Museums and Big Data — Supporting Exploration, Innovation, and Audience Engagement in the Cultural...
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Transcript of Museums and Big Data — Supporting Exploration, Innovation, and Audience Engagement in the Cultural...
Seeing the Forest and the Trees
Supporting Exploration, Innovation, and Audience Engagement in the Cultural Sector
Robert Stein@rjsteinMUSEUMS & BIG DATA
A BIT ABOUT ME
SCALEWhat does it mean to think about audiences that
HOW CAN THE MUSEUMREACH THE ENTIRE AUDIENCE?
SCALELarge systems exhibit unique properties that change context for the individual
Tara Donovan, Untitled, 2014. acrylic and adhesive
Tara Donovan, Untitled, 2014. acrylic and adhesive
Tara Donovan, Untitled, 2014. acrylic and adhesive
All images courtesy of Pace Gallery, photographed by David Behringer. All artworks Tara Donovan. All images Pace Gallery.Tara Donovan, Untitled, 2014. acrylic and adhesive
MUSEUM UNIVERSEDATA FILE
33,072 MUSEUMS
33,072 MUSEUMS
Museums with total income in excess of $5M represent only 2.7% of all museums in the data regardless of discipline.
Annual Statistical Survey 220 Museums Responding 300 pages of statistics for the year 1 super-giant Excel document
AAMD Survey DataTableau Public
How much should I spend on Digital Advertising?
Where do high attendance museums devote their budgets?
Where do high attendance museums devote their budgets?
WHAT MAKES ONE ORGANIZATION MORE EFFECTIVE THAN ANOTHER?
NATIONAL CENTER FOR ARTS RESEARCH
The National Center for Arts Research at SMUNCAR explores and analyzes issues surrounding patronage and fiscal health of our nations arts organizations. NCAR provides data-based insights that enable arts and cultural leaders to overcome challenges and increase their impact.NCAR has created among the largest database of arts information ever collected, delivering findings to arts leaders, funders, policymakers, researchers, and the general public.
KIPIKey Intangible Performance Indicator
The National Center for Arts Research at SMUNCAR is exploring 128 indices drawn from data provided by several national data partnersCultural Data ProjectNational Assembly of State Art AgenciesNational Center for Charitable StatisticsNational Endowment for the ArtsTheatre Communications GroupLeague of American Orchestras
Access the complete findings and reports at: http://mcs.smu.edu/artsresearch/
Welcome Super-Special Cultural Organization
Super-Special Cultural Org INC
Super-Special Cultural Org INC
PREDICTION
THE ART OFPREDICTION IN MUSEUMS
35% IMPROVEMENT OVER PRIOR MODEL
SCALEThe emergent behavior of groups is composed from the actions of individuals
SCALEOne European Starling
SCALEFive European Starlings
Vimeo Credit ~flight404SCALEOne Hundred Thousand European Starlings
MUSEUMS EXCEL ATCREATING GREATEXPERIENCES FORINDIVIDUALS
BUT WE OFTEN FAIL TO THINK ABOUT EXTENDING THAT TO THE WHOLE AUDIENCE
CAN DATA HELP CREATEA SMART MUSEUM THAT ISAGILE AND RESPONSIVE?
BEHOLD THE PEN
AND TABLES AND STUFF
Visualizing the Cooper-Hewitt Pen Datahttp://github.com/cooperhewitt/the-pen-data
More than 3.4M interactions and 2.5M collection objects have been saved during 108K visits since March 2015
The median number of objects collected is stable at around 18 objects / visit.
And the winner is staircases.
MAKINGFRIENDS
KIOSK EXPERIENCE
ACTIVITIES AND BADGES
REWARDS
A VERY LARGE SAMPLE
LOCAL IMPACT WITHNATIONAL REACH
BIG DATA eh maybe2M+ Rows of activity data> 111k Users> 20 Fields Each Big for Museums Anyways
Summarize issues connected with data-sizeTalk about tools used and their relative advantagesChartioTableauPython + pandas, numpy, scipy, etc
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SO WHAT DO YOU DO WITH ALL THESE NUMBERS?
Front-of-house recruiting successesMotivate visits to the permanent collexGeographic distribution of participation (infer census)Call and response in the data (exhibitions)Repeat Visits
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BEHAVIOR OF REPEAT VS ONE-TIME VISITORS
NORMALIZEDBY POPULATION
+50%
ATTENDANCE
FIRST TIME VISITORS+35% From 4% in 2008 to 39% in 2016
MOST COMMON AGES18-2946% of Visitors are between the ages of 18-29 In 2008, most visitors were between the ages of 54-64
INCREASED MINORITY PARTICIPATION+23%Including a 20% increase in participation among Hispanic audiences
Flickr Credit ~DonkeyhoteyWHAT MIGHT A GLOBAL ENGAGEMENT NETWORK LOOK LIKE?
Image courtesy of seoultown.blogspot.com
THANKS!@rjsteinTara Donovan, Untitled, 2014. styrene index cards, metal, wood, paint and glue