MUS1100 Exploring Music World Music Semester 1, 2006
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Transcript of MUS1100 Exploring Music World Music Semester 1, 2006
Today’s LectureToday’s Lecture
Part I. Historical backgroundPartII. West SumatraPart III. Central JavaPart IV. Bali
Part I. Historical backgroundPartII. West SumatraPart III. Central JavaPart IV. Bali
Gong-chime CulturesHistorical Background:Gong-chime CulturesHistorical Background:
8th Cen. Borobudur Budhist monument base reliefs of instruments
13-16th Majahpahit Hindu Javanese Empire Court Arts, music and dance for the god-king
16-19th Cen. Islamic domination and Dutch colonies
20th Cen. Island archipelago unified as Indonesia
8th Cen. Borobudur Budhist monument base reliefs of instruments
13-16th Majahpahit Hindu Javanese Empire Court Arts, music and dance for the god-king
16-19th Cen. Islamic domination and Dutch colonies
20th Cen. Island archipelago unified as Indonesia
West Sumatra:West Sumatra:
Minangkabau Peoplehighlands utilize small gongs and
percussion in an orchestra called talempong
Talempong - four small knobbed kettlegongs played by two to four players accompanied by drums called gandang
Gandang - double headed conical drums
Minangkabau Peoplehighlands utilize small gongs and
percussion in an orchestra called talempong
Talempong - four small knobbed kettlegongs played by two to four players accompanied by drums called gandang
Gandang - double headed conical drums
Musical example: Musical example:
Trk 2Talipuak Kampai Talempong Sikatuntuang Bunga Setangkai
Played by group of elderly women from Padang Alai. Six talempong played by four players, two-headed drum played with stick
and hand.Music of Indonesia Vol. 12 – Gongs and Vocal Music from Sumatra.
Smithsonian Folkways, 1996 CD2596
Trk 2Talipuak Kampai Talempong Sikatuntuang Bunga Setangkai
Played by group of elderly women from Padang Alai. Six talempong played by four players, two-headed drum played with stick
and hand.Music of Indonesia Vol. 12 – Gongs and Vocal Music from Sumatra.
Smithsonian Folkways, 1996 CD2596
Central Java:Central Java:
Gamelan - large percussion orchestra of bronze gongs, drums, string instruments and flutes.
50 to 60 musicians/singersFour instrument groups
1. gongs2. metallophones3. melodic instruments4. percussion
Gamelan - large percussion orchestra of bronze gongs, drums, string instruments and flutes.
50 to 60 musicians/singersFour instrument groups
1. gongs2. metallophones3. melodic instruments4. percussion
Gongs:Gongs:
Gong Ageng - the largest bronze gong, 1 meter in diameter, revered for its sonic/spiritual power
Kempul - smaller tuned gongs that punctuate melody
Gong Ageng - the largest bronze gong, 1 meter in diameter, revered for its sonic/spiritual power
Kempul - smaller tuned gongs that punctuate melody
Metallophones:Metallophones: Saron - single octave set of thick bronze slabs
suspended over a single trough resonator. Played with hard wooden mallet.
Three octaves:demung - lowbarung - middlepeking - high
Gender - multi-octave thin bronze keys with individual bamboo resonators. Played with two padded disc mallets and acts as melodic leader.
Saron - single octave set of thick bronze slabs suspended over a single trough resonator. Played with hard wooden mallet.
Three octaves:demung - lowbarung - middlepeking - high
Gender - multi-octave thin bronze keys with individual bamboo resonators. Played with two padded disc mallets and acts as melodic leader.
Java Listening Example:
Java Listening Example:
Trk 6 Lancaran Manyar Sewu Sl. Manyura From: Original Javanese Music: Wedding and
Welcome ceremony Vol. 3Keraton Records 1991, CD 193.
Trk 6 Lancaran Manyar Sewu Sl. Manyura From: Original Javanese Music: Wedding and
Welcome ceremony Vol. 3Keraton Records 1991, CD 193.
Performance ContextPerformance Context
Wayang Kulit - shadow puppet theatre- stories from the Indian epics Mahabharata and
Ramayana- Dhalang or pupperteer directs orchestra, operates
puppest, sing spoetry, speaks dialog for all characters
- -typical performance lasts from 9pm to 6am- For wedding, circumcisions, festivals of the royal
court of Yogya and Solo
Wayang Kulit - shadow puppet theatre- stories from the Indian epics Mahabharata and
Ramayana- Dhalang or pupperteer directs orchestra, operates
puppest, sing spoetry, speaks dialog for all characters
- -typical performance lasts from 9pm to 6am- For wedding, circumcisions, festivals of the royal
court of Yogya and Solo
Bali: the gamelan gong gede
Bali: the gamelan gong gede
Gong kebyar video ‘Festival 2004 Composed by Nyoman Winda“Lekesan”Flashy music and costumes ina virtuosic style
Metallophones
Metallophones
The three octaves of the gangsa family
The three octaves of the gangsa family
SummarySummary Bronze instruments form a major part of traditional and contemporary Indonesian musical identity.
Gamelan in its various forms from Sumatra, Java and Bali are instruments essential to the music of Indonesia
Bronze instruments form a major part of traditional and contemporary Indonesian musical identity.
Gamelan in its various forms from Sumatra, Java and Bali are instruments essential to the music of Indonesia