Neo-Classicism Art of the Napoleonic Era The Art of Power.

27
Neo-Classicism Art of the Napoleonic Era The Art of Power

description

Death of Socrates J-L David 1787

Transcript of Neo-Classicism Art of the Napoleonic Era The Art of Power.

Page 1: Neo-Classicism Art of the Napoleonic Era The Art of Power.

Neo-Classicism

Art of the Napoleonic EraThe Art of Power

Page 2: Neo-Classicism Art of the Napoleonic Era The Art of Power.

Oath of Horatii Jacques Louis David 1784

Page 3: Neo-Classicism Art of the Napoleonic Era The Art of Power.

Death of Socrates J-L David 1787

Page 4: Neo-Classicism Art of the Napoleonic Era The Art of Power.

GoyaArt of Social protest

Page 5: Neo-Classicism Art of the Napoleonic Era The Art of Power.

The Spirit of the Age (1790-1850)

Page 6: Neo-Classicism Art of the Napoleonic Era The Art of Power.

EnlightenmentSociety is good, curbing

violent impulses!Civilization corrupts!

RomanticismEarly19c

A Growing Distrust of Reason

e The essence of human experience is subjective and emotional.

e Human knowledge is a puny thing compared to other great historical forces.

e “Individual rights” are dangerous efforts at selfishness the community is more important.

Page 7: Neo-Classicism Art of the Napoleonic Era The Art of Power.

The Romantic Movement•Began in 1790s

•Peaked in 1820s

•Mostly Northern Europe-- Britain & Germany

•Lord Byron - “The Romantic hero”

Page 8: Neo-Classicism Art of the Napoleonic Era The Art of Power.

Wandering Above the Sea

of Fog

Caspar David Friedrich,

1818

Emotions!Passion!Irrationality!

Page 9: Neo-Classicism Art of the Napoleonic Era The Art of Power.

1. Power & Fury of Nature

Page 10: Neo-Classicism Art of the Napoleonic Era The Art of Power.

The DelugeFrancis Danby, 1840

Page 11: Neo-Classicism Art of the Napoleonic Era The Art of Power.

Tree of CrowsCaspar David Friedrich, 1822

Page 12: Neo-Classicism Art of the Napoleonic Era The Art of Power.

The Wreck of the Hope (aka The Sea of Ice)

Caspar David Friedrich, 1821

Page 13: Neo-Classicism Art of the Napoleonic Era The Art of Power.

2. Science can be dangerous. The new technology is dehumanizing

Page 14: Neo-Classicism Art of the Napoleonic Era The Art of Power.
Page 15: Neo-Classicism Art of the Napoleonic Era The Art of Power.

3. Romanticizing Country Life

Page 16: Neo-Classicism Art of the Napoleonic Era The Art of Power.

The Hay Wain - John Constable, 1821

Page 17: Neo-Classicism Art of the Napoleonic Era The Art of Power.

Salisbury Cathedral from the Meadows

John Constable, 1831

Page 18: Neo-Classicism Art of the Napoleonic Era The Art of Power.

Eldena RuinGaspar David Friedrich, 1825

Page 19: Neo-Classicism Art of the Napoleonic Era The Art of Power.
Page 20: Neo-Classicism Art of the Napoleonic Era The Art of Power.

4. The Exotic, the Occult & the Macabre

Nightmare (The Incubus)Henry Fuseli, 1781

Page 21: Neo-Classicism Art of the Napoleonic Era The Art of Power.

Abbey in an Oak ForestCaspar David Friedrich, 1809-

1810

Page 22: Neo-Classicism Art of the Napoleonic Era The Art of Power.

The Great Red

Dragon and the Woman

Clothed with the Sun

William Blake,

1808-1810

Page 23: Neo-Classicism Art of the Napoleonic Era The Art of Power.

5. Nationalism

Greece on the Ruins of Missolonghi

Eugène Delacroix, 1827

Page 24: Neo-Classicism Art of the Napoleonic Era The Art of Power.

Liberty Leading the People Eugène Delacroix, 1830

Page 25: Neo-Classicism Art of the Napoleonic Era The Art of Power.

6. Interest in Exotic Lands

Page 26: Neo-Classicism Art of the Napoleonic Era The Art of Power.

Women of Algiers in Their Apartment

Eugène Delacroix, 1834

Page 27: Neo-Classicism Art of the Napoleonic Era The Art of Power.

What do Romanticism and Ms. Greenberg’s winter break have in common?

The Romantic periods ends around 1850….but some people…such as the unfortunate King Ludwig of Bavaria…are “hopeless Romantics”