New Hampshire Weavers Guild · New Hampshire Weavers Guild ... Weaving A Brighter Future: The Mayan...
Transcript of New Hampshire Weavers Guild · New Hampshire Weavers Guild ... Weaving A Brighter Future: The Mayan...
Fall 2012 1
New Hampshire New Hampshire
Weavers GuildWeavers Guild
www.nhweaversguild.org Fall 2012
Officers
All morning workshops begin promptly at 10:00 a.m. Please be prompt. Latecomers may be replaced
by people on the waiting list.
Meeting Day Schedule
9:00 Set Up
9:30 Sign In for Morning Workshops
10:00 Morning Workshops & Weavers Helping Weavers
12:00 Bring Your Own Lunch
12:45 Business Meeting
1:15 Afternoon Speaker If possible, please stay to help clean up;
many hands make light work!
Fragrance Free Meetings Some of our members suffer from severe
allergies. Please attend meetings “fragrance free”. Thanks!
President: Barbara Burns (2013) [email protected] 603-927-4965
1st VP/Afternoon Program Chm:
Carole Elliott (2013) [email protected] 603-764-9888
2nd VP/Extended Workshop Chm:
Mary Ann Sanborn (2014) [email protected] 603-783-4733
Recording Secretary:
Pat Bent (2014) [email protected] 603-580-2894
Corresponding Secretary:
Gail Landy (2013) [email protected] 603-532-6475
Treasurer:
Betty Dishong (2014) [email protected] 603-464-2719
Nominating Committee:
Susan Maurer (2013) Barbara Bennett (2014) Ginny Warner (2015)
September 19, 2012 Morning Workshops
Bead Leno: Holes Where You Want Them Patricia Morton Hands-On Hemstitching & Edge Finishes Jayne Flanagan Rag Rugs Dena Gartenstein Moses
Weavers Helping Weavers Introducing Ourselves or How I Got Started Weaving Linda Lincoln, Moderator
Afternoon Program Weaving At Warp Speed Dena Gartenstein Moses
October 17, 2012
Morning Workshops Pick UP your Inkle Connie Gray Turned Overshot Virginia Coolidge Planning A Project From Start to Finish Jayne Flanagan
Weavers Helping Weavers Diamond Celebration: NHWG is 75 Years Old in 2013 June Erla, Moderator
Afternoon Program Weaving A Brighter Future: The Mayan Hands Story
Marion Kilson / Brenda Rosenbaum
Saturday, November 3, 2012 Extended Workshop Program: Peabody Essex Museum
see page 10
November 28, 2012 Morning Workshops
Drafting: Color and Weave Mary Ann Sanborn What is Lampas? Marjie Thompson Transparencies: Part 1 of 2 Barbara Herbster
Weavers Helping Weavers Our Updated Library (meets in Library) Kathy Hutchins, Modrtor
Afternoon Program DIMITY Marjie Thompson
2 Fall 2012
MORNING WORKSHOPS To register please see page 13
Bead Leno: Holes Where You Want Them Patricia Morton
1 session $12.00 September
Learn to create a lacy fabric using bead leno, with regular holes or texture changes where
desired. Bead leno makes a stable, airy fabric for scarves, curtains, and even clothing. Sett
variations change the fabric from being "holey" to "textured". The "beads" are a tool to cross
the warp ends over each other, keeping them apart. There are no beads in the final fabric.
Leno fabrics are traditionally done either by hand pick-up or doups, but this method is much
easier! This lecture/demo shows you how easy it is to set up bead leno. We'll cover many
draft and sett variations, weaving tips, and some unusual uses for twisted warps. A loom is
provided so that you can try it out. You have to see how this fascinating technique works to
believe it! Suitable for all levels. Please bring any interesting leno fabrics you may have -
handwoven or not. No homework. A comprehensive handout will be provided by the
instructor — fee $2.00 Class size 20 students.
Patricia Morton has been weaving for over 20 years. She enjoys teaching both beginning and
experienced weavers. She has taught at weaving guilds, weaving studios, and garden clubs
throughout New England. Patricia is the co-owner of Treeditions, a company that
manufactures weaving tools.
Hands-On Hemstitching & Edge Finishes Jayne Flanagan
1 session $12.00 September
Simple hand-hemstitching is explained in the back of every issue of Handwoven, but there
are other options for finishing edges and hems. Many decorative and functional methods are
illustrated clearly by the instructor’s large-scale sampler woven of seine twine. Using normal
-sized fabric and threads supplied by the instructor, you will practice two methods of simple
hand hemstitching (both forwards and backwards!) and try many of the other hemstitching
and edge finishing techniques shown. Learn how to plan for hems, tips for precision hem
turning, and burn-free pressing. Please bring a tapestry needle (blunt tip, about 1 ¾” long), a
6” embroidery hoop, and a small crochet hook (2.25 mm, size B or 1) if you have one. This
class is suitable for all weavers and useful for ratings. Materials/handout fee $1.
Jayne weaves mostly flat things which benefit from finishing details to raise them above the
status of yardage. She has taught at NEWS and several New England guilds, and served as
2003 NEWS President.
Rag Rugs Dena Gartenstein Moses
1 session $12.00 September
Rag Rug weaving is the ultimate recycling adventure! In this class, we will learn all the ins
and outs of turning those old and unwanted clothes into fabulous rugs. We will begin by
talking about setting up your warp. We will learn how to dissect clothes and prepare them
for your weft, discuss many different design possibilities, and look at lots and lots of sam-
ples. This class will also cover different looms and what makes them better or worse for
weaving rugs. You will leave with plenty of inspiration and information to get started on
making great rag rugs. Suitable for all levels. Students must at least understand
Morning Workshop Chairman & Registrar
Marlene Witham, Chairman [email protected] 603-286-9590
Barbara Morse, Registrar [email protected] 603-434-7224
NHWG Meetings
The NHWG fiscal year runs from
July 1 to June 30. The Guild
meets on the third Wednesday of
September, October, November,
March, April and May.
Advertising Policies
Any member may place a free
(non-commercial) ad; there is a
25 word limit. Make sure your
copy is accurate and legible. Non
-members and commercial adver-
tisers please contact the Advertis-
ing Editor: Marjie Thompson /
[email protected] / 207-829-
6111 for sizes, prices and formats.
Commercial ads need to be cam-
era-ready or in an agreed upon
computer file format. Newsletter
Editor: Jayne Flanagan /
[email protected] / 207-839-
5512
Yarn Table
The Yarn Table hours are 9:00-
10:00 AM and 12:00-12:30 PM.
Any sales during the Guild
meeting, whether on or off the
Yarn Table, owe 10% to the
Guild; sales arranged ahead of
time do not.
The Yarn Table managers are not
responsible for the security of
items for sale.
Each and every article MUST
have 2 tags on it, each with your
name and price. If your article is
not tagged, it cannot be sold on
the yarn table.
Purchasing with CASH is pre-
ferred so that all sales proceeds
can be distributed on the same
meeting day. If that is not possi-
ble, make your check out to the
NHWG. For items paid by check
over $25, buyers may be asked to
pay the seller (90%) and guild
(10%) separately.
Ten percent of each sale goes to
the Guild’s Education Fund.
Please remember to pick up un-
sold items at 12:30 pm.
If you plan to bring more than one
box of items to sell, please let us
know in advance.
Julie Morse: 603-526-6386
NHWG Membership Records & Information (Membership Form—page 13)
Heidi Clow [email protected] 603-529-2125
Leslie Stone 603-526-6326
continued
Fall 2012 3
how to warp a loom. Handout provided—no fee.
Materials for Students to Bring: Notebook, a few garments with minimum stretch (avoid knits and anything with a lot of stretch) of
varying weight to “deconstruct” and a good pair of scissors. Garments should be washed and dried. Class size—open.
Dena has been weaving for twenty-five years and sells her line of chenille scarves, shawls and hats at highly juried craft shows and
fine galleries around New England. She spent years weaving and selling her unique, “tapestry rag rugs”. She is the founder and
primary teacher at the “Vermont Weaving School”. Dena will also be our afternoon speaker.
Pick UP your Inkle Connie Gray
1 session $12.00 October
Pick it UP, or push it DOWN! Weave simple to complex geometric patterns on your basic inkle loom. By distorting the natural alter-
nation of threads, you can weave crosses, diamonds, squares, even stars and snowflake patterns on a simple narrow strip. Use these
for trims, belts, sashes, bell-pulls, or even shoelaces! Based on traditional Latvian patterns learned from my mentor, Zaiga Upitis, we
will weave a sampler of many patterns and be given more to try at home. This is a fast-paced hands-on class, for those with experi-
ence in basic inkle weaving. Class size 8-10 students. Material/Handout Fee: $2.00 Connie can lend one or two warped inkle
looms for the class, if needed; please notify Connie early!
Homework and Materials to Bring: Pre-warping directions will be sent upon registration. Bring your warped (open-sided) inkle
loom, extra heddles, small belt or stick shuttle, small scissors, tape measure, 2 large-eye needles to fit yarn, pick-up stick (butter
knife or letter opener will do). Suitable yarns: a tightly spun cotton - carpet warp or 8/2 perle cotton in neutral color, about 3 ounces,
two colors of 5/2 perle cotton or embroidery floss (at least twice as heavy as neutral cotton), about 1 ounce of each.
Connie, inkle mistress of NHWG, has taught inkle techniques far and wide to many adults and children. Here at NHWG her classes
have included basic and advanced (pick-up) techniques, random warping, painting inkle warps, tubular necklaces, and inkle Santas.
MORNING WORKSHOPS CONTINUED
continued
4 Fall 2012
Turned Overshot Virginia Coolidge
1 session $12.00 October
Why weave overshot and monks belt with 2 shuttles when you can do it with one! When a draft is “turned” it is rotated 90o so that
warp threads become weft threads, and weft threads become warp threads. The original threading sequence becomes the treadling
sequence of the new draft and the original treadling sequence becomes the new threading. Overshot is normally threaded on 4
shafts and woven with 2 shuttles using 6 treadles (4 for pattern and 2 for tabby). When the draft is turned, the warp is threaded on
6 shafts and it is woven with 1 shuttle using 4 treadles. Monks belt is a simplified form of overshot woven with 2 pattern treadles,
so it can be turned and woven on 4 shafts. It isn’t quite a simple as turning the book sideways, but I’ll show you how to do it. I’ll
tell you the advantages (one shuttle instead of two is the biggest) and some disadvantages of turning these drafts. And most im-
portantly, show you how to change the tie-up to accomplish this. You’ll have a chance to practice using the graph paper you bring
with you. I’ll bring several examples of turned overshot that I’ve wove in the past several years. Ability of participants: advanced
beginner, knowledge of overshot would be helpful. Class size up to 15 students. Please bring pencil, eraser, and graph paper. A
handout ( 50 cent fee) will be provided with detailed instructions and examples of turned drafts.
For 30 years Ginny has been weaving a variety of techniques and weave structures (no specialization!!) She now has a 24 shaft
Weavebird compudobby loom (certainly not needed for turned overshot) and 8 shaft Baby Wolf. She is a Past President of NHWG
and Past VP (Program Chair) of NEWS.
Planning A Project From Start to Finish Jayne Flanagan
1 session $12.00 October
Whether you tweak a weaving "recipe" or create something completely original, it is helpful to think ahead and plan a clear path
through the obvious variables of your project. Thinking ahead will save you from the many common pitfalls which could turn
warping into a nightmare. Students will be provided with their own copies of a standard outline, with which we will plan several
projects from the ground up and get into the habit of good record keeping at the same time. Bring graph paper, lined paper for tak-
ing notes, calculator, pencil, eraser, ruler. Suitable for all levels. No handout fee.
Using the standard outline she devised early on has saved Jayne from making a lot of planning mistakes, but NOT all of them.
Every warp is a new adventure. She is a member of several New England guilds, HGA and Complex Weavers.
Drafting: Color and Weave Mary Ann Sanborn
1 session $12.00 November
The placement of color in warp and/or weft can create stripes, plaids, checks, and myriad other designs. In fact, in some cases,
color can completely mask structure. In this class we will further our understanding of drafts and drawdowns while exploring the
effect of color on plain weave and twills. This is a hands-on class and most of our time will be spent drafting. To participate in this
class, you should have knowledge of basic drafting as this topic will be only briefly reviewed.
Please bring graph paper, pencils, colored pencils or markers, and an eraser or “white-out” type product. An understanding of basic
thread-by-thread drafting is a prerequisite. There will be a charge for the class handout.
Mary Ann is a longtime member of the NHWG. She has taught classes for our Guild and other area Guilds, as well as at NEWS.
She enjoys weaving, though she doesn’t get to do enough of it, and teaches weaving, drafting, color & weave, weave structures,
tablet weaving, and Shaker textiles. Mary Ann has served on the NHWG and NEWS Boards, and is a member of the HGA Board
of Directors. She lives in Canterbury, NH.
What is Lampas? Marjie Thompson
1 session $12.00 November
Lampas is the weave structure used for many of the elaborate medieval textiles and 19th century figured and fancy coverlets. It
allows extensive patterning with fewer shafts than a drawloom would have required and fewer than block doubleweave, while
allowing for different weave strucures to be used in the pattern and background areas. Even with this use of tie downs, lampas is
best woven using eight or more shafts. Two or three warped table looms will be provided because this structure is best understood
continued
MORNING WORKSHOPS CONTINUED
Fall 2012 5
WEAVERS HELPING WEAVERS (no fee)
September: Introducing Ourselves -or- How I Got Started Weaving Linda Lincoln, Moderator An open discussion by attendees about how their interest in weaving was sparked. Do they have a background of handwork? Was
their mother or grandmother a weaver? When did they take their first class/workshop? Are they a color or structure person? What
was their first loom? How many looms do they own now? Linda is one of the Mainiacs belonging to NHWG, a member of
WGBoston and Mainely Weavers, weaving since 1978, and interested in how others have become as fascinated with all aspects of
weaving as she has.
October: Diamond Celebration: NHWG is 75 Years Old in 2013 June Erla, Moderator
The Board voted to have our 75th Anniversary be the theme for our 2013 Guild Challenge for the exhibits at Portsmouth and
NEWS, having received the most member votes at the May meeting. We’ll be brainstorming ideas; what to weave, pattern possi-
bilities, color choices, etc. Bring lots of your ideas to share…… June will be moderating and recording your suggestions to post
on our website for everyone’s information. To get your creative ideas started, here are a few suggestions from June as they pertain
to our 75th anniversary, think numbers, colors, and shapes, i.e.; 1938 – 2013, 75, white, diamond, vintage yardage for 1938-styled
clothing, bead leno using white sparkling beads, diamond shaped pillows, etc. For those of you in Connie’s Inkle Pick-up work-
shop, you might want to learn how to weave numbers or words to incorporate on your exhibit entry. For those of you in Ginny’s
Turned Overshot workshop, you might decide to weave something using an old overshot pattern. Let’s think outside the box and
really wow ourselves as well as pay tribute to our founding guild members back in 1938.
November: Our Updated Library Kathy Hutchins, Moderator
***This session will be held in the Library (in the Yellow building).***
Come visit the updated NHWG Library. We have a larger space, good lighting, and lots besides books. See what we have for
DVD's, look in the Samples File, learn how to find information and ideas, also how to use online access to library holdings and
valuable links. You will have time to explore the collection, ask questions and borrow items.
Bring your list of books and magazines. If we don't have it, we'll see about ordering it. Don't miss this; it is well worth the long
walk from the main building.
by actually weaving it. If you would like to bring your own 8- (or 12- or 16-) shaft table loom for more experimentation, just let
Marjie know so that she can send you the threading.
Marjie again shares with us her enthusiasm for ferreting out little-known techniques that she knows should be more widely used by
contemporary weavers. Marjie teaches nationally, is a past Dean of WGBoston and a past President of NEWS.
Transparencies: Color, Abstraction and Negative Space: Two Parts Barbara Herbster
2 sessions $24.00 November and March
Let your eyes be opened to the technique of inlaying color on a plain weave ground. When inlay is applied to an open tabby fabric
it is referred to as Transparent Weave. The resulting cloth is a Transparency. This is a wonderful decorative wall hanging/
embroidery technique. Although it uses discontinuous weft, it is not a tapestry. The work progresses more quickly than tapestry as
it fills only part of the cloth. Scraps of colored yarns, crewel wool or embroidery threads will be used to shape objects, designs, or
people on a linen warp. The technique of transparent weave will be demonstrated on a table loom in class. Bring a simple photo,
drawing or idea and we will discuss how to adapt your idea to a cartoon to use on your loom. The design cartoon will be started in
class. The cartoon will be transformed into a fiber transparency at your fireside loom as snowflakes fall. You will work
independently but help from the instructor is as close as your computer or phone. A finished piece will be your reward for diligent
work during the three months we are apart. We will share our adventures when we meet in March to learn from one another and
show off the finished pieces. Suitable for all levels. Class size is 12-15 students.
Materials or Homework for Students to Bring: Bring cones, tubes or spools of single or plied natural linen you have on hand. See
what discontinuous weft material you have: ie; Bring examples of embroidery thread, fine cottons to strand, textured novelties,
crewel wool, or wools that are fine enough to strand. Bring photographs, cards, drawings to choose from and use as inspiration.
Bring paper the width you intend your warp to be and materials for drawing and note taking. Material / Handout Fee: minimal $1-
$5 to cover instruction sheets giving particulars of the technique.
Barbara lives in Manchester by the Sea, MA. Her pleasure is teaching and sharing the excitement and knowledge of weaving with
others. Her work has a contemporary direction which she achieves through clean design and a strong sense of color. She enjoys
weaving, teaching, designing for galleries, and commissions for public spaces.
MORNING WORKSHOPS CONTINUED
6 Fall 2012
AFTERNOON PROGRAM DESCRIPTIONS
SEPTEMBER Weaving At Warp Speed Dena Gartenstein Moses
Whether you want to be able to make more great stuff in less time or you’ve always wondered what it would take to become a pro-
duction weaver or you’ve got a weaving business and are looking for tips, this is a great workshop for you. Dena will draw on her
twenty years of production weaving to talk about many of the things that slow us down and present easy solutions about how to
overcome them.
Dena has been weaving for twenty-five years and sells her line of chenille scarves, shawls and hats at highly-juried craft shows and
fine galleries around New England. She spent years weaving and selling her unique, “tapestry rag rugs” and can consistently
weave a scarf in twenty minutes. She is the founder and primary teacher at “Vermont Weaving School”.
www.vermontweavingschool.com
OCTOBER Weaving A Brighter Future: The Mayan Hands Story Marion Kilson / Brenda Rosenbaum
Mayan Hands is a fair trade organization founded in 1989 that partners with talented Maya weavers in the highlands of Guatemala
to bring their families out of extreme poverty. These women and their families are able to continue to live within the culture they
cherish. This NHWG program will tell the Mayan Hands story through the words of the Guatemalan weavers and their North
American partners and will suggest ways in which NHWG members can help Mayan Hands to further its mission. Mayan Hands
products will be available for purchase at all the fall meetings of the NHWG.
Marion is a long time member of NHWG and is currently a Mayan Hands board member.
NOVEMBER ~ ~ Dimity ~ ~ Marjie Thompson
dimity (dim·i·ty)
Pronunciation: /ˈdimitē/
noun
a hard-wearing, sheer cotton fabric woven with raised stripes or checks
Even the current dictionary definition hints at the “problem” with this weave structure- “hard-wearing” and “sheer” in the same
definition. Come learn more about this interesting but misunderstood weave structure that needs as few as two shafts for pattern but
can require more for different effects. Eighteenth, nineteenth, and twentieth century dimity will be covered as well as the
Southern dimity counterpanes and their drafts.
Marjie likes unraveling weaving nomenclature mysteries almost as much as figuring out the “old drafts.”
The 2013 NHWG Biennial Juried Show
NHWG’s 75th anniversary coincides with a NEWS year; an excellent reason to celebrate by pouring your heart and soul into lots
of creative / functional / traditional / imaginative weaving for both events. The Portsmouth Library Gallery is a multipurpose
room, open to the public for meetings, movie matinees, and art of all kinds. The guild will take advantage of the “high traffic”
with an opening reception, plus perhaps demonstrations and hands-on activities. It all depends on weavers and volunteers!
Our very first planning meeting will be October 17, 2012 at 9AM before the guild meeting. Several members have already
signed up to help, more are needed. Think of what you’d like to help with or what you’d like to learn more about—there really is
something for everyone; publicity, intake/jury, hanging, reception, demo/events, awards, signage/ribbons, the non-juried
Challenge exhibit, takedown, transportation. Here’s the Big Picture:
May 2013: The guild Annual Show & Tell / intake of all items for the Portsmouth Library Show and NEWS (New England
Weavers Seminar) / jurying for the shows / transport to Portsmouth.
June 2013: Hanging the Portsmouth Library Show June 1 / reception and special events / take down show.
July 2013: Transport entries to NEWS. (Conference dates are July 11—July 14, 2013) / pick up entries at end of shows
Since Portsmouth is the closest venue to Maine yet, I volunteered to chair the Show and I hope you all will hop on board with
me—to paraphrase— “many hands make the show work”. Jayne Flanagan, Chairman [email protected] 207-839-5512
Fall 2012 7
Message From Your President:
Hello everyone,
Of the four seasons, I love summer best, and right now this one is shaping up as a beauty. The garden is tak-
ing off and my beehives are buzzing with activity. I hope that when you read this, things will still be looking good
weather-wise and we’ll all be tanned, relaxed and refreshed.
Fall is my second-favorite season. Even though I haven’t technically been a student for many decades, I still
get that back-to-school feeling when Labor Day rolls around. It’s time to get the looms cleared off; those projects that
have been spinning around in my “summer brain” need a place to go! I hope that you, too, dear weavers, are having
the same kinds of thoughts. Maybe you have already finished those beautiful pieces that we’ll have in our 2013 shows,
but I’ll bet many of you are still in the planning stages like me.
I got a chance to personally visit the Portsmouth Library in June. The exhibit areas that we will use in June
2013 are spacious and have beautiful lighting. It will be a great challenge to fill that exhibit with lots of gorgeous
work, but I know we can do it justice. Please, no more worries about judges’ comments and other extraneous matters,
“just do it”. Weave your best and proudly enter it for all to see! Our participation in the NEWS juried shows in 2011
was quite a bit smaller than in the past, so we need to really go all out in 2013 “show our stuff” to all of New England
at NEWS and to our friends, families and fellow citizens in Portsmouth.
This brings me around to the topic of our 75th Anniversary. Thanks so much to the 2 or 3 people who remem-
bered that it is almost here! Whew! We could have let it slide right by without a party! This is going to make a great
Challenge for us; I know we are all mulling over how to best celebrate our Diamond Jubilee in our weavings. Plans
are brewing, as you will see elsewhere in the newsletter.
Thanks to all who have made the last year a very enjoyable one for me as president. Many kind words have
been spoken or sent to me in little messages, and I do appreciate that. It has been great to have people come forward to
volunteer and accept nominations for jobs and offices. I certainly hope that trend will continue; we are going to need
lots of help at all levels to make the coming of 2013 a sparkling, diamond jewel of a success. Here we go!
Fondly,
Barbara
8 Fall 2012
Sterling Silver NHWG
Pins Available from
Diana Frost
Guild Historian:
Cynthia Amidon
NEWS Reps:
Barbara Burns &
Christine House
Bulletin Board:
Diana Frost
NHWG Mail Lady
Lyn Falcone:
mail_lady@
nhweaversguild.org
The Three Guild Looms
The LeClerc Minerva 8 shaft floor loom (22” weaving width—10 treadles) is available for rent for a $25.00 refundable deposit
and a non-refundable $10.00 per month rental fee, payable in advance of each month to NHWG, c/o Paula McKone, Treasurer.
To make arrangements for rental, contact its current custodian:
Penny LaRaia, P. O. Box 4, Salisbury, NH 03268 [email protected] 603-648-2375
The Belva Mohle 4 shaft Macomber Loom is a guild loom available for demos. (24” weaving width)
Please contact President Barbara Burns to make arrangements. (Current custodian: Carole Elliott)
The 4 shaft Dorset donated by Harriet Mitiguy is available for use by guild members only. (22” maximum weaving width)
Please contact President Barbara Burns to make arrangements. (Current custodian: Jane Dumais)
Come visit the updated NHWG Library. We have a larger space, good lighting, and
lots besides books. See what we have for DVD's, look in the Samples File, browse
magazines and shelves for new ideas.
Materials may be borrowed from one meeting to the next by members in
good standing upon presentation of their current guild nametag.
Bring your list of books and magazine articles or email your needs ahead of time.
If we don't have it, we'll see about acquiring it.
Please contact one of the Library Team for renewal of materials if you cannot return
them on time.
Also, consider volunteering to be a Library Sitter for one meeting date. You will be
amazed at what we have and you can borrow. The Library is located at the front of the yellow building. It is open every regular
meeting day from 9:30-12:30. Don't miss out; it is well worth the long walk from the
main building.
Your Library Team
Kathy Hutchins [email protected] (978-374-7229)
Joan Warren [email protected]
Barbara Morse [email protected]
Penny LaRaia [email protected]
Corrections to Weaving Designs by Bertha Gray Hayes as mentioned by Norma Smayda at the October 2011 workshop:
There are no printed errata. She is aware of a few minor treadling errors in some of the drawdowns, and that should there ever be
a 2nd printing, those corrections will be made.
p. 111 the large corner blocks of Waldenweave should be woven 4x, not 3x.
p. 120 Bomber Flight. lines 45 and 47 - those 2 blocks should be treadled 3x, not 2x.
p. 131 all blocks of Jitterbug are either 1, 2, or 3 shots. Once per repeat, the 4x block should be 3x.
p. 146. Superhighway. block on line 12 should be 3x, not 2x high.
LOOKING FOR A NEW NEWSLETTER EDITOR
Are you looking for a way to help the guild? Do you want to see everything that’s happening FIRST?
This is my 20th issue (10 years as Editor)–I need a change and I’d like to serve NHWG in a different way.
If you’re interested, let’s talk! Jayne Flanagan, Editor 207-839-5512 [email protected]
Fall 2012 9
THE EDUCATION FUND The purpose of the Education Fund is to assist Guild members to attend weaving classes, craft schools, formal classes of higher
learning, workshops and/or conferences. It is not “need-based”. Applicants must be a member of the New Hampshire Weavers
Guild in good standing for at least a year.
Receipt of an Education Grant is considered an honor, recognizing a weaver’s goal of improving, understanding, ability, and crea-
tivity in weaving. Recipients will be expected to share their new knowledge with the Guild membership. There are many ways that
you can share what you’ve learned:
Write an article for the newsletter. It can be a just a couple of paragraphs about what you have learned for the class you’ve
just taken .
Provide the next newsletter sample. It’s not as scary as you may think.
A sample of a new technique you learned with a description of the process to go in the Library’s sample collection.
Volunteer to be one of the greeters, make the coffee or help with the clean-up after a guild meeting. We are always looking
for help.
If you feel comfortable teaching a workshop or moderating a Weavers Helping Weavers, please let us know.
We have application forms and guidelines available on the website and on the information table at each Guild meeting. If you are
still unsure about requesting funding please just ask any of the Education Fund Committee members listed below; we would be
more than happy to discuss options available. Please apply as soon as possible, prior to the class for which you are requesting the
funds.
Michele Clarke, Chairman 603-320-0082 [email protected]
Carole Elliott 603-764-9888 [email protected]
Ginny Warner 603-456-2740 [email protected]
Complex Weavers Seminars 2012 Washington, DC September 12-15, 2012
www.complex-weavers.org/seminar.htm
10 Fall 2012
Extended Workshop Program: Peabody Essex Museum Saturday, November 3, 2012
On Saturday, Nov. 3, NHWG members will travel to the Peabody Essex Museum in Salem, MA, take two tours, have lunch , and
then take additional time to visit other museum exhibits and the gift shop (It will be just about time to start Christmas shopping).
Fee: $18.00 (includes two tours and museum entrance fee)
Schedule
10:00 Arrive in Salem, park and walk to museum.
10:15 Meet in museum lobby
10:30 – 11:30 AM Guided tour of the exhibit: The Invention of Glory: Afonso V and
the Pastrana Tapestries 11:45-12:45 AM Guided tour of the exhibit: Hats an Anthology by Stephen Jones
1:00 Lunch (either at the museum or a nearby restaurant)
2:00 Visit other exhibits and the gift shop
Below are web addresses for additional information. The NHWG site provides live links.
Please note that we have decided to offer this one day workshop program on a Saturday to entice members who cannot attend
regular meetings to join us. So whether you are a regular at NHWG meeting or a member who cannot regularly attend
meetings, please come.
Brief Tour Information.
The Invention of Glory: Alfonso V and the Pastrana Tapestries:
http://www.pem.org/exhibitions/151-
the_invention_of_glory_afonso_v_and_the_pastrana_tapestries
The Pastrana Tapestries are rare examples of Gothic Tapestry and measure 36’ each. The
four panels are currently in the U.S. having been recently restored. Woven in the 14thc of
silk and wool, they depict the military prowess of Portugal’s King Alfonso V. This is the
only museum exhibit of these tapestries in the Northeast.
Hats: An Anthology by Stephen Jones
Stephen Jones created hats, lovely and outlandish, for Britain’s most famous entertainers.
This exhibit, organized by the Victoria and Albert Museum, features 250 hats, all works of
art, which might just inspire some of us to create some very special hats for our “Diamond
Jubilee” exhibit.
http://pem.org/exhibitions/146-hats_an_anthology_by_stephen_jones
Thinking Diamond Jubilee, hats, Queen Elizabeth? Try http://www.vanityfair.com/
society/2012/05/diamond-jubilee-hats-queen-elizabeth#slide=1
Registration Form
To register, fill out the information below,
include your check payable to NHWG for $18.00, and mail to:,
Mary Ann Sanborn, 16 Abberton Rd., Canterbury, NH 03224. Registration is limited and must be received by September 25th.
Name:
Address:
Home Telephone: Cell:
E-mail address:
At the September and October meetings, we will try to arrange car pools for those who would prefer them.
Come with us on November 3rd
, we’ll have a great time!
Other exhibits of interest to our
group will be explored after
lunch. For more information: http://pem.org/exhibitions/current
These include
Perfect Imbalance, Exploring
Chinese aesthetics
http://pem.org/exhibitions/3-
per-
fect_imbalance_exploring_chines
e_aesthetics
Fish, Silk, Tea, Bamboo: Culti-
vating an Image of China
http://pem.org/exhibitions/17-
fish_silk_tea_bamboo_cultivating
_an_image_of_china
Fall 2012 11
HANDWEAVERS GUILD
OF AMERICA
www.weavespindye.org
Diana Frost
State Representative
603 868-7465
Mary Ann Sanborn
HGA National Director
603-783-4733
The dates for upcoming
NHWG Board meetings are:
Saturday, September 8, 2012
and
Saturday, December 1, 2012
(Snow date Dec 8)
at 9:30 at the League of NH
Craftsmen (Concord)
49 South Main St, Suite 100
in the “SMILE!” building
NHWG RATINGS
PROGRAM
Mary Ann Sanborn would
like to find out which members
are currently working on
ratings or have an interest in
the program.
Please let her know:
603-783-4733
Ratings Dates to Remember
If you are planning on submit-
ting please let Mary Ann know
by March 1, 2013 so she can
arrange jurors and answer any
last minute questions.
Submit at April 2013
meeting!
NHWG Extended Workshop
Cancellation Policy
If cancellation is received prior to 30
days before workshop, NHWG will at-
tempt to refund all fees paid, provided
your place is filled. For registration
cancellations received within 30 days of
the workshop, no monetary refund can
be promised, though NHWG will make a
good faith attempt to reimburse, as funds
generated by the workshop permit.
MEET MAYAN HANDS!
Please visit our website www.mayanhands.org to learn more about our up-
coming tour and the remarkable women who work with us, as well as the
beautiful handcrafted items they produce.
Nov 7-17 Travel to Guatemala and meet Mayan Hands'
weaving co-ops with Deborah Chandler, translator and guide,
author of Guatemalan Woven Wealth and Learning to Weave!
Founded in the early 1990s, MAYAN HANDS is a fair-trade organization
that works with more than 200 Mayan weavers organized in 9 different
cooperative groups in Guatemala. Though hailed the world over as remark-
able artists, most Mayan weavers live under conditions of extreme poverty,
barely making $5 to $7 per month when they sell locally. Mayan Hands
partners with these talented weavers to find Fair Trade markets for their
beautiful textiles and provides them with opportunities for educational ad-
vancement and development of their communities. In the 21st century,
Mayan women continue weaving on backstrap looms, handed down from
their ancient foremothers many hundreds of years ago. Mayan women love
to weave, to inscribe in their cloth symbols of the earth’s sacredness and
their culture’s unique vision of the universe. Your purchases allow these
remarkable weavers and their families to eat better, send their children to
school, build up their communities—and to harbor hopes of a better future.
You can also partner with our weavers and help them sell their
beautiful products, making a small profit for your guild!
For questions or if would like to hold a sale with Mayan Hands products,
please contact us at [email protected], or 301-515-5911
12 Fall 2012
Directions: Kimball-Jenkins Estate, 266 N Main St., Concord, NH
From North, West and South:
I93 to Exit 15W, 393W to No. Main St.**
From East: 393W to No. Main St.**
**Sharp right at No. Main and 393.
Sharp right into driveway to Kimball-
Jenkins Estate. Parking is to the rear
of the Carriage House.
Weavers Wanted for Guild Samples
One of the many perks of guild membership is a twice-
yearly handwoven sample. These samples are woven by
volunteer guild members, and offer us all the opportunity to
share our craft and get to know each other. Each draft sheet
includes details of the weaving process, as well as a biog-
raphy of the weaver. Please consider lending your talents
to our guild. All levels and abilities are most welcome!
How much do you have to weave? 200 samples, 3"x3",
for example:
15 inches wide by 3.5 yards long or
24 inches wide by 2.125 yards long or
30 inches wide by 1.75 yards long or
36 inches wide by 1.5 yards long
For more info on draft sheet and fabric preparation contact:
Charlotte Crowell, 468 Jaffrey Rd, Marlborough, NH
03455, 603-876-3842 [email protected]
Sarah Sherburne, 102 Cheney Ave #11, Peterborough, NH
03458. 603-784-5333 [email protected]
The Spring sample was woven by Gerry Cosgrove.
Look for your envelope at the guild meetings!
Schedule of Guild Helpers
NEW Coordinator: Paula Taggart
[email protected] 207-793-9696
September 19, 2012
Greeters: Patricia Russell, Diana Frost
Coffee: Jill Hunter, Debbie Stohn
Clean Up: Barbara Gogolan, ****
Library Sitter: ****
October 17, 2012
Greeters: Harriet Mitiguy, Barbara Bennett
Coffee: Pat Bent, ****
Clean Up: Carolyn Corson, Joan Biasucci
Library Sitter: ****
November 28, 2012
Greeters: Debby Cary, Arlene Ilgenfritz
Coffee: Lyn Falcone
Clean Up: Connie Gray, Chris House
Library Sitter: ****
**** need volunteers, thank you
The Loom List
Diana Frost maintains a list of looms and equipment for sale
which is circulated to various New England guilds and individu-
als. It is posted at each NH Guild Meeting. Anyone may use this
list, the only proviso being that when a loom is bought or sold,
that information is sent immediately to Diana. Each item will
stay on the list for exactly one year unless it is sold or Diana is
notified to extend its exposure. For a copy of the current list,
please send a SASE (with postage for three ounces) to:
Diana Frost
16 Oyster River Rd., Durham, NH 03824 603 868-7465
LOOM NEWS VIA RAVELRY !!!
Lisa Hart Olson and her family are still running
Macomber Looms in York, Maine, despite the
unexpected death of her father, Rick Hart, in January.
They had a booth at Convergence and the biggest
news of all; in July they launched their own website
www.macomberloom.com (no “S” on the word
“loom”)
~~~ info thanks to June Erla
VENDORS: wishing to sell at NHWG meetings,
please contact the President in advance (see
page one), so that set-up can be arranged.
Selling should take place before 10AM and
from 12 to 12:30PM. Vendors shall donate 10%
of earnings to NHWG.
Fall 2012 13
Workshop Information/Policies
You must be a current mem-
ber of the New Hampshire
Weavers Guild in order to
register for a workshop.
Workshops meet from
10 a.m. until noon.
Workshop fees are $12.00
per session.
You must register for all
parts of a multi-session
workshop, unless otherwise
indicated in the workshop
description.
You may list as many as
three choices per session.
Indicate your 1st, 2nd & 3rd
choices.
You will be notified if you
do not get your first choice
workshop.
Register Early! If
there is insufficient
registration, a
workshop may be
canceled. Cancellation Policy: If you
cancel your registration at
least 48 hours in advance of
a workshop, you will receive
a voucher for another work-
shop – provided your place
can be filled from a waiting
list for that workshop.
Workshop registrations are
not transferable. All vacan-
cies will be filled from a
waiting list.
Questions?
contact Barbara Morse, Registrar:
morning_workshops@
nhweaversguild.org
603-434-7224
NHWG MEMBERSHIP FORM The Guild year begins on 7/1;
All memberships expire 6/30. Please complete form and enclose $22.00 for annual
dues. Make checks payable to “New Hampshire
Weavers Guild”. Please mail to:
Heidi Clow, NHWG Membership Chairman
125 Concord Stage Rd.
Weare, NH 03281-4616
(Please send SASE to have membership card with
new website password sent back to you.)
Name _____________________________________
Address ___________________________________
__________________________________________
Phone (with area code) _______________________
Email _____________________________________
Please check this box if you have none or limited
internet access, and prefer the newsletter on paper.
New member Renewal
REGISTRATION FORM FOR MORNING WORKSHOPS
Name ___________________________________________________
Mailing Address ___________________________________________
Phone # __________________________ Email __________________
(IMPORTANT-please include)
Enrollment begins September 1. Registration forms postmarked before
9/1 will be treated as if postmarked on 9/1.
Bead Leno: Holes Where You Want Them
1 session $12.00 September ……………………… $__________
Hands-On Hemstitching & Edge Finishes
1 session $12.00 September ……………………… $__________
Rag Rugs
1 session $12.00 September …………………….... $__________
Pick UP your Inkle
1 session $12.00 October ……………………...…. $__________
Turned Overshot
1 session $12.00 October …………………..…….. $__________
Planning A Project From Start to Finish
1 session $12.00 October ……………………..….. $__________
Drafting: Color and Weave
1 session $12.00 November ………………….…... $__________
What is Lampas?
1 session $12.00 November ………………….…... $__________
Transparencies: Color, Abstraction & Negative Space
2 sessions $24.00 November and March ………..… $__________
TOTAL $___________
For morning workshops please make your check payable to: NHWG
Mail your check and registration to: Barbara Morse
244 Winding Pond Rd
Londonderry, NH 03053