Music for Benediction - magnificatmusic.com Music for Benediction complete... · The manuscript...

12
Music for Benediction O Salutaris Tantum ergo in E Adoro te devote Cor Jesu, Cor purissimum Fernand Laloux (1901-1970) Magnificat Music http://www.magnificatmusic.com MM 102 SAMPLE ONLY

Transcript of Music for Benediction - magnificatmusic.com Music for Benediction complete... · The manuscript...

Page 1: Music for Benediction - magnificatmusic.com Music for Benediction complete... · The manuscript source for this piece contains, in addition to this O Salutaris, the setting of Adoro

Music for Benediction

O Salutaris

Tantum ergo in E

Adoro te devote

Cor Jesu, Cor purissimum

Fernand Laloux (1901-1970)

Magnificat Music http://www.magnificatmusic.com

MM 102

SAMPLE O

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Page 2: Music for Benediction - magnificatmusic.com Music for Benediction complete... · The manuscript source for this piece contains, in addition to this O Salutaris, the setting of Adoro

&

&

&

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b

b

b

b

44

44

44

44

..

..

..

..

œ

U -

œ1 O2 U -

œ

œœ

Descant (v.2)

All (unison)

Organ

œ œœ œ

ni tri - no - que

œ œ œœ

sa -ni

lu -tri -

ta -no -

risque

œœ

œœ

œœ œœ

˙ ˙

œ œ œ, œ

Do - mi - no sit

œ œ œ

ho -Do -

sti -mi -

a,no

quaesit

œ œœœœ

,œœœ

œ œ

œœ œœœœ

œ

œœ œ

œ

sem - pi - ter - na

œ œ œn œ

coe -sem -

lipi -

pan -ter -

disna

œœœœœœ œ

œn œ

œœ œ œ œ

œ œ œœ

œ œn œ#,œn

glo - ri - a, qui

œ œ œ

o -glo -

sti -ri -

um:a,

bel -qui

œœ œœœœœ#

,

œœn˙n

˙˙

œœ

œœ

&

&

&

?

b

b

b

b

..

..

..

..

œ œb œœ

vi - tam si - ne

œ œ œb œ

1 la2 vi -

pre-tam

muntsi -

ho -ne

œœœœb œ

œ œœb

œœbœœb

œœ œ

œ

œ œ œ

,

œter - mi - no no -

œb œ œ,

œsti -ter -

li -mi -

a.no

Dano -

œb œ œœ

,

œn˙b

˙˙b

œœnn

œn

œ œ œ œbis do - net in

œn œ œœ

ro -bis

burdo -

fernet

au -in

ww

˙˙#

˙˙

œ œ œ

U

pa - tri - a.

œN œ œ

U

xi -pa -

li -tri -

um.a.

..˙˙

U

œœ# œ

œœœ

u

œ œ ˙

U

A - men.

˙ ˙

U

A - men.

˙ ˙

U

œ œ ˙

œ œ ˙#

u

˙˙

˙˙

O SalutarisA.M.D.G.

FERNAND LALOUX

1901-1970

Music copyright © 2004, the estate of Fernand Laloux. All rights reserved.

Published by Magnificat Music http://www.magnificatmusic.com

Originally notated in 4/2 time, with double bars and pauses at the end of each phrase, this ingenious

piece includes the opening motif in different guises throughout, indicated here by brackets. The second stave was originally described as Congregation. Apart from the final Amen (under the descant stave) no

text was written into the manuscript.

The manuscript source for this piece contains, in addition to this O Salutaris, the setting of Adoro te devote included in this publication, and a D minor transposition of the "Farm Street" Tantum ergo (see

Magnificat Music edition MM101) including the descant (the only source for the descant, in fact).

2

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Page 3: Music for Benediction - magnificatmusic.com Music for Benediction complete... · The manuscript source for this piece contains, in addition to this O Salutaris, the setting of Adoro

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24

24

24

24

24

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..

..

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..

..

Œ ˙ œ ˙ ˙1 Tan -2 Ge -

tumni -

er -to -

gori,

˙ ˙ œ œ ˙1 Tan -2 Ge -

tumni -

erto

--gori,

˙ ˙ ˙ œ œ1 Tan -2 Ge -

tumni -

er -to -

gori,

˙ ˙ ˙ ˙1 Tan -2 Ge -

tumni -

er -to -

gori,

Œ˙ œ ˙ ˙

˙˙ ˙ œ œ

˙ ˙˙

˙ œ œ˙

Œ ˙ œ ˙ ˙sa -ge -

cra-ni -men -to -

tumque

˙ ˙ œ œ œ# œ#sa -ge -

cra -ni -

mento

--tumque

˙ ˙ ˙ ˙sa -ge -

cra -ni -

mento

--

˙ ˙ ˙ ˙sa -ge -

cra -ni -

mento

--

Œ

˙ œ ˙˙

˙˙ ˙ œ œ œ# œ#

˙˙

˙˙

˙ ˙

Œ œ œ œ ˙ ˙velaus

- ne -et

re -ju -

murbi -

˙ ˙n wve -laus

ne -et

re - - -ju - - -

w Œ ˙ œtumque

ve -laus

ne -et

w œ œ œ œtumque

velaus

- ne -et

Œ œ œ œ ˙˙ ˙

w Œ ˙ œ

˙ ˙nœ

œ œ œw

A.M.D.G.

Tantum ergo in EFERNAND LALOUX

1901-1970

Music copyright © 2004, the estate of Fernand Laloux. All rights reserved.

Published by Magnificat Music http://www.magnificatmusic.com

This lush setting only exists in a MS with incomplete text underlay; however, the missing text is easily

supplied. The harmonic language is typical of Laloux in his most typically French vein, aided by the frequent divisions of all four voice-parts.

The third-mode plainchant melody appears throughout, indicated by brackets above the staves, together

with much imitation of different portions of the melody. For reference, the complete plainchant melody will be found at the end of the piece.

The original contains no keyboard reduction, which is provided here solely for rehearsal purposes.

3

Keyboard reduction

(rehearsal only)

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Page 4: Music for Benediction - magnificatmusic.com Music for Benediction complete... · The manuscript source for this piece contains, in addition to this O Salutaris, the setting of Adoro

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&

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####

œ œ œ œ w1 cer2 la

nu -ti -

i:o:

œ œ œ œ w1 mur2 -

cerbi -

-la -

nu -ti -

i:o:

œ œ œ œ ˙ ˙1 re -2 ju -

murbi -

cer -la -

nu -ti -

i:o:

˙ ˙ œ œ œ œ1 re -2 ju

mur-

cerbi -

-la -nu -ti -

œœœœ

œœ

œœ ww

œ œ œ œ ˙ ˙˙ ˙ œ œ œ œ

--

˙n ˙ ˙ ˙etsa -

an -lus,

ti -ho -

quumnor,

˙ ˙ ˙n œ œetsa -

an -lus,

ti -ho -

quumnor,

Œ ˙n œ œn œ œ œetsa -

an -lus,

ti -ho -

quumnor,

do -vir -

cu -tus

˙ œ œ œ œn ˙ni:o:

etsa-

lus,anho

--

ti -nor,

˙n œ œ ˙ ˙n

˙n ˙ ˙˙n ˙

Œ ˙n œ œœn œœœœ œ

œ

˙n œœ

œœ

˙

˙˙nn

˙n ˙ ˙ ˙do -vir -

cu -tus

men -quo -

tumque

˙n ˙ ˙b œ œn

Œ ˙n œn œb œ œ œdo -vir -

cu -tus

menquo

--tumque

˙ ˙n ∑men -quo -

tumque

˙b œ œ œn œn ˙bquumvir

do --cu-tus

menquo

--tumque

˙b œn œ ˙n ˙n

˙nn ˙ ˙˙b ˙

Œ ˙n œn œb œ œœ œ

œn

˙

˙b

Nb ˙n œn œ ˙˙nbœœn œœ

˙n

Tantum ergo in E - page 24

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&

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Œ œb œb œN ˙ ˙b1 no2 sit

- voet

ce -be -

datne -

œn œ œ ˙ ˙

Ó œb œb œb œn œ œ1 no -2 sit

voet

cebe

--datne -

˙n ˙ ˙b œ œb1 no -2 sit

voet

ce -be -

datne -

˙b ˙ ˙b ˙n

˙b ˙b ˙b ˙1 no -2 sit

voet

ce -be -

datne -

˙b ˙b ˙b ˙

Œ œœnb œœbb œ

œnb

˙˙b

˙b˙n ˙

œb œn œœ œœb

˙

˙b

bb ˙

˙bb ˙

˙b

bb ˙

˙

n

œb œb œn œ wbridic

--tuti

--i:o:

wb œ œn ˙ri - - -dic - - -

tu -ti -

i:o:

˙b œb œA ˙# ˙ri -dic -

tuti

--i:o:

˙b ˙ ˙ ˙b

˙b ˙b ˙ ˙Ari -dic -

tu -ti -

i:o:

˙b ˙b ˙b ˙n

œb œb œ

œb

n œœœ

˙˙b ˙

˙˙˙b

bb ˙# œ œ

˙˙bb ˙

˙bb ˙˙

˙bb

˙˙˙n

Œ ˙n œ# ˙ ˙prae -pro -

stetce -

fi -den -

desti

˙n ˙# œ œ œ œprae -pro -

stetce -

fiden

--desti

˙# ˙n ˙ ˙prae -pro -

stetce -

fi -den -

desti

˙# ˙n ˙ ˙praepro

2 pro -1 prae -

ce -stet

stetce -

den -fi -

fi - desden-ti

tides

w œ œ œ œ

Œ˙n œ# ˙ ˙

˙n ˙# œœ# œ œ

˙˙##

˙˙nn

˙ ˙w œ œ œ œ

-- -

Tantum ergo in E - page 3 5

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25

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25

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..

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24

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24

24

24

Œ ˙ œ ˙ ˙1 sup -2 ab

ple-u -men -tro -

tumque

˙ ˙ œ ˙ œ1 sup -2 ab

ple -u -

mentro

--

tumque

˙ ˙ ˙ ˙1 sup -2 ab

ple -u -

men -tro -

tumque

˙ ˙ ˙ ˙1 sup -2 ab

ple -u -

men -tro -

tumque

˙n ˙ ˙ ˙

Œ ˙ œ ˙ ˙˙ ˙ œ ˙ œ

˙˙˙n

˙˙˙

˙˙˙

˙˙˙

˙ ˙ ˙ ˙ ˙sen -com -

su -par

umsit

delau

--

˙ ˙ ˙ ˙ ˙

˙ ˙ ˙ wsen -com -

su -par

umsit

de -lau -

˙ ˙ ˙n ˙ ˙sen -com -

su -par

umsit

delau

--

˙ ˙# ˙ ˙ ˙

˙ ˙# ˙n wsen -com -

su -par

umsit

de -lau -

˙ ˙ ˙n w

˙˙

˙

˙˙˙

˙

˙˙˙

˙˙˙

˙˙˙

## ˙

˙˙

nn

n ˙ ˙ww

˙n ˙ ˙ wUfecda

--

tu -ti -

i.o.

˙ ˙ ˙ w

˙ ˙ ˙ wUfecda

--

tu -ti -

i.o.

w ˙ w

˙ ˙ ˙ wUfecda

--

tu -ti -

i.o.

w ˙ w

w ˙ wfec -da -

tu -ti -

i.o.

w ˙ wU

˙˙˙

n ˙˙

˙˙˙˙wwww

U

˙ ˙˙˙˙

wwwu

ww

Tantum ergo in E - page 46

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&

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24

24

24

24

24

24

∑ ˙ ˙

A -

˙ ˙ ˙ ˙

˙ ˙ ˙ ˙˙

- -

__

„∑ ˙ ˙

∑ ˙ ˙

A -

˙ ˙ ˙ ˙

˙ ˙ ˙ ˙

- - - -

˙ ˙ ˙ ˙

˙ ˙ ˙ ˙˙˙

˙ ˙˙

˙˙ ˙

__

„∑ ˙ ˙

˙ ˙ ˙ ˙A - -

˙ ˙ ˙ ˙

˙ ˙ ˙ ˙- - - -

w w

˙ ˙ ˙ ˙

- - - -

w w

˙ ˙˙

˙˙

˙˙w

˙ ˙ ˙ ˙w w

__

__ ˙ ˙ wA - men.

˙ ˙ wU

˙ ˙n wU- men.

˙ ˙ w

˙ ˙ w- - men.

˙ ˙ wU

˙ ˙ w

- - men.

˙ ˙ wwU

˙˙

˙˙n wwww

U

˙˙

˙˙˙

wwwwu

& jœ œ œ œ œ œ œ œ œ œ1 Tan -2 Ge -

tumni -

er -to -

gori,

sa -ge -

cra -ni -

mento

--

tumque

œ œ œ œ œ œ œ œ œ œvelaus

- ne -et

re -ju -

murbi -

cer -la -

nu -ti -

i:o:

& jœ œ œ œ œ œ œ œ1 et2 sa-

an -lus,

ti -ho -

quumnor,

do -vir -

cu-tus

men-quo -

tumque

œ œ œ œ œ œ œ œno-sit

voetce -be -

datne -

ri -dic -

tu -ti -i:o:

jœ œ œ œ œ œ œ œprae-pro -

stetce -

fi -den -

destisup-ab

ple-u -men-tro -

tumque

& jœ œ œ œ œ œ œ œ œ1 sen -2 com -

su -par

umsit

delau

--

fecda

--

tu -ti -

i.o.

œ œ œ œ œA men.-

7Tantum ergo in E - page 5

After verse 2:

Plainchant melody (Mode III), Vatican edition with Solesmes rhythms

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Page 8: Music for Benediction - magnificatmusic.com Music for Benediction complete... · The manuscript source for this piece contains, in addition to this O Salutaris, the setting of Adoro

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Ó ˙ ˙A - do -

Œ œ( ) œ œ œ œ1 A - do -

2 Vi -3 In4 Pla -

5 O6 Pi -7 Je -

rosus,cru -gas,

me -esu,

tetac -cesi -

mo -pel -

quem

de -tus,la -cut

ri -li -ve -

˙ ˙ ˙w

˙ ˙ ˙˙

3 22 2Descant

3 22 2Melody

__________

3 22 2Organ3222

˙ ˙ ˙ro te de -

œ œ wvogusteTho

acala

----

---

te,tusbatmas,

lenetum

˙ ww ˙ww ˙

˙ ˙vo -

œ œ œ œla -inso -non

mor -Je -

nunc

tenstelain -

tissua -

De -fal -De -tu -

Do -Do -spi -

i -li -i -e -

mi -mi -ci -

w ˙ww

wte . . .

wtas,tur,tas,or

ni,ne,o.

w ˙ww

&

&

&

?

b

b

b

b

Ó ˙ ˙A - do -

Ó œ œ œ œ1 quae2 sed3 at4 De -

5 pa -6 me7 o -

subau -hicum

nisim -ro

hisdi -la -ta -

vi -mun -fi -

fi -tutetmen

vusdumat

˙ ˙ ˙˙˙ ˙ ˙

__________

˙ ˙ ˙ro te de -

œ œ wgusosime

vimunil

----

---

rislomulum

tamdalud

˙ ww ˙˙ ww

˙ ˙vo -

œ œ œ œve -tu -ette

prae -tu -

quod

retohu -con -

stanso

tam

la -cre -ma -fi -

ho -san -si -

ti -di -ni -te -

mi -gui -ti -

ww˙ ˙ww

wte . . .

wtas:tur:tas:or:

ni,ne,o:

˙ ˙wwww

Adoro te devote

FERNAND LALOUX

1901-1970

Music copyright © 2004, the estate of Fernand Laloux. All rights reserved.

Published by Magnificat Music http://www.magnificatmusic.com

8

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&

&

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b

b

b

b

Ó ˙ ˙Ti - bi

Ó œ œ œ œ1 ti -2 cre -3 am -4 fac

5 prae-6 cu -7 ut

bidobome

stajuste

sequid-ta -ti -

me -u -re -

corquidmenbi

aenave -

˙ w ˙

˙ ˙ ˙

__________

˙ ˙se cor

œb œ ˙medicresem

menstilla

----

---

umxitdensper

tilaya˙b ˙˙ œ œ

˙ œ œ˙b ˙

˙ ˙me -

œ œ œ œto -De -at -ma -

desal -cer-

tumi

quegis

tevumnens

sub -Fi -con -cre -

vi -fa -fa -

ji -li -fi -de -

ve -ce -ci -

ww˙ ˙nww

wum . . .

wcitus:tens,re,

re,ree,

ww ˙#ww

Ó ˙ ˙Qui - a

Ó œ œ œ œqu -nilpe -in

etto -vi -

iahoctote

terumsu

tever -quodspem

il -mun -sim

con -bope -ha -

lidumbe -

wwb ˙nww ˙

&

&

&

?

b

b

b

b

˙ ˙ ˙te con -

œ œ w1 tem2 ve3 ti4 be

5 sem6 quit7 a

----

- -

plansri - - -vitre,

perabtus

.ww ˙ww ˙

__________

wtem - - - -

œ œ œ œto -ta -la -te

dul -om -tu -

tumtistrodi -

ceniae

de -ve -pae -li -

sa -sce -glo -

fi -ri -ni -ge -

pe -le -ri -

wwwwwb

wplans . . .

wcit.us.tens.re.

re.re.ae.

wwwww

wA - - -

wA - - -

wwwwwbb

After final verse

wmen.

wmen.

wwwNNww

This little piece only exists in an incomplete manuscript form. All the music is present, but little of the

text. In the descant, only the first six bars contain text underlay, and the final Amen. In the melody, the first six bars contain the text of verse 1 only, and the final Amen. All remaining text has been

conjecturally inserted by the editor.

The first two phrases of the descant are the opening of the fifth mode plainchant melody traditionally sung to St Thomas Aquinas's text Adoro te devote.

9Adoro te page 2

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&

?

&

?

#

#

#

#

44

44

44

44

..

..

..

..

Œ

œ1 Cor

œ

œœ

œœ

S.A.

T.B.

Organ

œ œ œ œJe - su, Cor pu -

œ œ œ œ

œœ œœ œœ œœœ œ œ.˙ œœ

œ œ œ œ5 - tis - si - ma, sic

œ œ œ œris -

3 - ra -5 - tis -

si -phi -si -

mum,co

ma,

Oa -

sic

œ œ œ œ

œœ œœ œœ œœ

œœ œœ œœ œœ

%

%

œ œ œ œmo - ri vi a -

œ œ œ œa -

mo -mo -

rareri

san -corvi

cti -fla -a -

œ œ œ œ

œœ œœ œœ# œœ

.˙ œœ œ œ œ

&

?

&

?

#

#

#

#

˙ œ œmo - ris! A -

˙ œ œ1 ta -3 gra -5 mo -

tis!ret,ris!

CornonA -

˙ œ œ#

˙ œ œœœ œ œœ œ œ œ#.˙ œ

œ œ œ œmo - ris sit cor

œ œ œ œnme -ta -

mo -

ummenris

pur -hocsit

gain -cor

œ œ œ œ

œœ œœ œœ œœœ œ œ œ˙ ˙

œ œ œ œvi - cti - ma pro

œ œ œ œsor -cen -vi -

di -di -cti -

dum,co,ma

in -nonpro

œ œ œ œ

œœ œœ œœ œœœ œ œ œœ˙ œ

œ œ œ œCor - de Re-demp -

œ œ œ œfe -sa -

Cor -

ctumtisde

totTeRe-

pec -a -

demp -

œ œ œn œ

œœ œœ œœ œœ

œœ œœ œœn œœ

œ œ# œto - ris.

˙# œca -ma -to -

tis.ret.ris.

˙ œ

˙ œœœ œ#˙ œœ#

(Fine)

(Fine)

œ2 Cor4 Ut

œ

Œ

œ

Œ

FERNAND LALOUX

1901-1970

Cor Jesu, Cor purissimum

Music copyright © 2004, the estate of Fernand Laloux. All rights reserved.

Published by Magnificat Music http://www.magnificatmusic.com

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Page 11: Music for Benediction - magnificatmusic.com Music for Benediction complete... · The manuscript source for this piece contains, in addition to this O Salutaris, the setting of Adoro

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do -gnemrem

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This piece was in regular use at whole-school Benedictions for the boys of Wimbledon College (Jesuit grammar school) during the 1950s and 1960s.

Cor Jesu, Cor purissimum - page 2

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Page 12: Music for Benediction - magnificatmusic.com Music for Benediction complete... · The manuscript source for this piece contains, in addition to this O Salutaris, the setting of Adoro

Translations

O salutaris

O saving victim, who opens the gate of heaven, To the Lord, the One-in-Three be eternal glory,

our foes wage war against us: come to our aid! who gives us life without end in our heavenly home.

Tantum ergo

Therefore we venerate such a great sacrament

and the old order gives way to the new rite.

Faith makes up for what our senses cannot perceive.

To the One who gives birth and the One who was born

be praise and exaltation, also salvation, honour and merit and blessing,

and to the Other proceeding from them both be equal praise.

Adoro te devote

1 Devoutly I adore you, O hidden God, 4 Like Thomas, I cannot see your wounds,

who truly lies beneath these appearances. but, my God, I still confess you.

My whole heart is surrendered to you, Make me ever more strongly believe,

for in contemplating you it is powerless. hope in you, love you.

2 Sight, touch and taste all fail to discern you, 5 O memorial of the Lord's death,

but hearing only is to be believed. living bread that gives life to humans,

I believe whatever the Son of God has said, grant that my mind may live on you

nothing could be truer than what this Word of truth has said. and that it may find you sweet to taste.

3 On the Cross lay nothing more than the Godhead, 6 Sweet pelican, Jesus, Lord,

but there also lay humanity. cleanse me, a wretch, in your blood,

In both believing and confessing of which just a drop can bring salvation

I ask the same as the repentant thief. to the whole world from all its transgression.

7 Jesus, who though veiled I now gaze upon,

I pray you, grant what I thirst for so much,

that, your face revealed,

I may be blessed to behold your glory. Amen.

Cor Jesu. Cor purissimum

1 O Heart of Jesus, purest Heart, 3 But what? if with seraphic love

O altar of sanctity, my heart burned,

cleanse my sordid heart, this would not be fire enough,

so infected by sins. it would not love you enough.

2 Most humble Heart, 4 That therefore in order to love you enough,

Heart full of goodness! O Heart of Jesus,

Give me a Heart like Yours, give me, you who love me,

give me the fire of love. an immensity of burning love.

5 O death most longed-for,

so strongly that one could die of love!

may my heart be a victim

of the Redeemer's Heart. Amen.

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