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Museum Architectural Considerations
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Transcript of Museum Architectural Considerations
![Page 1: Museum Architectural Considerations](https://reader036.fdocuments.net/reader036/viewer/2022082804/5479d0205806b59e048b4719/html5/thumbnails/1.jpg)
MUSEUM SPACE PROGRAM PLANNING
AND THEIR RELATION TO BUILDING NEEDS
ELAINE HEUMANN GURIAN
2006Elaine Heumann Gurian 2006
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INTRODUCTION• This slide package is intended to use with
groups whose museums are undergoing physical change.
• It is intended to begin the conversation with those unfamiliar with architectural program planning to understand that it is narrative based and can be a helpful discussion for architects.
• This is obviously not comprehensive but a start toward understanding process.
Elaine Heumann Gurian 2006
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MUSEUM INTENTION
• OBJECT CENTERED– Study Storage
• NARRATIVE• CLIENT CENTERED
– Learning theory– Visitor Services
• COMMUNITY FOCUSED– Social Services co-located
• NATIONAL
Elaine Heumann Gurian 2006
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MUSEUM ECONOMICS
• FEES– Free or entrance charges
• MIXED USE SPACE– Other agencies, special events,
performances, café, shopping, etc.
• SYNAGY BETWEEN USES– Lurking, regulars, public lobby’s, etc.
• HOURS
Elaine Heumann Gurian 2006
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LOCATION
• NEUTRAL SPACE
• PUBLIC TRANSPORT
• WALKING STREETS
• URBAN VS PARK-LIKE
• INSIDE AND OUTSIDE PROGRAM
Elaine Heumann Gurian 2006
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INTENDED AUDIENCES
• Who are the primary visitors?• Who are other essential groups needing
special space consideration? • GROUPS
– Schools– After-school and community– Elderly– Tourists
• ACCESSIBILITY– Handicapped– Well Elderly
• SMALL SOCIAL GROUPS– Families– Young adults
Elaine Heumann Gurian 2006
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EXHIBITION PHILOSOPHY
• Tone and style
• Layering
• Relationship with audience
• Co-curating and audience response.
• Curator’s voice
• IPod and other technology
Elaine Heumann Gurian 2006
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EXHIBITION SPACE• Temporary exhibition program. How often
do you change. How long does reinstallation usually take?
• Where do the temp galleries need to be?• What kinds of security and climate control
do you need? Do you need the same for each gallery?
• What kinds of responsiveness do you want to plan for?
• Wireless and other electrical considerations.
Elaine Heumann Gurian 2006
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TONE AND STYLE
• WAYFINDING – Can I find my way?
• WORD CHOICES – formal or conversational.
• LINGERING – watching, regrouping, strolling encouraged?
• MIXED USE – visiting for reason other than gallery viewing encouraged?
• AMENITIES – seating, conversations, toilet design. Elaine Heumann Gurian 2006
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AUDIENCE PARTICIPATION
• Can the visitor do unrelated activities?
• Is it encouraged?
• Meeting up places?
• Family friendly food service, grouping.
• Access to more information?
• Access to storage?
• Greeting?
• Audience input?Elaine Heumann Gurian 2006
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STAFF NEEDS
• Where are the staff offices?
• Who is sitting next to who?
• How many need to be on-site?
• How many in total?
• Where are the meeting rooms? How many do you need?
• Are there private offices?
• Will exhibitions be created on site?Elaine Heumann Gurian 2006
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OUTSIDE AND TRANSITION
• Can the outside be programmed?
• Can the outside encourage other uses (food market, music, seating)?
• Is there outside space needed past the admissions barrier?
• Can there be inside park-like spaces?
• How difficult is it to find the site?
• How daunting to enter the building?Elaine Heumann Gurian 2006
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ADJACENCIES
• What needs to be next to what?
• How do school groups enter and leave? Where do they go during the visit?
• How is the building used for functions?
• Where are the shops, cafes, regrouping, special entrances, security?
• Loading docks, crate storage, reinstallation spaces.
Elaine Heumann Gurian 2006