Northen Collaboration Conference 2014: Popular Culture by Emily Parsons

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Popular Culture: Using special collections and archives to build cultural partnerships and promote civic engagement. Emily Parsons, Liverpool John Moores University

description

Popular Culture: Using special collections and archives to build cultural partnerships and promote civic engagement. Delivered at The Northern Collaboration 2014 Conference, 5th September 2014.

Transcript of Northen Collaboration Conference 2014: Popular Culture by Emily Parsons

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Popular Culture: Using special collections and archives

to build cultural partnershipsand promote civic engagement.

Emily Parsons, Liverpool John Moores University

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Overview

• Background

• Programme of external engagement

• Case study 1: England’s Erotic Dream

• Case Study 2: Writing on the Wall

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• LJMU SpecialCollectionsand Archives

• Popular culture: music, theatre,fashioncounterculture

• Support research andteaching

• Civic engagement andcultural partnerships

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External Engagement

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England’s Erotic Dream

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Outline

• LJMU partnership with Homotopia

• The England’s Erotic Dream exhibition

• The practicalities of exposure

• Evaluation and follow-up

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England’s Dreaming: The Jon Savage Archive

Adventures in Wonderland: The Falcon Stuart and X-Ray Spex Archive

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LJMU/Homotopia partnership

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• Long-standingpartnership andjoint activities

• Luca Bartozzi’s2011 degree show:interest fromHomotopia in a public exhibition

• Fitted well withLJMU’s strategy

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The exhibition andthe practicalities of exposure

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Luca’s curatorial themes

• Gender, identity,playfulness

• Re-examine imageswith a queer gaze

• Subversion of the heteronormativetake on sexuality

• A different view of theperformative elementof punk Interview with Luca on the Homotopia web site:

http://www.homotopia.net/festival-item/englands-erotic-dream/

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MetQuarter Liverpool

• Homotopia Festival2013

• Pop-up gallery inshopping centre

• Liaison with Centremanagement teamon content andpresentation in apublic space

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Pop-up gallery space

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“Difficult” images?

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Only image removed

• The “Jo Malone customer”

• Words: “rent boys” were OK,“erotic” was not

• Support from LJMUmanagers and the marketingteam

• Consumerism and image…

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Adverts running autumn 2013

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• No complaints

• 799 visitors

• Curiosity andcomments

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Evaluation

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Homotopia

• Influence on programming

• Talks to students in different disciplines

• Interest in futurecollaborations with LJMUincluding larger-scaleexhibition

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LJMU

• Build on strengths:• Involve students• Resilience• Being braver

• Public money =public access

• Explore more“hidden histories”

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• Born Seacombe 1896, family soon moved to the Dingle

• Early radical activism: 1911 dockers strike

• Stowaway, then merchant seaman, spent both Wars at sea

• New York 1920s: IWW and early writing• 1930s: unemployment, activism, writing

and Orwell• Founder member, Merseyside Left

Theatre/Unity Theatre• Family life, died 1966

Who is George Garrett?

Michael Murphy, Nottingham Trent University, 1999

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A first look at the archive

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Adding to the Archive

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• A Stoker with Punch

• Seaman, Syndicalist and Scribe

• On the Parish

• Subterranean Theatre

16-week evening class

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The Garretteers

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• Catalogue the archive

• Digitise the archive

• Garrett web site, timeline, book, exhibition, installation and film

• Launch and programme of events during WOWFestival May 2014

Project aims January – May 2014

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LJMU student installation

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On tour

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Garrett Exhibition, Central Library

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Launch Event, Central Library

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http://www.georgegarrettarchive.co.uk/

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Questions and Comments