New Music for the Duo-Art - A M I C A
Transcript of New Music for the Duo-Art - A M I C A
![Page 1: New Music for the Duo-Art - A M I C A](https://reader034.fdocuments.net/reader034/viewer/2022042715/62670a2cb5c42a0560423c3a/html5/thumbnails/1.jpg)
![Page 2: New Music for the Duo-Art - A M I C A](https://reader034.fdocuments.net/reader034/viewer/2022042715/62670a2cb5c42a0560423c3a/html5/thumbnails/2.jpg)
Popu lar Ballads, Songs and Hymns (With W ords)II ..... " " ' T o m or row G,,,.,,. Gell .vi.. . " Pilot.llInt .. M""" ' rY . . • • • Ho nd o....» Robert Armbr ... \erSll" ,,~ NIlr ht. 110'." :Sh,ht • (; n,oer • Uenr i B.rKman
And re ll eno isl
l'ud Colher
Coeo r" ,,<1 V . HI»
Rul>c Blo om
:,>I<", ;nl( &. l ',,!IockF r~<1 Rich
..>, Inn :'01"'""Fred Rieb
A IRll
<.ra in ger & L,.,ol,old(;ra;n!!"e. & Le opo ldG ra in!!"er & Leopold
J>/ay..J by{; " iolnar :" o" a <.
1l,, ~ m.1r ~o r<l'lromI'uu lin e A 'per,
. l'"ul;n ~ Al~,,'iCon,;une~ :'o!erillgC<.mstall ee Mer ing
Frank M ilne. h e,l Hieh
1'au!in. Al po rt
0""1,, G..hr ilowitocb
. • :'>hurice lacque,. . . Ha lph .copol<l
l' o:l y & Wa lt"r lhmro ..:hIgnace J. P "d orew.ki
Dc. id e, V..c.,,;IIm 'i Ber RmanPhill ip Go rdon
R""d .n,b"")1Boh'" .H'MlenF' i", 1
Compo",,'Godard
Piled,,;W"iJ" n
Ddiu~l)eli,,~
Deli us
Be~li~ ./{enderJonP.oju
Od ob
and Song Hit"A ger . , , . . ,Klag u, Grccn & Ho id!/e"derjvn . . .S ilt·"". & /' i" kl",,,.dNap« & P OIiMk ,(;.,'U • . .Tobias & T udf ,H~yajt &- Uo_fl_
Orchestral M usicJ/ O)'d"
Special D uo-A rt Record-RollCoiba
V iolin Accompaniment\'"I ~.. I II ,\ lIlnJo ... o p , :m . ' , ' Hrohms.1/och sle ill\ ' "1. ,, i n (/ lIl " Jol", Oi " 70. Xo, CllOpi"SPalcli" y
(' Jlb)
Cktssical dnd Salon Pieces
S pecial O rchestral Serie.1
Ope ratic M usic
Ti tl.ll"ll ~l d,'~ 1·'1l)1II.. ,,~. 0 1'. ,10 .~r" ,' It' r ,' I ' H~- " () l otl... ,. (j"..~.. ) ""i""
~ ,, ~_ ~ nll <l;l .&t,t1.. h d ..n ~ 1'1':,. "lipin "i"" S .. " .... OJ ' , 30 1~T ", ldy I_r'~ " 1,-" 1,,,""1M,, l ,lI,·m..
" I ... 1J<>1""n .." 1>.-l""t1o"". A ct Il . •"Luhenllr..I "," t; ~""r"u Ac t I (I'urt 2)
" M lIltMry " !lymphony- ;\ l l n u,·t •
No rt h Co unt ry Sk""'h,,,,_1. Au tum n : Til .. W ln ,1 Soo ll:"1•• In Ih" T,...·.2. Wln t<'1" I ,"nd~,,,,, p" l ;i. Il .. ,,~ e
4, T h" 1\1....<·h .., Mp " lf' ll"
Song A ccompanimentlil y lIlolI"' " Ill<b )1" 111" ,1 ) [y U ti lI" . Hay dn
N ew Music for the Duo-ArtReproducing Piano
December 1927
Popular DanceA r r y"" H"[I I>l' ~ - 1" .,;\ T r o tIll " .. Ill1 L l·-.I " () ~ Trot .Ur ok,·"h""..t " , I--l·'()x T rot .Il" wllin 'l"_ l"" x 'l' r otm..IIo-W n l l z . . • . . , . . . . .n"III" 'J'<'U " (I " s tr""H'll t " l j - Pox T r"t ., I u ~t ..\ " o lh,'" lI " y W.... t ..d ,\ w a y_I_'" x 'I'r" tR I"" a " ,\ 1>l a k .. l ' I. - l·'o x T r " t. . , . . , ..U.. .. I".lta" 1>1 .... y - Fox Tr"t (I"''' ''' " ) !nllllllt -
tan :\I n r r " ) • . . . . . • . . .;\I .. ~I .'al (:omc ,ly :\t"dl"y (l " "tru " ",,,t'll)
FQx'1'rtl t • • . . , . •. , .·r .."NI"..., W " Two- P"x Trot . . . , . ., ·" ..~lty Ilr ,u ..-Fox Trot (I,'ru ln " (J ,,,,,] :"",,"""'1"'10 "'...• 1M .'I1,v ) I"y.".- · F o" 'J' r"l~[..y " " I Will - I"" " T r ot (From " y, .~. y',,~:
Yv,>!t" " 1
![Page 3: New Music for the Duo-Art - A M I C A](https://reader034.fdocuments.net/reader034/viewer/2022042715/62670a2cb5c42a0560423c3a/html5/thumbnails/3.jpg)
•
NUMBER 3
MUSIC
)
Published /ry THE AEOLIAN COMPANYAEOLIAN HALL • NEW YORK
DECEMBER. 1927
DUO·ART
VOLUME 14
Celebrate Christmas with Music
LSO
2.00
2.00
2.25
I.SO
1.50
1.50
1.25LSD2.252.001.252.00
2.SO
1.25
Priu
$1.25
R oll So .
57120
101876
102765
101378
103176
100478
100856
101059
101925
10086510318670829
8 ·31538103565101363
101796
A rmb rust er
Miln e & Erh-buch
Gartlan
flc rg"man ,
Kennedy .
Ra pec ,
K enn ed y
Armbruster
Pol son . .Ar rnbr ust e rReiscnbc r l£Steele .Hergman .Kennedy .
Bcrsrman
Anon
....doms
Willi.<Gounod .'Tehai~ot:shGardintl"Gruber
MUSIC is the dominant essential of the world-wide celebration of the most universal ofholidays-Christmas Day. It always has been, and always \\-,111 be. If there be an)' one
season when music is absolutely indispensable, because most beautifully fitting and supremelyappropriate. it is the Christmas Season. Any public observance of Christmas without music is,of course, unthinkable. T he home celebration of Christmas also should have its special Christmas M usic- not alone on Christmas Day itself, but the whole Christmas Season of many daysem be and should be thus enriched and made the happiest and best of all the year-by celebrat ing it with music in the home.
The Duo-Art Piano makes possible, as it never was made possible before. a wealth ofC hristmas M usic. in the home; for its reperto ry of recorded interp retations includes the bestChristmas Carols, Christmas Hymns, Christmas music of all kinds: Here is a list that shouldaid you in your Christmas preparations:
T ill,Adeste Eideles (0 . Come. AU Ye F aith-
ful) {Song-Ro lf) ... . , 'Ade ste F ioeles . . , . 1H~rm~O~. '!'~ ~ra.is e, T,hY (Song- Roll)
Around th e Christmas T ree \Sollj;\"-Ro ll )(1) li r nUl II m" " Il 1 WnM 1l'-lIt ; ( ~ ) o ». Come.r.rute Chi ldren; (3) Oh, hi thful Pmer' ( ~) H oly:'\ight; ( 5) Coone H ither. Ve F,\ith(u ; (6) To ·IlluTtOw Will li e Chri lunu; (7) San<l1 ••iona;(II ) The SI. iKb Rid e,
Chris tmas Car ols (So ng -Ro ll) . . . .!..1) Harkl Ihe H era)d A nlr<l. SinK' ( 2) T he)ojr"1 )\"owell/' (3) (;od Re. t Yo". ~{ . rr y Ge nll" ", en , (~) ) LI ttl e 'fo wn of lI"t hle hem .
Christmas Fantaaie (SonR-Ro ll) . . .
\0 Iinllie lIella '! <21 flo ly Nilh,: (3) H ar k,
t le ' n . rald An \:e a SI nK; (~ ) A u'. F,dele. ,Christ Child Legend . O p. 54, No. s
(So nR-Ro ll) . . . . . . T<- h o ;~onh
Fantasy on Christmas Hymns (5011 1<: Roll ) . . . . . . . . . . . . .(I ) 0 Como, 0 Co rne, ~:,nm.nllel; ( 2) Wh il.~h'lJhu<1. "- ate h..t Their F I"" ks by N"i"hl; (3 1h Came l:n n Ihe ~l idn iKhl CI.n: (41 Shou,Ib e (; 1. <1 T "l inlr l ; (5) 101 to tb. W or1<\.
H oly City, The (Sonj;\"-Roll ) . .It Came U pon th e Midnight Clear
(Sonll"-Roll} . • .Nazareth (SonJt"-:.RolI)Noel . Op . 37a. No. IiNoel . . . .. ... . •. ..Silent Night. H oly Nic ht {Song-Rolf)SOnlt1 of Chri stmastide (Son~-Rol1) . .
(I) An lfell Fr om Ih e Rea lm of (, Ior t:; ~ 2l I t('...m~ L'p<>n th. Mido ilrht Clnr ; 1'1ClI" ", ntI-<n .lI. ; ( 4) O . Co... . . A ll Ye Fa i' h " ; (5 ) H ol1~i ~hl.
Sussex Mummers ' Chris tmas Carol . . Grainger"Twas the Nia:ht Before Chri stmas
(So ng- Roll) . • . . . . . . . . S"' ;lh
![Page 4: New Music for the Duo-Art - A M I C A](https://reader034.fdocuments.net/reader034/viewer/2022042715/62670a2cb5c42a0560423c3a/html5/thumbnails/4.jpg)
Duo-Art Pianos in RepresentativeAmerican Homes
The photograph reproduced at the right ehcwe theDuo-Art Pian o in the homeof Rufus C. Dawes, brotherof Vice-President Charles G.Dawes whose musical proclivities and abilities are wellknown . T hat a member ofchis musical faDl11y, who Ii;hilmd f Preside nt of th eBoard of Educat ion of Eval1f"too, Ill., should chOCK theDuo-An Piano is ugni6cantof the inlluena': this remark·able inst ru ment exerts in circla of culture and refinement' I" . "rA comprehensive collection ofD uo-Art mus i<:: rolls makes"lways available in "th is household the inspirat ion of beautiful music.
In the picture at the leftth e D uo-A n Piano has furiu settinl( a beautiful roomin the home of Charles Rich.man. President of the Richmao Brothers Clothing Com
I pany, of Clev elan d. Mr., Richman is onc of Cleveland'sI best Imown phlhnth rop;,;tsI an d a patr on of the arts. H isI interest in music has led him,to build up a Duo-Art li: brary which i~ represent ative
of the arece and varied mu" sical literature available to
IlUUSie lovers through th,s In
strument, for ,t contains practically all kinds of mm ,c, In'
te rp reted by the fore mo..tp ta msts of the world.
N OTE : T he D uo-An 1epm 01'y includes music of all ~inds. f 01' alltastes, f 01' all purposes and all occasions, f01' grown-ups and f 01' childTen. Indu d. so IaTg~ is rhe scope and va ri ety of the mtlSic that isavailable in D uo-An R ec01'M that somrti mes a D uo-Art Piana ownCTis bewild eTed OV~T the choice of music. T he Duo-An R ecording Department, Aeolian Hall, N:~w Y orJt. is always glad to answCT questions or proffer suggestioTlS and infoTmation that may help )'OU in the
selection of recorded music fOT )'OUT inst:rum ~n t.
![Page 5: New Music for the Duo-Art - A M I C A](https://reader034.fdocuments.net/reader034/viewer/2022042715/62670a2cb5c42a0560423c3a/html5/thumbnails/5.jpg)
Paderewski Evokes Magical Beauty
"" ALTER DAMROSC H AND
7186-6 $3.50Reflet s da ns I'Eau (Images
;X, ). 1} . . . . . .'.(R eflect ions in the Water)
Composed by C/<l.l.lde AchaJe Deb ..~)'
Played by Ignace} . P"daew~kiINthe wonderf ul performance here flaw-lessly reproduced, Mr. Paderewski again
reveals that piano wizardry which long ago established his supreme maste rship and evokes allthe magical beauty and enchantment of one ofthe most wonderful of modern piano pieces.
Debussy delighted in conjuring up ton al V I '
sions "the beauty ofwhich seems to havebeen miraculously recovered from the golden ages of the world."This piece, with itsoriginal an d highly individualist ic m el ()d j cline, its novel harmonicprogressions, its shift ing rhythm and thevividness of its suggestion (despite an initia limp ression of vacucness of tonality) , this isone of the piano piecesmost thoroughly rep reacncarive of his stylean d method. For it wascharac te ristic of t hisarch - magician amongFrench composers, thisvisionary and mystic,that he should t rans,mu te into a subtle iraage of ton e such a familiar phase of the pic'turcsquc <IS reflections ill still water stirred anonby a passing puff of wind, and make it the firstin a set of piano pieces called "Pic tu res." Noone but Debussy could han .' conceived and ,K 'complished this particular kind of ton al magic.
Ma Mere I'Dye ( Mo ther Goose ) 7189-4 $3.00No.4. Bea uty and the BeastNo, 3, L a ideronnette, E mpres s of the
StatuettesComposed by Maurice Rat"d
Played by Polly es... Wa lter Vam rosch
RAV EL·S "Mother Goose" Suite of " Five, Children's Pieces" was originally composed as a piano duct . Then it was adap ted tothc stage as a ballet which enjoyed an immediate and noteworthy Par isian success. By afurther adaptation into an orch estral version
the work has won world-wide favor. It is amasterpiece of impression istic music, filled withtender, clairvoyant ima~iIlJ.tion, half ironic andhalf naive humor, and distingu ished finesse inworkmans hip.
M r. Damrosch and his dau ghter ha ve collaborated in recording a beautiful and deligh tful performance of two of the pi eces in th isremarkable Suite.
"The Colloquy of Beauty and the Beast,"No. 4 in the Suite, hut here played first. is per
haps th e most poeticalof all these plCces.Beauty is of course alovely Princess, and th eB e a s t (ahhouch shedocs not know it ) is inreality it h a n d s o m eyoung Prince whom anevil enchantment hasturned into <I n uglymonster. T he music tellsthe old story of how heasks her to marry himand she refuses: hilt onlearning that otherwisehe must die she pityingly relents and gives herpromise ; whereu pon heis released from his he,witc luncnt.
"Laideronnette , Empress of thc Statuet tes"(No. :;) is morc strik
HIS DAt:G HTER POLL Y i n~ly novel and ?ri:.;inal.. It ts prefaced WIth these
words from one of Mme. d'Aulnoy's fairyta les: "The Chinese Empress throws off hergreat robes of state' an d steps into her marb lebath . Instantly t he lit tle starw-ncs ("Pag'1lIe5ct Pag()J ine~ . · rhat i~ tn S;I}'. Chinese figuresthat nod their heads] hcdn to ",ing and play oninstruments. Some have 1 1J t (' ~ made of walnutsheik Othl'r~ have vrols mad ... o f the shells o falmonds: (or it was neccssarv tk l t their in- cruments should r.c su ited to th eir sicc.' For thi squain t conc eption Ravel has found the incvitable musical cc uivalcnt - a dipping andhot-hing md odv t hat h ,,~ t hc mccban ica l rckntks~ncss and iniHjlnan rigiJity of suc h fig'urcs' movement. He cmplovs a Chinese sca leand subtly imita tes rernt-le .c::on '.!~: an d t hemus ic culminates in a. Jdi,:1ou"'. tin kling bu rlyburly, depict ing thc absurd inh uman company.
Pa~e Fi,·,
![Page 6: New Music for the Duo-Art - A M I C A](https://reader034.fdocuments.net/reader034/viewer/2022042715/62670a2cb5c42a0560423c3a/html5/thumbnails/6.jpg)
Gabrilowitsch R ecords a Haydn Minuet
OSSI P GA BRILOWITSCH
" Military" Symph ony- T hirdMoveme nt : Minuet . 538-4 $3.00
Cotllpo~...d by Fran:. J" , e[ Hayd..AlT. '3 PlAyed by QUip GabrilowiuchTHEG-Major (""Military'") Symphony was
composed in ebe course of Haydn's secondvisit to England. in 1794, and had its first performance in london on M ay 2 of that year.It IS the last of the twelve symphonies writtenfor Johann Peter Salomon who had induced
Haydn to go to England, and it became pop ularly known as the " Military" Sym phony because of the use: of the bass d rum . cymbals andtri angle in its second and fourth movements.
T he M inuet is one of the most capeivatinglybeauti ful that Haydn ever wrote. It has beenwell said that Haydn showed Mozart how tel
do thi ngs, and in ret urn Mozart showed Haydnhow to do them better. Mozart's influence,which so softened the lines and heightened thecolor of Haydn's later works, is strongly feltin many places in the Salomon symphonies,and there is more than a trace of that influence in this Minuet. Yet it is thoro ughly typical of Haydn's own robustness and vigorousgrace and wholesome breeziness of style. Irsform is quite simply that of the dance minuetin graceful groups of violin ligures, and it isfi lled with the ideal Minuet feeling, " the dear,old-fa shioned stateliness and formality, thcprett y. prim quaintness: ' Its T rio. whichcomes as a delightful little interlude and respite from the restraint of the rigid dance, isworked up in a more distinct character thanusual. and with its dotted rhythm yet remainsnearer the origi nal dance than the legato tr-iosof Haydn's earlier symphonies. After it, theformalities and attitudes of the Minuet arcresumed.
Of this altogether charming Minuet M r.Gabnlowitseh has made a masterly piano arrangement for four hands. and baa played itsplendidly. This is a Duo-Art Record thatcannot fail to delight every hearer.
Musical Knowledge T est, No. 5Give yourself a rating on this M usical ~uestiom1a.ire .
T he'n duc~ up with the answers on Page' Ninetun.
1. \Vho composed "The Harmonious Bb.eksmith ?"_ .__._.._ . ._. _
2. What is (a ) an Aub4dc ? --;;;;;:;;;;;~==================( b) its evening counterpart?
3. W ho composed the "Ercica" S)'mPhO~Y~'~================4. Who compceed the "Eroica" Sonata?f . Wh o cc mpceed the "Heroic" Polonaise?
6. Wha t does Sche~ meaD?~~~~~~~§§~~~~~~~~~~~~~~7. Who invented the Iymphonic Scheno78. What was the Schena's forerunner in the &ymphoD)'?9 . W ho composed the "Surprise" Symphony?
to. Wha t is a BaTc" ro lle ~ . . .. _
![Page 7: New Music for the Duo-Art - A M I C A](https://reader034.fdocuments.net/reader034/viewer/2022042715/62670a2cb5c42a0560423c3a/html5/thumbnails/7.jpg)
A Modern Master -W ork Superbly PlayedNorth Country Sketches-
1. Aut umn-s-The W ind Soui"hain the T ree, . . . . . . 71900 $2.50
Z. Winter Landscape ; and3. D an ce 71910 2.50
4. The March of Spring-eWoodlands . Mea do ws andSilent Moo rs . . . . . . 91920 2.50~tIIp llud by frcdcric~ Ddiw
PJ.,.ycd by Prrcy G ,....ing n ~ & Iph Leopold
TH IS set of three superfine Duo-Art Record -Rolls embodies a superb performance
on two pianos by Percy Grainger and RalphLeopold of an excellent two-piano version of amodern orchestral masterpiece by one of theforemost of living Brit ish composcrs-c-the com.plete Symphonic Su ite of fou r " No rt h Country Sketches" by Frederick Deliue, whosemusic is scarcely know n at all in America.Concerning' the "North Country Sketches"Mr. Grainger has wri tten :
"The first two movements, though notfrankly descriptive, are yet certain ly more'impressionistic' than Delius's music generallyis, In 'A utumn' seethin g, moaning chord passages faith fu lly suggest 'the wind sough ing inthe trees ; while there is a curiously brittlechill about the violin harmonics and the harpand wood -wind arabesques that accompany thepathetic melodies and VIbrating chords of thehorns, lower strings and lower reeds in 'W inter Landscape.'
" In some respects the th ird movement(Dance) is the most remarkable of the four ;remarkable in that it instances the keenest edgeof the composer's stupendous fonnal and har monic inventiveness. and perha ps stil l moreremarkable in that it compasses the successfulport rayal of highly typica l Northern Englishtra its and emotions through what at first sightseems so very un -North-Englieh a medium asa 'mazurka tempo.' It is only one of manyproofs that Dehus's whole creative force is always tu rned inward-to the roots of thingsrath er than to their out ward appearances andsurface characterist ics. T hat combination ofcosy and winsome simplicity wit h a certa in drygaunt ness, that is so thoroughly Northumbr ian, is here tellingly mirro red in strains that(in thei r ingratiating lilt. t hough not in thei rharmonic and melodic content) somewhat recall those graceful half-Minuet-like intermezzomovements in the Brahms symphonies, In particular the melting cadences of the coda are amood of such appealing format grace.
"Tbe 'Much of Spring' shaY.'s how muchinherent suggestion can lie stored up in musicof a non-descriptive nature. Though there is
FREDERICk DEUIJS
not hing imitative here (no bird-calls, no shepherd pipings, and so on) yet, as we listen tothe unfolding of this final movemen t, we seemto be in the midst of spring-bern teeming newlife. in an air melodious with bird-songs andfragrant ",..ith freeh flowers-all of it t ransLated and inte rpreted by a poet 's wistful andcompassionate heart. In the heroic march section tha t is the climax of this movement andof the whole suite the aforementioned typicallyNort humbrian note is again struck, T here is arestrained and tragic grimness about the gloryand passion of th is outburst that is as far removed from the more vigorous optimism ofScotch enthusiasm as it is from the gentl er geniality of Southern English high spirits. T hemarch, dying gradua lly down. fades into atypica l Delius coda. dreamy and lonesome asa Yorkshire moor,"
FREDERICK DELIUSFrederick Delius was hom in Bradford ,
England. on January 29. 1863. Parental opposition prevented his devoting himself whollyto music in his youth. but in 1883 he persuaded his father to buy an orange-grove inFlorida. where he lived for three r ears andtaught himself the rudiments of composition.Thereafter he spent two rears at the Leipzig:Conservatory. but learned a great deal morefrom Grieg who was then Iivin~ in Leipzig.Since 1890 Delius has lived in France.
![Page 8: New Music for the Duo-Art - A M I C A](https://reader034.fdocuments.net/reader034/viewer/2022042715/62670a2cb5c42a0560423c3a/html5/thumbnails/8.jpg)
" LO H EN GR IN," A~, I . S~"ne 1,0," 'he Ii,,, prod,,~,jon, ., Weimar in 1850
"Lohengrin"-Excerp ts fro mAct i (Part 2) . . . . . . 71940 $2.50
Elsa's Promise to L ohengrin ; T he King'sP rayer ; Qu inte tt e ; F inale.
Composcd by Richard W agnerPlaycd by Ralph Lcopold
I N the first act of "Lohengrin" Elsa of Brabant is charged by Cou nt Frederick of
T elramund , at the instigation of his wife, Ort rud, with the murder of her young brother,Godfrey, who has disappeared. King Henrythe Fowler (King of Germany from A.D. 918to 936), who is sitt ing in judgment, is impressed by Elsa's apparent innocence and allows her a champion. After a second summonsby the heralds, there appears in a distant bendof the river Schcldt a boat drawn by a swanin which stands a knight clad in silver armor.Amid the greatest excitement the knight gradually approaches, and finally disembarks beneaththe shadow of the king's oak. He is acceptedby Elsa as her champion and lover, on thecondition that she shall never ask his name orrace. If she should violate that condit ion,Lohengrin-for this is Lohengrin, the son ofParsifal-must return at once to his father'skingdom. In the ensuing combat Lohengrinovercomes Frederick and makes him admit hisperjury, but spares his life. The act ends withpuhlic rejoicing over the approaching marriageof Lohengrin and Elsa.
Ralph Leopold has arranged and recordedin masterly fashion a great group of the out standing musical beauties of this fi rst act-
Elsa's Promise to Lohengrin, King Henry'sPrayer , the Q uintette, and the stirring finalchorus.
"La Boh eme "-Excerpt s fromAct II . . . . . .. 71939 $2.25
P relud e, Christmas E ve Celebra t ion ; Entrance of Rodolphe an d Mimi; Musett e'sW al tz Song ; F inale, T orchlight Parade.
Composed by Giacomo PucciniPlayed by Mauri" Jacquct
THE second act of Puccini's beautiful operaof "La Boheme" really develops the char
acter of the coquettish Musetta , and takesplace in the street before the Cafe Momuswhere Musetta appears escorted by a wealthybanker. She has little difficulty in getting: ridof the hanker, and flying to the arms of M arcel, her old lover. T he whole act is a carnivalof gaiety; it is a Chris tmas Eve celebrat ion,and the street is filled with a motley crowdsoldiers, students, servants, working girls, grisettes, peddlers, and venders of cakes, candies,fruits and delicacies of all kinds, each havingcharacteristic bits of chorus, and all handledwith consummate skill in concerted effect.
Maurice Jacquet , who has conducted manyperformances of this opera, has made a delightful Duo-Art Record-Roll of well chosen excerpts from this second act, including thePrelude, the Entrance of Rodolphe and Mimi,Musetta's lively Waltz-Song which is the musical gem of the gay scene, and the stirr ingT orch-light March with which the act ends.
![Page 9: New Music for the Duo-Art - A M I C A](https://reader034.fdocuments.net/reader034/viewer/2022042715/62670a2cb5c42a0560423c3a/html5/thumbnails/9.jpg)
" U BOHEME", Th . Ope....... Srt_ of Art II
Ballet de s Papillons, O p. MI . , 71870 $2.53(The Hutterfliea' Dance )
CO'll'lposcd by Bm;"'II'Il" Go.urdPl..,y~d by G14ioltl.4r NOllacs
THAT tonal poetry of imaginat ive picturesqueness, that Ga llic spirit of ardor and
liveliness and vim, that elegant finish and distinction of style which characterize the workof the distinguished French composer, Benjamin-Louis-Paul God ard - Parisian of theParisians - are delightfu lly exemplified in thisexquisitely gracefu l " Ballet des Papillons." Itsgay little wisps of melody, its brightly colorful and sparkling- harmonies, its varyi ng moodsand rhythms, all arc utilized and combinedwith ra re skill and nicely perfected art toevoke for the listener a beaut iful little musicalpict ure of gorgeous butterflies "dancing," darring and flashing in pellucid sunshine.
Gu iomar Novacs has recorded an exquisitelygraceful and wholly charming interpretation ofthis gem of salon music, imparting: all of thepoetic feeling with which its composer imbued it.
Sp innin g Song, Op. 302, No. 1 . 71968 $2.00Compoud by Karl BohmPl"y~d by Dcsid~r Vuui
BELO NGI NG to the type of piano pieces, ' to which Mendelssohn gave the generaltitle of "Songs Without W ords," this "Spinning Song" yet has a distinctive quality of itsown in its beauti ful, singing melody and itsrapid, whirring accompaniment cleverly simu-
laring the hum of a spinning-wheel. It is thefirst piece in the grou p of "Six Marceaux forPiano" makin g up the 302nd published workof the proJific German composer of salon music, Karl Bohm, who was born in Berlin in1844 and died in 1920, and its melody is oneof the prettiest he ever achieved. A hit of music of sure popular appeal. and Desidcr V ccscihas played it artist ically and delightfully.
Valse Lucille, Op. 85, No . 1 _ . 71958 $2.00CO'll'lpo$~d by R udolf FrimlPlayed b)' Phillip G ord ol1
BEFOR E becoming one of the most successful of contempo rary writers of musical
comedy, Rudolf Friml had vvon an en.... inblcplace among salon composers with his lightpiano pieces in which he disclosed a pleasingoriginality in distincti ve melodiousness, a cer tain romanti c touch of universal human appeal,and a noteworthy skilfulness of construction.H is facile melodic freshness, resourcefulnessand skill in harmonic tr eatment , and happinessin rhythmic expression are to be found at theirbest in this very graceful and deservedly popular "Valse Lucille," one of the finest of hisseveral pieces in th is genre. Its main melody isat once appealingly interesting as well as dist inctively beautiful, and the finished art withwhich it is presented in a sequence of nicelyvaried new forms produces a total effect ofglowing charm and exhilaration , all of whichis skilfully conveyed in the nne perfo rmancehere recorded by Phillip Gordon.
![Page 10: New Music for the Duo-Art - A M I C A](https://reader034.fdocuments.net/reader034/viewer/2022042715/62670a2cb5c42a0560423c3a/html5/thumbnails/10.jpg)
T eddy Bear's Picnic . 71987 $1.75Composed by John \V . Br"~l ,, n
P layed by H ~nri Bergman
Di [ FIN ED by its composer as a "Character, " Istic Two-Step," this clever and prett ylittle piece has the energet ic snap and go of theRapid W altz rhythm. It has also popularlyappealing original melody skilfully set forthagainst a background of bright harmonies andtellingly ornamented with an occasional decorative flourish in clever pianistic effects. Airo~cthcr a quite irresistib le and un forgctablelitt le musical frolic. Undoubtedly this T eddyBear had a good time at his Picnic- and sowill everybody have who hears Henri Berg·man 's recorded perfo rmance of this piece.Dawn of T o mo r row {Song Roll,
With W ord s ) . 103585 $1.25Com:r" $~d by Jo e Gum
Playe by Genev'evt Pit(;(
TH IS is a very pretty new ballad, of theI ever-popu lar "soulful" type, wistfully me
lodious, and gracefully wr itten in waltzrhythm. Genevieve Piror has made an excellent Duo -Art Song RoIl of it, playing it withdue regard for the demands of singers andintcrluding with hits of beautifu l and appropriate arabesqucnc. T he lyric is by JeanneGravelle.
~un scl and .h~d ows " ,e fa lling,IhyHght fad.. aw"~· .
Lovebird.• thcir male' ' oft ly ca l l i n~,~l "rlil(ht to . how thm t he w"y.
0"1 of th~ <Iu. k cOmes a m emory,T rue love o~,, 't d" w,lh l ho ,la y . So, _
Chon..Daw" of tomorro w, t" ke eve ry , orr uw,
Brin!t back Ih e "un sh ine , I 1<>1\ 1( to .....So . ti red <> f waiti ,,!:", lone l)' witho ut yo u ;
Dawn <> f 10 mOTrOW, br mg "yo,," back 10 me.
Just a Memory (Song Roll,W it h W ords) 103576 $1,50
C om p o.l ed hy Ra.y He>l d en o>lPlayed by Robn r A rmbrm u r
H.ERE is Ray Henderson's newest popularballad, inimitably recorded by Robert
Armbruster for singing. T his song is one ofthe l-est that even Ray Henderson has everwritten. It has unusual and captiv ating melour , novel and quite hypnotizing rhythm,
pretty modulations of key, and universal appeal of senti ment in a clever total effect ofsteadily ascending emotion. The words, ofcourse, are by Mr. Henderson's inseparablecollaborato rs, B. G. DcSylva and Lew Brown,You ~re gone a>ld ~ Il i . l:One, ~>ld l b rou~h ."ch "'~" "~
,j" y,Onl y tc ude r me"'o ries r emain.
:l.l emor ie. are , un heam" Ihrou gh A oky of c1o\\uy l:r~ y ;
1I e m<>r ie. are rOS.s in the r" in.Netrain
P:ry. I kne w wilh yoU, ~r e ju . ( a me"'o ry,j u,H a memory, lhat i. a ll tha t' . I"fl 10 " , ,,.
Happi,, "ss. I ~ "">S, i ' ju <! a memory ,1.""t a memory of lov. th" t u<e<1 to be.
\I ,n wc .hote the n ight. t ~e moon. l~e "'a.. abo v~ a~[3in,
W ill I liv. to bope, to s inK, 10 . mile , to Ia ,,~ h ~K" i " ,love ai:a ;n ?
In my dr .am., it .ecm, . you r b e< i. ne ar 10 "" ,And it's de3r to me, lho u.<:h it '. j ,,"t a memo r)".
Silent Night. Holy Night (SongRoll, With \'lords) 103565 $l.2 5
Comp o$~d by F ra>lz Grob~r
Pla. yed by Hem-i Berg"'''->l
I TS simplicity , tende r beauty, and deep Sill'I ccnty have made this Christmas hymn auniversal favorite. It has a curious and interesting" history , Its authorship was long lostsight of, and it was published in many editions as an old Ge rman folk-song. It somehowcame to be attributed to Michael Haydn(Franz Josef's younger brother ) , who was aprolific composer of church music, But theresearches of Professor Ludwig Erk have established the fact that it was composed byFranz G ruber , an Aust rian schoolmaster , whowas born in 1797 and died in 186 3. T he wordswere wr itten by Joseph Mohr, an assistantpriest in the parish church of Obemdorf , nearSalzburg . It was firer sung in tha t church in1818, when Mohr sang the tenor part, Gruberthe bass, and the choir was made up of youngwomen ; while the accompaniment was playedon a guitar . Several years later a company ofT yrolean singers placed the song in their repertory and thus launched it toward world-widepopularity. Henri Bergman has made a finesong roll of this lovely Ch ristmas hymn, playing it in simple, straight forward style, withoutany embellishment whatever.
Song AccompanimentCo,,'tou y Roll No.
A New D uo-Art'1ilk
M y Mother Bids Me Bind M y Hair(in A M aj o r ) , .
l'layed b~' CO('ll raa ' ! \' . FlosFra.lt~ Jo.'([ H a)'d >l 13198-5 $2.00
Violin Accompaniment(a ) Vals e in A Maj o r, O p, 39
(Tl"a ns c r ih<:- d I,,' David H o cb s .tci n I(lJ ) Valse in G Major, Or. 70, :"0. 1 .
FTr-a u scribcd by A lber t Spa ld :n." IPlayed hy Andre Be nuist
JOll a >l >l~S Bra.hms
.Fnd~ ri( Fra."fIco:s C!lpti"fl $2.25
Novelette .l'hycd
Special D uo-Art Record-Roll. , • , Fred Colber
by t he Cc" 1l1"' ~ CI'
Page 'Ten
71708 $2,00
![Page 11: New Music for the Duo-Art - A M I C A](https://reader034.fdocuments.net/reader034/viewer/2022042715/62670a2cb5c42a0560423c3a/html5/thumbnails/11.jpg)
CLEO MAYFIELD AND CLI FF O' RO URK E SI NG ING " ALL MY LIFE,"I'" II ;, Soto, H ;l itI " A ll.. Dop"
Best of the Newest Popular Dance MusicWITHthis month's unsu rpassed list of the
best of Broadway's latest popular danceand song successes, soenethmg of a departurehas been made in the recording of dancemusic. T he Duo-A rt's experts whose playing is reproduced in these wonde rfu l danceand song rolls have made their arrangementssomewhat simpler than heretofore-a bit lesselaborate and oma te--by eliminating a few ofthe embellishments, or pianistic " t ricks; ' whichhave tended, perhaps, towards overloadingtheir performances. T hese sterling artists havenow concent rated more on rhy thm , without inthe least overlooking the due import ance ofmelodic line and harmonic effects, and theresult is tha t these new rolls are hath moreadap table for singing and br ighter and betterthan ever for dancing.Are You Happy?- Fox Tro t . 713443 $1.25
Compoud by Milton AgerA11', ~ Played by Dagma. N ordstrom
Dan cers everywhere are answering yes tothis t itular question, for Milton Ager's newestpopula r success is a most happily melodiousFox T rot, as well as a rhythmically snappyone. Here it is beaut ifully arranged and playedby clever young Dagmar Nordst rom, who hasachieved some particularly fine harmoniceffects.
Blue Baby- Fox TrOl . . . . 713440 $1.25Compo&ed by Klage&. G.een e Haid
Arr. e- Played by Pa" line Alpert" Blue Baby-Why A re You Blue?" is a
str iking new Fox T rot of the variety known tothe experts as " hot"- a very snappy dance
number with a decidedly catchy melody. Paul ine Alpert has recorded it in tine style.Brokenhe ar ted-a-Fox T rot . 713444 $1.25
Co,"poud by Ra, Hen de' lo"AfT. e- Pla)'«:! by Pau.line A lpert
\Vith the collaboration of his congenial partners B. G . De'Sylva and Lew Brown, who pmvided the words, Ray Henderson has againproduced in "Here Am I Brokenhearted" apart icularly line and appealingly tuneful Singing Fox T rot that immediately scored atremendous popular hit . Miss Alpert's per 'formance of it is a dandy.Dawning - Fox T rot. ., . 713445 $1.25
Compoud by Silver C9' Pin~ha.d
An. e- Played by Cl.>nJtance MeTingA very prett y, melodious new Fox T rot that
is a delight to dance to and that is also proving equally attractive as a song. It 's in thebig hit class, and Constance Mering has ar ranged and played 'it with all of her customaryzest and sparkle. •Diane- W altz . .. . . 113441 $1.25
Compcud by Po l1a c~ b R.lpeeAn. ~ Played by CO'l.ll<ll1ce Meril1g
Another stunning ncw dance roll by MissMcring, who is without a superior in the playing of modern waltzes for dancing. "I'm inHeaven W hcn I see You Smile, Diane," latestproduct of the collaboration of the composersof "Charmaine," was tin t heard at Roxy'sTheatre, New York, and has speedily becomea favorite everywhere. This fine new W altzpromises to be as great a popular hit as thatearlier walt z success of Pollack and Rapee's.
-
![Page 12: New Music for the Duo-Art - A M I C A](https://reader034.fdocuments.net/reader034/viewer/2022042715/62670a2cb5c42a0560423c3a/html5/thumbnails/12.jpg)
FRHD RICH
Flapperett e (Lnst rumc nta ll -e-Fox T rot 713446-D $I.25
C omposed by Jesse GreerA rr. & Played by Fran~ Milne
This is a delight fully tuneful , novel, interesting and att ractive piano piece as well as asnappy dance number - light , bright , andcaptivat ing, with some novel harmonic effectswhich Frank M ilne has made the most of inhis splend idly recorded performance.
J ust Another Da y W asted AwayW ait ing for You- Fox Trot 713447 $I.25
Composed by 'Tobias e- 'T ur~Arr e- Played by Fred Rich
A new popular song that everybody is singing and at the same time a fine, dancy FoxT rot. T his number might he described as"cute, catchy , and capering. " Fred R ich hasrecorded a great per formance of it - a per formance that will recall to radio fans thebroadcast playing of his excellent dance orchestra.
Kiss and Make Up- Fox T ro t . 713448 $1.25Comp oud by 1loga!e &' H oefle
A rr. 0" Play ed by Pauhn( Al pert
Another new and popular Fox T rot, "Kissand Make Up" is a first class dance number ,here presented in a wonderfully fine performance by Pauline Alpert .
Manha ttan Mary- Fox Trot( Fro m "M anhat tan Mary") 713449 $1.25
Compoled by R(1)' H endersonA rr . 6' Pkryed by Rubt Bloom
A n excellent dance num ber and a cleverand catchy song this, in Ray Hen derson's beststy le. It 's the big hit number fr om one of
Broadway's new big-hit musical shuws-"Manhatta n Mary." Here expertl y recorded byRube Bloom.Musical Comedy F ox Trot Medley
(I nstrumenta l) 713442-D $2.001. Good Ne ws (F rom "Good N ews")2. All My Li fe (F rom "Allcz-Oop" )3. I' m W onderin ' W ho (From "Burlesq ue")4. D oh, Maybe It 's You (From "Z legfeld F ol
lies" )::I. Shaking the Blues Aw ay (From "Zicgfcld
Follies" )A n. e- Played by M a ir-g G' PolJoc~
Expert ly ar ranged and marvelously playedby Constance Mcring and M uriel Pollock, thisis just about the greatest Fox T rot Medley ofmusical comedy hits ever brought out , Everyone of these numbers is an outstanding Broadway success today, and is in constant demandon the dance floor. To possess five of them onon one music roll is-well, whe re is the devotee of dance music who wouldn't be " justcrazy" to have it?T ogether W e T wo- Fox T rot . 713450 $1.25
Composed by In' ing Bt r!inArr , t3' Pla)'td by Fred Rith
Doubly attractive in tha t it is Irving Berlin'snewest Fox Trot hit-typical of his best insentiment, in melody, in rhythmic snap-s-andthat it is surpassingly well recorded by FredRich.The Vars ity Dra g-s-Fox T rot
( Fro m "Good ~ews" ) . . 713451 $1.25Composed by R ay H(l1dasonArr . ~ Played by A lan Moran
Another treme ndous popular hit from thevery successful musical comedy "Good News,"this is one of the greatest dance numbers ofall-round excellence that has appea red in along time. Perha ps, no other Fox T rot is In
greater demand on the dance floors toda y. Andhow Al an Moran has played it !W here Is My Meyer- Fox T rot
(From "Chauv e-Souris") . 713452 $1.25Comp osed by Anton ProjesArr. & Play td by FHd Ri ch
Fred R ich has made a stun ning record rollof th is really great dance number from thenew "Chauve-Sauris." It created somethin gof a furore in Europe, and it is rapidly wi nning equally great popularity in America.Maybe I W ill- Fox T ro t (From
"Yes, Yes, Yvett e") 713453 $1.25Composed by Harold Orlob
Arr. b Played by A lan Mor<1nAgain an outstanding musical comedy suc
cess-the capital Fox Trot that is the big hitnumber of the delightfu lly melodious and picturesque "Yes, Yes, Yvette. " A n attractiveand catchy song as well as a supe rlat ively nnedance numbe r, and Alan Moran has recordedit splendidly.
![Page 13: New Music for the Duo-Art - A M I C A](https://reader034.fdocuments.net/reader034/viewer/2022042715/62670a2cb5c42a0560423c3a/html5/thumbnails/13.jpg)
Duo..Art Music Rollsfor December, 1927
Use this form to order "OUT Mus ic Rolls
Num"",, Titl. Com pOR ' Pi. ,,;sr
7186-6 Reflets dans I'Eau
71810 Ballet des P a pillons, Op. 69
7189-4 Ma Mere L 'Oye. No . 4 and x«. 3
71900 North Cou nt ry Sketches x«. 1
71910 North Country Sketch es Nos. 2 & 3
71920 North Country Sketches ]\0. 4
Ravd
Ddiu~
Ddius
Debus
PadeTews~i
N ovae5Poll:1 0' WalteT
D<l mTOSchGTain KeT f!9'
Leop oldGTainge1'O
Leopo ldG1'<I inge Te
Leopold
3.50
2.50
3.50
2.50
2.50
2.50
13189 l(b) Valse G Major. Up . 70, x o,(a) Valse A Major, U p. 39 . .
1319&.8 My Mother Bids Me Bind My Hair
Mering fi Polloc~ 1.25Rich 1.25
MOTan 1.25
Rich 1.25
MOTan 1.25
A lpm 1.25A lpm 1.25
Mering 1.25
MeTing 1.25
M,lne 1.25
Bos 2.00
Colb eT 2.00
N OTdstrom $1.25
Rich 1.25Al pert 1.: 5
Bloom 1.25
Benoill 2.25
Gabrilowi15ch 3.00
J<lcqud 2.25
Leop old 2.50
G01'dOtl 2.00
Vuui 2.00
BeTgm<ln 1.75
Bergman 1.25
Annlmurt1' 1.50
Pilot 1.25
GHeT
'Tobias~ 'Tu1'~Bogart 0' H oef le
H ende non
Ager
Kteges. GH en e-H aid
Hendnson
SilveTO' Pin~hard
Rcpee e- Pollac~
Wagne1'
Friml
Bohm
Bnlin
HencleTJOtl
BTaUOtl
G1'U b~
HendeTson
(ftttn
B1'ah..... 1:=hopin
Haydn
ColbeT
Haydn
Puccini
Novelett e
A re You H a ppy j-c-Fo x T rot
Blue Baby- Fox Trot
Bro kenhearted- Fox T rot
Da wn ing - Fmc: Trot
Diane - \ Va,lt z
Minuet ("Milita ry" Symphony)
La Boheme Act II
Lohengrin Act I ( Part 2 )
Valse Lucille
Spinning Song Op . 302 Xc. I
T eddy Bea r 's P icnic
Silent Night, H oly Nig ht
J ust A Memory .
Dawn o f T omorrow
713451
713452
713453
71708
713433
713440
713444
713445
713441
713446· D F lapperett e ( Insr rumenral} Fox Trot
713447 Just Another Day Wasted Away-Fox Trot . . . . . . . .
713+48 Kiss and Make Up-Fox Trot ..
713+49 Manhattan Mary- Fox Trot
713+42-D Musical Comedy F ox Trot Medley(Instr umental) . . . . . .
713450 T oge ther We T wo-Fox T ro t
T he Vars ity Dr all - Fox T rot
Where Is My Meyer ?- Fox Trot
Maybe I W ill- Fox Trot
538-4
71939
71940
7l9~
71068
71987
103565
103516
103585jc,l
,,,
![Page 14: New Music for the Duo-Art - A M I C A](https://reader034.fdocuments.net/reader034/viewer/2022042715/62670a2cb5c42a0560423c3a/html5/thumbnails/14.jpg)
SelectionsCn« ~
I i."
Twenty-five:-'-umb« T itl.
PopularC om po... Pi oni., P. i«
713404 Me and M y Shadow- Fox T ro t .
3.002.50
2.50
2.00
2.00
2.50
2.25
1.75
2.75
2.00
1.75
2.00
1.75
2.50
2.50
1.251.75
1.50
2.002.001.25
1.251.251.25
1.25
JacquetEngman
Lecnone
SanfordReadPo J !<l c~
A!p~rt
La'l1 dowsl(a
Gr<ldovaGa'l1zG'
Hutch' sonR d u nb erg
L,gllls/ta
Arm bTUSUr
Goodman
Powell
Alm bru.u er
Milne
Non'!.'
A rmbru"u r
A t mbt ustn
l.eith b'Add','on
Milne
Mu ingRichD, R o,"
Beethoven
A r' nsb'
MDZ<lrt
Jacquet
Hnbnt
R~ iw;f ~ ; d
Grun fdd
Man~
Axt-Rapa
\Vagnn
Holzmann
:\1oszhow;~i
M~nd ~ :ss o h n
Gm~t
Wiggers
M"cD "wd i
BrownYo umansD, R05eJol.<ol1, R"u bDr)' ~r
L~ cuona
SanfordPrimlRap" ~Poilac~
Andante in F ( Andante Favor i)
Etude in F -Sharp, O p. 36, No. 1J"Magic F lute" O verture
71350
71520536.4
71530
71370
71318
81128
71270
71059713403
7122-3
71428
71557
71338
71417
103365
713389713391
Scherzo Va lse
Songs W ithout Words. Xo s, 44 & 10
BabiUage (B abbling)
Ecstasy
H ungari an. O p. 39, X,), 12 .
" Mlle. Modis te" Se lecti ons
Old I ronsides- Ma rch
Romance. Op. 45, :X".
Serenade Badine
Toddling
Under the Double E agle -c-Mar r- h
T he Whip-~[arch
Love Walt z (From "Th e Lo ve ofSunya" ) . .
103227 Songs of Byg one Days (Ro ll No. 1)
103486 Neche Azul (With W ords )
S-31608 Meditat ion .S -31598 Twilight713395 Cbarmaln e-c-W ulra713376-0 Doll Dance ( Lnst rumenta f]
Fox T ro tH a lleluja h !- Fox TrotL azy W ea ther- F , Fox Tr ot
Ten Duo-Art Rolls that should be in Every Home606486118-06561-56522-46932_4
67347664066914770777
6172-3
T he Swan (Le Cygne)Sche rzo , Op. 31 .Val se Ca pr iceP eer Gynt Suite I , 1 a nd 3Valse in E -flat . .By the W aters of MinnetonkaChanson (Me lodie)T he W hisper ing W indBadinageMurmu ri ng Ze ph yrs
S"int·$aensCh oPinRubim temOrieg-GrainguDuran dLiet,ranceFrim!W olln ,h" uptHerbertJ,,,,,n
Ga11ZHafman"HofmannOr"ingnBaUHLieu- onceA rmbrust aPitotM~ri"g
Ganz
' ,004.503.253.003.00l.7 51.501.751.752.75
Kindly send m e th e Duo -A r t Rolls I have checked
Date .9' __
n th is form»
- II
NAME , _
STREET _
TOWN STATE _
,~ Page Fourtan p__
![Page 15: New Music for the Duo-Art - A M I C A](https://reader034.fdocuments.net/reader034/viewer/2022042715/62670a2cb5c42a0560423c3a/html5/thumbnails/15.jpg)
~ J
Duo-Art Piano Music Issued Since Jan. I, 1927
P';a2.,U8. 002.2112 . ~.'20211~.,;o
'!.,z.,e.an2.7'2,r,,,e.ex~.n
2.2 ·,2.M8,~"
2. 7.,~.,'"2.2"~."o
:1.0 "
.~ : Jr._1
71Jil(J-47 1UX-l~ 1t; 1 _~
1 1140~ HII-4
: l aOl;' 10')1)
7 IO)O_G, I ,~:m
712~-4
~(l!l!1_ · 1 ~.UO
~ WO-l :U lO: 10 1ll
2 ..' "7 17,,(l '!..'!l~ r tnu ':..'fltrrtu ·!.;,o
7 1Of1-4 :l ,O(l7 110-4 a.nn
tnetu 2. ~,'
~ 1810 2.110~ X7110 e.su~ (m~ " 2.M~ 1030 2 .1107111 0 a.so
,~:mo ~..~",, ;ll-l :1.1'"
,,:1I 0 2 .,;0,;';l" ~O e.nn
;,~ 'I" ~ ..-,o
";~~ Il 2. 110
.\ ;1.',U 2.,, 0
1 1;1111 2 .00,OI!X_3 2.7"
~ I MII 2.00'1411 1 1.7 'XIl 2X 2." 11' I MOl 1.,,01l4.~X V ll'
11729 ~ .2'-.
1661 ' .7"' .~Il<> I.MI12111 2..'0I X ~ ~ t.n1010 2.!Hl"'. 2.no1468 2 .11010,,9 2.n
''''' 'lOb"~ I ~,~n
, IUH-4'12111l111l,91HH7 111 1011M !'~ (lllll ll
7 1 ~ 1l_8
~ I !l20
71 1111'H~59
7 1 8~9
~ l ll ;m
1l 1 3-.~
741119_37 11100' 1189~ 171' "
7 111_ 1
F ri" lIma "
Co r t otCo r to t!'> cll a r r e rI .ps;- in s k llLeopoldI •.,o po h l1.<,o po l,1L" o l'uld
F r i"l1ma "F ri <> <l ma tlUauerBat",rHa u..r
G,-" ,1.lla lll r OS('hI. n1l10ndl." mo ,,,l
l. a mo ",]
Ar m b r u s te rn u u"V" cs" !M"rl nll'Goodm anH"~ r:tm,, nI' !t ot
CIl" l i,, "P it otC ol lJe r1' 0w,' 11Armhr1lstf'rx ovaeeHod gsonMil".,Armbrust,'r
I.",no , ,,l
I." Ill'" ,,1
Pl u}'«' byL a nd ow skaHa\l~r
Il e ls" n be t gAr mhrus t, ' rveceetArm brust"rClle r kan k )'CartotBilner(l rn " o " "aemur useeeAl'lnbru.terAr m b r us t e rII M mannncrmeunllntch"80uJ ''''' jll e tArm brusterL "opol<lc aneG" ,, ~ &:
H nl eh" "o nFrl" d ma nHofm lln n(; r a ln", ,,,,G rni n g( 'r11ft '"''('1ll' r k uE. l,,·Jill"", .J 'ad" r"wsk iHd se"hergP owell
;:cll-rl3Hl.\! <>n d<>lll Bohn\\' a g n.:rWagnerW agnerW ag" "r
B"etho ve n
D vo r a kHa)'dnH"" t h QVenBeet h o ven
B eeth ov en
B.:ethQven
Beethoven
1l....1hoyt' ''H",'lhow ll11" ..t b",.""BM't b o\' e ll
,;ehu hertCll opl nHaell' L lsztHac h -I.isz tC h opi"Ve~di-LlBzt
.\l osz lwWllk lChopin.\! o8z k ow s k iBMthov"n
Gill etGo d a r d1I1lrt lct tIl"rgerWi g g e uKroe g e rTIM"YCil as;us(l r.:g llColherMacD()we l1K"telbe yJ be r tl'k kllert &: Si lld ingI; tlll'elmun lln "rl",r t
POPULAR SALO~ MUSIC
m
This Bulletin, the Classified Catalog "DVO -ART PIANO MUSIC," and the Supplementar y Catalog of Popul ar Dance Music together prov ide a COMPLETE LISTOF ALL MUSIC now available for the DUO·ART REPRODUCING PIANO.
CLASSICA L COMPOSITIO NSComposer
BeethovenBeet h ove n'£ch ll.i k Qv sk :r!'c puschSchubert-LintB I1.«t'fchnlk<lvsk :rChopinChopinAren.tyGouuodOou"o<lGou nodSchyttcT chnl k ov sk y~ch ubert
t'uo-IntB~llllll-l,eyb8. cb
WagnerLiszt.\Inzlirt
~[ard ,,, n erol<I" '" O p. 40. No.3 .No <'lur n" In I' Mino r . O p. 5.~, xo. 1Urll""n " a ntasla and F Ull"U" a Mi n or . P llr t 1I) r ",.. " Fan ta.h. and Full: u~. P a r t III· oh",.. l~", Op. 40, X (). 2" 1~ h( old l o" P ...... phr.... .. 'lIoma ne ... 01" 42, So. 1 •S" h ,·r•." . C-Sbarp Mi uor .Sd,,,,,,,,, Val~" , . . .~,, "ata ( Wald~"'ln) . Op. Ij3 •
2nd m ovcmen t; Mo lt" Ad ag i() a~d3td In()vement ; R ondO
>; ollal.. In II MaJor . Op. 28 ("Pastoral" )Firat Movemen t ; All egtOSecond MOVeme n t : A nd a n t e ; T lllrd Mo \",·",.. " t ;
Schurzol"e "rt l> Mov em " n t ; Ro n 'lo
So "at" In 1<: _t1at. O p , ' - All pg r oSo""l" In E _t1at . O p , ' - Lllr !;oS,,,, ,, tn In E _lIac . O p . 7-1l ()1UI()So ""t a h ' E !>IaJor . 0\'. 109 .
~'I rst ~l()v"lll ~ ll t ; v rve ccS, 'Cond Mov.:m.:n t ; P~"8tIHSjmo
T hird Movemen t : Andante II-nd VR ~ j l\ t l o ll SSo""ln I" ]) :\lIno r , N .. . 89 . . ,Son ll"S Wlt h o llt W ord s . :-<0. 44 and ] 0'''I'n n " to,, " ser.'' E X''<'TlJt s from Ac t I" T rist"" .. n d hold~" lAd II )"Trl ~tan n n ,1 Iso ld e" Act It)" Trl~t"" 101101 ..o ld .... (Act III )
Ih. h lll 'u :e (Dab b li ng ) . •U<'tee use (From "JQcely n" )I ... Cr~l'"s""I" ,Ii a " s I... Fhm r8 (Val se I,{.ute)1';e Kt a KYl'; ll'~rl"
Jr._,'an lta W al h e. . .F llrtatlon In a C h ln..8.. G a r den
1l11.h II Q11 r In 1I0 11 l1"- K on"The lIapl'Y lI utte r m " .H"neymoon Snlt_~I\. 1H un l' " ..la n . O p. 39, S o. 12In .. .\lona.I"..y Ga r ,lenIAttl., Whit ., Do n k ey . .M"lody tor I" tt hanll , a n<l Sere",,,I ,,Md.,<1y or 1. 0" " •")111... Moll lot,, " 8..lect lon .
:-: ,"w W.. r ld Symphony. F our t h mov"ment" ;lu . l' r ls ,' S )·mv....n~· ..-All' ll" ' t... . • .S)'ml'!oo"y N o. S. ~'i l"8t ffio , '"nwnt ( Part I )Sy n 'l, h ony No. S. l"j rst 1Ito ,.e" 1<'" t (P art II ) .liy n ' p h o n .r N o . S. "Er olea" - See o nd Move men t ;
1,'u"ern l Mn rch . • . • •Symph ony No. 8 (Ero le " ) In E ·t1at. 0 1'. 55. 3nl
l>J· n:~i',~';,~"~O: 3 ' ( "ErO I~"" ) In E _t1 a t . Op. '5:1.' ~l hMoveme nt
T il l 'A"d8"t~ in .t' (Andan u F a , ·" r !)Andante a nd " a r la tlon • • 0 1'. 18, :\ 0 . ::;1I" .......... ll e (J u ne ). Op. 81A, ~o. G" 1"10" 1I"lu r.. r· ~ OJ..... .. .. Scl e"tl "n~lIy the S .... ( A m lber )"e" rm,·,," S,·I...,tl .. n ~. Act I(; han t Hans P .....l..". O ll. 2, )1;<;1 . 3t; t ud", In C Minor. O p. 2:1, So. 12tltud " In V_. h .. rp Minor. Oy . 2:i, :Ko. •I-: t "d" In I". Sh.. l'p , U p . 36, :K(). 13 ." I-' ''" 8t '' sel""t1ODa (F rom Act8 1 a nd"Fa,, ~t" S" I""U()D8 f l'()tD Act III ," F ,u , d" S"I"dloD8 fr om Ad. J\' a n <l \'.'() ...,~t R hea, O p. • 0, So. 1\ll um ol'e&q u" . Op . 10, :Ko. 2Im p r om p t " In G Fla t. Op . 90, :So. :I" I.... n o h " n" ," !lde"llo"., Ac t I . ." 1,10 Sonnam b" la "' F .. n tlll~ l e n..lIla" t ~
" l. ol"''' I''r ln, '' E xc<'r p l s f ..oHn Ac t I'I' h .. I . o r ..le y (U I" I ,o t c ll e )" .\I" lI" ic n u t ,," O...,rl u r " .
OR CHESTRAL SERIES
--( Pa ge Fi f lun ,.....
![Page 16: New Music for the Duo-Art - A M I C A](https://reader034.fdocuments.net/reader034/viewer/2022042715/62670a2cb5c42a0560423c3a/html5/thumbnails/16.jpg)
Til l ,Uld h .. n. /OI..._ :'>I" rehOld n ... n.. ( Alt Wi.... )0 .. t "e )tall • •p ..d .... Mn U.. , ~ • • .'I • .P ca_ I nw r m ...... O p , S3 .I' l l[ 'n' Wbl.lI.. ; aod P IlU ' n ~I~p l t ft O p . 4S, Xo.:; •~PI 1 e l n..e.. 8eleo:tio n .PI .,.. H e A ne t boor (Medl" :r Xo . 1)" I.,.. M" A..o l b .... ( 1%001011' Xo . ~ I.. ..r l "'Ce "f ..II _ M Il<oI "",U " n .lI . ..."".. Op. ~ No.1 .K o"..n..... Op. ol5, :0;0. 1lI o n Op. 1ftb.. p d , In 11.1..... Part I8e......ade lIa d l n" •Ilh..n l<llaJ ....... ir .....TMhepb..td BoT . Op. 4M"lIlequ, • . • •.. 11... ....l h ·t ... IleI....U .. n • •T il .. O - \ ·.he E lude ." ..,Mll n .. . . • .Tu.... .., I.. t h .. !It..a .... . .r llde r th.. Ih",bl .. ¥." II" I_~l a reb
Un"..r til " Palm (Spani.h Dllll~)" ' al e" P r lrn r.. ... . . .Til.. \\·hl l'_)I .H Ch • •With 1'1" 11" . AIMt-Ma r eh7"'1'''7r .. t I .... F I""... .
Co... f>O~"R1..",m r" ldOo.>do..... k yGo ldmanColi",..Go.>daNl.Coryell8<:huettSulll"a llAr m Lr u. t .,rArmbn. t., ..Lud.,nG l'1Iore ldGru.,nr.,l dL i"bl\l"lienhwlnMlrieCh ulnlWi lao oBl oo mH....h....tW ollenb a n p tA 1 1 nlP"CHulo nWlIc ne rAl l>e n!.BlIrne"H olzmllnnu ..llernomo
PI..,N />JMilneG....d m.nLclU>Col""r¥~...Cory..11GoodllllnArm h ru et .,..Armbru.te..Arm broeterArm brll."'rl'\ o.......Gor<1ooveeeerO'-...h ....l ..Armbru"terCh u JneBennettBloomArm br u"terMertngArluhrllaterVow" l1LeIth '" Ad<1 l"o oCortotLo nK"OMil neL ..ltll &; Addl"ony.~.•, .j
N ..",bu
n Sf"711,.7 Ufl',,~,,,~.
n u .H 6>l471&.7 1_71 _" "...
,,~
7 U U,-,711::3117 U711 M714177 t l\,"087 U -637 U ll711 8011 3-'111n ow11:H71111171~6H
1 13311
PriuI .n....l.n.~
'MOMOM.~
' M.~
.~...........I.n....' .U'M1.732.~3....1.1 3.~
2.00: .301.131.1$2.\lU~.UU
POPULAR BALLADS, SONGS AND HYMNS ( With W o rds)
,\ IIr uw" m ..d 8 lngl "lII" • .n..llI" 1I1 n ' n o f t il.. n "pu ",li cU" r luJn..-Key or H·t1ntCa rluln>_ Key or GO' ....t "." u • •Vl r l"' lrlbl n) 1.. r1 It..n . . . .U ...r L IIU.. no,. o r l l1n" .F.r AU It t ....n lt,. •1"• .,.. ,,11..., I ' ..rrom................. . . - .l it_ I'\haIl F ....... I II. Ff_.. . . .Jt 1 1B. _ U ) Veme T h o u ." l ml l:hI )' K I"II" : (2) 'T h ;
C hl1...... •• 0 _ F e ., n d a t/ o n ; (3 ) Come, Y.. Thaaklu l"_ pi". c...... .It " .... s.... Mall , •K ... tuc", 8101>0' • • •U tn" Hl n..bl rd el H T Jt nonI." n .. , Lon", T rail •I ..... F.,-.. rl • • t la ll" . • . • •I .-u W. It . (From " T h" Lo..e ot 8 ';01'",'"11.,,,, (.'1'o m " Ob. K a y l'"N . N I II"ht Th....N o On .. Ko. . . . •00.. ,\1 0 0" ( JI'ro m " The De..erl S'onc")T I... F . r . " ....' 8.-11.T il .. II I.. .. l Ioo.. .....r"'The Ro_ r ,.MR...... . . . .8 0 me 0 .... 10 W. t..h 0 )Ioti40nu of 1l,. l<oo e I>..y~ (noll NO. 1)Mon u 0 1 1I1 11"on" ,", ,.. (n o ll No.2)W h,m 'rw lll ",1ot Com,••
W oodTraditionall'~ n n
P en nG..,.,oV..sta lo u a<\1 Cftpu a1I1t1lMaae h"r o nil lo'llll iKOl'Ch ~t
H lnd..l
Donl ld ...ac.,,>clG~,EllloitFrtml.J. cquetGt>nhwia0 l n1<lGordonRom b"rgGordo nArlllhru.terX ..rioK a hal e t lllG.....hwlo
T a noll..r
Ar m h r ns t e rU.,r"lIIonPennI'..nn)Il1neArmbrulterI~rgman
Ar ll1bru"terI ,pnnllI ..r gma D"'nnbrDl ter
Ar m"rnsl.erMll o eWll neO~,
ElIlottArm h r uawrJ". eq oetOhm...8<>rgDl. oOhml OAr m br o"t ..rArm br u l t e rArm br u" t........W aldro nOhma nBerglna n~rgmall
Oh ma n
1/llI2MI/lSS13lUS81>3I OlH03
'M~10SllS3
lOMU1000U._M,- ,.-
1.23I .'U..Ur.eeI .:t.lI.U
I .U....I .UWI .~....I .tol,....~t .t.,,~
' .U,~
'.U....O~
'.U. M'MI .UU .l1.1 ."'.1,'I.U
CUBAN MUSIC
SONG ACCOMPANIMENTS
A,,, h, r · IJ"'n Q.n.." ,", l ,n Cllr,,1F",,,,r..1 . . . . . . .l·rlm·... .. .... Ab ril \ W lth \\'or ,I,,)N,,, ,Il .. A. 1l1 (With \' o r lls ) . •81 til 8"1,,,r ll•• ('Vltll " 'ords)
AlI..h,jah ( It JK"h Vol<:t'. In F ) . •Til" I"'ndu l.'ro ( Low Yoke. In lI · lIa t ) . .A ' '''oJ" lie n .. , Op. 22. XO. * (Low .. olee. In A)Com.. to t il .. . ·al r ( llll ri to ne ) • • • • •Go .1 T . llcb ...t t b" Re M (Medlnm Volee. E -nat)1I1lI. t&~rano In J:o: MInor) . • • • • .I 1.-.." T .... (lied. Voice. tn F ) . . . . .x ......o I'\p lrlt ll.. l . ( l l't'dlom Voi",, )
Stand i,,' I. d " N ef'd e' fOra,W. lt 'T III Ab P a t an )ly Cro. n
Na badl K a o • • l ba T .....bl .. I· .... s.c... (lIedl uDI)O . W i n , Ih.n.. . . . • . • • • . •K4'q1l1 ( F rom " U..d~...ood"M) (Lo....olce.ln G-Ilat)T . " " . ( &"pra llO In C ) . . . . . . • • .T il.. Wi n.. ·• la t b" S. at b ( H IK"h In E·lIu) .T b . \ Vl..d·. I. tb" Sou t b ()J ed. Yolee. In D ·lIu )Va " - ILow 10 C) , . .. .
LecuonaLecnonaJ. uo neI uouar.ecucnaL,,<,uo n ll
:U o~rl
StuartHom..rMarti nRrownI.. For:e8foeIlloveoRedd ick
RurJelgh)J pnd ..luoh llHo m"rRod en beckseceeS,,'"H am hlen
I ,..enollll.L ..euo,,"L ..eu olIlIL....,nOll"Leo.,uolla1&I'UOlla
Bo.L a For K""Ar mllr u eterAr m "'r u eterUrownLa ForgeLa ForgeRed d ick
Armb rU-llter11ooDoieiT.a ForgeRld..rseeeeL. Forg"Ha m bl ..n
103., 167 161 6
10ll<WU1/1341010M >l0l U!I4il6
I SU~S
JlIUS'JS._SI3 I1I1-S._S._S,_ SlS I 18- .'>
.........IS I ~II,_ Sn tt..SU I08- Sn fli ll-S1:SlnS
..~I.n' M'.00.~........' .00
OM'.00'.00'M' .00....1.1$
-- --( Page Sixtun
![Page 17: New Music for the Duo-Art - A M I C A](https://reader034.fdocuments.net/reader034/viewer/2022042715/62670a2cb5c42a0560423c3a/html5/thumbnails/17.jpg)
VIOLINTitle
.\ n <lan t" C" n tabll"L " 1I.' r I<H !lo m",e llle . .T h e Old IIr" rr"ln ( Vi<'!ll ill'stl Pop'u.la ~ Son;:)On Wl"11"8 of SO"g
ACCOMPANIMENTSCompou~
T ehaikovek yVivaldi·Pent"!(rdsl"r)I~ntld~~ohll
Pi,,}', d byB';'llois tArmbruste rHeJlol ~tlle n o i~t •
N""'ber13 168J SIl~8
I SM S13148
PrierH ill:.011' .00' .00
Atr. by GOl' t ze (J o d z.<l S· S l ~1t8 '.00Browu l'e rl "J: S· ~ I ~I' ,~ J. t~
Ster llbere l'" t\g u ill ey S·~ IH8 2.lH'
Lell vi tt S -71MIt "l.II<1F.lhe! Elhel 6~2 11 J.~ ,~
Elbel Elb('! S'S U1~1 1.1.~
Lane H off man S·~ I .'6~ 1.1"R acb manin oJr (]Qo,l man S,S11l111 2.110
n ..llin 1 1MlII 2.00Sanfo r d Sallfnrd S· SlllUll 2. 1111lJoldinl I.n"g" S· ~ 11 118 e.eu:Sevin Co U",r ~11 16 2.0UCOllfrey 0 1"lnuooll S -81691\ ' .00:'tllle!lowell Mor r iao n S- 3 1 ~1t e.ncFriml neea S ·3 1MJIt '.00
PIANO DUET ACCOMP ANIMENT313r"l1 n e r nh lue. O P. 27 .
( P rimo ' Pa~t ) :SChubert ,r r led m a u 7 11lj)l, ' .00
Slavic I)'..'L.... O p. 46, n», I) D vora k Ba lle r 7lQ.t (l %.311
T WO·PIANO DUETS, FOUR HANDSI nlr" 'I ,,,, t io,, ••• All e &"ro . Op. .. (Flut piano pan
oHly l Goda rd Thom pso n ~ 01l3U 2.%,;
ALTERNATING ROLL"als" In I) ,n" t . Op . 70, x e . 3 Cho p In I<'nld han S· 3 iU88 "l.00
PIANO TEACHING SERIESCh" ..... ' t trl8t I" " In ?tlnsle, R oll 1\"0. 1 l ,en,'itt Lt' a vitt 70!1f;)l 2.00PI"~· ;, , Jl' I'b, ,,,, b ,. Uarm on ,. Dla l!"ra"'s, 'R o il io . i Be"itt !lucios VIIUll '.00P h. y lf, .- " ja o o 10,. n ,...m o o,. I)la"r"ms , Roll r-;"o. 2 Devitt n ucrce UlU8 2.110
SPECIAL DUO·ART ROLLSA n lol.. I .a u r l", ",...latloo. (In t h f.! St y le ol t he Great
Composers) . . • , . , • .Ca,, ' t You lI""r lIf" Sa ,. 1 L o .." Yo u- Wa l bCa li r i.·.. Ill l' Illq " ", . , .Ch.. r''''t.'rl ~ t leM In l h ,. le- . . . . . . . .
1"'l1eve l ie It All Tho~" Rnd ea rin " "'·oun.- Cbar m sCO'I', ,,lt,, wltn a :t·a n. . , • , . , • , ,CO'I,,,,tt .. with a l<l".. lo us L o .." r •A Grl""" '1'10"11: 0 • • •n " mo r eS' lue Gp, 10. x c . II . • .• .T il" J .. wi sh 1'0.. 1100 101 lIy m n _ H a t lk vo h (110" ")IU..dl t .. U.. n • •0 " "" l 'I, ,, n ,, T im..'1'1... !to ....,. , ,'e h r"" t.l t tl", O, ldltLe .'I'" tI ... S.·..'l"w ill g hl
DANCE AND SONG ROLLS,\ I,, 't 1\1"" ~w"el ?_Fox T rotAI,, ' t 'I'hal " ITra ",! a n ti GI" ..i" " " :t~""li" ll' ':'''F~ :>: Trot,\ 11 ) ry ] .Jf".... F o:>: Trot
,-\" " .., Ey....- I<'o x Trot • . . ,A re You 1 ,"nc~olJ\" Tn"i ll'ht ~-\\' a lh
At Su"d "wn- F o " 'r r ot
IIn b , · Yo ur l l " I1",.--1·'o x TrotI""s ld e a O" r<l.." Wa ll - b'ox T r o tm " .. IlIn, ..- l·'o x 'l"ro tHI"" l;kl e~- Fox T r(lt •lIy .~II~· ... I' r <>t t y lIab,. - F ox TrotChn~,"ai "... W fth.Coll e ll .. ( F re" c ll y F OJ: T rot) , ,Cr a . y W<lrd . -Craz, Tune--I·' OJ: T ..otU..., k",n lI ..a r t ..d - F o x T rotCI" p Yo' n"",ls_ F <> x T rotI I"u"; n ll: T a m bourl lle--}' f> X Tr<.>tn " """ " , 'I·" ln Or"",,·_ W a lt . ,110'110 · 11" 1",,, T r ot (F r om "Oh, K aY l" )P o y "" I ••n ·" 1I1e \'-1" 0" T r o t .n ,,11 II" " " .. r " s rr u m ,m t·lll F o x T ro t ,1I0 ll y Ulmlllt (Iust ..umctlto.l )-l"o" T r otI).. ... n 1I1 .. I ne~ w attsF o r.- I,'" :It..- P nx T tnt . . • .Good N ,,,u - l"o x T r ot ( F·r Qm " G uod " c,,"s;' )
U "II ..h ' J" h l- fo' ox Tro t , • •11..11,, 1 S wa"..." " ..lIo-F ox TrotU e o r T h.. r... 1<'0:': Trot , . . • .111 h · H , .... b ·H ' lIb {7p In the H IlI . - F o x T r otn"m" ...." rd 1I"" "d .....alt .n """I"I" :\Ioon_U'ai t z ,II .. ... I L,,~.. \ '0" ~F(lx Trot , ,If \"ou ' .... In l .ov.. Yo u' ll Waltz-Wa ltzII ,\ 11 n .' p ..,,<l ~ "n Yo n- F ox T rot . , • .]"d 1.0 0'" t " Ca ll Vo u lly Sw.....th......r t--F o x 'ProtId o li z in llC ' - }"OX Trnr . . . . .1 K " nw T h a i Y" u Know - F ..x T rotI I." ,'" III.. 'l"ouU/(h l _ F (I:I Trot ,I 'll ,\I ..... y. 1I~"lemb..r Yo ,,_ 1"(lx TrotI 'm (·n", ln l<. Yl r ll" l n ia - b'o x TrotI '", r..... rnl" .... ~n... - F o x Trot , .I ' m Wo " d e.d n ' Who-F o x T ....t (From " Burks(j ue" )In " I.lt ti.. SI."n l ~1I T own- Wa lt . . .,II 31".1.. Yo " 11"1' [>' W he" \"o u ) [" ,1.. 'I .. Cry]C' . " 1\11111 <> " t Il 0"" Yo u'r" ] n l .o v..-1"o " Tru!.I'"" (JOt S"m..h od ,. Sow- F o x TrM .I" 'e 1.081 ,\11 ) Iy I."" " .t'o r V.. u - \ Va lt z
' \ llc rAge ..Charill &: MJ'c rs
RantleyT urk & H a lulma nDonald so n
nw seShort~1<'l' (' ''lle..Un(lard nc r & Hamil tonR ltp ee & P ol ln,,1tBiterAi"('rLoml:>ardo(l~r.hwjn
P o Uatt reennp r oh wlnW oll & 1IIer r k kH..owuAte""Rpi prAI:""rDt ,Syl )"lt, Hl 'own &
i lend,'rsollYou ",''',,"Cos lo w '" H..it tnavi s & Ore..rAhraham,Icnult...]j"LawN'nceBrown'" FriendTi ..r n e ylle!'!rl1'1a(lootlwin~"'u..n h ...lmerYoumans'>a vi .(JrN'r11,' \"wootlU t t l"Vo n Tilzer ,I,. n,;Ro£eWaY D.nnn"l ,l. ..."navis & Ak stwunameAk st
AII",r t~I a ddon
3Ioran &Feld k llill li
Oh lltn nA]p" rtWi ll ,u tl&
Cr"wp;ll ad ,I" ":'tl,'rl ng" o r 'l ou')!DOhmanAlp p,'t},o11""kWllhtrd &lIantaRanta & I.eitllOh manAl p pr tO h manOh m a nr-onocxMer lngAl tprOb m a nRUnlll
Oh m nnRicl:>O h m n nL"lthFulton" I,ertL ... tbOh m a n)le r i ngMil neBantaG il h a mAlpPrtR ic hTllonmO h",,,nAlrw rtf'ol1oekOhmanO b m,, ";I[tt<1 'looIlloomMc rin l!"
71.~~(Jl
1W·l~U
~ 1 3-l S t
~ 1 33~1
11 31"~
~ 13302
71.14261I 33U11343371 3340713416~ 1 311D~
7 /S30S1I3S13~J 33~1I~ 131l1\!1131il4113.12371SH77U 37/1- D71 3-1 M ·D7133!J8.U374
71.14R;1 U :lll97133281t 33.11H 1l3;,,,,lIM "l1133111~U.~17
lI 11llM7 1113ll~
1 1M 2!!~1 3l1 1(1
~ 1 332 6
11.1ltallH 3117117J M OO1111Jll\ll7I3t371l3311!l7133127l3.t2l\71 33237 18 818
1.23I .t .;
![Page 18: New Music for the Duo-Art - A M I C A](https://reader034.fdocuments.net/reader034/viewer/2022042715/62670a2cb5c42a0560423c3a/html5/thumbnails/18.jpg)
Til l ." "e T ·AI......• H _ .. . " I 1.0•• Y. ,, ··- F o :l T r ut"".1 • 11.._ .., - .'0:1 T rut . ."'".t Uk•• D u U• • ll.,- F o :l Tro t.....t 0 ..- A,-.I.._ 1'o I Trot •" • • , 0 0. » K I..- F o I T rot .1'11.. Ju _ J'OI T rot (From " Rio a lta" )
A La>o4I La 8 , -.I.-FoI T rot .Laz, W_ IIa..._F. F OI T r ot • . . • .~d_rOI T.ot (From " Katja thO! Da" err" )Til... Llltl .. W h ll .. 1I. ,, _ t 'o x T rot • • .I .u" k ,. I . 1A~_Jo'ox Trot
Lo ,. (...·. 1 r .. 110 ,. F al l'O' )- F o I TrotIA ,. N la-II.I. I . 1I••-.1........W. lu 80n llIAn. X .. All t be T im _ Wa its1I .a- .. 01l_t' OI Tro t
M.....d lII,. I.Ihadow_ F oI TrotM I.. A.. ... b fol le t.-FOI T r otlIIoon _ m l K l.. lI..r For M _ F , F O:l TrotMudd,. W ....r _ }·o x T r ot • •M,. n.b,. K..o... Ho w_ F ox Trot) 1,. Ill " .. 1l ~" \'r,,_Fox T rot .) 1, L·on " ....U r ., 1 Oa l- F ox T rotM,. I" ~. of 1I_ ..e n _ l<·o x T r ot . .M,. J.l t ll" Ih . n c h o f U .. ppl"....- Fox TrQt7\'0 1 IIl uch _ . ' o% Tro t . • . "Not lol" &" COlll<1 Ill' l'I....eet..r--F o x '1'ro l (F ro", ':Hit
tL ot f)~c k " ) • . • • • • • , •0 11. T il... W h lp l'OOr ,..lIl Si n a-. i n 111.41 8y.·.. m ..' .. .0 0. )1 . ,.1>41 II ' . Yo u- b' o l[ T r ot ( l<'roUl "Z I ~ lI r,' ld t' o l-
Ii'" o t 19Z1"l. . .Orlm"'" Mo."II'bt_Fo I T r ot " .rUI l:"ou" A r m. \\"....0'0 The, Hel o ne-Wa lt ln . l"drop..-F o I T r ot . . . . • .II. n a- T . n a-_ It·o x Trot ( F rom " R ene T . n e '"itO'<! Li p • • KI .. M,. 81 0" A• • y - }·o x T rol
B lo Klla-F o x T rot ( F r om " Rio n ne
B o.y ('1I.....k . _ F o x Trot ,B u..I• • L u ll . b y - W . lt s • • •. •Tbe B Ill' S. n a-_ F o I Trot ( From " Th!! DE-... l'I So ns '"
T be 8..... Ol d H OO D (From " L .. " ky" )-F o x TrotS. -Lu· T a _ F o x T r ot . . • . • •" .m. 111.41 O ld A_ ......I." 1I . ,,- F OI Trot •• •lOa.T It .1111. • itO'<! . Uetl It".....-}·o x T rot ( From " " ad·
I""h o r 1927" ) . . . . . • • . • •lih. k l n a- t il... UI ..... A. a y - F o ll Tro t ( From " Z lt-e f el il
YOlli N of 1m " ) ." Id e n ,. lli d _ F o x fio tllll~..r M....- W . lfatl lna- M~ • 1I. .. y 80 DI(lilo... K I~.._Fo I T rot •flo_bod,. E I_ F o I Trotllo J11t,,~-l\' . l t' •• • •••. .•80.....U...... I ' m lI .. p p,. (From " lil t t h ~ 1>t.'Ck" )- t'oll110m.. II . ,. ' , u u 'n 8 '" O. K .- }·OI T r ot
Trot • • • • • • •Il l, r l"a- I' ..,·.._ ..ox Trot (:;:0 W o r d . )Stili w " l..r - W a lt zlI.. nd . y _ }rOll TrotII,.....' It ln r Tra ll _ W . lts8w.. n ll ho r _ t 'o x T rot1I....... t ) 1" . I_ Jl'ox T.otT .. k .. In I h e 8 " n , Il . n lf OUI t hot ~lo on_·Fo :': Trot'1'.. n ~I e Tonll[h t_ F oI T rot . . . .Tloa l '" )t ,. 1I.. 1. -II .. p -Ha p p ln ....- F o x Trot'1'1>.. ) 10 .... We Are 'l·o .... th..r -Fo x T r ot . . .T h e....•• E ....r ,.thlna- Nl r !! Abo u t Yo u_ F o x T r otT I>.. t ·s .. Go od Gl r l-}'OI T ro t • .'1'11...... Aln ' t H D H . ,. be In My Bab y ' . E;. .." :" F~ l[ T r otT h lnk ln a- o f , ·• ., - F n x T . ot . .T ..nd..r l,. T hl .. k o r X _ F OI T r otT bat ' . Wh a t I C. lI • r .t- W a ltsT o .. l ..b t Yo " nrlo na- 10 X-W. IUl'"nd ..r 111... ) 1...,, _FoI T r ot •11'_0' Yo u r 8 .. nd a y Smll_ F oI Trot\\" bat 1_ . II Ma llf'P1'- W . luWb...... III... W il d . Wil d n ........ O...:"- F o :': TMtW I.Uut ."d lIl u_ h I TrotT b .. WI" d ln .. T ...II- F o I Trot . •'We'll H..... . K lna-d . _ F o I T r ot . . • . . •'W h.. n . w. t o. . a • n.._D<ow_n....y 1>&y - F o x T r otW h.... 0.,. .. n . .._Fo:l Trot . .Wb_ T • • ' V. U s W it h til... 0 " .. T • • IA.....:-w . ltiWb....... 1'1>.. Ral a be_ F ox Trot""b. I" Va u 1.o .._FoI Trotw..r r , ln '_ Wa ll a • • •l ·. n" _ RO_ " OI Trot , • • • •l 'DU . nd 1 .....41 , .... . n d X _ F o x T rot
CO"" 0U 'Oour . udU ..."d.....oDW oodlDon. ldlo"O. !!111TieeeerIA. I.DI! R OlleOllbertDo.ll n e)(,S r 1.... n rn ....n '"
n .."de",oDY ..llin8el.m.nR OkDeSyl~a. Brn ... "
'" n " ",l"n o nJ OII <>" , ROH '" Drr....Cl are 4: P o ll. "kWood.De RoaeD . .. lel Jo nn ld ao nlIo n" l d ~ o n
.Joh nso nlI a vis &: Ak 8f;\ll 11er, K a h n &. Co hll
Yo uma nsVo na ldso!!
lI~r llnSn"..l" ..V. ..isKu h nD. b lL07Hrr a n, Mon aco '"
W..ndl iueTierney
S imn n af1...rli nRQllll... r s
H.rb. "bBo nald ..,nDo"ald.., n
n . 11d . G l'tX'r I< T ob l..
:R<>rllnW OodlRo m btl.g1I0n. ld so n~h_b
H u b b...UDe Srlr.
Do n a ldso nYo n m a n,Jil o o,"G nld t>n:\I !11('1'.Jo lsn n &. Ca u arn ourne}' r llnkl' ," Dod aLittleSh e r manK i ngW e n d lI n gHerllnDo n . ldso nDo n a ldsollPascoe" eteenDa11d'-yn nR ollOI!'Rt>r llnW ood sDarldsonTIo_ r dFrlml.John"",nK . t ""herSbHm . nROOKPfIK ....g e.1< R IchF al r m.nF r a n k l,"o n Ti l......
PI<»",J b,OhmaPM. rlnsO" m. "[)on. ld l o llAI""rtM..rt llS .
Poll OC'II:O llm . nD<I! ROHSmithBlo om
O h m. ")lo ra nAd d iso nMe r lns
Al penAl(>t'rIP oU. e1.Mo r anl >-e lto aeP ow,,\1AII1<'· tl JOllaldlnnMo r a nl ll d lOhnllH,
Oh ma nVOllt\l dlOll
Oh m a nO h mauM" r l neF ..ld taUlDD. h n",.
P o lloc k~Io'rl ne '"
P o ll O<'kMo r. nM..rlu &"Moran .t
F !!ld tampOh manHon. ld..,nM. d d o ll
1I . d d o n
Oh "'. nAl pertOh man1l0 n.ltl lO llP o l1or kO h m8 11P o ll uc t
l"l<> n a ld ..,nOh mSIlBt oomO nld"nI.!!lt h),Jpr ln i'Hnu rn t>Al pe . t(l Jlh" mMil n eP OllockOil m a nOhmAnn a n t .R ichP ow('llP o ll oc kAd d ]lIOnMll n'"Mil neO h m. "O h ma nRO<.Oh m.nM. r l nsAlte t'O h m. ..Ms d d tlnMprlnsR lrhR ic hO h m. nOhma nMo... n .
F !!ldt.m p
l\·.....baH Ulll1IMI IIH ue-:11" _,,-lIWl1 1U6311..111SS34lIU I4
1 1 ~t21
11339 0
113,\111 ' 33,\~
H U H71U 'H~ l lH ll
1 1m l
11~
H SSH7 1 SI~
71 3100
7 1 ~~8
71 :s:t:93,,1Utll l71 :t8l1t7U s.n,,7!St U7138877 1.1t 13-D7 133~t
7 133 197 U llH713f t t7l 8M 77 1 8 ~tl
1188H71 S3~ O
7138 H71:l3RnH 3l1(lnllSSM71 :l.U 311 ss.~3
7l SM '1 1U '\.ll7U SI/tI1 1U~9
""""'''''' l 8S>I t,....71~11310:,1 U-.~'71U III1 1SM 3,,n U I On _
1133-';11
I'" u....,......0."W
.~
.~
.~
I .S.'I .:'~
ioUI . ~ .;
I.! .,, .esI.t .',.es
I.! .'
I.t .'I .t .'0."lot.;I .t~
I .UI .~l
I.!.~
![Page 19: New Music for the Duo-Art - A M I C A](https://reader034.fdocuments.net/reader034/viewer/2022042715/62670a2cb5c42a0560423c3a/html5/thumbnails/19.jpg)
' 1 1 1 1II1 1I 1 1II1I1 1 1 11II1I : l h :l l i: I I F II ~ lI hll : ~ I II;III1 I III11, I ; i:III I I I::1 ~ I I [iII: ~ I I:!11I I I !: ; II; l lI rlll' ! l lil l ; l l:ill: ' I I:III1 : ; I I;lII i lli l!1: 1 1 11II ; 1 1 1' !II! : I I ! ~III I~
Musical News Notes I1I111"11II~"".,1II11,""llm.:m""III~'III~:II"'UliOOlmml!"r:I""I'''"ll1~I!Ii''"''''''~"IIi~:II!III1I:1I1'!
~11 1 11 1II~lIII1U~
• •= ~; .f.:i/ll:nUHlliliJ
p E,RCY , GRAI ~G.ER ha6 rece~tly been vi<i~ing
t"c enunc r.e Enl;h ,h CUlllpO>CT rIlEt>tRICK D£1.11:Silt his berne in Grn·sur ·loinl:, Sdr,c'et-~b:ne,
france ; ar.d in a letter to Til t A t OLIAN Go~ i'A N Yhe wri tes ;
..It was wonderful that you were able to haveth e Dc o-Ax r and the rolls &er.t tu D u m,. T helllstrur:llmt sen t ","a' such a perf~c~ly sple ndid oneand Dt. L1t; ~ Wa. en raptured v.~t :: It. He UJd the1;IU>t appreciatlve thi nll:' o f the D uo·ART a~ain andagain, and a;oiJ he w~ wri:in jo/ to X ew York andLon don upre-..i ng hi . ad :lliration. Doubdc:M you....iII ha\'c hurd Ircm hi m. In a few weeks I .hallbe with him again, goi ng th ru with him the D u o.'".RT DELlt; ~ mils 1 mad e Ia.. t summer. W ith bestth~nb ar.d !=reetinl\s.-Youn cordially,
( Signed) " P ERCY G RA INl;n .' ·..,Ia.f l'it SctUlI./I,Elt, Engh'lh plam. t. lamolU for her
da: :,Iing technical mastery and the chil.rm uf he :delicate, lincly tcmpet ed musicianship, h;u ret urnedfor another concert wur of the Lnited States. Shemade her fint app ea rance of th e otaoon as w10istWlth the Ddroit Sym ph ony O rehe_tn. on October30. and fol lowe d it with ~ recit il.l in ~ew York onS O'·emhott 1. ..,
!<.s .\% !'Jl.l t .I>M .\ S began hi s new American tour IIICali fornia urly in November. On his W;ly bac k[rom ;I prol onged and triumph~l tour in A1l>tral '",~ia he gave two piano recita ls in Honolulu. AnA u.trali;ln new-paper tuld of an old b rmer fromthe Kur u jong who was 50 impr essed by Friedman'sm;ln·e!ous Gnger duterity that he turned to hiswife an d ex~bjmcd ' 'I'd give that cove t op wagee t o
f.ick pea' {or me." Since 1"5t Chri,tm ·hen hetit the U nited State., MR. FlI.lE ll ~I I\ N h appuredin more than 100 recit als in Europe and tt-e Anti·p"des, fift y of them in A u.•t raha and :-":cw Zeal;lnd ...,
FRA~ 1' S . D r.As !!, of Portland, Maine, where heI' Ge ne ral A ltcnt of the M"' 5achll.'ctts AccidentCompany, writes t o in form T hc Aeolian Companythat he ha.' a "Weber G ra nd Squa re Pi ano (fourIe!:, ) , N u. 806 7." which ha. been in his po>,e"ion-iuc c 1872 and in consta nt u. c, and that it is in finccun dition today, T he Wcher always wao, as it is!l O W, uuc <If toe best pi ;lnOl' made,
<+'M~l r. . :-lISA G RII!H, eillhty·tw o-ycar ·old widow of
the (a mo"," :;";orwCRian composer EllVARO G Ft IEG( who died in !90 7). recentl y took par t in a concer t in Odo, after a long pe riod of retiremen t . Sheaccompanied 11ME . GR1 ¥. (J -H.\LVOR~E ?oI who .anll" apoop of G riel{' s .onll:s, and the program ended withCso.c's Norwe!:i;ln D;lnce5 {or four hands, playedhy :\h tL G RlI'G a~d f:RtDTJOP BAf~ I'~Il·GROENJ)A II L .
T he audience. which Included the KI~G an d Q t;EENor NORWAY and several musical celebrities. was moster.thu~ja.<tie ~nd ~M! . GRIEG ...·a. recalled ;llI:a inand again. ..,
In or der to enhance the value of the D CO·/I,RTPiAI'O co teiu:hcB of phy. iea l cdu':;ltion, d.tnci nll:,
AGN ES L. MARSH
dram atic art. and pa gea nt ry, the Educancnal Department of THP. .... ~OLlA I' CoIof PASY haa arranged withMIS5 AI;l'n L. MAR5H. A ,M , to answer qu efti onlpem ining to thc uses of the D UO-ART in t he dayroo:n, practice hour. ;lnd pe rfor mances. T eachersusing the ins trument are invited to write to M ISSMAR5H at any time for .ulI: gation. eboct t he choiceof music for uercise~ , d;ln ctl, festivals. or ot herspecial occasions rclared to th is Geld. MISS MAU llis a member of the fac u!:y of T eachers Colle ge.Columbia Univc-srry, Pr incipal of the Marsh Schoolof Dan ce and Allied Art , D irecto r of the 1bnhDa ncers, and co-autbo r of " T he D ance in Edu ceuon." Shc h~s "' ide special 'lUdy of the D uo·A RTreFcrto ry, and allalysi. and cl~<"ific~ti(ln o{ this music may bc Iound in her book "The Duo-Art Gu id efw Ph y' ical Educauon." ("">1 :1 H1 unicat;nl1s should N:add resscd to M ISS M "'RSH . Ed ucational De partment,T HE .....fOl. IA:".· CO.\I PA~Y. 6 !11l Fifth Av en ue. NewYork.
Answersto M "";'-<11 Q.,u.<l ; ">1 >1 ~ ; Tt 0>1 P~ s< e Slle
I. GC<>f ~e Frid ertc Handel.2. ( a ) M orn inJt·music. t he m<Jfning ccun-
terpart of ( b ) a Serenade.l. l udwiJt ,,;In Be..,thoven.4. Edward M acDowell.L Frederic Francois Chopin .6. A joke, or jest ; playful, humurou,.7. Ludwig van Beet hoven.8 . Th e M inuet of Haydr..9 . Fran: j ....tf H aydn.
10. 1\ piece ir. i:nit;ltion of the Ve nd i;lnbcac-sona s
![Page 20: New Music for the Duo-Art - A M I C A](https://reader034.fdocuments.net/reader034/viewer/2022042715/62670a2cb5c42a0560423c3a/html5/thumbnails/20.jpg)
Forthcoming Appearances of Musical Celebritiesi n Saint L ou i. s
During
Claudia M uzioS opra n o
( C hicago O peraC om pany)
I N RECITA L
Friday E veningJa nuary 6th
At th e OD EO NAuspices
Civ ic Music League
Co ncert Direct ionEli labN h Cueny
December and January
C laudia Muzio is one
of those rarely versa
t il e sin gers w ho can
both flame in ope ra
and charm in concert.
The fonhc oming ap
pe a rance of C laud ia
M uz io is awa ited with
keen delight hy Saint
L ouis m usic lovers.
SAINT LO UI S SY!VI P H O NY O RCHESTRA
M onthly O rgan R ecital, \Vash ingto ll University Extension Co urse, \Vashington U niversiry, Sund ay, D ece mb er 18th , 3 p. m. C harles Galloway, organi st. Free to the Public.
Flonzaley String Q uartet, Thursda y E veni ng, D ec ember ls t [at the Sheldon A udito rium]
P au l Kochanski , Violinist , T uesday Evening, December 6th [Th e Odeon]
M inneapolis Symp hony Orchestra, Henry Verb ruggen, Condeaor,Th ursda y Evening, j anuary 26th [T he O dec n]
Bernard ino M olinari, Conductor
j anua rv 6- 7Nicol ai Orloff , Piani.t
January 13-14Ceci lia H ansen, Vir; /in
January 27- 28Vladimi r Horowitz , Pianist
Auspices of Cruic M usic LeagueConcert D lrecricn, Elizabd /l CuellY
IJecemher 9- 10\\ ' il1 iam van H oogstraten, C~1/(luctor
December 10-17Eugene Goossens, Conductor
D ecember 29 -30Ber nardino Molinari, COI/r/ucfer
(No So/aish )
S teinway Hour at Sta tion KM OXE very Saturday Evening at 7 o'clock -of importance to eve ry mu sic studen t
The missio n of this l'uh lkat ion i, 10 acquaint Saint Lou isans with the forthcom ing- appearanc es inour city of the world' , llluskaJ celebrit ies and to d isseminate know ledge of ge lleraJ interest in mus ic
Viclar Record; aftlme Artint at tlu A eoHa" C~mpa"y
T icket O ffi ce for all of t he above M usical E vents atthe A eolian Compan y of M issouri, 1004 O live Stree t
Pn nuc:! in th e U. S, A.