New Milestones 2014

8/10/2019 New Milestones 2014

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New Milestones, December 2014


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Contents

Visual Art Center

Him Mark Lai Learning Center

Museum Without Walls

Staff, Board, Sponsors

Mission StatementThe mission of the Chinese Culture Foundationis to spark intercultural discovery through art,education and engagement.Founded in 1965, the Foundation has grown to

become a premiere center for global dialogue.Known for its innovative and thought provokingexhibitions and educational programs, CCF is

dedicated to building a strong community.

EXECUTIVE DIRECTORS MESSAGE

The Chinese Culture Foundation of San Francisco was founded on October 15, 1965.It is one of the earliest cultural organizations established in the United States in thepost-World War II era.

The founders were inspired by the Civil Rights Movement during a time of change,opportunity and ethnic awareness.

Guided by its mission, the Foundation is dedicated to community building throughintercultural engagement. For five decades, we thrived, overcame challenges and

became a premiere center for art, education and giving back to the community.

Today, we proudly celebrate our new milestones by following a bold vision to createa Museum Without Walls and to engage new Californians. In our drive to engageyouth, families, new immigrants and those who are not connected, we have openedminds and changed lives. Young people have become artists. A vacant storefront inRoss Alley is now a pop-up gallery. Wentworth Alley is an open galler y while WaverlyAlley serves as a dance studio. Portsmouth Square serves as the communitysconcert hall. Chinatown has transformed into the Citys museum without walls.

As we prepare for the Foundations 50th anniversary, our commitment to communitybuilding and our desire to be an important part of the social, economic and culturalfabric of San Francisco is unwavering.

2014 has truly been transformational. It affirmed the impact of interculturaengagement and multiculturalism.

Truly Yours,

Mabel S. Teng

The CCF's primary program site, located at 750 Kearny St., 3rd Floor, San Francisco, CA is a

Visual Art Center with a 3,000 square foot contemporary art gallery, an auditorium, and community

space. In addition, the Foundation's programming and exhibitions take place at 41 Ross Alley,

Pacific Heritage Museum, Portsmouth Square, various alleyways, and the pedestrian bridge at

Portsmouth Square in Chinatown. Partnerships with organizations bring the Foundation's activities

out into open space, and in museums, art centers, and storefronts.


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Te Chinese Culture Foundation is HEfor contemporary Chinese art. It has no

among public museums in the quality of tand the engagement with the pu

-Gordon H Chang, Olive H. PProfessor in the Humanities and pro

of American history at Stanford Univ

I am tremendously impressed

direction of the Foundation awork being exhib

- the late Michael Supreeminent Chinese art s

The goal of the Visual Art Center is to

promote the most innovative artists today


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White Inkby ink painter Zheng Chongbin (2011)

Constructionsby Boston fiber artisan Dora Hsiung (2009)

Viewpointby Palo Alto artist Stella Zhang (2010)

ureby Austin installation artist Beili Liu (2008)

e Nearness of Distanceby Summer Mei Ling Lee 2014

CURIOSITY BOX

BETWEEN MODERNAND CONTEMPORARY

LAM TUNGPANG

FONG CHUNGRAY

CROSS GENERATIONS

Summer Mei Ling Lees Into the Near-ness of Distanceis the sixth XianRuiexhibition, debuting in three locations,the CCF Visual Art Center, YerbaBuena Center for the Arts in San Fran-cisco and He Xiangning Art Museumin Shenzhen, China. Lees collabora-tive solo embodies both the artistscreative process, as well as the freshpresentation approach that echoesthe geographical and psychologicalproximity depicted by her work.

The art of Dora Hsiung at initial impact isstraightforward and unabashedly decora-tive, yet upon analysis it proves to containsubtleties to engage the eye and themind. As curator Abby Chen notes, Herworks embody the diverse experience asa Chinese woman artist who has lived onmultiple continents, enriching her vision andperspectives.

In the launch of the flagshipXian Ruiseries,Beili Liu debuts her stunning Lureinstal-lation. Liu explores the Chinese myth ofthe invisible Red Thread that binds loversby the ankle from birth. Beili Liu is knownfor her uncanny ability to transform simple,everyday materials in curious ways that areevocative of both her Chinese heritage andher experience in the United States. Herelegant installations and sculptural workexplore transience, fragility and the passingof time.

Stella Zhangs uniquely complex andengaging 0-Viewpoint installation exploresthe constantly shifting inner landscapesof self and femininity. Her latest work, 0Viewpoint, which made the debut for XianRui 2010, wascreated to convey the idea that everythingcame into existence by beginning andending at zero. Zhang, was born in Beijingand studied in both China and Japan beforemoving to the United States where she cur-rently lives in Palo Alto, CA.

White Inkfeatures the work of abstractink painter Zheng Chongbin. Thehighly anticipated show is comprisedof fifteen new and site-specific largescale pieces, which include both paint-ings and video projections. Zhengswork has been hailed as unprece-dented, and embodies the essence oftraditional Chinese ink painting as wellas the physicality of western abstracttraditions.

A GLOBAL

DIALOGUE

FRES

HARP

CRO

SSPACIFIC

As a tourist, Lam is baffled by Americbut as an artist, he welcomes the oppexamine up close a society he had onafar. While the exhibition displays curand unfamiliar objects that Lam encotravels, the ultimate curiosity is Lam hindividuals who finds insight in misun

-L

Fong Chung-rays achievement is fuemblematic of the generation of Diasartists who were dispersed internatioChinas Civil War but who significantChinese visual art and culture in powand visually compelling ways. This geyet to be fully appreciated and recogsets the stage for todays flourishing art globally.

Xian Rui ( Fresh and Sharp) ArtistExcellence series is the nations

first initiative that features workby pioneering emerging and

mid-career contemporaryartists of Chinese

descent. Since itsinception in 2008,

the series pro-vided institutional

resource and

platform.

PRESENT TENSE

In the hands of 31 contemporary artists from the U.S.

and beyond, San Franciscos Chinatown becomes alaboratory of diverse ideas about contemporary culturein the Present Tense. Takes viewers outside of the

common framing of questions of identity to get a clearerlook at underlying truths.

-SF Station

AGLOBALDIALO

GUE


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In contrast to the indicated ethnicity of the organization, the workselected to show at CCF purposely subverts the pre-conceivednotion of Chinese ownership over ink. To expose the frailty ofChinese domination over this medium, none of participating artistswork within the traditional Chinese form of ink art. Further test-ing the standard perceptions of ink, the show at CCF will featureseveral powerful pieces by female artists. The prevalence of femaleartists in the exhibit challenges directly the notion that ink is a maledominated field. Our goal is to inspire a new discourse of ink.

The failure to imagine ink beyond the common nationalistic andsexist beliefs is a product of the inherent paradigm, whichsurrounds the concept of ink - a construct that insists on a linear,historical narrative, which places an implied culture and sex to ink

art. If we intend to overcome these self-imposed limitations, artistsworking from hybridized viewpoints must be embraced. Momentfor Ink showcases work by both established and emerging art-ists with very diverse backgrounds. Aside from the obvious intentof inclusion and broadening participation, the exhibition wants tocelebrate and introduce some most outstanding ink work by non-Chinese artists.

-Abby Chen, Artistic Director and CuratorChinese Culture Foundation

THE MOMENT FOR INK

CHALLENGE PERCEPTIONS

LOCALLY, GLOBALLY

WOMEN

The default position con-tinues to be a belief that thestate and the Chinese art world

are oppressive towards liberal cul-ture in China which might have led to apaucity of exhibitions exploring gender andsexuality in Chinese art and visual culture; yetthe fact that there has been no backlash, makesthe omission seem even more curious and problem-atic. Have the discourses of post-identityeffectivelyconsidering identity as a historical formationin Euro-America moved to China? At the same time, the antidote tothis cannot be the sort of clunky identity-themed exhibitionsthat essentialize and fall back on fixed or known subjectivities.It is in this regard that the curator of this exhibition has marvel-ously succeeded: Not only does Abby Chen suggest that thereis an extraordinary amount of visual material being produced byemerging and mid-career artists in both China and abroad thatis providing fresh perspectives on gender and sexuality, but,also, she does so in a way in which identity categories eludefixitywithout sacrificing embodied politics.

-Alpesh Kantilal PatelAssistant Professor, Contemporary Art and Theory and

Director, Florida International University, Miami

WOMEN

CHALLENG

EPERCEPTIO

NSLO

CALLY,GLO

BALLY

Mu Xi

Gao Ling & Shanghai Nvai

Gao Ling & Shanghai Nvai

Ana Teresa Fernandez

Nancy Chan

Na

Jonathan Wallraven

Kiki Smith

Shanghai WOMENsite


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S F C H I N A T O W N

KEYWORDS SCHOOL:

T R A N S F O R M I N G

C O M M U N I T Y

The Keywords School, led by artist Xu Tan,is a pilot art education model to engage newCalifornians. Keywords is where immigrantyouth became artists and transformed a va-cant storefront into a pop-up gallery.

The work of Yu and her cohorts represents

the first time that artist Xu Tan, 57, has incor-porated youth into his Keyword project.

- Sam Whiting, San Francisco Chronicle

The Keywords Project is like a river, you

dont see where it begins or ends. Only from

time to time, some findings got thrown to the

banks for you to see. Its happening is also

like a river, here today and there tomorrow.

-Xu Tan

HANGING

VES

Lure/(Beili Liu)

Chinese Puzzles

Chrom(

Present Tense Biennial 2009

0-Viewpoint (Stella Zhang)White Ink (Zheng Chongbin)

The Moment for Ink

The Curiosity Box(Lam Tung Pang)

PUBLICATI

41 Ross

Fong Chung-ray:Between Modern & Contemporary

Between Modern &Contemporary

Fong Chung-ray

are available for purchase. Partial Lis

EXHIBITION AND PROJECT CAT

The Artstor Digital Library is the preeminent collection of digital images used by educators,scholars, curators, librarians, and students at more than 1,500+ universities, community colleges, museums, libraries, and K-12 schools in 48 countries worldwide.

The Chinese Culture Foundation provided a groundbreaking collection of contemporary artiof Chinese descent to the collection, as one of the first institutions to submit images for AsiAmerican artists. Artstor is used for teaching and study in a wide range of subject areas, anthe CCF contribution continues to spark intercultural discovery through scholarly research ateaching.

Wu Guanzhong

Visualization of Keywords School into a mural on Wentworth, col-laborating with participating youth and artist J ustin Hoover.

To order contact Jenny Leung, jenny

GI N

GLIV

ES

AS FEATURED IN

WOMEN

WOME

Visibility Authority iilit

Xu Tan & Youth

Emblems of Ethereal Grace(Pat Tseng)


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,

IM ARK

The Him Mark Lai Learning Center is the hub ofeducational and engagement activities. In its first year, theHML Learning Center has launched activities that haveengaged over 8,000 individuals of all ages: Dynasty toDemocracy Walking Tours, In Search of Roots Seminars,and Roots California Excursions.The Him Mark Lai Learning Center was founded on June22, 2013 at the Chinese Culture Foundation by Mrs.

Laura Lai and Dr. Rolland and Kathryn Lowe, with supportfrom Tatwina and Richard Lee, as well as the CCF Boardof Directors.

AI

EARNING

E N T E RThe late Him Mark Lai, Dean of Chinese American History

Presented by the

Him Mark Lai Learning Center:

D e m o c r a c y

Walking ToursAs part of our Museum Without Walls, the

Democracy walking tour challenges the

perception of Chinatown as just a

colorful, quaint neighborhood.Thousands

of visitors learn about how actively the

community has pursued justice.

Participation

7,439 elementary and high school students

Over 1,000 college students and adults

Highlights of Educational Content

Yick Wo v Hopkinscreates the legal precedent that a law seems neutral is unconstitutional if it is used todiscriminate against a particular group.

The Chinese Progressive Association leads the movement raise San Franciscos minimum wage.

- In the 1970s, Chinese for Affirmative Action led a coalitionoverturned discriminatory regulations barring Asians, womenother groups from joining the SF police and fire department

INSPIRING ACTION

The Chinatown tour that Darin Ow-Wing led surprised me. As aat SFSUs Asian American Studies Dept and a long time residenthought I knew everything I needed to know about Chinatown. WNot only did he give me a whole new insight to the social historyneighborhood, he illuminated a part of history of the trials and triuof a peoples struggle of resistance. The tour was a lesson plan inabout human rights and self determination. Anyone who wants a introspection of this dynamic part of the city should definitely taketour.

-Irene FaSan Francisco State U

Asian America

INSPIRING ACTION

CHANGING PERCEPTIONS

TELLING A CONTEMPORARY

STORY


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Roots California Excursions guide

participants to discover evidence

of the invaluable contributions that

Chinese made to building

Californias early agriculture,

transportation, and governmental

infrastructure.

Napa: Chinese built railroads, stone bridges, first winecaves, and planted the first vineyards - virtually everyelement of Napas early infrastructure. Excursionparticipants visit many original structures and view the onlypublic art in America to depict the intentional burning of aChinatown.

Locke: Chinese laborers built the levees, drained themarshes, and cleared the land to create thousands ofacres of farmland in the Sacramento Delta. Excursionparticipants visit Locke and Wallace Chan Farms.

sented by the

Mark Lai Learning Center:

oots California

x c u r s i o n s

CHANGING PERCEPTIONS

Presented by the

Him Mark Lai Learning Center:

Roots Seminars

TELLING A

CONTEMPORARY STORY

Seminars

Southern Chinese CultureWetlands Restoration in China

The Green Movement in China

Sun Yat Sen

Chinatown and Civil Rights

San Franciscos First Chinese Firefighters

and Peace Officers

Chinese American Family Life

Family Genealogy Workshop

Southern Chinese Culture

A deeply informative presentation on the unique developmesouthern Chinese culture, encompassing language and diaCantonese, Toisanese), food, migration and its relation to thof modern day Chinatown.

Speaker: Victor Lim, legislative aide to the San Francisco BSupervisors, graduated from UC Berkeley with degrees in AStudies and Asian American Studies.

Waking the Green Tiger

The Him Mark Lai Learning Center hosted the West Coast of Waking the Green Tiger, which documents the successfof Chinese villagers, NGOs, and media to halt the constru

dozens of dams on the Nu River in southwest China, therebtheir way of life and protecting critical habitat. Lihong Shi, wa major role in these events and creates some of the first dtion of environmental activism in China, engaged in a lively with the audience.

The Role Model Series

Introduces Asian Americans and their career paths, with thehaving a dialogue about career possibilities for youth, and t

of Chinese in America.

Seminar Highlights

The Roots Seminars explore current trends and topics relevChinese American life, culture and history. Taking inspiratiothe seminars that Him Mark Lai presented about Chinese

history and ethnic studies for the In Search of Roots prograthese seminars provide new insights and introduce the pubpioneers in various fields.


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Pedestrian Bridge linking Hilton Hotel and PortsmouthSquare, Flags of Chinatown by Adrian Delgado,unveiled December 2014

We follow a vision of creative place-making and aretransforming Chinatown into a Museum without Wallswhere

a contemporary Chinatown is celebrated. Working withcommunity partners, Grants for the Arts, SF Arts Commission,

the SF Foundation, SF MTA, and the Hilton Hotel.

Transforming Portsmouth

Square into a concert hall

Place-making

.

Place-making is a strategy to activate public spaand build strong community. We have achieved

cess in creating a museum without walls and ening the community, turning an empty storefront in

pop-up gallery, Portsmouth Square into a conce

for the annual Chinatown Music Festival, and alleinto hubs for murals and dance.

worth Alley has transformed.ite you to visit the Central Subway murals by Justin Hoover and Gold Mountain Poetry Society, Transforming alleyways into

museums and dance studio

78

Transforming the Pedestrian Bridgeinto an innovative art open space

WITHOUT WALLS

A Bold Vision Comes True

ENGAGEMENT

D

Swing Cats

Chinatown Music FestivalQueen CrescentSpring Dance


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Seated (L-R): Susan C. Tom, Sherman Tang, Tom KlitgaardStanding (L-R): Warren Seeto, Gin Y. Ho, Cecilia Sze, Mabel Teng, Shannon Yip, Esther Li, Helen Y.H. HuiNot pictured: Minna Tao, Dennis Lee, Ben Choi, Ryan Lee, Maggie Mui, Garry Wong, Brian Tom

It is a fulfilling experience to be a part of such agreat team of inspiring individuals who dedicate

themselves to the betterment of our communitythrough culture, education and the arts.

- Gin Y. Ho, Co-Chair

Im grateful to be involved in an organizationthat brings people together and celebrates cultural

diversity.

Minna ao, Co-Chair

oday, we are are making real impact in the arts,education and community s ervice.

- Sherman ang, President

BOARD OF DIRECTORS

Three years ago, the Chinese Culture Foundation established C-Cubed, Friends of theChinese Culture Foundation, dedicated to sustaining the organization's leadership andlegacy.

C-Cubed brings together current and past board members as well as special friendswho have and continue to make a major gift each year. We would like to recognize themfor their generosity and leadership.

Te Chinese Culture Center is grateful for C-Cubed support. It means the Center can

offer support of artists and encourage deep community involvement in arts and cultural

identity. C CC has a legacy of bringing the unexpected and the beautiful with a diverse

point of view to the San Francisco Bay Area. We thank you for your leadership in making

the legacy possible.

DEDICATED TO LEADERSHIP AND LEGACY

-atwina and Mei

Abby ChenAnita ChoiAnonymousBen ChoiBlossom StrongCarol PeckhamCecilia SzeCollin & Betty QuockDarin Ow-Wing & Mary Leung

Dennis & Anna LeeErick & Susan TomEsther & Calvin LiGarry WongGin Y. Ho

Co-chairs

Gin Y. HoMinna Tao

President

Sherman Tang

Vice PresidentsThomas J. Klitgaard, Esq.Dennis A. Lee, Esq.Warren Seeto

Executive Vice President

Shannon Yip

Secretary

Susan C. Tom

Treasurer

Esther Li

Directors

Ben ChoiHelen Y. H. Hui, Esq.Ryan Lee

Maggie MuiGarry WongCecilia Sze

Peggy & Edwin WongPeter & Mei LamRichard & Tatwina LeeRobert E. LeeRolland & Kathyrn LoweRonald & Lillian WuRyan & Terri LeeShannon YipSherman & Philomena Tang

Supervisor Norman Yee& Catherine ChungTom & Patricia KlitgaardTzu-Chen & Benny LeeWai-ling EngWarren Seeto

Helen Y. H. HuiHenry KooIrene Yee RileyJulie ChuKatherine LamKenny LauLaura LaiMabel Teng & LawrenceNgan

Maggie MuiMinna Tao& Cynthia BlackfordPat TsengPausang Wong

Brian Tom


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Gharrity McNett, General Manager

As the general manager, Gharrity McNett is key to the Foundations infrastructure His work enables the team to function, serving as the organizations grants compl

contract officer, development officer, facility manager and support for the Executiv

tor. Gharrity possesses a Masters in Andean Studies from Pontificia Universidad

del Peru. He brings a sense of levity to the overly busy office, frequently leading d

and post office hour excursions into the world of sports and European culture.

Jenny Leung, Program and Exhibition Manager

Jenny Leung is the operations leadership overseeing programs, exhibitions, and ac

at CCFs primary site, the pop-up gallery as well as implementing the Museum W

Walls. She plays a key role in transforming the Visual Art Center into a contempor

space. Jenny brings a passion for the arts and community building by mentoring a

of 10 volunteers and interns annually. Jenny graduated from the University of Calif

Berkeley with her Masters in Asian Studies.

Darin Ow-wing, Director of Education & Engagement

Darin Ow-Wing joined the Board of Directors in 2010, strengthening the

organization with his 30 years of experience in youth development, education, and non-profit

administration. He transitioned to staff in 2012 to establish and lead the Him Mark Lai

Learning Center. This leadership can be seen in the rapid growth and impact of the Learning

Center. In its first 2 years, the Center has introduced a contemporary understanding of the

Chinese American experience to over 7,000 students in grades 4-12, and over 1,200 college

students and adults. This impact has been achieved by launching several new program

activities including the Dynasty to Democracy Walking Tour, the Chinatown Art Walk, and the

Roots California Excursions to Locke, Isleton, and Napa.

Mabel S. Teng, Executive Director

Mabel Teng, a lifelong advocate for social change, has been the Executive Director of the

Chinese Culture Foundation since 2009. As San Franciscos first Asian American woman

Supervisor and Assessor-Recorder, she brings over three decades non-profit administration,

community organizing and public policy experience to the arts.

Under Mabels leadership, the Foundation has gained national and international recognition

as the community anchor to spark inte rcultural discovery. In 2014, the Foundation broke

new ground by reaching 65,000 people, changing minds and touching lives of new

Californians. Perhaps the most important thread through all of these activities is its ability

to involve the community at deeper levels through a broad range of strategies that promote

activism and engagement.

Chinese Culture Foundation Leadership Team

Staff

Mabel S. Teng, Executive

Abby Chen, Artistic Dire

Darin Ow-wing, Educatio

Francis Wong, Special P

Clare Lee, Marketing

Jenny Leung, Exhibition M

Gharrity McNett, Genera

Colin Chan, Program & O

Chell Zeng, Design

Kailin Carlson, Communi

Maria Wang, Curatorial A

Yun Yuan Zhou, Custodi

Betty Chang, Gallery

Kitty Kao, Gallery

Sandra Chan, Admin

Francis Wong, Special Projects Manager

Francis Wong manages community engagement projects and shares decades of art

resources development skills as the Foundations Special Projects Manager. A key member

of the development team, Francis guides the organizations effective grant and fundraising

strategies. A graduate of Stanford University, Francis is also a celebrated performer,

considered one of the great saxophonists of his generation by the late jazz critic Phil

Elwood.

Abby Chen, Artistic Director & Curator

Abby Chen is the Artistic Director and Curator for the Chinese Culture Foundation. During

her 8-year tenure, Abby inspired the CCFs unique curatorial positioning, which highlights

the art making process, and provides a channel to emerging and mid-career artists of

Chinese descent living in the U.S.

Abbys leadership transformed the Visual Art Center in scope and breadth into an open yet

focused platform that encourages imagination and risk-taking. Among the more than 50

exhibitions and programs curated by Abby at CCF and other institutions in both the U.S. and

Asia, many have been important surveys in contemporary art and issues relevant to Chinese

people and the world at large. Abby holds an MA in Visual and Critical Studies from the

California College of the Arts. She was also the 2012 National Endowment for Humanity

Summer Scholar.


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INSTITUTIONAL SUPPORT & SPONSORS INDIVIDUAL DONORS

AHK InternationalArnold & Porter LLPArt Market ProductionsBank of AmericaBank of the OrientCCI Quick GrantCathay PacificCalifornia CertifiedAcupuncturists Association

Charles Schwab FoundationChinatrust BankCity College of San FranciscoDAE AdvertisingDeloitteDouble Tree HotelEast West BankEllison Enterprise Corp.First Republic Bank

The HIM MARK LAI LEARN-ING CENTER is dedicatedto making Chinese Ameri-can History relevant to newgenerations and encouragingengagement with todays criti-cal issues.

Laura LaiRolland & Kathryn LoweRichard & Tatwina LeeBlossom StrongSimmone E.R. KuoRobert E. LeeCarol P. PeckhamLing-Chi WangGodfrey Lim Yan & Linda LimCandace FrawleyRui Bing ZhengRobert Hing Fong

In-Kind

Tom KlitgaardCecilia SzeAnonymousJustice Investors - HFinancial DistrictSenator Dianne FeinSing Tao DailyTom Wing & SonsWalter WongArt Market ProductioAsian Art MuseumAndrew SiuCalifornia CertifiedAcupuncturists AssoBaycatPing-Ying ChanZheng ChongbinJennifer CruzDeem Sum InternatiMaury EdelsteinChinese Herb TradeFour Seas RestauraHong Kong EconomTrade Office of San Kan Kwok FanLouise HendricksMerilee HoffmanHoy Sun Ning YungBenevolent AssociaLyle JanOrchid CafHelen Y.H. HuiFrank JangMarks LamPeter & Mei LamDennis A. LeeEsther LiDr. Rolland LoweJonas MillerWarren SeetoSherman & PhilomenMinna TaoSusan C. TomDesiree TsaoPat TsengVictor TungAllen & Tiffany WongDiana Shui-iu WongRed Blossom Tea C

Ronald & Lillian WuShannon YipSupervisor Norman ChungSupervisor Eric MarSupervisor David ChHelen YoungStella ZhangZe Jie Zheng

Donations received inmemory of Layton Doung

Janet ChanJack & Jeanette ChuKaren ChewPatrick MallillinMary MoyDelbert WongOck D. EngDelbert WongCalvin LiLorraine LeeByron DoungRick ChinnCarol A. DoungEllen & Robert LeeJane Shawn & Joseph ShahparJenny Andrews & Kenneth LukeRonald Soo HooRose C. MoyLaurene & Corey ChanElaine Doung TomAlice LoweClifford Tong & Karen S. GeeGeorge LaiFranklin & Marian HomTyler Gee

Donations received inmemory of Vivian Chiang

Laura LaiWan XiaoyanPeggy HillEric. H. TongCarson WooSimon J. WongRussell E. LoweTatwina LeeJudy Woo & Alvin JaLihsin ZangAtea Koon

King Man HuiKitty KaoKwok Hung SzetoLaurene & Corey ChanLawrence NgLihsin ZangLinda & Jerry MarLisa NicoliniLorraine LeeLy ChengMarina Lew & Virstan ChoyMary MoyMaureen ChenMichael A. YehMichele PanMildred ChanMychi T. NguyenOck D. EngOscar R. De Los RiosPatrick Mallillin

Patty Ann WongPaul T. GeePearl TanPeggy HillPeter WongRandall LoweRandall T. YoungRandall William TomRichard W. JangRick ChinnRobert CampbellRobert A. MoriRoberto PingulRoderick HongRonald Soo HooRose C. MoyRoxanne Cheung Chue NgRui Bing ZhengRussell E. LoweSharon R. FongShipu WangShui Wing LoSihong ZhaoSimon B. ChangSimon J. wongStuart FongSue TomSupervisor Norman Yee & CatherineChungTheo AlbersThomas Ong SzetoThomas VitekTommy K. WooTyler GeeVera Chan-WallerWallace & Eve WertchWalter James ChenWan XiaoyanWanda ChingWilliam WongWilliam YuWilliam Zhang GuanWillie WongXian Sheng HuangYee & Nester TomYun-Chen Lu

Alex TomAlice LoweAlice WangAlman Tin-Kay WooAnna C. YangAnna WongAnonymousAtea KoonBarbara F. OBrienBenny Wing SzetoBetty ChangBradley & Susan SchusterBrandon BoedekerBrian PegramBurton KendallByron DoungCalvin DareCalvin LiCalvin LouieCarol A. DoungCarson WooCharles Chun Yee ChanCharles NipCharlotte Rose KuoChinese ConsolidatedBenevolent AssociationChris LeeClaudine ChengClifford Tong & Karen S. GeeDelbert WongDon & Freda PanDonald YoungDoreen Woo HoElaine Doung TomEllen NewmanEllen & Robert LeeEmily LeeEnoch ChoiEric H. TongEva LouieFrank ChanFranklin & Marian HomFred C. ChanGary G.O. OwYangGeorge LaiGloria JewGreg PellingHampson LumHan YanliHo Lam TsangJack & Jeanette Chu

James KendrixJane ChangJane Shawn & Joseph ShahparJennifer DereJenny Andrews & Kenneth LukeJohn & Nancy MarryJudy Teng & Raymond MaoJudy Woo & Alvin JaJulia HingJulie TangKaren ChewKaren ChinKelvin King Kwan PongKevin Tang

Four Seas RestaurantGee Family FoundationHong Kong Economic and Trade OfficeHSBC BankHall, Yee & AssociatesHop Wo Benevolent AssociationKPMGKwok Shing Hong LLCLui & Associates, Inc.

Morrison & FosterPortsmouth Square Parking GarageRose T.Y. Chen Charitable FundSan Francisco Chinatown Lions ClubThe Seeto FamilyTeach for ChinaTerra FoundationWI Harper GroupWu Hoover & Co.

Media Partners:

KTSF Channel 26CCTVPhoenix TVComcast Inside City LimitsSF ChronicleSF ExaminerSF Arts MonthlySF Weekly7x7Bay Area Reporter

Art PracticalYishu JournalLeap MagazineAsian Art NewsChina Daily USAFecalFaceSF Art EnthusiastSF StationSF FunCheapArtinAsia

San Francisco Neighborhood Arts Collaborative

We would like to recognize the following organizations for their support and generosity

Chinese Herb Trade Association

of America Verisk Analytics


13/13

YEARLONG

Episode-Mind Traveling:Ink Art of Lu Chuntaocurated by Shen Kuiyi

Roots Role Model Seminar:First Chinese Firefightersand Peace Officers

Roots Seminar:Southern Style Spring Festival

Chinese Operacultural performances

Bridge, Public Art

by Beili Liu Roots Seminar:Sun Yat Sen

Roots Seminar:Genealogy

Roots to China

Roots Seminar: extended D2DRoots to Locke:100 Anniversary

Roots Seminar:Chinese American Family Life

Mandarin Summer Camp

Chinatown Music Festiva

Dancing On Waverly

Roots to Napa

Collective, Showcase ofcccgallery.org artists

ART

EDUCATION

CULTURE EVENTS

C H I N E S E

C U L T U R E

FOUNDATION

2 0 1 5

C A L E N D E R

Become a Member

and a Donor!Visit our website

call Gharrity McNett (ext. 31)415-986-1822, info @c-c-c.org

Visual Art CenterHours: Tues-Sat, 10-4pm

750 Kearny St, 3FSan Francisco, CA 94108

www.c-c-c.org

Democracy Walk

Alleyway Solstice

Nearness, Summer Lee41 Ross

New Milestones 2014

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