No Brief Portfolio Sheets

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description

Contextual Research 1 - - Opus IV - Developing an aesthetic 2 When looking into contemporary designers, spe- realised the possibilities that this piece of soft- - - - - Utilizing new technology Abstract Geometry

Transcript of No Brief Portfolio Sheets

Contextual Research

I started my brief by looking into artists and design-

as Len Lye, Walter Ruttmann,

-stract; dealing mostly with abstract shapes and

--

1

Developing an aesthetic

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Opus IV

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2

Researching Environments

After understanding the aesthetic properties of what I wanted to do, I needed to look into how to present my work. This led me to research and examine more contemporary practitioners who worked in the area of audio and visual installations. I came across designers such as Paul Sharits and his Shutter Interface and was immediately in-trigued by its piercing sensory dynamism. I want-

with abstraction but tested sensory perception. This led me to Carsten Nicolai and Ryoji Ikeda, the most recent designers. Their work was fasci-nating to me as it seemed to combine the ideas

-ogy; some thing that I myself started to under-stand. Both would appear to utilize space and en-vironment in their audio and visual performances, transforming an entire club or room with use of projectors. They had allowed their work to leave the screen and in a way surround the audience.

Utilizing new technology

When looking into contemporary designers, spe-

realised the possibilities that this piece of soft-

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Abstract Geometry

Installation

I decided to temporarily install my work on cam-pus. I used the built in microphone within my mac to pick up audio within the space. I docu-mented the installation and the videos are pre-sented on my blog. It was quite interesting to see the acoustics of the space visualized. Eve-ry time some body walked by or closed a door

-ing people stop and observe. I used a projec-tor to project the video onto a wall right in the centre of the space, therefore immediately

2. (From top to bottom)

Ryoji Ikdea

com/73/193539916_78be71ac1f.jpg

Paul Sharits Shutter Interface

http://images.artnet.com/images_US/magazine/

reviews/kley/kley3-27-09-12.jpg

Sources

1. (From left to right)

Walter Ruttmann Opus I

http://img.youtube.com/vi/1PdPVSKr78I/0.jpg

Walter Ruttmann Opus IV

large.jpg?1273514587

John Whitney

a73d39f420.jpg

Walter Ruttmann

http://www.cinematografo.com.br/walter-rutt-

mann-lichtspiel-opus-i/

Mary Ellen Bute

http://iotacenter.webfactional.com/static/bute.

jpg

John Whitney

whitney.jpg

Exploring Aural and Ocular Boundaries -NO BRIEF-Seth De Silva

This project required me to explore my personal practice in regards to current design practice. I had to take into consideration my works con-text as well as its audience and reception. For this brief I decided to work in an area of design I have constant interest in; audio and visual. Even though there was a brief set, I had to write my own brief to outline my area of interest and goals. The process of writing my own brief al-lowed me to see my work in a different manner, I had to really scrutinize and evaluate my ide-as constantly. To the right are some key points from my brief, the full brief is written on my blog.

EXPLORE RELATIONSHIP BETWEENAUDIO AND VISUAL

IMMERSION

UTILIZING ENVRIOMENT

TARGET

AUDIENCE:VISUAL

ARTISTS

INTERACTIVITY

OUR

RELATIONSHIPWITH

TECHNOLOGY

RESEARCHTHROUGH

READING

TESTING

ONAN

AUDIENCE

INTERACTIVEINSTALLATION