Museum as Platform; Curator as Champion

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"Museum as Platform; Curator as Champion: Learning to sing in the age of social media," a presentation by Nancy Proctor at the conference, "Event Culture: The Museum and Its Staging of Contemporary Art" organized by the Copenhagen Doctoral School of Cultural Studies, Department of Arts and Cultural Studies, Louisiana Museum of Modern Art, 7 November 2009. Creative Commons License Attribution-Noncommercial 3.0 United States

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  • 1.Museum as Platform; Curator as Champion Nancy Proctor, Smithsonian American Art Museum [email_address] 7 November 2009 Learning to singin the age of social media

2.

  • Event Culture:
  • The Museum and Its Staging of Contemporary Art
  • Copenhagen Doctoral School
  • of Cultural Studies
  • Department of Arts and Cultural Studies
  • Louisiana Museum of Modern Art
  • 7 November 2009
  • Creative Commons LicenseAttribution-Noncommercial 3.0United States

3. Dr Ralph Stanley:Curator of the Song http://drshow.org http://drralphstanley.com Nancy Proctor, ProctorN@si.edu 4. Are museums a fad? Nancy Proctor, ProctorN@si.edu 5. What is the Museum in this Web 2.0 world of information on demand? Nancy Proctor, ProctorN@si.edu

  • From presentation to performance
  • From permanent to temporary
  • From knowledge to events

6. The American Art Museum Nancy Proctor, ProctorN@si.edu 7. The Museums Nancy Proctor, ProctorN@si.edu 8. Photo by Mike Lee, 2007; from SAAM Flickr Group Our audiences now access American Art through a wide range of platformsbeyondthe museums walls and website Nancy Proctor, ProctorN@si.edu 9. The Museum has become aDistributed Network Nancy Proctor, ProctorN@si.edu 10. The Museum is transforming from Acropolis Nancy Proctor, ProctorN@si.edu 11. into Agora Nancy Proctor, ProctorN@si.edu 12. In & Out Nancy Proctor, ProctorN@si.edu Curator David Allison, Chair of Information Technology & Communication, National Museum of American History, Smithsonian Institution Out In Stability/stodginess Change Curators as experts Curators as collaborators & brokers Monographs Stories Control Collaboration Web 1.0 Web 1.0, 2.0 and 3.0 13. Your museumissocial media Nancy Proctor, ProctorN@si.edu 14. Tate Britain, 2007:How We Are: Photographing Britain 15. Brooklyn Museum, 2008:Click! A Crowd-Curated Exhibition 16. Smithsonian American Art Museum, 2009:Fill the Gap! Nancy Proctor, ProctorN@si.edu 17. Milwaukee Art Museum, 2009:American Furniture, Googled Nancy Proctor, ProctorN@si.edu 18. Torrance Art Museum, 2009:On Gonzo Curating

  • To engage others, to become more collaborative and interactive with outside curators and professionals worldwide, to see our programming develop more hand-in-hand with a global enquiry and with curators in different contexts with different aims and agendas, alongside fulfilling our obligation to visually and intellectually engage a myriad of different types of visitor.
  • http://www.torranceartmuseum.com/gonzocurating.php

Nancy Proctor, ProctorN@si.edu 19. Who is a curator? http://smithsonian20.si.edu/schedule_webcast2.html Nancy Proctor, ProctorN@si.edu 20. Powerhouse Museum:original online record, incomplete Nancy Proctor, ProctorN@si.edu 21. Powerhouse Museum:1 week later http://www.powerhousemuseum.com/collection/database/?irn=248651 Nancy Proctor, ProctorN@si.edu 22. Society doesnt need newspapers. What we need is journalism.

  • For the next few decades, journalism will be made up of overlapping special cases. Many of these models will rely on amateurs as researchers and writers. Many of these models will rely on sponsorship or grants or endowments instead of revenues. Many of these models will rely on excitable 14-year-olds distributing the results. Many of these models will fail. No one experiment is going to replace what we are now losing with the demise of news on paper, but over time, the collection of new experiments that do work might give us the journalism we need.
  • Clay Shirky, Newspapers and Thinking the Unthinkable, 2009.

Nancy Proctor, ProctorN@si.edu 23. And we need curation but who is a curator?

  • While scholars and museum visitors contribute to the enrichment of curatorial practice through a social media dialogue, I do not share the view that using social media makes everyone a curator. Curators are the most trusted art experts, whose aggregated knowledge, critical thinking abilities, and aesthetic observations define the meaning and value of art.
  • Neal Stimler, Metropolitan Museum of Art

Nancy Proctor, ProctorN@si.edu 24. Nancy Proctor,[email_address]9 December 2008

  • Inspire us with their passion;
  • Identify, research & preserve our cultural treasures
  • And make them relevant to our lives;

In the Agora, we need curators who: 25. Nancy Proctor,[email_address]9 December 2008

  • Help us see, read & think critically;
  • Curate the conversation;
  • Take us from wedo the talking to we helpyoudo the talking.

In the Agora, we need curators who: 26. Lining the song Nancy Proctor, ProctorN@si.edu