NSD

SIK

KIM

20

20ROSPECTUS

foojf.kdkone year residential certificate

course in dramatic arts

Kanchanjangha Peak

Front cover photo: Kalidasa’s Abhijnan Shakuntalam, Dir. Piyal Bhattacharya, (Student’s Production, 2019)

Govt. of Sikkim has allotted a piece of land to National School of Drama, Sikkim in 2019 to establish its own permanent infrastructure at Assam Lingzey Forest Block, near Gangtok.

NSD SIKKIM

Letter of allotment of the land

Official Map of the land

Land position in the Google Map

Private Holding

Private Holding

ICDS CentreGovt. of Sikkim

Land of Social Justice & Welfare Dept.

Way to Saurani Phatak

Private Holding

Co

nten

tsNational School of Drama, New Delhi

National School of Drama, Sikkim

The Chairman, NSD Society

The Director, NSD

Former Chairpersons & Directors of NSD

The Centre In-charge, NSD

The Centre Director, NSD Sikkim

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The Vision & Objectives of NSD, Sikkim

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Subjects of Study12Syllabus14Annual Activity Report16Visiting Faculty Members18Admission Related Matters19General Information22

Theatre Festivals 28

Administrative & Technical Staff26

NSD Sikkim Repertory Company24

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Location & Travel RouteC3En

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Hami Nai Aafai Aaf, a dramatisation of Padma Sachdev’s Dogri Novel Ab Na Banegi Dehri, Dir. Bipin Kumar(Students/Repertory Production, 2011/12)

ational School of Drama is one of the foremost Ntheatre training institutions in the world and the only one of its kind in India. Established in 1959 as a

constituent unit of the Sangeet Natak Akademi, the School became an independent entity in 1975 and was registered as an autonomous organization under Societies Registration Act XXI of 1860, fully financed by the Ministry of Culture, Government of India. The School offers an intensive and comprehensive three-year course in Theatre. Successful candidates are awarded Diploma in Dramatic Art after completing the course. The training is based on a carefully planned syllabus which covers every aspect of theatre, in which theory is related to practice as a part of which, shows are performed before the public audience. The School has two performing wings: The Repertory Company, started in 1964, and the Theatre-in-Education Company (Sanskaar Rang Toli), which was founded in 1989. On completion of the three years diploma course, successful candidates may be considered for enrolment into either of these two companies, or granted a one year fellowship. The extension program of School, under which workshops for adult and children are conducted in various parts of the country, was launched in 1978.

National School of Drama

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*1. Dr. P. V. Rajamannar 1959-61

*2. Maharaja Shri Chamaraja Waddiyar Bahadur 1961-65

*3. Smt. Indira Gandhi 1965-72

4. Dr. K. P. S. Menon 1972-77

5. Smt. Kamaladevi Chattopadhyaya 1977-78

6. Shri. L. M. Singhvi 1978-82

7. Ms. Shanta Gandhi 1982-86

8. Dr. Suresh Awasthi 1986-88

9. Smt. Vijaya F. Mehta 1988-92

10. Dr. P. C. Joshi 1992-96

11. Dr. Chandrasekhar Kambar 1996-2001

12. Shri Anupam Kher 2001-2004

13. Mrs. Amal Allana 2005-2013

14. Shri Ratan Thiyam 2014-2017

NATIONAL SCHOOL OF DRAMAFORMER CHAIRPERSONS AND DIRECTORS

Former Chairpersons

1. Shri Satu Sen 1959-61

2. Shri E. Alkazi 1962-77

3. Shri B. V. Karanth 1977-82

4. Prof. B. M. Shah 1982-84

5. Prof. Mohan Maharishi 1984-86

6. Shri Ratan Thiyam 1987-88

7. Prof. Kirti Jain 1988-95

8. Prof. Ram Gopal Bajaj 1995-2001

9. Prof. Devendra Raj Ankur 2001-2007

10. Dr. Anuradha Kapur 2007-2013

11. Prof. Waman Kendre 2014- 2017

Acting Chairman : Dr. Arjun Deo Charan

Director In-Charge : Prof. Suresh Sharma

Current Office Holders

Former Directors

* When NSD was under the administrative control of the Sangeet Natak Akademi, the Chairperson of the Akademi used to be the Chairperson of the National School of Drama as well. 4

National School of Drama

Sik

kim

ikkim Theatre Training Centre is the first centre of the SNational School of Drama outside Delhi, established in the year 2011 with 'One Year Residential Certificate

Course in Dramatic Arts'. Situated in the lush green picturesque valley of Gangtok, the centre offers a year-long extensive training in theatre.

The first phase of the course is devoted to training and grooming of the participants in which Yoga, Movement, Martial Arts, Voice and Speech, Music, Western Drama, Classical and Modern Indian Drama and various Methods of Acting are covered. The second phase focuses on technical training, Set design, Lighting, Make-up and other aspect of theatre. In the third phase, the participants experience a series of professional tours in and around Sikkim and other places of India which provide them with ample opportunity to open up and know different cultures, people and territories.

In 2012, the centre started its Repertory Company in which student from the previous year's training program were selected as Artists.

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r. Arjun Deo Charan is a noted Rajasthani poet, critic, Dplaywright, theatre director and translator. As a prominent figure in Indian theatre, he shares his position

in top 10 theatre personalities of country with Habib Tanvir and Ratan Thiyam. Dr. Charan was born on 10 May 1954 in Mathania village in Jodhpur. His father Renvat Dan Charan also was an eminent Rajasthani poet and socialist, who had won Sahitya Akademi Award for his notable work ‘Uchhalo’. Dr. Charan has been the Head of Department of Rajasthani Language in the Jai Narain Vyas University, Jodhpur. He has been selected as Chairman of Rajasthan Sangeet Natak Akademi, Jodhpur on 26 November 2011 for three years.

He is the founder of Rammat Theatre Group, Jodhpur, which is one of the prestigious theatre groups of the country and his plays have been performed in several National and International theatre festivals including Bharat Rang Mahotsav organised by National School of Drama.

Dr. Charan is the recipient of many awards, including Rajasthani Sahitya Akademi Award in1980, central Sahitya Akademi award for his book 'Dharam Judh' in 1992, Highest Award of Rajasthani Bhasa Sahitya Evam Sanskriti Akademi in 1997, Rajasthan Sangeet Natak Akademi Award in 1999, Maru-Parampara Samman in 2004, Bihari Puraskar in 2011 by K. K. Birla Foundation for his Rajasthani poetry collection ‘Ghar to Ek Naam hai Bharose Ro’ and Central Sangeet Natak Akademi Award in 2012.

Presently, he is the Acting Chairman of India's most prestigious drama school, National School of Drama.

Dr. Arjun Deo Charan Acting Chairman, NSD

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Director In-charge, NSDProf. Suresh Sharma

orn in 1959, Prof. Suresh Sharma completed his education Bin Lucknow. In 1982, he got his diploma in dramatics from Bhartendu Natya Academy, Lucknow. In 1985, he graduated

from National School of Drama, New Delhi with specialization in acting. Soon afterwards he joined 'Sambhav', a Delhi based theatre group, and acted in many of its prestigious productions.

In 1987-88, he established the first non-governmental theatre repertory in Mandi, a district of Himachal Pradesh. From 1996-98 for a period of two years, he worked as Artistic Director of Sri Ram Centre for Performing Arts, Delhi. In the year 1998, he established the first non–governmental Residential Theatre Academy in Mandi, Himachal Pradesh.

Prof. Sharma has been felicitated by Sahitya Kala Parishad for his acting skill. In 1988-89 Sangeet Natak Academy awarded ‘Mohana’, a play written and directed by Prof. Sharma as the best play under their 'Young Director's Scheme'. He has acted in more than thirty plays with various directors and has experience of working with almost all the eminent directors of India. Besides directing plays, Prof. Sharma has also done the very first Hindi translation of the book Stanislavsky System under the title 'Stanislavsky ke Abhinay Siddhant'.

Prof. Sharma joined the National School of Drama in August 1999 as Chief of the NSD Repertory Company and is presently Director In-charge of the School.

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urrently the Dean Academics, Centre In-Charge and In-Charge of Cultural CExchange Programme of NSD, Dr. Abhilash Pillai is a play director, pedagogue, and scholar of contemporary Indian Theatre, who has directed

more than 30 productions in various Indian languages and English. He is often credited as one of the initiators of digital theatre in Modern Indian Drama with 'Anth Ananth', a 1995 production of NSD Repertory Company. His theatre reinforces the past and also the present through 20th and 21st century Indian Pop visuals, video, recorded sound and other technological interventions. His works draw on a wide array of materials but are presented in a contemporary aesthetic style and envision a dialogue between practice and scholarship that seeks to augment the perspective with critical knowledge about various issues concerned. As a theatre maker, he has been involved in several collaborative projects, international and national, and initiated first-ever collaboration between NSD and a Circus Company, culminating in a production 'Clowns & Clouds'. He did his graduation in BTA (Bachelor of Theatre Arts), Calicut University in 1991; did a three-year post-graduate diploma in dramatics from the National School of Drama (NSD), New Delhi in Design & Direction, with distinction in 1994; passed a two-year diploma in Theatre Production and Stage Management with honours from the Royal Academy of Dramatic Art (RADA), London in 1998. Later, he did a one year intensive training in advanced theatre direction in association with eminent directors in the Orange Tree Theatre, U.K. from 1998-1999, and achieved Ph. D. from JNU, New Delhi in 2012. He started his artistic life as an artistic director of Abhinaya Theatre and Research Centre, Thiruvananthapuram, Kerala in 1999.Dr. Pillai has authored a book on C.N. Sreekantan Nair – Vision and Mission of a Theatre Activist –published by the Central Sahitya Akademi. He has contributed articles on theatre in leading publications, attended seminars and conducted several workshops in India and abroad. Dr. Pillai served as Dean Academics of NSD during 2008-2011. He has been Artistic Director and Chief Curator of National Theatre Festival organised by Information & Public Relations Department of the Government of Kerala and ITFoK (International Theatre Festival of Kerala) organised by Kerala Sangeetha Nataka Akademi for couple of years. Besides, he was the Chief Technical Coordinator and Steering Committee Member of Bharat Rang Mahotsav from 2008- 2011. He is also the Advisory Committee member of 21st BRM.Among many awards, he has received the prestigious Sanskriti Award for achievements in theatre in 2002-03, Kerala Sangeetha Nataka Award for theatre direction in 2012 and National School of Drama's Manohar Singh Smriti Puraskar in 2009.

Dr. Abhilash PillaiProf. (Acting & Direction) & Centre In-charge

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Bipin Kumar

n alumnus of National School of Drama, Bipin Kumar has directed Aapproximately 30 plays in various Indian languages with theatre groups & corporate sectors in India. His major directorial works include

'Yayati','Pagla Ghoda', 'Ashad Ka Ek Din', 'Biyaban Mein Ugtey Kinshuk', 'Hamlet' in Chhotanagpuri & in Nepali, 'Ek Tha Gadha', 'Sabhya Sanp' in Bengali, 'Trishanku', ‘The Fan', ‘Jati Hi Puchho Sadhu ki', 'The Lower Depths', 'Sidhartha Gautam Dekhi Buddha Samma Ek Yatra' in Nepali, 'Us Raat Ke Baad', 'Shakuntala', ‘Chakra Ek Mahayatra' in Nepali, 'Garbo', 'Hum Hi Apna Aap' in Nepali, 'Rajkumar Namgyal' in Nepali, 'A Love Story 1950' in Nepali, 'Taj Mahal Ka Tender', 'Romeo & Juliet' in multi language etc.

His teaching experience spans almost 25 years and he has conducted several theatre workshops in different states of India including Sikkim, Jharkhand, Uttarkhand, Uttar Pradesh, Punjab, Chhattisgarh, Assam, Arunachal Pradesh, Bihar, West Bengal & Madhya Pradesh, organised by National School of Drama, Sangeet Natak Academy & Kshitij Theatre Group in collaboration with Ministry of Culture, Govt. of India.

Formed Kshitij Theatre Group (Repertory Company) at Delhi in 1988 and is the founder member of Yuva Rang Manch, Ranchi, Jharkhand from 1981. Mr. Kumar was the Board Member of School of Performing and Visual Arts at IGNOU, New Delhi from 2012 to 2014. He has been visiting faculty of Drama Department, Ranchi University and Raja Mansingh Tomar Music & Arts University, Gwalior.

He has received the Jharkhand State Award for Acting in the year 2016. In 2017, he was felicitated by “Sikkim Kalakar Sangh” for his immense contribution in promoting Theatre in Sikkim. He was conferred with Sangeet Natak Akademi Award for Direction in 2016.

In addition, he has produced films, Serials, documentaries and educational films for Ministry of Culture & Doordarshan under the banner of Kshitij Theatre Group and Bharti Productions. He was Co-Producer of a 3 hour long film 'Kaala Heera' for Zee T. V., which was telecast in Jan. 2001 under special time slot. The film was based on Chasnala Coal Mine Disaster. Also co-produced a comedy serial of 13 episodes titled 'Gadbad Ghotala' for DD-1, was telecast in 1995.

Presently, working as the Centre Director at National School of Drama, Sikkim Theatre Training Centre, Gangtok.

Centre Director, NSD Sikkim

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Sahasi Aamala, an adaptation of Brecht’s Mother Courage and Her Children, Dir. Noushad Mohamed Kunju(Repertory Production, 2017)

Theatre is a powerful art form. It teaches lessons about life,

society and emotion and more importantly yourself. - Anastasia Roberts

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Centre provides full time one year residential certificate course in dramatic arts for entrants intending to take theatre as profession.

The Vision

Ÿ To encourage and facilitate innovation and learning the art of theatre, by providing education, disseminating knowledge and promoting appreciation through unique pedagogy.

Ÿ To develop the intangible concept of creative imagination and its expression within the collective framework of a group.

Ÿ To organize a drama show, workshop, demonstrations and outreach programmes to benefit the local communities of Sikkim and North Eastern states.K

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Subjects of Study

Acting:Ÿ Introduction of Acting : Basic Knowledge

Ÿ Physical Theatre

Ÿ Voice and Speech

Ÿ Yoga

Ÿ Movement

Ÿ Theatre Music

Ÿ Acting : Improvisation and Theatre Games

Ÿ Scene Work : Modern Realistic Text, Classical Text, Western Text

Ÿ Script : Craft Work and Analysis

Theatre History, Literature & Aesthetics:

Ÿ Basics Knowledge of Theatre History, Literature and Aesthetics

Ÿ Modern Indian Drama

Ÿ Classical Indian Drama

Ÿ Western Drama

Theatre Technique & Design:

Ÿ Basics of Set Design and Model Making

Ÿ Costumes Design

Ÿ Mask and Props Making

Ÿ Lighting Design

Ÿ Make-up

Kalidasa’s Abhijnan Shakuntalam, Dir. Piyaal Bhattacharya (Student’s Production, 2019) 12

Suntala ko Bagaan, an adaptation of Chekhov’s Cherry Orchard, Dir. Sandip Bhattacharya

(Repertory Production, 2018)

Kalo Sunakhari, a dramatisation of Yeshe Dorjee Thongchi’s novel Sonam

Dir. Abhilash Pillai, (Repertory Production, 2012)

13

First Phase

YOGA : Physical fitness and increased degree of alertness, grace and concentration, maximum use of voice capabilities achieved through the practiceof asana, kriyas and pranayama.

MOVEMENTS :

Students learn how to use their body, voice and imagination. They learn how to be aware of the body and concentrate on its rhythm, enter space and loosen their limbs.

SyllabusVOICE & SPEECH : Exercises that focus on breathing, humming, pitch, volume and singing.

THEATRE MUSIC :

Enhancing the musical sensibility of students through the knowledge of various sounds and rhythmic pattern, evolve from the text of the play.

1

ACTING :

SCRIPT CRAFT WORK & ANALYSIS :

a) Techniques of moving from text to stage.b) Selection, structure and study of plays.

SCENE WORK :

Scene work on a modern realistic text that will culminate in an in-house production.

Course Module (divided into three major phases)

Surajmukhi & Hamlet, an adaptation of Jean Annoilh’s An Episode in the life of an Author,

Dir. Bharti Sharma (Repertory Production, 2019)

14 14

Introduction to acting, basic knowledge:a) Introducing Methods of Actingb) Improvisations & Theatre Games.

2 Third Phase 3 MOVEMENT :

Introducing Martial Arts or any such Traditional Form.

VOICE & SPEECH : Introducing text/script for speech.

ACTING : a) Major Codified Theories and Methods of Acting.b) Improvisation and Theatre Games. THEATRE LITRATURE, HISTORY & AESTHETICS :

a) Basic knowledge of Classical Indian Dramab) Modern Indian Dramac) Western Drama

STUDY TOUR : To learn any Indian traditional or folk forms.

STUDIO THEATRE PRODUCTION : A public show of a Classical or Folk play after six months.

THEATRE DESIGN & PRODUCTION :

Ÿ To develop basic technical skills in props and mask making, set design (scenic design) and model making.

Ÿ Basic concept and method for costume design.

Ÿ Basic knowledge of lighting design

Ÿ Makeup: different styles of makeup, theory and practical

Ÿ Final Production: a public performance of either an Indian or Western play.

DEMONSTRATION :Ÿ Watching regional, traditional,

folk & realistic performances.Ÿ Screening of films, recorded

Videos and Plays.

Second Phase

Syllabus

Syllabus

Syllabus

Syllabus

Syllabus

Ab aur Nahi, an adaptation of Shakespeare’s Romeo & Juliet Dir. Bipin Kumar (Repertory Production, 2015) 15

16

Annual Activity Report April 2019- March 2020

April 2019

NSD Sikkim students of 2018-19 batch organises Body Movement classes under Shilpika Bordoloi & Suresh Shetty, Costume design by Sneha Kumar, Production Process by Oasis Sougaijam, Make-up by Sanjoy Samanta and Lighting Design by Souti Chakraborty.

July 2019

With the 2019-20 batch students, Acting classes taken by Rajendra Panchal, Movement by Joy Meetei, CID by Piyal Bhattacharya and Music by Subhadeep Guha. Interview for fresh panel of Repertory Company artists held on 19 and 20 August at Gangtok.

New session commenced from 29 July 2019. Script Reading classes taken by Bipin Kumar (Centre Director).

August 2019

Students Acting classes taken by Pabitra Rabha & Rajesh Singh, Movement by Lhakpa Lepcha, Production Process by Oasis Sougaijam and CID by Piyal Bhattacharya.

May 2019Acting classes with the 2018-19 batch taken by Sanmitra Bhaumik and Props & Mask Making by N. Jadumani Singh. Their final production began under the direction of Bipin Kumar (Centre Director, NSD, Sikkim). September 2019

2018-19 batch students staged their final production 'Ashadh Ka Ek Din' directed by Bipin Kumar on 28 & 29 June 2019 at Manan Kendra. Interview of new participants held between 24 and 26 June 2019 at Gangtok. 2018-19 batch students Viva-voce was conducted on 29 June 2019.

June 2019

Mohan Rakesh’s Ashadh ka Ek Din Dir. Bipin Kumar

(Students Production, 2019) 14 16

October 2019

Western Drama class taken by Trina Banerjee, Voice & Speech by Amit Banerjee, Theatre Architecture by Satyabrata Rout & Script Writing by Makarand Sathe.

November 2019

Western Drama classes taken by Souti Chakraborty, Realistic Scene Work by Teekam Joshi, Yoga by Nim Lhamu Sherpa and Acting by Bharti Sharma. Students’ 1st production began under the direction of Piyal Bhattacharya.

December 2019

Acting classes by Bharti Sharma and Yoga by Nim Lhamu Sherpa continued. Voice and Speech classes taken by Anjana Puri and Space & Actors by Bansi Kaul. NSD Sikkim Repertory Company presented its new play Surajmukhi & Hamlet directed by Bharti Sharma on 22 & 23 December 2019 at Manan Kendra. Students staged its first production 'Abhigyan Shakuntalam' directed by Piyal Bhattacharya on 25 & 26 December 2019. Viva-Voce of the students held on 26 December.

January 2020

Academic holiday for the students.

February 2020

A study tour to Majuli, Assam was organised to learn Sattriya Traditional dance form. NSD Sikkim Repertory Company staged 'Surajmukhi & Hamlet' in winter theatre festival held at four different locations of Sikkim, namely, Gyalzing, Rongli, Pakyong & Mangan between 3 and 12 February 2020.

March 2020

Movement classes taken by Lapdiang A Syiem, Modern Indian Drama by Asif Ali and Realistic Scene Work by Vandana Vashisth.

Andh-vish-waas, inspired by Laxminath Bezbaruah’s Champavati,

Dir. Mridul Boruah (Students Production, 2014-15)

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Activity Report

Visiting Faculty MembersShilpika Bordoloi, Guwahati : Body Movement

Sneha Kumar, Kolkata : Costume Design

Oasis Sougaijam, Manipur : Production Process

Sanjoy Samanta, Kolkata : Make-up

Souti Chakraborty, Delhi : Lighting Design

Sanmitra Bhaumik, Guwahati : Acting

N. Jadumani Singh, Manipur : Props & Mask Making

Rajendra Panchal, Kota, Rajasthan : Acting

Joy Meetei, Manipur : Movement

Piyal Bhattacharya, Kolkata : CID

Subhadeep Guha, Kolkata : Music

Pabitra Rabha, Guwahati : Acting

Lhakpa Lepcha, Sikkim : Movement

Trina Banerjee, Kolkata : Western Drama

Amit Banerjee, Kolkata : Voice & Speech

Satyabrata Rout, Hydrabad : Theatre Architecture

Makarand Sathe, Pune : Script Writing

Teekam Joshi, Delhi : Realistic Scene Work

Bharti Sharma, Delhi : Acting

Nim Lhamu Sherpa, Sikkim : Yoga

Asif Ali Haider Khan, Delhi : MID

Vandana Vashisht, Delhi : Sc. Work on Modern Realistic Text

L. A. Syiem, Shillong : Movement

Jyoti Narayan Nath, Guwahati : Acting

You Too Vikrant!, an adaptation of Shakespeare’s Julius Caesar, Dir. Binod Sharma

(Students Production, 2017-18) 18

2019

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Admission Related MattersApplication ProcessIn the year 2020-2021 batch, twenty two students will be selected for the one year residential certificate course in dramatic arts. The candidates should apply in the prescribed application form. The process of admission is as follows:

1. The prospectus and application form are available at the website: www.sikkim.nsd.gov.in

2. Application forms can be filled and submitted ONLINE as well as downloaded from the website.

3. If the candidate desires to send the hard copy of the completed application form, he/she may send it through Registered Post along with a demand draft of Rs. 150/- from any Nationalized Bank in favour of National School of Drama, Sikkim payable at Gangtok, copy of graduation certificate, birth certificate, caste certificate (creamy/non-creamy layer for OBC), address proof, letter of recommendation and experience certificate (if any) and four recent passport size photographs (non- returnable). The filled & completed application forms must be sent to Centre Director, National School of Drama, Development Area, Gangtok-737101, Sikkim.

4. If the candidate desires to fill and submit the form ONLINE, he/she may have to pay an application fee of Rs. 50/- through Net Banking, Credit Card or Debit Card. The form must be submitted after uploading digital copy of graduation certificate, birth certificate, caste certificate (creamy/non-creamy layer for OBC), address proof, letter of recommendation and experience certificate (if any) and a recent passport size photograph.

5. Candidates may be required to produce original documents/certificates at the time of the interview.

6. For more information please mail at nsdsikkim@gmail.com OR call us at 03592-201010Pyar Paisa Uljhan, an adaptation

of Molier’s play The Miser, Dir. Jyoti Nath (Students’ Production, 2016-17) 19

2020

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Minimum Qualifications for Admission

i) Graduation from any recognized University.

ii) Proficiency in the mother tongue and a working knowledge of Hindi & English.

iii) Active participation in at least three productions or in any other field related to theatre.

AgeThe course is open to all men and women between the age of 18 and 30 years.

Medium of InstructionThe medium of instruction is Hindi/English, depending on the subject. Plays are performed mostly in Hindi, Nepali or Multi- Languages.

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Selection Process

I) The screening of applicants is carried out in two stages. The preliminary screening comprises of an Audition & practical test which is conducted at Sikkim and/or through online.

ii) The final selection is subject to clearance of physical fitness test conducted at Gangtok, Sikkim.

20Dharmveer Bharati’s Andha Yug

Dir. Thawai Thiyam(Repertory Production, 2015)

2020

-21

Fees, Dues & DepositsI) Tuition fee: Rs.150/- Per month.

II) Caution money & Library fee: Rs.5, 000/-(refundable after final settlement of accounts).

Other Miscellaneous DuesI) Medical charges : Rs. 100/- per month.II) Hostel fee : Rs. 250/- per month.

ScholarshipI) The NSD Sikkim awards a scholarship of Rs.

6000/- (Rupees Six Thousand Only) per month to the selected candidates.

InsuranceSelected candidates are covered by a Risk Cover Insurance Policy and are required to pay the premium amount of Rs. 230/- per annum. The Centre does not take any other responsibility beyond this insurance coverage.

Working HoursClasses are normally held from 7 am to 6 pm with usual breaks of tea and lunch. Rehearsals and other practical works will continue in the evenings till such times as required and also on holidays depending on the case.

VacationsThere will be a month long holiday in the academics.

Study TourA month long study tour organised every year to learn Indian Traditional/Folk forms in different places of the country.

Boarding & LodgingWe provide accommodation for both girls and boys. Accommodation provided to the students may be on a room-sharing basis which is mandatory.

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Tirkha, based on Rabindranath Tagore’s story Hungry Stone, Dir. Heisnam Tomba

(Repertory Production, 2016)

2020

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General InformationRules

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i) Students are not allowed to enter into any arrangement during training outside the school.

ii) Students are not allowed to seek or accept any engagement to appear in public, neither on the amateur or professional stage, nor in radio, television or films. They may not seek or accept any employment during their term of study.

iii) Students must conduct themselves properly in accordance with the rules that govern manners and appearance. Any student found guilty of unbecoming conduct may be suspended or expelled from the School.

iv) Consuming alcohol in the School premises and hostel is strictly prohibited.

v) Students are not allowed to invite visitors or friends to classes or rehearsals except with prior permission from the Centre Director.

vi) It is obligatory for the students to enact any role that they are handed. They must participate in rehearsals and perform the role in the manner required by the teachers or the director of the play.

vii) Students have to abide by the hostel, mess and library rules.

viii) Students violating rules are liable to serve disciplinary action.

Stationary, Material & EquipmentThe centre will supply students a free of charge mount board, drawing paper, poster color, make-up material, props making material & wood for class room purposes only. Any other material will have to be purchased by the students.

Rehearsals at Studio Theatre

a class by Padmshri Ratan Thiyam

Rehearsal Space

22

a class by Dr. Anjala Maharishi

a class by Prof. Mohan Maharishi

Class Room

AssessmentStudents will be evaluated after completion of six months of the course. In this evaluation, their work, projects and participation in the classroom activity will be considered along with assessment provided by the faculties. If their evaluation is not up to the mark, students will be discontinued from the course.

23Sudrak’s Mrichhkatikam

Dir. Sanabam Thaninleima, (Students Production, 2016-17)

Bodhayan’s Bhagwataajukam Dir. Afsar Hussain,

(Students Production, 2017-18)

You Too Vikrant!, an adaptation of Shakespeare’s Julius Caesar, Dir. Binod Sharma

(Students Production, 2017-18)

24

NSD Sikkim Repertory Company

epertory Company is a performing wing of National RSchool of Drama, Sikkim. It consists of a group of

Artists. The main function of Repertory Company is

to produce plays of high artistic merit and perform them

regularly for the Theatre lovers in Sikkim and across the country.

It was founded in 2012 and has performed ten plays 'Hami Nai

Aafai Aaf', 'Kalo Sunakhari', 'Niyam Tah Yahi Cha', 'Andha

Yug', 'Ab Aur Nahi' ,'Tirkha', 'Sahasi Aamala', ‘Maya Megh',

'Suntala Ko Bagaan' and ‘Surajmukhi & Hamlet’.

Maya Megh, based on a Gond folk story, Writer-Dir. Tripurari Sharma(Repertory Production, 2017)

25Sahasi Aamala, an adaptation of Brecht’s

Mother Courage and Her Children, Dir. Noushad Mohamed Kunju

(Repertory Production, 2017) 25

Performances in the year

2019

Rep

erto

ry C

ompa

ny30 April 2019 Hami Nai Aafai Aaf Shriram Centre, Delhi

01 May 2019 Kalo Sunakhari Shriram Centre, Delhi

02 May 2019 Sahasi Aamala Shriram Centre, Delhi

03 May 2019 Suntala Ko Bagaan Shriram Centre, Delhi

04 May 2019 Tirkha Shriram Centre, Delhi

05 May 2019 Ab Aur Nahi Shriram Centre, Delhi

21 Dec. 2019 Surajmukhi & Hamlet Manan Kendra, Gangtok

22 Dec. 2019 Surajmukhi & Hamlet Manan Kendra, Gangtok

Programme Coordinator

Born and brought up in Sikkim, Lhakpa Lepcha graduated from North

Bengal University with History (Honors) in 2010. Later, he has g raduated from National School of Drama, New Delhi in 2013 with specialization in Acting. As an actor, he has worked with wel l known theatre directors from India and abroad like Dr. Anuradha Kapur, Prof Robin Das, Dr. Abhilash Pillai, Prof. Tripurari Sharma, Prof. Jeffery Sichol (UK), Shri Bipin Kumar, Shri Shantanu Bose, Shri K. S. Rajendran, Ms. Hema Singh. He also travelled to China and performed at Beijing International Theatre Festival in 2010. He assisted in Repertory Company's production 'Niyam Tah Yehi Chha' directed by Prof. Kamaluddin Nilu. He has directed a play 'Identity' in Lepcha dialect. Acted in an Arunachal based movie 'My Country Land 1962' and 'Dhokbu- the keeper', a Lepcha feature film in 2017, Lhakpa has received Prag cine award in 2018 as best male actor for the movie 'Dhokbu- the keeper'.

Senior Clerk

riti has completed B. Com. from Sikkim University in the year 2013, M. KCom. from IGNOU in 2015 and successfully completed her MBA with specialization in Human Resource Management from Sikkim Manipal

University in 2017. She worked with Indusind Bank from Dec. 2013 to July 2015 and also worked with HDFC Bank from Sept. 2015 to Jan. 2016. She joined National School of Drama, Sikkim in February 2016.

Lhakpa Lepcha

Kriti Gurung

Administrative & Technical Staff

A g r a d u a t e ( B. C o m . ) f r o m Nor th Beng a l

University in the year 2010, Umesh Thapa is pursuing for a Masters degree. He also holds a Dip loma in financ ia l Accounting. Associated with NSD, Sikkim Centre since 2011, he has handled accounts related to various workshops and productions. He is also interested in music & sports and also very active on the stage as a singer & musician.

AssistantUmesh Thapa

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Born and brought up in Gyalshing, Sikkim, Chakra has been

associated with National School of Drama, Sikkim since 2007. He is an actor and a prolific designer. He has been associated with several p l a y s l i k e ' C h a k r a E k Mahayatra , ' 'S iddhar tha

Gautam Dekhi Bhudda Samma…Ek Yatra', 'Rukhtha Kalayan', 'Mato Ko Maya', 'Raj Kumar Namgyal', 'A Love Story 1950', 'Black Orchid' etc. He has also designed lights for the play 'Hum Hi Aapne Aap', a students’ production. He is presently working as Stage Manager at National School of Drama Sikkim, Gangtok.

Chakra Bdr. ChettriStage Manager

Born and brought up in North Sikkim, Dependra did B.

Com. (Hons.) from Calcutta University in the year 2010 and Masters in Publ ic Administration in 2014. With a view of education as a primary weapon he is pursuing M. A. in Economics from IGNOU. He has worked as career councilor for educational career guide magazine called 'The Accelerator Magazine and Academy' (North East Division) and have also had his hands on teaching activities at Sr. level of the same organization. He joined NSD, Sikkim as a Junior Clerk in December 2018.

Junior ClerkDependra Gurung

Hem Kumar ChettriMulti-Tasking Staff (MTS)

Hem Kumar is a r e s i d e n t o f Development

A r e a , G a n g t o k , completed his senior secondary from Tashi N a m g y a l S e n i o r

Secondary School, East Sikkim. He joined National School of Drama, Sikkim as Multi Tasking Staff (MTS) in January 2017.

Umesh RaiCentre Care Taker

A r e s i d e n t o f U p p e r Kamrang, Umesh Rai has done many workshops

with NSD Sikkim Theatre Training Centre. He did a month long workshop in 2005, another month long workshop in Namchi and three month long workshop in the year 2008. He is a versatile artists and acted in several plays such as ‘Vikram Urashi’, ‘Shankutala’, ‘Chakra Ek Mahayatra’, ‘Mato Ko Maya’, ‘Jharlangi’, ‘Siddhartha Gautama Dekhi Buddha Samma... Ek Yatra’, ‘A Story of 1950', ‘Rajkumar Namgyal’, ‘Pheri Naya Jeevan’ etc.

Administrative & Technical Staff

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Winter / Spring Theatre Festival

Theatre Festivals

Winter Theatre festival was initiated by NSD, Sikkim in the year 2016 in which Repertory Company stages its plays in Gangtok and other districts of Sikkim as well as in different parts of the country. When the festival occurs in the month of January-February every year, it is called Winter Theatre Festival, however, when it is organised between the months of March-May, it is called Spring Theatre Festival. As part of the festival, the Repertory Company has presented its plays in Gangtok, Mangan, Namchi, Gyalshing, Dibrugarh and Agartala till now. NSD, Sikkim organised the Spring Theatre Festival in New Delhi in the months of April-May 2019.

Inaugural Ceremony(Spring Theatre Festival, 2019) 28

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36

izks-¼vfHku; o funsZ”ku½ ,oa dsUnz izHkkjh

fcfiu dqekj dsUnz funs'kd] jkukfo flfDde

jk’Vªh; ukV~; fo|ky; ds iwoZ Nk= fcfiu dqekj us dbZ Hkkjrh; Hkk"kkvksa esa fofHkUu jax laLFkkvksa o d‚iksZjsV daifu;ksa ds fy, 30 ls vf/kd ukVdksa dk funsZ'ku fd;k gSA vkids }kjk funsZf'kr ukVdksa esaa *;;kfr*] *ixyk ?kksM+k*] *vk’kk<+ dk ,d fnu*] *fc;kcku esa mxrs Çd'kqd*] *gSeysV*] *,d Fkk x/kk*] *lH; lkai*] ̂ f='kadq *] *n QSu*] ̂tkfr gh iwNks lkèkq dh*] ̂ n yksvj MSIFl*] *fl)kFkZ xkSre ns[kh cq) lEek % ,d ;k=k*] ̂ ml jkr ds ckn*] ^'kdqaryk*] ^pØ ,d egk;k=k*] ^xkcksZ*] ^geha ubZa vkQbZ vkQ*] ^jktdqekj ukeX;ky*] ̂v yo LVksjh 1950*] ̂rktegy dk VsaMj*] ,oa ̂ jksfe;ks ,aM twfy;V* vkfn izeq[k gSaAvkidks ukV~; izf'k{k.k dk yxHkx 25 o"kksaZ dk vuqHko gSA laL—fr ea=ky; ds lg;ksx ls jk’Vªh; ukV~; fo|ky;] laxhr ukVd vdkneh o f{kfrt fFk,Vj xzqi ds varxZr flfôe] >kj[kaM] mÙkjk[kaM] mÙkj çns'k] iatkc] NÙkhlx<+] vle] v#.kkpy çns'k] fcgkj] if'pe caxky vkSj eè; çns'k lfgr Hkkjr ds fofHkUu jkT;ksa esa dà jax dk;Z”kkykvksa dk lapkyu dj pqds gSaaAvkius 1988 esa fnYyh esa f{kfrt fFk,Vj xzqi ¼jaxeaMy½ dk xBu fd;k vkSj 1981 ls gh ;qok jax eap] jkaph ds laLFkkid lnL; jgs gSaA vki jaxeap foHkkx] jkaph fo”ofo|ky; vkSj jktk ekuÇlg rksej laxhr vkSj dyk fo”ofo|ky;] Xokfy;j ds vfrfFk ladk; Hkh jgs gSaA Jh fcfiu dqekj dks o"kZ 2016 esa vfHku; ds fy, >kj[kaM jkT; iqjLdkj ls lEekfur fd;k x;k tcfd 2017 esa vkidks flfôe esa jaxeap dks c<+kok nsus ds fy, Þflfôe dykdkj la?kÞ }kjk lEekfur fd;k x;kA 2016 esa vkidkss funsZ'ku ds fy, dsUnzh; laxhr ukVd vdkneh iqjLdkj ls lEekfur fd;k x;kAblds vykok vkius f{kfrt fFk,Vj xzqi vkSj Hkkjrh çksMD'kal ds cSuj rys laL—fr ea=ky; vkSj nwjn'kZu ds fy, dbZ fQYeksa] èkkjkokfgdksa] o`Ùkfp=ksa vkSj 'kSf{kd fQYeksa dk fuekZ.k fd;k gSA vki t+h-Vhoh ds fy, fufeZr 3&?kaVs yach fQ+Ye *dkyk ghjk* ds lg&fuekZrk Fks] tks fd tuojh 2001 esa VsyhdkLV gqbZ FkhA ;g fQ+Ye pklukyk dks;yk [knku vkink ij vkèkkfjr FkhA blds vykok vkius MhMh&1 ds fy, *xM+cM+ ?kksVyk* uked 13&,filksM ds ,d gkL; èkkjkokfgd dk Hkh lg&fuekZ.k fd;k tks 1995 esa VsyhdkLV gqvkAorZeku esa Jh fcfiu dqekj jk’Vªh; ukV~; fo|ky; flfôe] xaxVksd esa dsaæ funs'kd gSaA

37

ek;k es?k] xksaM yksddFkk ij vk/kkfjr ukVd ys[ku&funsZ”ku f=iqjkjh “kekZ

¼jaxeaMy izLrqfr] 2017½

lqUrykdks cxku] ps[ko ds pSjh vkWpMZ dk :ikarj.k] funsZ”ku lanhi HkV~Vkpk;Z¼jaxeaMy izLrqfr] 2018½ 38

mís';

jaxeap dks O;olk; ds rkSj ij viukus ds bPNqd Nk=ksa ds fy, ukV~; dyk esa ,d lky dk vkoklh; çek.ki= ikB~;Øe çnku djukA

–f"Vdks.k

· fof”k’B izf”k{k.k i|fr }kjk f'k{kk çnku dj] Kku dk çlkj dj vkSj jaxeap ds izfr ç'kalkRed Hkko txk dj jaxdyk esa uokpkj o lh[kus dks lqxe cukuk vkSj mlds fy, izksRlkgu iznku djukA

lewg ds lkewfgd <kaps ds Hkhrj jpukRed dYiuk vkSj mldh vfHkO;fä dh vewrZ voèkkj.kk dks fodflr djukA

flfôe vkSj mÙkj iwoÊ jkT;ksa ds LFkkuh; leqnk;ksa dks ykHkkfUor djus ds fy, ukV~; izLrqfr;kW] dk;Z'kkyk,a] çn'kZu vkSj foLrkj dk;ZØe vk;ksftr djukA

39

jkukfo flfô

e dk –f"Vdks.k o

mís'

;

alwjteq[kh ,aM gSeysV] T;kW vkuqbZ ds ukVd ,u ,filksM bu n ykbQ+ vkWQ ,u vkWFkj funsZ”ku Hkkjrh “kekZ ¼jaxeaMy izLrqfr] 2019½

vfHku;%

vfHku; dk ifjp; % ekSfyd Kku

“kkjhfjd jaxeap

vkokt+ o laHkk’k.k

;ksx

ewoesaV

jax laxhr

vfHku; % bEizkokbts”ku vkSj fFk,Vj xsEl

–'; dk;Z % vkèkqfud ;FkkFkZoknh ukVd]

'kkL=h; ukVd] if'peh UkkVd

vkys[k f”kYi dk;Z o fo”ys’k.k

jaxeap dk bfrgkl] lkfgR; vkSjlkSan;Z'kkL= %

jax bfrgkl] lkfgR; o lkSan;Z'kkL= dk ekSfyd Kkuvkèkqfud Hkkjrh; ukVd'kkL=h; Hkkjrh; ukVdif'peh ukVd

vè;;u ds fo"k;

jax rduhd o ifjdYiuk %

eap ifjdYiuk vkSj e‚My fuekZ.k dh ewyHkwr ckrsaos'kHkw"kk ifjdYiuk ekLd vkSj ç‚Il fuekZ.kçdk'k ifjdYiuk esdvi

eksgu jkds”k d`r vk’kk<+ dk ,d fnu funsZ”ku fcfiu dqekj ¼Nk= izLrqfr] 2019½ 40

va/kfo”okl] y{ehukFk cStc#vk ds ukVd pEikorh ls izsfjr funsZ”ku e`nqy c#vk¼Nk= izLrqfr] 2014&15½

vc

vkSj u

gha] “ksDl

fi;j ds u

kVd

jksfe;ks ,aM

Twfy

;V

dk :ikarj

.k

funsZ”

ku fcfiu

dqekj

¼jaxeaM

y i

zLrqfr] 20

15½

41/kEkZohj Hkkj

rh fyf[kr v

a/kk;qx]

funsZ”

ku FkokbZ fFk;ke

¼jaxeaM

y i

zLrqfr] 20

15½

dksbZ Kku dksbZ f”kYi dksbZ fo|k dksbZ dyk dksbZ ;ksx rFkk dksbZ deZ ,slk ugha tks ukV~; esa fn[kkbZ u nsrk gksA &ukV~; “kkL=

igyk pj.k

;ksx %'kkjhfjd fQVusl vkSj lrdZrk] pqLrh vkSj ,dkxzrk esa o`f) vklu] fØ;k vkSj çk.kk;ke ds vH;kl }kjk ok.kh dh {kerkvksa dk vfèkdre mi;ksxA

ewoesVa %“kjhj] vkokt+ o dYiuk dk mi;ksx djukA 'kjhj ds ckjs esa lpsr jguk vkSj mldh y; ij è;ku dsafær djukA Lisl esa ços'k djus ds lkFk&lkFk vius vaxksa dks <hyk djukA

~ikB;Øevkokt+ vkSj laHkk"k.k%lk¡l ysus] xquxqukus] fip] okWY;we vkSj xk;u ij è;ku dsafær djus okys vH;klA

jax laxhr %ukVd ds ikB ls fodflr fofHkUu èofu;ksa vkSj y;c) iSVuksaZ ds izf”k{k.k ls Nk=ks a dh laxhr ds izfr laosnu'khyrk c<+kuk A

1

vfHku; % vfHku; dk ifjp;] ekSfyd Kku % v½ vfHku; i|fr;ksa dk ifjp; c½ bEizksokbts”ku o fFk,Vj xsEl

vkys[k f'kYi dk;Z o fo'ys"k.k%

v½ vkys[k ls eap rd tkus dh rduhd

c½ ukVdksa dk p;u] lajpuk vkSj vè;;u

n`'; dk;Z%,d vkèkqfud ;FkkFkZoknh ikB ij –';&dk;Z tks varr% ,d bu& gkml izLrqfr esa lekIr gksxkA

dkslZ ekWM~;wy¼rhu izeq[k pj.kksa esa foHkDr)

I;kj iSlk my>u] eksfy;j ds ukVd n ekbt+j dk :ikarj.k]

funsZ”ku T;ksfr ukjk;.k ukFk ¼Nk= izLrqfr] 2016&17½

42

fu;e r ;gh N] csz[+r ds ukVd ,DlsI”ku ,aM n :y dk :ikarj.k

funsZ”ku dekyqn~nhu uhyw ¼jaxeaMy izLrqfr] 2013½

2 rhljk pj.k3 ewoesaV %ek'kZy vkVZ ;k mlh rjg dh vU; ikjaifjd “kSyh dk ifjp;

vkokt+ o laHkk"k.k %laHkk"k.k gsrq vkys[k@ukVd dk ifjp;

vfHku; %Ÿ çeq[k lafgrkc) fl)kar vkSj

vfHku; i|fr;kWaŸ bEizksokbts”ku o fFk,Vj xsEl

ukV~; lkfgR;] bfrgkl vkSj lkSan;Z'kkL= %Ÿ 'kkL=h; Hkkjrh; ukVd Ÿ vkèkqfud Hkkjrh; ukVdŸ if'peh ukVd dk ekSfyd Kkuvè;;u Hkze.k % fdlh Hkkjrh; ikjaifjd ;k yksd “kSyh ds v/;;u gsrq Hkze.k dk;ZØeLVwfM;ks fFk,Vj izLrqfr Ng eghus Ik”pkr ,d 'kkL=h;@yksd ukVd dk lkoZtfud çn'kZuA

jax ifjdYiuk o IkzLrqfr %

Ÿ ç‚Il o ekLd fuekZ.k] eap ifjdYiuk ¼n`”; ifjdYiuk½ vkSj e‚My fuekZ.k dk cqfu;knh rduhdh dkS'ky fodflr djukA

Ÿ oL= lTtk ifjdYiuk dh ewy voèkkj.kk o izfofèkA

Ÿ çdk'k ifjdYiuk dk ekSfyd KkuŸ esdvi % fofHkUu “kSfy;ksa dk esdvi]

fl)kar o O;ogkjŸ vafre izLrqfr % ,d Hkkjrh; ;k if'peh

ukVd dk lkoZtfud çn'kZuA

vU; izn'kZu %Ÿ {ks=h;] ikjaifjd] yksd o ;FkkFkZoknh

çn'kZu ns[kukAŸ fQ+Ye] fjd‚MsZM ohfM;ks o ukVdksa dh

LØhÇux

nwljk pj.k ikB~;Øe

ikB~;Øe

ikB~;Øe

ikB~;Øe

43

vçSy 2019 & ekpZ 2020

vçSy 2019jkukfo flfDde ds 2018&19 cSp ds Nk=ksa ds lkFk f'kfYidk cksjnksyksà vkSj lqjs'k 'ksêh }kjk c‚Mh ewoesaV dh d{kk,a lapkfyr dh xbZaA Lusgk dqekj }kjk oL= ifjdYiuk] vks,fll lkSxk,tke }kjk izLrqfr çfØ;k] latks; lkeark }kjk esdvi vkSj lkSrh pØorÊ }kjk izdk”k ifjdYiuk dh d{kk,a yh xbZaA

tqykbZ 2019

jktsaæ iakpky us jkukfo flfDde 2019&20 cSp ds izfrHkkfx;ksa ds lkFk vfHku; dh d{kk,a yha] ogha t‚; ehrsbZ us ewoesaV] fi;ky Hkêkpk;Z us Hkkjrh; “kkL=h; ukVd vkSj “kqHknhi xqgk us laxhr dh d{kk,a yhaA 19 vkSj 20 vxLr dks xaxVksd esa jkukfo flfDde jaxeaMy ds u, dykdkjksa ds fy, lk{kkRdkj vk;ksftr gqvkA

29 tqykà 2019 ls u;k l= 'kq: gqvkA fcfiu dqekj ¼dsaæ funs'kd½ }kjk ukV~; ikB dh d{kk,a yh xÃaA

vxLr 2019

jkukfo flfDde Nk=ksa ds fy, ifc= jkHkk vkSj jkts'k Çlg us vfHku;] ykDik ysIpk us ewoesaV] vks,fll lkSxk,tke us izLrqfr çfØ;k vkSj fi;ky Hkêkpk;Z us Hkkjrh; “kkL=h; ukVd ij d{kk,a yhaA

ebZ 20192018&19 cSp ds lkFk lfUe= HkkSfed dh vfHku; ij rFkk ,u- tnqeuh Çlg dh ç‚Il o ekLd fuekZ.k ij d{kk,a gqbZaA bl cSp dh vafre izLrqfr fcfiu dqekj ¼dsUæ funs'kd] jkukfo flfôe½ ds funsZ'ku esa izkjEHk gqbZA flrEcj 2019

2018&19 cSp ds çfrHkkfx;ksa us 28 vkSj 29 twu 2019 dks euu dsaæ esa fcfiu dqekj funsZf'kr vafre izLrqfr vk"kk<+ dk ,d fnu dk eapu fd;kA 24 ls 26 twu 2019 rd xaxVksd esa 2019&20 cSp ds fy, u, çfrHkkfx;ksa dk lk{kkRdkj vk;ksftr gqvkA 2018&19 cSp ds çfrHkkfx;ksa dk okbok&okWbl 29 twu 2019 dks vk;ksftr fd;k x;kA

twu 2019

okÆ"kd xfrfofèk fjiksVZ

p”ekbZ dks Qwy] “ksDlfi;j ds feM lej ukbV~l Mªhe dk usikyh :ikarj.k funsZ”ku lanhi HkV~Vkpk;Z ¼Nk= izLrqfr] 2015&16½ 44

xfrfof/k fjiksVZ vDVwcj 2019

mDr Nk=ksa ds lkFk fVªuk cutÊ us if”peh ukVd] vfer cutÊ us vkokt+ o laHkk"k.k] lR;czr jkmr us jax LFkkiR; vkSj edjan lkBs us ukV~; ys[ku ij d{kk,a yhaA

uoEcj 2019bl eghus lkSrh pØorÊ us if”peh ukVd] Vhde tks'kh us ;FkkFkZoknh n`”;&dk;Z] fue ykew 'ksjik us ;ksx vkSj Hkkjrh 'kekZ us vfHku; ij d{kk,a yhaA Nk=ksa dh igyh izLrqfr fi;ky Hkêkpk;Z ds funsZ'ku esa 'kq: gqbZA

fnlEcj 2019Hkkjrh 'kekZ dh vfHku; ij rFkk fue ykew 'ksjik dh ;ksx ij d{kk,a t+kjh jghaA buds vykok vatuk iqjh us vkokt+ o laHkk"k.k] calh dkSy us Lisl o vfHkusrk ij d{kk,a yhaA jkukfo flfDde jaxeaMy us 22&23 fnlacj dks euu dsaæ esa Hkkjrh 'kekZ }kjk funsZf'kr u, ukVd lwjteq[kh ,aM gSeysV çLrqr fd;kA Nk=ksa dh uohure izLrqfr vfHkKku 'kkdqUrye dk eapu 25 vkSj 26 fnlacj 2019 dks fi;ky Hkêkpk;Z ds funsZ'ku esa gqbZA 26 fnlacj dks Nk=ksa dk okbok&okWbl vk;ksftr fd;k x;kA

tuojh 2020

jkukfo flfDde çfrHkkfx;ksa dks 'kS{kf.kd vodk'k fn;k x;kA

Qjojh 2020l=h; ikjaifjd u`R; “kSyh lh[kus ds fy, jkukfo flfDde çfrHkkfx;ksa us ektqyh] vle dh vè;;u ;k=k dhA jaxeaMy ds ukVd lwjteq[kh ,aM gSeysV dk eapu flfôe ds pkj fofHkUu LFkkuksa X;kyÇtx] jksaxyh] IkD;ksax vkSj eaxu esa 3 ls 12 Qjojh rd 'khrdkyhu jax egksRlo ds rgr vk;ksftr fd;k x;kA

ekpZ 2019jkukfo flfDde ds Nk=ksa ds lkFk ySifM;kax , fl;e us ewoesaV] lat‚; lkeark us esdvi] vkflQ+ vyh us vkèkqfud Hkkjrh; ukVd vkSj oanuk of'k"B us ;FkkFkZoknh –';&dk;Z ij d{kk,a yhaA

dkfynkl d`r ekyfodkfXufe=e~ funsZ”ku j.k/khj dqekj ¼Nk= izLrqfr] 2018&19½ 45

vfrfFk ladk;f'kfYidk cksjnksyksÃ] xqokgkVh % ckWMh ewoesaV

Lusgk dqekj] dksydkrk % os”kHkw’kk ifjdYiuk

vks,fll lkSxk,tke] ef.kiqj % izLrqfr çfØ;k

latks; lkeark] dksydkrk % esdvi

lkSrh pØorÊ] fnYyh % çdk'k ifjdYiuk

lfUe= HkkSfed] xqokgkVh % vfHku;

,u- tnqef.k Çlg] ef.kiqj % ç‚Il vkSj ekLd fuekZ.k

jktsaæ iapky] dksVk] jktLFkku % vfHku;

t‚; ehrsbZ] ef.kiqj % ewoesaV

fi;ky Hkêkpk;Z] dksydkrk % “kkL=h; Hkkjrh; ukVd

“kqHknhi xqgk] dksydkrk % laxhr

ifc= jkHkk] xqokgkVh % vfHku;

Jh ykDik ysIpk] flfôe % ewoesaV

fVªuk cuthZ] dksydkrk % if'peh ukVd

vfer cuthZ] dksydkrk % vkokt+ o laHkk"k.k

lR;czr jkmr] gSnjkckn % jax LFkkiR;

edjan lkBs] iwuk % ukV~; ys[ku

Vhde tks'kh] fnYyh % ;FkkFkZoknh –';&dk;Z

Hkkjrh 'kekZ] fnYyh % vfHku;

fue ykew 'ksjik] flfôe % ;ksx

vkflQ vyh gSnj [kku] fnYyh % vk/kqfud Hkkjrh; ukVd

oanuk of'k"B] fnYyh % vkèkqfud ;FkkFkZoknh ukVd ij –';dk;Z

,y-,-fl;e] f”kykax % ewoesaV

T;ksfr ukjk;.k ukFk] xqokgkVh % vfHku;

dkfynkl d`r vfHkKku “kkdqarye~ funsZ”ku fi;ky HkV~Vkpk;Z

¼Nk= izLrqfr] 2019½ 46

2019

-20

Ikzos'k lacaèkh ekeysvkosnu çfØ;k

jkukfo flfDde esa ukV~; dyk esa ,d o"khZ; vkoklh; çek.ki= ikBîØe ds 2020&2021 cSp ds fy, ckÃl Nk=ksa dk p;u fd;k tk,xkA mEehnokj fuèkkZfjr vkosnu i= esa vkosnu djsaA ços'k dh çfØ;k fuEuor gS %&1- foojf.kdk o vkosnu izi= jkukfo flfDde dh osclkbV %

www.sikkim.nsd.gov.in ij miyCèk gSaA 2- vkosnu i= osclkbV ls MkmuyksM djus ds lkFk&lkFk

v‚uykbu Hkh Hkjs vkSj tek fd, tk ldrs gSaA3- ;fn mEehnokj iw.kZ :i ls Hkjk x;k vkosnu i= iksLV ls

Hkstuk pkgrs gS rks og vkosnu i= ds lkFk jk’Vªh; ukV~; fo|ky;] flfDde ds i{k esa rFkk xaxVksd esa ns; fdlh Hkh jk’Vªhd`r cSad dk #-150@& dk fMekaM Mªk¶V] Lukrd mikf/k] tUe izek.k i=] tkfr izek.ki= ¼vuq- tutkfr ds fy, Øheh@ukWu&Øheh ys;j½] irs dk izek.k] fdlh jaxdehZ dk laLrqfr Ik= o jaxeap esa vuqHko dk çek.k Ik=

+rFkk pkj gkfy;k ikliksVZ lkbt QksVksxzkQ ¼tks okil ugha gksaxs½ iath—r Mkd ls fuEu irs ij Hkstsa%& dsUnz funs”kd] jk’Vªh; ukV~; fo|ky; flfDde] MsoysieSaV ,fj;k] xaxVksd&737101] flfDde

4- ;fn mEehnokj v‚uykbu Q‚eZ Hkjuk vkSj tek djuk pkgrs gSa] rks mUgsas usV cSaÇdx] ØsfMV dkMZ ;k MsfcV dkMZ ds ekè;e ls #- 50@& dk vkosnu 'kqYd tek djuk gksxkA vkosnu i= ds lkFk&lkFk mUgsa Lukrd mikf/k] tUe izek.k i=] tkfr izek.ki= ¼vuq- tutkfr ds fy, Øheh@ukWu&Øheh ys;j½] irs dk izek.k] fdlh jaxdehZ dk laLrqfr Ik= o jaxeap esa vuqHko dk çek.k Ik= rFkk

+gky dk ikliksVZ lkbt+ dk QksVksxzkQ fMftVy :Ik esa viyksM djuk gksxkA

5- mEehnokjksa dks lk{kkRdkj ds le; ewy nLrkost@çek.k Ik= izLrqr djus djus ds fy, dgk tk ldrk gSA

6- vfèkd tkudkjh ds fy, nsdsikkim@gmail.com ij esy djsa ;k 03592&201010 ij Q+ksu djsaA

47l=h; u`R; izLrqfr

¼Nk= v/;;u ;k=k] ektqyh] Qjojh 2020½

2020

-21

ços'k ds fy, U;wure ;ksX;rk1½ fdlh Hkh ekU;rk çkIr fo”ofo|ky; ls LukrdA2½ ekr`Hkk"kk esa çoh.krk vkSj Çgnh vkSj vaxzst+h dk

dk;Zlkèkd KkuA3½ de ls de rhu çLrqfr;ksa ;k jaxeap ls lacafèkr

fdlh vU; {ks= esa lfØ; HkkxhnkjhA

mezbl ikBîØe esa 18 ls 30 o"kZ ds chp dh mez ds lHkh iq#"k o efgyk,aa vkosnu dj ldrh gSaA

f'k{k.k dk ek/;ef'k{k.k dk ekè;e fo"k;kuqlkj Çgnh@vaxzst+h esa gksrk gSA ukVdksa dk çn'kZu T;knkrj Çgnh] usikyh ;k feyhtqyh&Hkk"kkvksa esa fd;k tkrk gSA

p;u izfØ;k

1½ vkosndksa dh p;u izfØ;k nks pj.kksa esa gksrh gSA çkjafHkd p;u esa ,d v‚fM'ku vkSj O;kogkfjd ijh{k.k 'kkfey gS tks bl ckj xaxVksd esa ;k vkWuykbu vk;ksftr fd;k tk,xkA

2½ vafre p;u xaxVksd] flfôe esa vk;ksftr gksxk ftldk fu.kZ; mEehnokjksa ds 'kkjhfjd LokLF; ijh{k.k ds vk/kkj ij fd;k tk,xkA

Ikzos'k lacaèkh ekeys

dkyks lquk[kjh] ;s”ks nksjt+h Fkksaxph ds miU;kl lksue dk ukV~; :ikarj.k

funsZ”ku vfHkyk’k fiYybZ ¼jaxeaMy izLrqfr] 2012½ 48

2020

-21

'kqYd] ns; jkf'k vkSj tek jkf'k1½ f'k{k.k 'kqYd % # 150@& çfr ekg2½ dkW”ku euh o iqLrdky; 'kqYd % #- 5000@& ¼[kkrksa ds vafre fuiVku ds ckn okilh ;ksX;½

avU; fofoèk ns; jkf'k;kW1½ fpfdRlk 'kqYd % #- 100@& çfr ekg2½ Nk=kokl 'kqYd % #- 250@& çfr ekg

Nk=o`fÙk1½ jkukfo flfDde p;fur mEehnokjksa dks çfr ekg #-

6000@&¼#i;s N% gt+kj ek=½ dh Nk=o`fÙk çnku djrk gSA

Ckhekp;fur mEehnokjksa dks ,d tksf[ke doj chek i‚fylh }kjk doj fd;k tkrk gS vkSj mUgsa #- 230@& çfr o"kZ dh çhfe;e jkf'k dk Hkqxrku djuk gksrk gSA dsaæ bl chek dojst ls ijs dksà vU; ftEesnkjh ugÈ ysrkA

dke djus ds ?kaVsd{kk,a lqcg 7 ls 'kke 6 cts rd vk;ksftr dh tkrh gSa ftlds chp esa pk; vkSj nksigj ds Hkkstu ds lkekU; vodk”k gksrs gSaA fjglZy o vU; izk;ksfxd dk;Z vko”;drk iM+us ij jkst+kuk nsj 'kke rd vkSj Nqfê;ksa esa Hkh t+kjh jg ldrs gSa vkSj ifjfLFkfr;ksa ij fuHkZj djrs gSaA

vodk'ko’kZ esa ,d ekg dk “kS{kf.kd vodk”k fn;k tkrk gSA

vè;;u Hkze.kHkkjrh; ikjaifjd@yksd “kSfy;ksa dks tkuus&lh[kus ds fy, gj lky 30 fnuksa ds fy, ns'k ds fdlh egRoiw.kZ LFkku dh vè;;u ;k=k vk;ksftr dh tkrh gSA

vkokl o Hkkstuge yM+fd;ksa o yM+dksa nksuksa ds fy, vkokl dh lqfo/kk çnku djrs gSaA mUgsa lk>k vkokl iznku fd;k tkrk gS tks fd vfuok;Z gSATirkha,basedonRabindranathTagore’s

storyHungryStone,Dir.HeisnamTomba(RepertoryProduction,2016) 49

vc vkSj ugha] “ksDlfi;j ds ukVd jksfe;ks ,aM Tkwfy;V dk :ikarj.k

funsZ”ku fcfiu dqekj ¼jaxeaMy izLrqfr] 2015½

Ikzos'k l

acaèkh ekey

s

2020

-21

lkekU; lwpukfu;e1½ çf'k{k.k ds nkSjku Nk=ksa dks fo|ky; ds ckgj fdlh Hkh dk;Z ls lac)

gksus dh vuqefr ugÈ gSA2½ Nk=ksa dks lkoZtfud :i ls u 'kkSfd;k ;k is'ksoj eap ij] u gh jsfM;ks]

Vsyhfotu ;k fQYeksa esa vkus ds fy, dk;Z dh ryk'k djus ;k mls Lohdkj djus dh vuqefr ugÈ gSA os vius vè;;u dh vofèk ds nkSjku fdlh Hkh rjg ds jkstxkj dh ryk'k ;k mldk Lohdkj ugÈ dj ldrsA

3½ Nk=ksa dks fo|ky; ds fu;eksa o f'k"Vkpkj ds vuqlkj LOk;a dks lgh rjhds ls izLrqr djuk pkfg,A fdlh Hkh Nk= dks v”kksHkuh; vkpj.k djus dk nks"kh ik;k tkus ij mls fo|ky; ls fuyafcr ;k fu"dkflr fd;k tk ldrk gSA

4½ fo|ky; ifjlj vkSj Nk=kokl esa 'kjkc dk lsou djuk iw.kZ :i ls çfrcafèkr gSA

5½ Nk=ksa dks dsaæ funs'kd dh iwoZ vuqefr ds fcuk d{kkvksa ;k fjglZy esa vkxarqdksa ;k nksLrksa dks vkeaf=r djus dh vuqefr ugÈ gSA

6½ Nk=ksa dks vfHku; ds fy, tks Hkh Hkwfedk nh tk,xh mls djus ds fy, oks ck/; gksaxsA mUgsa iwokZH;kl esa Hkkx ysuk pkfg, vkSj f'k{kdksa ;k ukV~; funZs'kd ds crk, rjhds ls Hkwfedk fuHkkuh pkfg,A

7½ Nk=ksa dks Nk=kokl] esl vkSj ykbczsjh fu;eksa dk ikyu djuk gksrk gSA8½ fu;eksa dk mYya?ku djus okys Nk=ksa ij vuq'kklukRed dkjZokà dh tk

ldrh gSA

LVs'kujh] lkexzh vkSj midj.kjkukfo flfDde Nk=ksa dks fu%'kqYd ekmaV cksMZ] Mªkbax isij] iksLVj jax] esdvi lkexzh] ç‚Il cukus dh lkexzh vkSj d{kk dk;Z ds fy, ydM+h dh vkiwÆr djsxkA vU; lkexzh Nk=ksa dks Lo;a [kjhnuh gksxhA

ewY;kadu

igys pj.k ds iwjk gksus ij Nk=ksa dk ewY;kadu fd;k tk,xkA bl ewY;kadu esa muds dk;Z] mudh ifj;kstukvksa vkSj d{kk xfrfofèk esa Hkkxhnkjh ds lkFk&lkFk ladk;ksa }kjk çnRr ewY;kadu ij Hkh fopkj fd;k tk,xkA ;fn mudk ewY;kadu vuqdwy ugÈ gqvk rks Nk=ksa dks vkxs izf”k{k.k ysus ls jksd fn;k tk,xkA

Ikzos'

k lacaèkh ekey

s

vkWfQl d{k

LVwfM;ks Lisl esa vH;kl

ineJh Jh jru fFk;ke dh d{kk

54

izks- eksgu egf’kZ dh d{kk

MkW- vatyk egf’kZ dh d{kk

l=h; u`R; vH;kl ¼Nk= v/;;u ;k=k] ektqyh] Qjojh 2020½ 51

jkukfo flfôe jaxeaMyjaxeaMy jk’Vªh; ukV~; fo|ky; flfôe dk ,d ukV~; izLrqfr [kaM gSA blesa dykdkjksa dk ,d lewg 'kkfey jgrk gSA jaxeaMy dk eq[; dk;Z dykRed Js’Brk okys ukVdksa dk fuekZ.k djuk vkSj mUkdk flfôe rFkk ns'k Hkj ds jaxçsfe;ksa ds fy, fu;fer :i ls çn'kZu djuk gSA ;g jaxeaMy 2012 esa LFkkfir fd;k x;k Fkk vkSj blesa vc rd nl ukVdksa *geh uà vkQà vkQ*] *dkyks lquk[kjh*] *fu;e r ;gh N*] *vaèkk ;qx*] *vc vkSj ugÈ*] *fr[kkZ*] *lkglh vkekyk*] *ek;k es?k*] ^lqUrykdks cxku* vkSj ^lwjteq[kh ,aM gSeysV* dk fuekZ.k o izn”kZu fd;k x;k gSA

alwjteq[kh ,aM gSeysV] T;kW vkuqbZ ds ukVd ,u ,filksM bu n ykbQ+ vkWQ ,u vkWFkj

funsZ”ku Hkkjrh “kekZ ¼jaxeaMy izLrqfr] 2019½

52

geha ubZa vkQbZ vkQ] inek lpnso ds Mksxjh miU;kl vc u cusxh nsgjh dk ukV~; :ikarj.k funsZ”ku fcfiu dqekj ¼Nk=@jaxeaMy izLrqfr] 2011@12½ 53

jaxeaMy ds çn'kZu30 vizSy 2019 geha uà vkQà vkQ Jhjke lsaVj] fnYyh

01 ebZ 2019 dkyks lquk[kjh Jhjke lsaVj] fnYyh

02 ebZ 2019 lkglh vkekyk Jhjke lsaVj] fnYyh

03 ebZ 2019 lqUrykdks cxku Jhjke lsaVj] fnYyh

04 ebZ 2019 fr[kkZ Jhjke lsaVj] fnYyh

05 ebZ 2019 vc vkSj ugÈ Jhjke lsaVj] fnYyh

21 fnlEcj 2019 lwjteq[kh ,aM gSeysV euu dsaæ] xaxVksd

22 fnlEcj 2019 lwjteq[kh ,aM gSeysV euu dsaæ] xaxVksd

2019

dk;ZØe leUo;d

flfôe esa tUes vkSj iys&c<+s ykDik ysIpk us 2010 esa mÙkj caxky fo”ofo|ky; ls bfrgkl ¼v‚ulZ½ esa Lukrd dh mikfèk çkIr dhA ckn esa 2013 esa vkius jk’Vªh; ukV~; fo|ky;] uà fnYyh ls vfHku; fo'ks"kKrk ds lkFk Lukrd fd;kA ,d vfHkusrk ds :i esa vkius M‚- vuqjkèkk diwj] çks- j‚fcu nkl] M‚- vfHkyk"k fiYyÃ] çks- f=iqjkjh 'kekZ] çks- tsQ+jh flpy ¼;wds½] Jh fcfiu dqekj] Jh 'kkaruq cksl Jh ds- ,l- jktsaæu] lqJh gsek Çlg tSls ns'k&fons'k ds çfl) jax funsZ'kdksa ds lkFk dke fd;k gSA 2010 esa vkius phu dh ;k=k dh vkSj chÇtx baVjus'kuy fFk,Vj QsfLVoy esa çn'kZu fd;kA vkiuss çks- dekyqíhu uhyw }kjk funsZf'kr jkukfo flfDde jaxeaMy dh izLrqfr ̂ fu;e r ;gh N* esa crkSj lgk;d funsZ”kd dke fd;kA vkius ysIpk cksyh esa ,d ukVd ^vkbMsafVVh* dk funsZ'ku fd;k gSA 2017 esa vkius v#.kkpyh fo’k;oLrq ij vkèkkfjr fQ+Ye ̂ekà daVªh ySaM 1962* vkSj ysIpk Qhpj fQ+Ye ^<ksDcw] n dhij* esa dke fd;kA fQYe ^<ksDcw] n dhij* ds fy, 2018 esa vkidks loZJs’B vfHkusrk dk izkx flus vokMZ izkIr gqvkA

ofj"B fyfid—fr us o"kZ 2013 esa flfôe fo”ofo|ky; ls ch-d‚e-] 2015 esa bXuw ls ,e- dkWe vkSj 2017 esa flfôe ef.kiky fo”ofo|ky; ls ekuo lalkèku çcaèku esa fo'ks"kKrk ds lkFk lQyrkiwoZd ,ech, iwjk fd;kA vkius fnlEcj 2013 ls tqykà 2015 rd baMlbaM cSad ds lkFk dke fd;k rks ogha flrEcj 2015 ls tuojh 2016 rd ,pMh,Qlh cSad ds lkFk dke fd;kA jk’Vªh; ukV~; fo|ky;] flfôe ls vki Qjojh 2016 esa tqM+haA

ykDik ysIpk

—fr xq#ax

ç'kklfud orduhdh LVkQ

o"kZ 2010 esa mÙkj caxky fo”ofo|ky; ls Lukrd ¼ch- d‚e½ mikf/k izkIr mes'k Fkkik Lukrdk sRrj gsr q v/;;ujr gSaA vki foÙkh; ys[kkadu esa fMIyksek Hkh gSaA lu 2011 ls vki jkukfo flfôe ls lac) gSa vkSj fofHkUu dk;Z'kkykvksa o çLrqfr;ksa ls lacafèkr foRrh; fglkc&fdrkc ns[krs jgs gSaA laxhr vkSj [ksy esa Hkh vkidh #fp jgh gS vkSj ,d xk;d o laxhrdkj ds :i cgqr lfØ; gSaA

lgk;dmes'k Fkkik

54

flfôe ds X;kÇYlx {ks= esa tUes vkSj iys&c<+s pØ cgknqj {ks=h 2007 ls jk’Vªh; ukV~; fo|ky;] flfDde ls lac) gSaA vki ,d vfHkusrk o ifjdYid gSa vkSj *pØ ,d egk;k=k]* *fl)kFkZ xkSre ns[kh cq)k lEek--- ,d ;k=k*] *jDr dY;k.k*] *ekVks d ks ek;k*] *jkt dqekj ukeX;ky*]

*, yo LVksjh 1950*] *CySd v‚ÆdM* tSls dà ukVdksa ls tqM+s jgs gSaA vki Nk=ksa dh izLrqfr *ge gh vkiuks vki* dh izdk”k ifjdYiuk ls tqM+s vkSj vc rd dbZ ukVdksa dh izdk”k ifjdYiuk dj pqds gaSA orZeku esa vki jk’Vªh; ukV~; fo|ky;] flfDde xaxVksd esa eap izca/kd ds :i esa dk;Zjr gSaA

pØ cgk- Ns=heap çcaèkd

mRrjh flfôe esa tUes vkSj iys&c<+s nhisaæ us dydÙkk fo”ofo|ky; ls o"kZ 2010 esa ch-d‚e- ¼v‚ulZ½ fd;k vkSj 2014 esa lkoZtfud ç'kklu esa ijkLukrdA f”k{kk dks ,d izeq[k lk/ku ekuus okys nhisUnz bXuw ls vFkZ'kkL= esa ,e- ,- dj jgs gSaA vkius *n ,DlysjsVj eSxt+hu ,aM ,dsMeh* ¼u‚FkZ ÃLV fMoht+u½ uked 'kSf{kd O;kolkf;d ekxZn”kZd if=dk esa ,d dSfj;j dkmalyj ds :i esa dke fd;k gS vkSj bl laLFkk dh mPp Lrjh; 'kSf{kd xfrfofèk;ksa esa Hkh lfEefyr jgs gSaA vki jk’Vªh; ukV~; fo|ky;] flfDde ls fnlacj 2018 esa ,d dfu’B fyfid ds :i esa tqM+sA

dfu’B fyfidnhisUæ xq#ax

qgse dekj Ns=heYVh&VkÇLdx LVkQ ¼,eVh,l½

gse dqekj MsoysieSaV ,fj;k] xaxVksd ds fuoklh gSa vkSj rk'kh ukeX;ky lhfu;j lsdsaMjh Ldwy] iwoÊ flfôe ls baVjehfM,V rd f”k{kk ik pqds gSaA vki tuojh 2017 ls jk’Vªh; ukV~;

fo|ky;] flfDde ls eYVh VkÇLdx LVkQ ds rkSj ij tqM+s gSaA

mes'k jk;lsaVj ds;j Vsdj

Åijh dkejax fuoklh mes'k jk; us jk’Vªh; ukV~; fo|ky;] flfDde ds lkFk dà jax dk;Z'kkyk,¡ dh gSaA vkiuss 2005 esa ,d eghus dh yach dk;Z'kkyk] fQj ,d eghus dh yach dk;Z'kkyk ukeph esa vkSj o"kZ 2008 esa rhu eghus dh yach dk;Z”kkyk dhA vki ,d ,d csgrjhu dykdkj gSa vkSj dà ukVdksa tSls *foØe moZ'kh*] *'kadqryk*] *pØ ,d egk;k=k*] *ekVks dks ek;k*] *>kjykaxh*] *fl)kFkZ xkSre ns[kh cq) lEek---,d ;k=k*] ̂v yo LVksjh vkWQ 1950*]^jktdqekj ukEkX;ky*] ̂Qsjh u;k thou* ukVdksa esa vfHku; fd;k gSA

ç'kklfud orduhdh LVkQ

55

jax egksRlo

'khrdkyhu@olar jax mRlo

'khrdkyhu jax mRlo dh 'kq#vkr jkukfo flfDde }kjk o"kZ 2016 esa dh xà Fkh ftlds rgr jaxeaMy us xaxVksd vkSj flfôe ds vU; ft+yksa ds lkFk&lkFk ns'k ds fofHkUu fgLlksa esa vius ukVdksa dk eapu fd;k FkkA tc ;g mRlo gj lky tuojh&Qjojh ds eghus esa gksrk gS] rks bls ÇoVj fFk,Vj QsfLVoy ;k “khrdkyhu jax mRlo dgk tkrk gS] ysfdu tc ;g ekpZ&vizSy ds eghuksa esa vk;ksftr fd;k tkrk gS] rks bls ÇLçx fFk,Vj QsfLVoy ;k olar jax mRlo dgk tkrk gSA blds rgr jaxeaMy us tgkWa vc rd xaxVksd] eaxu] ukeph] X;kyÇ'kx] fMczwx<+ vkSj vxjryk esa vius ukVd çLrqr fd, ogha fiNys o’kZ vçSy&eà 2019 ds eghuksa esa jaxeaMy us uà fnYyh esa ÇLçx fFk,Vj QsfLVoy dk vk;kstu fd;k FkkA

56 mn?kkVu lekjksg ¼olar jax mRlo@ubZ fnYyh] 2019½

National School of Drama Sikkim Development Area,Gangtok, Sikkim-737101Ph. 03592-201010nsdsttc@gmail.comhttp: //sikkim.nsd.gov.in

Design: Himanshu B Joshi # 9810549956

NJP Railway StationBagdogra

AirportBh

adra

pur

Air

po

rt

Ph

uen

tsh

olin

g

Siliguri

N

NSDSTTC

From Siliguri

IKS KD IMSN

Gangtok

Location and Travel RouteHow to Reach NSD, Sikkim

National School of Drama, Sikkim is established at the development area in Gangtok, Sikkim (27.3389° N, 88.6065° E).

The nearest Airport to Gangtok is Pakyong (PYG), East District, located nearly 35 km south of Gangtok. Taxies/ vehicles can be hired from the pre-paid Taxi counter at the Airport to reach Gangtok. The taxi takes nearly one hour to reach Gangtok. Another airport is at Bagdogra, near Siliguri (WB), which is nearly 152 km away from Gangtok. The taxi takes about 5 hours to reach Gangtok.

The nearest Railway station to Gangtok is New Jalpaiguri (NJP) in Siliguri (West Bengal). After arriving at NJP, one can hire taxi or take a shared jeep from the station itself or take an auto-rickshaw to go to Siliguri Bus Stand from where one can take jeep or bus operated by Sikkim National Transport (SNT). It is almost a 5-6 hour journey to Gangtok by bus.

Sikkim

Ch

ina

Gangtok

Bhuta

n

Nep

al

Kalingpong

Rangpo

TeestaDarjeeling

Pakyong Airport

N

C3

Acting MaskMakingPuppetYogaSelfPlaywritingDirectionMartialArt LightingDigitalTheatreMakeupPoster

Set

ModernIndianDrama TheatreMusicPhysicalTheatreCostumeDesignVoice&SpeechClassicalIndianDramaMusicChoreographyTheatreGamesMovementModelMaking

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NewMedia