O pposites A ttract A lesson in juxtaposing two images together from opposite perspectives Review of Categories Birds Eye/Bugs Eye In/Out Backward/Forward Go/Stop Black/White Birds Eye/Bugs Eye These photos were taken by that 11- year-old kid in the prior slide Some of our Students Examples Photo by Tanya TakashiPhoto by Katie Lamson Photo by Brandon HarrisonPhoto by Nico Lunardi In/Out Photo by: Tanner MahoneyPhoto by Megan Hank The editing of your photos can also bring the two together visually. Photos by Dimitri_ca-Flickr Try finding unusual places into which you can put your camera, but keep in mind that the final images both need to be strong. MHBowden-Flickr TolucoPhoto-Flickr Backward/Forward Photo by Dimitri_ca-Flickr Remember the set works best w/ similar subject matter (ex: the swings here) Photos By Kitskka-Flickr Go/Stop Photos by Derek Kennedy Use Shutter Priority to Exaggerate Image Motion: By J.M. Greizis By Photo Naturally Notice the contrast of motion vs. still in the one on the left vs. all stopped on the right. Roaming Gaze-FlickrPhotocritic.org-Flickr Black/White When a photographs light is exaggerated to the bright end of the spectrum it is called "high key" photography. (overexposed image) When it is slanted to the dark end of the spectrum it is called "low key" photography. (underexposed image) What Makes it Work? Fill the frame w/ what you want people to see (or crop the image as needed) The right balance between context & detail Pay attention to your background- minimize the noise to draw attention to your focal point Either blur the b.g. by using a wider f/stop Or, get really close to the subject so the b.g. is less significant Student photos on the right track Photo by Kyle Welch By Marcella Rich By Tanya Takashi By Joan Yun By Lindsay Trolan Check out this group on Flickr: High Key Society Photos by d o l f i Check out this group on Flickr: Low Key By Liam Somerville By Matt Brant