: Bluebell BBR/LP 141, B-5, Siege of Ennis medley. Live music: Same or Shenandoah Falls.

INTRO, - - - -1-8 - - - -9-16 - - - - I

17-24 - - Wheel 25-32 - - - -33-40 - - - -41-48 - - - -49-56 - - - -

With the one below, balance and - - - - ' Down in fours, turn, - - come back to place, Ladies lead {Rt. Shoulder), Hey - - - - I

Ladies chain, Ladies dosado, once and

WINTER IN THE WOODS by Don Armstrong

a half,

swing,

.for four~

Formation: Duple improper contra, 64 ~ounts. Record: Dances From Appalachia #2, TR16, B-2, Du~ham's Reel. Live music: Same or Haste to the Wedding.

INTRO, 1-8 9-16

17-24 25-32 33-40 41-48 49-56

- - - - Long lines go forward and back, - - - - Corner swing, - - - - Men dosado, once and a half, - - - - Partner swing (all face down),

, Go down in fours, Bend the line, pass thru, wheel, come up in fours,

- - Bend the line (back away), - - circle left (full), - - - - ,' - - Ladies chain,



STAR THRU POLKA by Paul Moore

Formation: Duple improper contra, 64 taunts. Record: Dances from Appalachia # 2, B-4, Midway. Live Music: Same or good polka.

IN'l'RO, - - - -1-8 9-16

17-24 25-32 - - - -33-40 41-48 - - - -49-56

Below balance (M's R, W's L), stai thru, Across balance and then star thru, Corner heel & toe, out and in,

- Again, - - - Swing (corner),

Half promenade, - - Slow square thru,

PURPLE HEYS (Author unknown to me)

9

Formation: "Beckett" - Contra lines with couples facing couples across the set, partners alongside, 64 counts.

Record: Caller's Choice, EFDSS BR-4, A-7, Road to Boston. Live music: Same or Batchelder's Reel.

INTRO, 1-8 9-16

17-24 25-32 33-40 41-48 49-56 57-60

I

- - Slide

- - Ladies chain; - - Chain back, Ladies lead (Rt. shoulder) Hey for four,

I

Ladies allemand right (full), - - Partner swing, - - Right and left thru, Circle left, half around, left (face new couple),

SIEGE OF CARRICK Traditional Irish

Formation: Sicilia.n circle, 2 cpls in 4's, facing r~oD & RLOD. Record: The World of Irish Dancing, London SPA 135, A-5. Live music: Any good 64 count Irish Jig.

INTRO I - - - -

1-8 ...; - - -9.,.15

17-24 25-32 - - - -33-40 - - - -41-48 - - - -49-56 - - - -

- - Circle left, - - Circle right, - - Right hand star,

Left hand star, Ones split twos, return, face partner, Ones clap twice, right elbow turn, Twos split ones, return, All clap four times, pass thru to next,



10

DO WHAT THE TWOS SAY Author unknown, I saw a similar dance at "Winter in the Woods".

Formation: Improper duple contra, 64 counts. Record: LS E-53-B, Granny, Will Your Dog Bite? Great record! Live music: Sarne or Ragtime Annie.

INTRO:, 1-8 9-16

17-24 25-32 33-40

41-48 49-56

- - - - With the one below dosado, - - - - - - Actives swing, - - - - - - Actives down center, - - - - , Turn alone, come back, - - Cast off, DO WHAT THE TWOS SAY! I

(Twos call any 16-count "zero-action" - circles, heys,. chains, basket-swing, stars, rt & left thru, Gypsy and swing or anything that ends with all in same place!) - - - - , Long lines forward and back, - - - - , In-active couples (twos) dosado,

TAMARACK REEL by Penn Fix

Formation: Duple improper contra, 64 counts. Record: Chestnuts 2, FR-204, A-1, Lady of the Lake. Live music: Sarne or Pete's March.

INTRO, - - - -1-8 9-16

17-24 25-32 - - - -33-40 41-48 49-56 - - - -

Actives center, go down in fours, Turn alone, come back to place, ~end the line and circle four, Actives up, half figure of eight, - - Turn contra corners,

, Actives balance and swing -

MS. HAYS' DELIGHT by Glen Morningstar

Formation: Duple proper contra, 64 counts. Record: LS E-30-A .. Ms. Hays' Delight . . Excellent record! Live music: Sarne tune (by Judy Morningstar)

INTRO, 1-8 9-16

17-24 25-32

33-40 41-48 49-56

Ones half figure of eight below, Barne couple two-hand turn, One turn neighbors, two-hand turn, Twos half figure of eight above, Balance in, out; right, left (in circle of f:ou.r), All turn single, circle left half way, Balance in, out; right, left (as in 25-32), Ones set & turn single, while twos Gypsy,



THE MEANWHILE MESCOLANZA by Don Armstrong

11

Formation: Two couples in a line facing two couples in a line, up and down the hall, or in large circle around hall.

Record: Scottish Dance Time, Vol. 3, A-1, Jessie's Hornpipe. Live music: Lampl.ighter's Hornpipe (64-counts).

INTR0.1 1-8

Ends fwd and back while Ends set & turn single, {all end facing partner

centers star right, centers star left

9-16 Right shoulder, Hey for in own lihe of four), four,

17-24 1

25-32 - - - - - - Partner Gypsy, into, 33-40 - - - - - - Partner swing, · 41-48 .All forward and back - , 49-56 - - - - , Weave thru two line•, dance with the third, [Release hands, individually pass rigkt shoulder with first person, left shoulder with second, dance with third line. At ends of set, couph~s immediately California Twirl.]

THREE HAND STAR by Nibs Mathews

Formation: Progressive circle for threes (3's facing 3's). Record: Hoghton Band Album, A-7, (a medley of 64-ct.. tunes). Live music: Smooth 64-count, familiar singing calls in medley.

INTRO, 1-8 - - - -9-16 - - - -

17-24 - - - -25-32 33-40 41-48 - - - -49-56 - - - -

Circle six to the left, Circle six to the right, Centers star right with the two on the right, Centers star left with the two on the left, Arm right with Right partner, Arm left with Left partners, Lines of three go forward and back, Lines pass thru to new trio and bow,

MISSION BAY II by Glen Nicke~rson, slightly modified by Don Armstrong

Formation: Triple improper contra, best danced in 4-cpl sets. Record: Scotians, In Triumph, TACOOl, A-5, Davy N.ick Nack. Live music: Same or well phrased, lilting 64-count Reel.

INTRO, 1-8 9-16

17-24 25-32 33-40 41-48 49-56

- - Actives swing, , Actives in center, down in fours,

- - Actives wheel, ends turn alone, come back, - - Cast off, - - forward six and back,

- - Turn contra corners, I

I.ast four, Hey for four (diagonally), ..;., - - -



. THE NORTHDOWN WALTZ CONTRA

From an unidentified, undated collection of Vau~han Williams

Formation: Duple proper contra. Record: Bluebell BBR/LP-141, Western Isles. Excellent music! Live music: The Northdown Waltz, 32 bars. Prompts in measures.

INTRO,

1-4 5-8 9-12

13-16 17-20 21-24 25-28

1st woman, 2nd man, give Rt. hands, balance and change sides {do NOT "turn under" joined hands), 1st man, 2nd woman do the same, 1st woman, 2nd man return (same way), 1st man, 2nd woman return (same way)·, 1st couple (inside hands) down center, turn in, Come up to 2nd place (2nd cpl moves up to 1st), Couples waltz around each other, end progressed.

FRANK'S BIRTHDAY by Don Armstrong

Formation: Duple improper contra, 64 counts. Record: New England Chestnuts, A-4, Chickadees, etc., medley. Live music: Silver and Gold or New England style Reel.

INTRO, 1-8 9-16

17-24 25-32 33-40 41-48 49-56

Two ladies dosado, Men pass the right, turn partner left, go in Men lead (Rt. shoulder) Hey for four,

I

- - - - , Men turn right, full around (once or twice}, - - - Corner swing - - - , (timed to dancer's choice) - - - - Half promenade, - - - - Right and left thru,

BUNCH OF FIVES by Colin Hume

Formation: Square (4-cpls) with extra couple in the center~ Record: Dances with a Difference, Vol. 2, A-2. Live music: Bunch of Fives (by Colin Hume).

INTRO,

1-8 9-16

17-24 25-32

33-40

41-48

49-56

- - , Circle slip-step right, once and• quarter round, while center couple swing, end facing #l.

I

Centers arch, face # 1, dip & dive (centers, l's & 3's) all ending in beginning position,

I

- - - - , Centers separate (M-L, W-R) to make 3-hand stars with sides, while heads right and left thru,

Centers half figure of eight thru & around the couple in the # 1 position,

- - - - , Centers separate (M-L, W-R) to make 3-hand stars with other sides, while heads right & left back, - - - - , Centers arch over cpl # 3, California twirl, creating new center couple, to begin again,



l"]:'(Jffi Ari:1:ona ttfm

9-16

.:,,; positicm {:NOT n~wess ry

Music: LS E-47- , Clos positi st rt

Damce

!3 8 9-12

13~16

17-·18

19-2 21--22 23-24 2.5·-28 """ ~~. ,~t """J .~ ::i- ~"'""

ion: S

c pti ()fl

2 ge:r1ts tllt'Jl e.8, l

2 1 lH l lU l

rr~¥Ct""' 1 },

fcrccr (ll~ft) 'I.'u:rn partnei:·

r t a new couple, in

J "t )~ 9

Lr

13

s.1 :t I' sl i

)

)

fa ing LOD & RLOD. :ingstar.

r one ar th rig

(:JiTJ.ce. ar :rs) : o lei'.t

r:o11t of rneI1"

est lf facing

e



14

HIGH COUNTRY MIXER by Don Armstrong

Formation: Circle of couples, hands joined, all facing COH. Record or Live music: LS 338, March of st. Timothy. Great!

8 Circle left, 8 Lasso ("Mountain do-si-do" - With M's R & W's L hands

joined, W turns toward her partner. passes in front of. · him and continues on around behind him to starting po~ition. · M remains facing COH throughout the movement, holding the joined hands high and comfortably loose),

8 Circle right, 8 Lasso (ending with two hands joined, M face in, .W face out) 8 Wheelbarrow in 4 counts and out 4 counts, release hands, 8 All move left to new partner, wheelbarrqw in and out again, 8 Turn in butterfly-banjo position, CW, once around, ending

with that W on M's right to begin again.

AMERICA THE BEAUTIFUL by Don Armstrong

While visiting Colorado Springs in July 1883, Katherine Lee Bates wrote the poem "Ame~rica the Beautiful." This dance was written to commemorate the lOOth anniversary of the event. ·

Formation: Sicilian circle, 2 cpls in 4's, facing LOD & RLOD. Don has been using: · LS 346, Enid's Delight. Record:

Live music: America the Beautiful played smoothly in comfortable, non-hurried dancing tempo in a 64_ count arrangement.

INTRO, 1-8

9-16 17-24 25-32 33-40

41-48 49-56

- - , Circle f~ur (left) once around, _ - - , J~adies change, Ladies begin a "chain" in the

usual mann1~r, passing R hands with each other, but finish by joining their L hands with the opposite M's R hands, so he can turn her under (L face) to face.·in. A smooth twirl, not a courtesy turn, flowing into the:

, Circle right once around, - - - - , Ladies change (1-8), (Retain near hand hold)

, Rock fwd & back, star thru with opposite, - - - - , Face partner, rock fwd & back, star thru (All now have partners, but face opposite direction.) - - - - , Maintain near hand hold, half promenade, - - - - , Heave past this cpl (M passing L shoulders) and weave past .the next cpl (W passing R shoulders) to begin dance with the third couple.



MEXICAN MIXER A Tex-Mex Dance

15

Music: Any good Mexican polka, such as Las Perlitas~FLP 1898 Viva Mexico; Atotonilco, Columbia EX 5110 Marachif The Sound of Mexico. Other usable records are RCA record LPM 1619 or the 45 rpm of the same; CBS record EPC 316 (45 rpm) or Musart 1154 (45 rpm).

Formation: Couples in a circle in promenade position, facing LOD. Hands are crossed in front, girl's R hand in man's R, L in L. .

Part I: Man starts on L ft, woman on R. Take 4 steps in LOD, turn to face partner but continue in same direction. Step to side with L ft, step with R behind L, step with L to L. Woman does same but starts with R ft. (To make this easier to teach, use this technique: Walk 4 steps fwd, CCW around the ring; without dropping hands, burn inward and face the other direction and walk bkwd, still moving CCW around ring with a 1,2,3 touch outside toe.)

Finish Part I facing partner, joining R hands.

Part II: Single circle formation with all holding partner by R hand and the other person by L hand. ·

All balahce fwd and back (men moving away from ctr, women toward ctr).

Now hold R HANDS only with partner and with that person turn halfway around. Then rejoin hands in a single circle fiormation again. This time men are facing ctr, women have backs to ctr.

Balance fwd and back again, then this time turn L HAND person by L hand halfway around and this will be your NEW partner.

Immediately cross hands with this new partner and begin dance over again, moving fwd side-by-side· as in Part I.

Do the steps in a strutting Mexican manner -- have fun!

Directions issued by FOLK DANCE HOUSE, P. O. Box 201~ Flushing, NY 11352 - Michael Herman, Director.



16

EVANGELINA Folk Dance from Northern Mexico

Record:!'· Eco LP. P 207 Source: Sra. Alura Flores de Angeles of Mexico City Formation: Couples facing LOD, inside hands joined. Man's free

hand at waist, thumb in belt. Lady holds skirt with right hand. · ·

Basic step: The zapateado from Northern Mexico. ft ia a polka step, thus: leap onto R ft in place raising L ft out to side (ct 1), scuff L heel out to side, rise slightly on R toe (ct&); come down on R heel (ct 2); scuff L heel out to side (ct&). Repeat with opposite footwork.

Part I: With basic polka step, do 14 face-to-face and back-toback polkas.

Part II: Face ctr of circle, brush outside ft bkwds between inside feet; brush same ft fwd, brush it bkwds and tap toe behind. Slide 4 slides towards ctr of circle. Face outside, and repeat step using opp ftwk. Repeat all.

Part III: In closed ballroom position, do 2 polka steps, then turh girl under man's L arm (woman uses 2 polka steps to turn once around). Repeat three more ·times.

Part IV: In closed ballroom position, man steps fwd L, step R ft in place, step back with L ft, step R ft in place, turn to R (CW) with four walking steps (L,R,l.,R). This is similar to a pivot, but don't turn as much.

Part V: Face parther, man facing out; hold hands,·arms extended shoulder high. Do 4 basic steps out away from ctr (man fwd, lady back). Do 4 basic steps in to 6tr (man back, lady fwd) 1• Repeat, 4 out, 4 in.

\)

Repeat dance, but omit step 1 -- end with step 1.

Sequence of steps: 1,2,3,4,5,2,3,4,5,1.



1

le

Record: C.B,S. ~ E:.P.C. 393 Starting

Step 1: Cue Words: step! sli "l'hus: Do 4 rn:; l

! '~" 11 :rc~o.1r1c r:;os

y,,,J' (1 rna. I:h ll s es ti~_)11 f(;1&Cir!.fJ oi;rp !:

L,R,L,R, cross, cross, stamp, stamp, s aJTIJP i' ;3t

steps f (L,R,L,R cross L over R, cross R over L, stamp L t , s l i R ( n~ve s LOD ,

Step 2:

Step 3: Step 4:

ste:p~cl ose~-stt~p,

all. Couples in. close R, sli Repeat times. Polka. Face partner Do 2 pol

hand, R her back t.o Cue WO

Repeat to man 1 s DO NOT unwrap,

lose-step stamp L, s amp L.

llrcom positio:n. Eial anGe f

up 1' posit.i (to man 1 s

1

L ovr:::1:'.' R, 11 3 mot·e

:re.

Step 5: 4 'J.'acOJUl:ZO steps I r:::e (H,.L,R,I,), Do sb~p:::i to 12at to right, ng wi on t 8th

L sta i L ft.

I erlude: Turn Then

woman (dt"c1p s t:.:trn.

Step 6: In ed. OS with man facing LOD, step f

Step 7:

Step 8: Step 9: Step 10~

step. mo •"!: t (4 Star ng with L foot do a cross R over L th b cross R over L, jump all toget L

t StE!p 1

l ·E 8 step~~

e

le step), ross Lover R, feet toge r. D 4 t

Taconazo step S f R4 r.~lr 1s.tr:;p R"'. st:E:p 11 of L foot, step on R tao .

Preser1t Ji.nu-rt~{ Drury 197



18

g~ This dance is a schottische from northern Mexico; styling 'is "flirtatious" for women, "interested" fc)r men; you may interpret that any way you like. Women hold a fan .... which they use if coordinated enough-in one hand;and .their skirt in the other when not in ballroom or Varsouvienne position. (What you do with your . fan when in ballroom position is up to you.) Men dance with thumbs hooked in their suspenders when· not in ballroom position.

!J~l6 Mea.uvie4 Promenade free-style anywhere in the room with partner in escort position. Women fans hersdf with R hand, the other is hooked through her partner s L arm. Directions are written for men; women use opposite footwork. · .· .

Measure 1

2

3&4 5&6 7 8

16-32

Measure 1&2

3

4

4-8

Count 1 2

3 4 1-3 4 1-4 1-4 1-4 1-3 4 1-4

Count 1-4

1-3 4 1-3 4 1-4

Description of footwork Stamp L foot to side Hold

Stamp L foot again Hop on R foot, "flick" L foot in front of R foot

Step-dose-step (L, R, L)

Hold

Repeat measures 1 and 2 using opposite footwork. Sarne as measure 2 to L and then R

Lady turns to R under joined hands with two steps.

Step, step, step.

Hold Sarne as 1-8, starting to R except women turn to L ending in

. Varsouvienne position.

Description of footwork Start R foot behind and do 6 ,;grapevine" steps to L; close on ct.

7, hold on ct. 8.

S~de, close, side; starting L foot Hold

Side, close side; starting R foot

Hold (ending apart from and facing partner)

With 4 step-dose-steps (both stan on R foot), turn. R shoulder with partner ending in Varsouvienne position (woman turns an

extra 1/2 turn to face "front.") Oglebay Institute Spring Folk Dance Camp Wheeling, West Virginia, May 27 - 30, 1994


/

Paid 3: fl~ ·

· Measure Count 1 1&2

3&4 2 1-3

4 3&4 1-4 5&6 1-4 7 1-3

4 8 1-3

Description of footwork Stamp L foot in place Stamp R foot across in front of L foot "Rock" (change weight) L, R, L Hold weight on L Repeat measures 1 & 2 above to R Step, close, step to L then R as in measure 2, Pan I. Step, close, step (L, R, L) men moving forward

Hold Step, close, step (R, L, R) continue moving

19

9-16 1-4 Repeat measures 1-8 starting stamp with man's R foot, and with

mm backing up on measures 15-16.

Repeat Part 1 (Redova). Repeat Part 2 (Grapevine). twice. End in V arsouvienne position and stamp R, L.

Learned from Sr. Huemantzin Lopez, Lost Pines Mexican. Weekend,

April 199:3.

Presented by Jimmy Drury, Maine Folk Dance Camp,

August 1993.

Notes by Jimmy Drury.



20

pari:icu-

L

do 8 more waltt hangs

waving it,

On finishing L

7 waltz b,adcing up

R foot. place

(toreador) man (bun)

4 waltz steps. Part 5.

in place and jORe!

1993. Oglebay Institute Spring Folk Dance Camp Wheeling, West Virginia, May 27 - 30, 1994


21

' AIRIE BENNAN (Scottish)

A 32-bar jig for five couples. Dance devised by Hugh Foss.

Record: Let's ,All Go Scottish Country Dancing with McBain's Scottish Country Dance Band.

Source: Joe Wallin

BARS DESCRIPTION 1-8 lst and 2nd couples - 3rd and 4th couples ~ take hands at

the sides, set and dance R hands across h~lfway, then set and dance L hands across halfway. Finish with 1st arid 3rd couples in the middle facing down, with nearer hands

· joined. 9-12 1st and. 3rd couples dance down for 2 steps and set to

partne1~. 13-16 lst and 3rd couples dance up and cast off around 2nd and

4th couples and go to face 1st corners. (2nd and 4th couples move up on bars 15-16.) ·

· 17-24 1st and 3rd couples set to 1st corners and turn them with the R hand. They end taking partners L hand.

25-28 1st and 3rd couples turn partners with the L hand and cast off one pl ace on the "wrong" side. (4th and 5th couples move up on bars 27-28.) .

29-32 1st and 3rd couples turn partners with R hand, 1-1/2 times to finish on own side with 1st couple in 3rd place and 3rd couple in 5th place.

Repeat from the beginning with couples now in 1st and 3rd places.

HORA CA LA CAVAL Romania

Music: The Original Balkan Jam. Red Tape. (Th~ Original Balkan Jam, c/o Box 712, Stn. E, Victoria, B.C. V8W 2P9)

Formation: Circle of men and women. Arms are held in 'W' and boun(?e with the rhythm ( 2/ 4).

Long pan~pipe 'doina' followed by 2 measures of introduction.

Meas Fig.

.1

2 3 4 5 6 7 8

9-16

. Count I

1-2

1-2 1-2 1-2 1-2 1-2 1-2 1-2 i·-2

Delnce Pattern

Facing ctr, step fwd with L ft, lift slightly on L ft.. Ste~ bkwd with R ft, lift slightly on R ft. Step L with L ft, step behind L with R ft. Step L with L ft, touch R ft beside L. Facing LOO, step fwd with R ft, touch L ft beside R. Step fwd with L ft, touch R ft be~ide L. Step fwd with R ft, step fwd wit~ L ft. Step fwd with R ft, touch L ft next to R. Repeat Fig. 1, measures 1-8.



22

HORA CA LA CAVAL ( i )

Fig. II , J.

2 3

4 5-16

1~2

1-2 1-2

1-2

Facing slightly R of ctr, step fwd with L ft, step fwd with R ft. Step fwd wi L ft, touch R ft next to L. Facing slightly L of ctr, step bkwd with R ft, step bkwd with L ft. Step th R ft, touch L ft de R. Repeat Fig. II, measures i~4 three more times.

NIGUNO SHEL YOSSI Israel

Formation: Couples in a single circle, ladies on men's right side. Record: Tikra LPT~lOO

Part I Ct, 1

2 3-4 5-8 9-12

13-16 17-32

Part II Ct. 1

2 3 4 ..

5-8

Step right to right side Swing l t in front of Repeat 1-2 with opposite Four steps fwd, R, R, Repeat 1-4 Four steps bkwd, R, L, Repeat 1~16

rs face ght to

r

hands to ri side left to left side hands to left si

ght footwork L

' L

above shoulders

above shoulders

Par Step Clap Step Clap Four steps f R, L, R, L, pass pa

a new par r by R shoulder,

9-16 Swing new partner (Israeli style: R hand around partner's waist and L hand extended above head, turn with running steps or z steps}

17-32 Repeat 1-16 (change par rs again)

Repeat e from beginning

BLACK VELVET

1. Touch R toe to the side and step on R ft in place. 2. Touch L toe to the side and step on L ft in place, 3. R ft - kick, ball change; kick, ball change. 4. Spot turn, step on R ft fwd and pivot halfway, step on L ft. 5. Repeat 3 and'4 but facing new direction. 6. 2 two-steps f beginning with R ft. 7. Spot turn. 8. Repeat 6 and 7 but facing new direction.



BLACK VELVET (Continued)

9. Jazz square - cross and step on R ft over L, step back on L, step on R ft beside L, step fwd on R ft and clap the same time you step.

~epeat dance from the beginning. On th~ 4th repeat of the dance, do the jazz square twice.

LEMONIA (Epiros)

The tune Lemonia, meaning lemon tree, is a very popular melody from the region of Epiros, northwest Greece. It is most often danced as a simple "Sta Tria" or even as a rhythmically modified "Sta Dhio." The following, more complicated version, is from the repertoire of the dance troupe of the Lykiion Ellinidhon of Athens~ As is often the case in Epiros, the "Sta Dhio" or "Poghonisios," is attached as a ~ort of coda at the end of the main dance.

Meter: 3/4 (1 1 1) Formation: Open circle; W or crooked elbow escort hold.

Learned from Joe Graziosi.

Part A Meas

1 Facing sl R of ctr: Step R fwd LOD (ct 1); step L fwd in front of R (~t 2).

2 Step R fwd (cl l); quick step L fwd in front of R (ct&), step back onto R (~t 2). .

3 Step L back LOD (ct l); quick step R back (ct &), step L fwd in front of R (ct 2).

4 Pivoting to face ctr, small step R tor (ct l); close step L next to R (ct 2).

Part B 1 Facing ctr: Step R tor (ct l); quick step L behind R (ct&),

step R sl back tor (ct 2). 2 Step Lin front of R (ct l); touch step R in front of L (ct 2)

Bl 1 Same as Meas l of Part B. 2 Step L in front of R (ct l); quick step R in front of L (ct

&), step back onto L sl to L (ct 2).

STA DHIO

1 Meter: 2/4 or 4/4) Facing sl R of ctr: Step R fwd LOD (ct l); step L fwd and behind R (ct 2), step R fwd (ct&).

2 step L fwd in front of R (ct l); step R fwd (ct~), step L fwd in front of R {ct&). ·



24

ASSOUI~Is

(lH:menia)

Translation: lt:'&iction of t verbs 11 a.sel 11 (to say) and ~~ 1 es el" l11S OU LIS can be transl ed into "say and (to listen)©

listen. 11

Source: Traditional dance from Sasoun region, former West Armenia. Learned from Tineke Van Geel.

Formation: Line or circl , little fingers joined· in W position, facing center.

Introduction: 4 measures.

Meas. 1 Ct, l

2 3 & 4

Meas, 2 1

2 3

& 4

Meas. 3 1

2

Meas. 4 1-2

3 4

Step on R to R, arms move to R. Step on I, cross over R, arms move to L. Step bkwd of R, a.rms come to w position, Step L beside R. Step R be~si L.

step fwd on L, arms swing down, body moves diag R with L shoul r to center. Step R be~side L. Step L besi R. Step bkwd on R, body moves back to face front, arms return to W position. Step L beside R. Step R beside L.

Accented step on L slightly fwd (L knee bent), R toe stays on floor (R knee bent). Hands make a down movement from the wrist. Step on R sli ly behi L. Hands move back to W position. Rep counts 1-2 of 3.

Repeat c Step on Hop on L

of meas 3.

R ft to L cal L

On cts 3-4 of meas 4, arms make a small circle moving R.

Dance begins from the beginning.



25

Transl ion: To Dance: Moti Formation:

!\;1us i '; ~ ra l es f ac ng t insi

Meas 1

2

3

4 5-8

l

2

3

4 5-8

PART A - e music. M W use opp f

Ct 1-3

4 1-~3

4 1-4

1-4

desc

3 steps f , R-L-R. Swing L in air f 3 s , L-R-L.

r ~f to L - cross R over L, s ep L t 1 to L. (M W ~..st=:parate)

a f l turn to to partner

step R

t meas 1-4. On last meas turn 1/4 t rn par r. M in 4 steps steps a

o face th 3

PART B - Face par both t.1~1 fl: foot,

1-2 2 of

3~4

1~4

1-2 3-4 1-4

par Step on R to 4 steps to L to L, !JJ:"C•P

p aces

R (sway); step on L L (sway). - cross R over L, L to L, cross R

, move away from partner. Cross R over Lr .;st.ep _1&1 J?I a.ce Oil

b02p on L to J.:, f ng pzur

on H to R :f:?·'t>JaY ;

rt Jl,

up <:'icing

L, L

meas 1-4, Bart B. On last meas a 3/4 turn, tip, to face f 't(Ji

step-:s, 1 re w turns



26

LE ROND ARGENTONNAIS

{France - Berry)

Origin: Old circle dance from Argenton-sur-Creuse, in Lower Berry. Many stories were written about· this dance. At certain times, this dance was forbidden because each section of town had its own 11 rond" and competition w.as too strong. Learned from Roger Dubois, formerly from Ballet National, PontChre'tien, France, August 19 67.

Music: Record BAM. Ex 613, Side.A., band 2. Uni-disc 45-280, Side A, band 2, 2/4 meter.

Fonnation: Close circle of dancers, no ptr needed. Joined hands are held shoulder high.

Meas (2/4) Pattern

6 meas INTRODUCTION.

A 1

2 3-8 9

B 1-2-3

. 4-6

FIGURE 1. All starting with L, leap and fall on this ft diag fwd {ct 1) bringing joined hands down, step back on R ft {ct 2) raisin9 . joined hands. Step back on L ft {ct 1), step sdwd Lon R ft (ct 2). Repeat meas 1-2, three other times. Step sdwd L on L ft (ct 1),. close R ft near L ft (ct 2) lowering joined hands.

F;IGURE. 2. Aill move twd ctr with 3 walking steps raising slowly the

I . JC>ined hands. Move out the same way, lowering slowlv the joined hands. Repeat meas 1-3, figure 2 •

R1~peat from the beginning.

Presented by Louise & Germain H~bert

+ PRESENTED BY SANDY STARKMAN



1

F IGUF::E 1 :l .

. ~, ,,;;.,

L.

.j •.

'···

CJ L.

7



28

PAPOUF~:I

Tt .. ans;lation:

( ~~, , ... mE·: n :i. c.1)

The n,;:1mE:- is; c:if2t .. ivt:-:)d ·fl-.. orn l<urdi!:;h "\ncl llH0!i::tr·is "clld mi::•n'':: i::ll!so i:\ qi··oup n.1:: di!'t!IC::€?.~:;; havE:-'thf.?. ~:>i::1mE·! namfc~.

Learned +rom Tineke Van Geel who learned it +rom Gary Lind-Sinanian.

Fo~mation: Open circle or line, shoulder hold, facing ctr. Introduction~ 8 measures.

M1;~!as. Cts;. 1 1 ..... :·2 r1 .,::. 1 .. -~::: ··:t· 1 ... :-

,. .. ; L.

4 1 ..... ~~:'. 5 :I. ..... :;:·~

6 1 ~· 1.;f,

~::·::

'7 1 I"') .... ..::. 8 1 .. ~ .. ~·=~

:I. 1 ..... ''.J ......

2 1 .-~.1 ..:..

1--2 4····!3

H;::1nd~5

1

'.2 ..... 13

St(;:,ip c:in 1:': to F~:.

!3t12p on P to F<: • ~3 t E: p ·f\,•n:I o n L •

Cross:; I.... c:ivt:::t.. 1:<: BE!ncl L.. knee.

Stamp R beside L, without wt., bending L knee. Step bkwd on R. Bend L knee. Touch L toe +wd. Pause, keeping L toe +wd. Step on L in place, step an R beside L. Step on L beside R. Touch R toe diag. to the ~

Touch R toe +wd. Pau~e. r::·auF .. ;<·? •

FIGUh:E: ~,;: (t,-J po~;; .. littl<:·? +in9t:21· .. s) Step on R to R (arms move to R>. Cross Lever R (arms move to L>. Step on R to R (arms move to W>. Bend L knee. Repeat meas 3 of Fig 1, clapping on both counts. h'.E:'l:lE:'ii'1t iiif2<::1<::. 4 ..... El c:if F:iq l!, jc.1:i.n:ini;;.1 l:ittlt::~ f:ingt::·1· .. :in \;J po!siticln.

in little finger hold for rest of dance.

FI Cillh:E: ::::; Hop c:i n L... ::3t r::-:p CJ·- O!:~~="· L.. OVt:·? t" Fi: ..

cin h: to F•:. ( MovE: .:::inns

Repeat meas 2-8 of Fig 2.

( i"lclVE' i:TI 1·· !Tl!"; t Cl f''.) tc) L.)

The leader calls the changes.



,2

4 5 6-8 9-16

Dane repeat he ing.



30

<Moldova, Romania>

Source: Ann Smreciu who learn~d it From Viorel Vatamaniuc. Formation: Small circle of M and W, shoulder hold. Rhythm: 2/4. NO INTRODUGTION

MEAS.

1 2 ~.:::

4 5·--16

1-2 :::;;-4 5--6 7 .. -9 9 10 1:1. 12 13-·14· 15-16

1 ··-'.J. 5-·El 9 1 o--14 15 16

CTS. DANCE PATTERN

1-·-'::> .... 1 ·-·':°•I . .... 1··-2 1-·2

:L-4 1-4 l.-4 1-4 1-2 1---::1 ... 1-2 1--r::· ·-· 1--4 1-4

1-·2

1 ·--2 1 ·-2

FIGURE 1 ~ Travel step Facing ctr. step R to R, step L behind R . Step r.: to ~•:, slight 1 :i.·H. cm F•:. Step L acres~ R, slight lift on L. Stamp in place with R, hold. Repeat Fig 1, meas 1-4 three mer& ti~es~

FIGUl~E 2 Step R to R, step L behind R, step Step L to L, step R behiMd L, Step Step on R to R , hop on R; step on St~mp R in plate 3 times, hold. Step R across L, step L to L.

f'' L L

·l:c1 to to

F<:' L, L,

hop hop hop

Step R across L, hop on R swinging Step L across R, step R to R.

I... :in f rc:int.

Step L across R, hop on L. Touch R toe bkwd, hold; scufF R Ft fwd, hold. Stamp R in plate 3 times, hold.

FIGURE 1 - Variation Repeat Fig 1, meas t-4. F:C:epe;:\t Fi<J 1, mi;:~a!:;; 1--A. Stamp in place with R, hol~.

Repeat Fig 1, meas 1-4. Stamp in place with R, hold. 3 quick stamps with R.

SEQUENCE OF DANCE ~Figure 1, Figure 2. Figure 1 variation, Figure 2.

on F(: .. cin L. on L.

Df 1:~.



31

(..~L IE: I

Translation: Snow On Dance: Naomi Shemer

c ty Muo;ic~ EJhoshe:1n0:\

join~?cJ.

ovit F<Jnnatic:in: C:ircl<.'1, +:acing LCJD han

MEf-18.

1--2

5--8

9--10 :I. :l 12 1 :::::··-14

15 16

1 ·--4 5-···6 ?--13 c;i -·- 1 0 l1 12 :I. :::-·-16

Walk forward on R and L. Step 1/2 t rn on R, now facing RLOD, step back o L mov i n~;i in LUD. Continue moving bkwd in LOD on R,L,R~L.

F?~C I l\IG CEhlTE'.~I:;;:

Step on R to R (sway), step on L to L sway). Cross R over bending R knee. Step on L in lace. Lift R leg (big movement) to the ~ s de making 1/2 Close L next to R.

1 d,,

~rom front o~ the bo a circle). Put foot down.

MOVING INTO CENTER OF CIRCLE.

3 steps into he ctr starting with R, hold. St(~)p ·fwd on L i!:1nd 1··!c:ild. (Li·:Ft at·ms> up :i.n thG ai1··). Step back on step back on L. (Brings a ms down). Cross Rover L, step back on (moving of ctr). Step o R to R side~ facing LOD (moving out of ctr). Step on L across R. 4 step turn to R.

<!2 a t m E! iZI ff> :i. ,., .. :I. 6 ,,

inn:i.nq,



32

<Bulqa1"·ia)

Origin: Svcrnato is a basic dance done in the Rhodope afea. Source: Bianca de Jong who learned it from Stanka Petrova. Formation: Open circle, facing LOD, with hands held down. Introduction: 4 measures.

ME{4S. 1

'" ~:.

"'::-.... 1

4

5···8 !':}

10

1 1 ·-12

13 .. -14

1

2

4 5 ..... g

1

5·-El

CTS. 1 2-4 1--4 1-'·' "':!' ·-· 4 1-2 ~;;--4

1 ·-4 1-··3 .L~

1 2.

4 1-4

1 2

481. 1-·::~;

4

1 .. ...:3 4~~

F'f-)F.:T 1 Leap onto R fwd, lift L ft up. Wialk L--f-<:-··L fwd. i::;: r~ p eat nH::! <::is :I. • Leap onto R fwd, lift L ft up; cross Rover L . Step on R, turning to face ctr. Closf!~ L. rn"?:·:t to Fi:, (no weir~1ht on L). Step on L sdwd; step on R next to L. l:''.f:?p E·?i:\ t llH.":: a r,; 4, C: t !::, 1 --2, (no ~'-lei g ht 0 n !'.~'.) ,

i:':r::!pE?at mf!:!<::\!:!> 1. ···4. ~\!<:.'Ilk F<:·-·L.-R-L. into ctr, l ifl:ing anm:,; £;1m·Jly. Continue walking to ctr R-L-R, arms to W position. Close L nl":?:-:t to Fi:~ •:no wei<;Jht cm L) • Repeat meas 9-10 with opp ftwk and 0ir, bringing arms down slowly. Repeat meas 1-12.

pr:11.;;:T 2 Facin(:;J ct1"·, lt:~ii1p onto i:<: !:~dvJd. Cn::i~:;!::; L OV~:?r r.;;:" Still facing ctr, step on R sdwd. Cl<J!'3E~ L. m::!:-:t to ~<:, (no wt=d.ght cm 1....). Repeat meas 1 with opp ftwk and dir. W.::111:: f<:-... L_ .... ·R intD ctt"; J.i·Fting c:1t·m~:; to iv po!:;iticln. Clo~;c.z,1 L nei-:t t(J r<:, (nc v~E!ight on L). Repeat meas 3 with opp ftwk and dir, arms down. F<'.E!PEli:':\ t Hit?i!:\ ~,; :I. ·-4.

F' (.)f<:1· ~~;

Facing LDD, step on R. Hop on R, swinging L slightly sdwd L. Step on L in front of R. Hop on L and step on R, swingiMg R_slightly R. Walk L-R-L bkwd still facing LOD. Step and cross R in front of L, facing ctr. Step on L in place. Repeat meas 1 ~wd into ctr. Repeat meas 2 cts 1-3 bkwd out of r. Step on R in place; step on L in place. F~'.r~pf.?i"°lt. HlE·)i:~f"; l -·4"



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