MSD 2018 INFOBOOK za web€¦ · using the routines of artful thinking and playful techniques in...

of the 6th Balkan MuseumNetwork’s annual conference”Meet, See, Do” 18 - 20 April 2018,Thessaloniki

InfoBook

Forward

Conference Programe

Conference Venues Map

About the Programme

About Keynote Speakers

About Facillitators

The List of the Participants

Table of Contents

7

6

9

10

24

26

47

Welcome to the Balkan Museum Network annual conference!

After inspiring and stimulating meetings we have had in Sarajevo,

Tirana, Novi Sad, Shkoder and Prishtina, we were very excited to

organize the conference in Thessaloniki, yet another great Balkan

cultural setting. Being here means not just the opportunity to

(re)discover the Thessaloniki museum landscape, or to learn about the

efforts of museum professionals in the region, being here signifies that

the Network had grown and has members from numerous new places

than initial eleven.

In the following three intensive days, three keynote speakers and

twenty six facilitators will address various important topics, structured

in lectures, workshops, panel discussions and networking sessions.

They are offering their knowledge and skills or new approaches and

best practices to support us in becoming more passionate in our work,

to expand our horizons and make our institutions more relevant,

inclusive and accessible to all.

With your contribution and active participation, we expect that the

annual conference of the Balkan Museum Network will continue to be

the hub of motivating and energizing ideas.

Forward

4

This year is the European Year of Cultural Heritage and we are very

proud that our Network is one of valuable actors in promoting both

importance of heritage and importance of common work of heritage

professionals. We are very thankful to the Stavros Niarchos

Foundation for recognizing our activities and for funding the

conference.

I wish to thank as well out host museums in Thessaloniki, especially

Macedonian Museum of Contemporary Art and all the individuals that

made this event possible!

Remember that you are here to Meet, See and Do! And enjoy! Looking

forward to all the sessions and meeting the participants.

Tatjana Cvjetićanin,

president of the Steering Board of the BMN

5

6

Conference Programme

Day 01Time 18 April 2018

8.30 - 9.00

9.00 - 9.30

Registration of the Participants

Welcome Address

Dr Tatjana Cvjetićanin, President of BMN

Dr Thouli Misirloglou, Director of the Macedonian

Museum of Contemporary Art

Dr Agathoniki Tsilipakou, Director of Museum

of Byzantine Culture

11.30 - 12.30 Workshops Parallel Session 1

1. Discussing the European Identity, Sofia Trouli

2. 3C: Cities on The Move - post-Ottoman

(common, collaboration, co-production), Igor Stepančić

3. Future Heritage 2218, for Brave and

those Willing to Play!, Andrej Bereta

4. A Hundred and One Ways to Remove Disabling

Barriers at Your Museum, Michèle Taylor

12.30 - 14.00 Lunch break

14.00 - 15.00 Panel Session

Heritage and Activism

Speakers: Dr Esther Solomon, Eliza Marin

and Elma Hodžić

Facilitator: Dr Tatjana Cvjetićanin

15.00 - 15.30 Break

15.30 - 16.30 Project Slamming and Presenting

9.30 - 10.30 Keynote SpeechWorking for MOMus: the new vision for visualarts in ThessalonikiThouli Misirloglou and Maria Tsantsanoglou

10.30 - 11.30 Coffee break and moving to the workshop spaces

Day 02

Time 19 April 2018

9.30 - 10.30 Keynote Speech

How to Recreate the Lost Sense of Place? Community

Museums and Interpretation of (In)Tangible Heritage

Dragana Lucija Ratković Aydemir

10.30 - 10.40 Brief Remarks by the Stavros Niarchos Foundation,

Anna Maria Kosmoglou



1. Curatorial Practice - Jewish Heritage: a Shared

Heritage of the Balkans, Christina Meri and Eva Koppen

2. Dealing with the Communist Past, Etleva Demollari

3. Valuation of Museum Objects - the First Step in

Heritage Interpretation, Katarina Živanović

and Lidija Milašinović

4. Developing New Audiences using Agile

Methodologies, Daniel Weiss


14.00 - 15.00 Panel Session

What is Balkan Heritage?

Speakers: Taja Vovk van Gaal, Philippos

Mazarakis and Thouli Misirloglou

Facilitator: Elma Hašimbegović

15.00 - 15.30 Break

15.30 - 16.30 Networking Session

7

Time 20 April 2018

9.30 - 10.30 Keynote speech

Lobbying for Cultural Heritage in Europe

Sneška Quaedvlieg - Mihailović




1. Transforming Future Museums: the Power

of Networks, Chrysa Zarkali

2. A Touch of History! Working Together

Towards Accessibility, Marinos Kachrilas

3. Roman Hairstyles Workshop in the Museum

of Srem, Jasmina Davidović and Sanja Samardžija

4. The Construction of our Perceptions,

Dimitra Sidiropoulou

15.00 - 15.30 Break

15.30 - 16.30 BMN Assembly meeting

Day 03


1. The enquiring museum and that cat called

democracy, Jenny Anghelikie Papasotiriou

2. From the Streets to UNESCO: The Story of Natural

Heritage Activism in Rosia Montana that Took Over the

World, Eliza Marin

3. Loving Museum, Nora Prekazi Hoti

4. Access Surveys: a Tool for Change, Etleva Demollari,

Irena Ružin and Artemis Stamatelou

16.30 - 17.00 Award Ceremony and Joint Photo

8

WHITETOWER

Arch of Galerius

AristotleUniversity ofThessaloniki

AristotelousSquare

Queen OlgaVasilissis Olgas Avenue 44

Geni Mosque Old Archaeological Museum

Makedonia PalaceHotel

Areos PlacePark

Leof. Nikis

Ippokrateio Hospital of Thessaloniki

Tsimiski

Egnatia

Olimpic Museum

Archaeological Museum of

Thessaloniki Manoli Andronikou 6

MacedonianMuseum ofContemporary Art Egnatia 154

ThessalonikiHistory Center

Exhibition Imagining "the Balkans - Identities

and memory in thelong 19th century"

Hipodrome Square

Leof. S

trato

u

Eth

. Am

inis

HagiaSophiaCathedral

RotondaRomanTemple

VenuesMap

RotondaHotelMonastiriou 97

ë

Jewish Museumof ThessalonikiAgiou Mina 13

9

Museum of Byzantine Culture

Leof. Stratou 2

https://goo.gl/maps/FqFYFX6mFLz

Thessaloniki History Center

Exhibition "Imagining the Balkans".

Identities and memory in the long 19th century",

Hippodrome Square

https://goo.gl/maps/V3gqZ2TCLn72

Hotels

Queen Olga

Vasilissis Olgas Avenue 44

https://goo.gl/maps/UYR2iH7BS472

Rotonda Hotel

Monastiriou 97

https://goo.gl/maps/9BKYW4mP2Fx

Museum of ByzantineCultureLeof. Stratou 2

Day 01Keynote

10

Working for MOMus: the new vision

for visual arts in ThessalonikiThouli Misirloglou, Director of the Macedonian Museum of Contemporary Art

/ Maria Tsantsanoglou, Director of the State Museum of Contemporary Art

Thessaloniki has the privilege of having two museums of contemporary art: the

Macedonian Museum of Contemporary Art (MMCA), founded in 1979 by citizens, and

the State Museum of Contemporary Art (SMCA), founded in 1997 by the Greek state.

The two museums, with all their branches and departments, are about to form a new

ambitious institution, the Metropolitan Organization of Museums of Visual Arts of

Thessaloniki. The speakers will refer to the history of each museum up to now and will

share with the participants the vision of MOMus.

Parallel workshops session 1Discussing the European Identity

Sofia Trouli

The workshop is based on the educational program: What is Europe for you; inspired by

the exhibition Critical Archives III: Identities. Europe: the faces and the territory*.

During the workshop we will study photos of selected artworks from the exhibition,

using the routines of artful thinking and playful techniques in the museum education.

The aim of the workshop is to show how we can approach difficult issues such as the

potential of a common European identity and the procedure of European

transformation in a museum. We focus more on developing self-reflection and

dialogue, fostering critical thinking through artful thinking and eliciting new questions

on the issue being discussed. The aim of the workshop is to learn by doing, how we

canapproach issues such as the question of the complexity of the European identity in

a museum of contemporary art.

In the first stage of the workshop we will approach the question what is Europe for us

following with the photos of the selected artworks from the exhibition and a

presentation. We will approach each artwork using a different activity inspired by artful

thinking routines or museum education technique and discuss the notion of European

territory and European identity. In the third stage we aim to create an artwork related to

our identity as citizens of the Balkans and of Europe

*The exhibition took place at the Museum of Contemporary Art of Crete, in Rethimno, from

December 20th 2017 until March 10th 2018 and was curated by Maria Maragkou, the

director of the Museum and Pavlos Fysakis, Yorgos Karailias and Dimitris Kechris, members

of the non-profit cultural organization KOLEKTIV8.

D3C: Cities on the Move - post-Ottoman

(common, collaboration, co-production)

Igor Stepančić

“At the end of World War I, several new nation states emerged on the ruins of the

Ottoman Empire. This exhibition looks at four cities which were deeply affected by this

process: Istanbul and Ankara in the Republic of Turkey, Belgrade and Sarajevo in the

Kingdom of Yugoslavia. Through the lens of local press photographers, we explore

how the new elites rebuilt the city centres to represent the values of their rule, how

nationalism and interwar 'Zeitgeist' shaped modern citizens through sport, dress, and

modern behaviour, and how everyday life continued in the old trade quarters as if

(almost) nothing ever had happened.”

The workshop focuses on the exhibition CITIES ON THE MOVE – POST-OTTOMAN*

that is currently touring the Balkan region. Focus of this workshop is on showing how

shared heritage of the Ottoman rule can be presented and understood in the Balkans,

being bold and yet keeping it from all kinds of political, ideological and nationalistic

interpretations. Also it tells a story of participation, collaboration and co production

capabilities in the region. Introductory part of the session will show how the exhibition was made and co-

produced, while the second part will be focused on active participation of attendees

who will discuss different topics related to the production of the exhibition, which will

be later connected in the third part of the workshop. The main goal of the workshop is

to show that shared effort, right from the initial idea to the end result is a key to

asuccessful exhibition.

*The exhibition CITIES ON THE MOVE – POST-OTTOMAN was made as a result of

collaboration between University of Basel, Museum of Yugoslavia in Belgrade, Mehmed

Akšamija photographer and professor from Sarajevo, Blueprint design studio from

Belgrade and many others.

11

FUTURE HERITAGE 2218, for Brave and those Willing to Play!Andrej Bereta

The setup is located 200 years in the future, and exhibition follows the story about

cultural habits of people on Earth in late XX century. “The audience“ is as diverse as

possible- different future- background, cultures and mostly without deep knowledge

about exhibitions’ topic. This workshop is about possibilities to create narratives for

future heritage, based on the facts about artifacts, possibilities for display of

exhibition, dedicated to various types of audience. It is also about awareness of

intrinsic values and how are they constructed in a particular historical context.

Keywords: heritage- how do we define meaning; importance of quality of collaboration

of different experts; various types of audience’ approach; shaping narrative.

A Hundred and One Ways to Remove Disabling

Barriers at Your Museum

Michèle Taylor

This workshop will present examples from across the world, with plenty of pictures.

Participants will see examples of barriers in museums and exhibitions that continue to

disabled visitors and staff, and examples of how barriers have been removed - either at

the design stage or later on during a remodeling of the space. During the presentation,

Michèle will analyse the design and build factors that create barriers, and draw

attention to simple and cheap solutions to encourage participants to think about their

own museums. You will come away with practical ideas to remove some of the barriers

that make it difficult for Deaf and disabled people to know about, visit your museum

and make the most of your museum. You will have the chance to draw up a short term

action plan with realistic steps you can take to implement change.

The aims of this session are to explain the nature of disabling barriers by using actual

examples, to support participants to recognise disabling barriers and to give

participants the chance to plan to remove disabling barriers at their own institutions.

12

Heritage and Activism

Should museums play an activist role? Should they take stance on matters like social

inequality, lack of sustainability, and violation of human rights? In this session it will be

argued that activism is part of the museums’ social and educational role. Given the

broad social framework of global economic instability, armed conflicts, increasing

refugee flows and divisive and xenophobic discourses about close and distant

“Others”, museums face unprecedented challenges and are called to assume new

responsibilities and action that can influence social change. Examples of international

and Greek museums embracing relevant issues will be explored, whereas the focus

will be given on interesting and innovative ways museums have proposed in order to

address refugeeism, displacement and forced migration.

Panel session

Project Slamming& Presenting Project Slamming & Presenting is an opportunity to present, test and verify your

projects using "audience checking" techniques. The session will consist of poster

presentation and Project Slams. The representatives of museums present activity of

their choice through a poster explaining the content to the curious minds of other

participants. Remember to have fun and learn a lot about the interesting ideas that are

presented! “Hmmm maybe we could do something similar together in the future....?!.

Brave, quick and competitive "poster presenters" would also have the opportunity to

give 5-8 minutes presentation of their projects, good examples related to conference

themes... Let us connect, support and learn from/with each other. Support your

favorite initiative and poster by giving them your point for the “The Best Poster Award".

13

How to Recreate the Lost Sense of Place? Community

Museums and Interpretation of (In)Tangible Heritage

Dragana Lucija Ratković Aydemir

Combining multidisciplinary approach, teamwork and competence in the area of

museology and ecomuseology, cultural management, interpretation and presentation

of heritage and the development of visitor experiences, inspired ideas from the field of

culture and tourism become economically viable and high-quality projects, promoters

of knowledge and progress. Through the examples realized in Croatia in the last ten

years, participants will become acquainted with key themes in the field of

interpretation, presentation and sustainable developmental use of heritage, especially

intangible, and how museums can be the carriers and promoters of innovation and

progress in the communities in which they operate.

Day 02Keynote

Curatorial Practice -

Jewish Heritage: a Shared Heritage of the Balkans

Christina Meri and Eva Koppen

The workshop will look into Jewish heritage across the Balkans. Most of the Balkan

Jews were descendants of refugees from Portugal and Spain, who had settled in the

Ottoman Empire after 1492 and kept a clear dominance throughout the region.

Participants will be invited to bring examples of questionable objects from their own

museum collections to the workshop for interactive identification with the group. The

workshop will provide practical tools for interpretation of Jewish objects in non-

Jewish museums on the Balkans.

Parallel session 2

14

Dealing with the Communist Past

Etleva Demollari

Almost 27 years after the fall of communism, fewer and fewer people in Albania have

any personal experience with the communist era and with the life at that time. They rely

on the information provided by their parents or grandparents as well as through the

media and education. Although the studies show substantial deficits in this matter the

power of authentic memory sites offers a unique learning opportunity to deepen the

understanding of our common past.

In Albania, many former prisons and other facilities related to the tragic memory of a

whole generation are still preserved. Some of them are transformed into museums,

such as the the newest museum in Albania - the National Museum of Secret

Surveillance “House of Leaves". This museum is located in a building that served as

the headquarters of the Sigurimi, the secret service agency operating throughout the

long dictatorship of Enver Hoxha.

At this workshop we will discuss different approaches to dealing with the past in

Albania and present specific examples such as opening of National Museum of Secret

Surveillance, “The House of Leaves" and the National History Museum. The second

part of the workshop will discuss how to motivate and teach young people to better

understand the dictatorship.

Valuation of Museum Objects -

the First Step in Heritage Interpretation

Katarina Zivanovic and Lidija Milasinovic

Values and meanings attached to heritage are culturally contingent and depend on the

time, space and context. Therefore, heritage may have different meanings for different

stakeholders and values may compete and change over time. Traditional models of

accessing values heavily rely on mono-disciplinary professional assessment and

notions. New principles use value assessment in much broader terms, to include and

understand the context and socio-cultural, political and economic aspects related to.

Considering this, the workshop represents the implementation of a methodology that

evaluates the value of museum heritage, which represents the first phase in the

interpretation of heritage. The methodology applies to the museum objects and it is

established on the basis of the methodology developed within the framework of the

regional project Ljubljana Process - Rehabilitating Our Common Cultural Heritage

15

(Živanović K. and Kisić V. (2014) Toolkit for Heritage Management Plan Development:

rehabilitation our common heritage, Evropa Nostra Srbija, Belgrade).The workshop will

consist of two parts: the first part will be theoretical and the second will be practical -

during the discussion all participants will evaluate proposed examples and discuss

them.

During the workshop we will learn how to create Statement of Significance as sum of a

different values: scientific (archaeological, ethnological, historical, anthropological,

technical), aesthetic (artistic, beauty), cultural (symbolic, spiritual, associative),

uniqueness (authenticity, integrity), educational (learning opportunities),

local/community (relation to local identity, sense of belonging, connection, beliefs,

communal pride) and economic (market, attractiveness for tourism).

Developing New Audiences using

Agile Methodologies

Daniel Weiss

The Galerija Matice srpske from Novi Sad example of two workshops with more

specific topics related to migration issues in the Serbian environment. The questions

and problems we wanted young people to expose to, were: 1. What are the

consequences of choices and decisions young people make; by leaving the country in

seeking a better life and education? 2. How can the media and visual media in

particular influence opinions and views about the historical and contemporary issues

of migration. The objectives of the workshop are learning about the ways to develop

new Museums audiences by changing the way museum’s collection are presented to

Panel session / debateWhat is Balkan Heritage?

The panelists will present different institutions, programmes and exhibitions that

disclose and discuss the Balkan heritage in a wider European context. The

conversation will take us from the story behind the establishment of the House of

European History, to the making of the exhibition "Shared Sacred Sites" that talks

about the religious coexistence; The curatorial process of the “Imagining the Balkans,

16

Identities and Memory in the long 19th century” exhibition and The European Heritage

Days held throughout Europe in September each year.

Networking SessionGathering in thematic corners the networking session is the time for active

communication among the participants. Guided conversations are dedicated to an

aspect of the museum work that and will resonate with your work. At his session we

will ask and answer questions, network, exchange ideas, thoughts, experience, current

practices and possible solutions to the problems…

17

Day 03Keynote

Parallel session 3The Enquiring Museum and the Cat Called Democracy

Jenny Anghelikie Papasotiriou

What is identity, what are 'facts' and what do museums have to do with resistance?

Heritage triggers questions and generates meaning. In this workshop, we will share

tools from the analytical philosophy, philosophy of the mind, political philosophy and

theory of knowledge to develop ways for interrogating objects but also for letting the

objects interrogate us. The proposed activity operates on the premise that museums

are essentially the spaces of questioning and critical engagement.

Lobbying for Cultural Heritage in Europe

Sneška Quaedvlieg-Mihailović

The European Year of Cultural Heritage is a result of an effective lobbying by a large

range of heritage stakeholders. Europa Nostra has played a key role in this process as a

Voice of Cultural Heritage in Europe and as a coordinator of the European Heritage

Alliance 3.3. The speaker will share with Conference participants her extensive

lobbying experience at European level ahead of the first ever European Cultural

Heritage Summit which will take place in Berlin on 18-24 June 2018 and in the light of

the current political momentum for a more ambitious EU Agenda and Action Plan for

Cultural Heritage. She will also engage in a conversation with the audience about the

specific lobbying needs, objectives and tools for the museums and other heritage

stakeholders in the the Balkans and the wider region of South-Eastern Europe

18

From the Streets to UNESCO:

The Story of Natural Heritage Activism in

Rosia Montana that Took Over the World

Eliza Marin

Rosia Montana now stands for the grassroots fight of the civil society to protect its

2000 years' cultural landscape. The role of activism, in this context, is to unite

international experts, institutions, organizations and civil society to safeguard its

heritage and also to reevaluate their own position for social change. Why museums

have the responsibility to actively participate in a more engaged practice linking their

local communities concerns with global one, will be the main question.

Loving Museum

Nora Prekazi HotiMuseum of Mitrovica (MoM) with six decades of existence, since 2009 is using a

building that was known as “Yugoslavian Army House”. The workshop will share the

story on how the love of the professional staff is transforming a building that was not

made for museum into an active museum. With several projects during these last

year’s MoM is transforming slowly but surely changing the shape of how cultural

heritage and objects can be interpreted. Project “Mitro I love you” is playing a crucial

role on city and museum brand development by making communities part of the story

and by inspiring them for a change.heritage and objects can be interpreted. Project

“Mitro I love you” is playing a crucial role on city and museum brand development by

making communities part of the story and by inspiring them for a change.

Access Surveys: a Tool for Change

Etleva Demollari, Irena Ružin and Artemis Stamatelou

Nowadays more and more museums choose to evaluate how accessible they are to

disabled people. Starting from the social model of disability, museums consider

access surveys or access audits as a necessary process to understand what they

already do well and what they need to improve, in order to become barrier-free

environments for all. By initiating an access survey, museums acquire a useful tool for

change that will help staff to increase their understanding of various physical, sensory,

attitudinal, intellectual and cultural barriers, as well as to prioritise decisions and

actions that will improve access.

19

The overall aim of the workshop is to discover the challenges and opportunities in this

process by focusing on the following issues:

� What are the reasons to carry out an access survey?

� Who it is intended for?

� What an access survey should cover?

� What are the benefits and outcomes of the survey?

� What to consider when collaborating with an access consultant?

� How should you get started?

The workshop is facilitated by 4 members of the Balkan Museum Access Group

(BMAG) that have recently undertook the mission to survey member museums of the

Balkan Museum Network, within the framework of the project “Stories of the Balkans –

Building capacity of museum professionals in interpretation and access to museums”

funded by Headley Trust (UK). Through interactive presentation and sharing of

experience, games and teamwork the participants in the workshop will have the

opportunity to reflect and discover by themselves the benefits of an access survey and

the possibilities it creates towards an accessible and participatory museum.

20

Parallel session 4

Transforming Future Museums: the Power of Networks

Chrysa Zarkali

Museums in Greece, as in the rest of Europe, are experiencing rapid change and face

multiple challenges. These changes and challenges increase the need to train a new

generation of museum leaders. In response to this need, the British Council has

launched Transforming Future Museums (January 2016–July 2018) supported by

Stavros Niarchos foundation, an intensive professional development programme

designed to boost the museum and heritage sector in Greece by enabling it to respond

to the challenges and possibilities of a new era. A core part of the programme is the

Museum Professionals Network. Our Transforming Future Museums programme has

kick-started the creation of the Museum Professionals Network: a peer-focused

network that will operate as a space to improve knowledge sharing, explore

unexpected fields and modes of collaboration, and foster peer-to-peer consultation.

The network aspires to empower and engage museum professionals in a journey of

personal and collective professional development for the future well-being of

museums and their people. Networking has long been recognised as a powerful tool

for business people and professionals. Knowing more people gives you greater

access, facilitates the sharing of information, and makes it easier to connect with like-

minded professionals. Our workshop is aiming to focus on the power of networks in

both professional and personal development and in creating strong working

relationships amongst institutions and individual professionals.

A Touch of History! Working Together

Towards Accessibility

Marinos Kachrilas

“A Touch of History!” is the new educational project of the National Historical Museum

of Greece (NHM) designed in collaboration with the Lighthouse for the Blind. The NHM,

since its foundation, is aware of its mission to be accessible and, given the restrictions

of its historic building, it constantly explores ways to achieve this, both inside and

21

beyond its buildings physically and digitally, through long-term collaborations with

cultural, educational and social partners.

In this framework, the aim of the project is to improve museum access to blind and

partially sighted people. It includes a Touch Tour structured around 15 original objects

in the permanent exhibition; handling sessions based on original objects, tactile

copies and audio exhibits; and accessible information in Braille and large font. This

multimodal approach is chosen to inspire exploratory learning and foster accessibility

for all. The social model of disability and active involvement of all participating parties

is at the heart of this process through the consultation provided by blind and partially

sighted people and their contribution as co-creators of the project activities.

The workshop offers a presentation of the concept, methodological concerns and

results of the project with focus on the advanced communication means that have

been deployed. It will also give the opportunity to participants to practice hands-on

multi-sensory interpretation by handling tactile collections of historical objects. They

will also be encouraged to share their experience on the implementation and

sustainability of collaborative projects that promote accessibility and diversity.

Roman Hairstyles Workshop

in the Museum of Srem

Jasmina Davidović and Sanja Samardžija

The workshop consist of storytelling part with explanation of the specifics of the

Roman women hairstyles and the process of making them. The workshop will show

images of hairstyles from the Museum collections (hairstyles from the stone

monuments, coins - representations on coins are done in cooperation with the curator

of the numismatic collection. Some practical demonstrations will be done too as a

demonstration of interaction with museum audience.

The Construction of Our Perceptions

Dimitra Sidiropoulou

The general idea is to rethink how history is written through the years, how identities

and memory is formulated and the role of museums and cultural institutions around

these issues. Museums and cultural institutions by developing a self-criticism about

their role around these issues can open a dialogue with their communities on how they

could cooperate in order to clarify the way our perceptions about the past, reality,

identity are build, the role of old and new media (photograph, cinema, digital media) in

22

this procedure. The everyday interest of the issue may encourage people of all

communities to feel able and free to participate and their opinion valued. At the same

ground, the opinions of particular communities (deaf, blind people) can not only be

included but particularly valued.

As every year, “Meet, See, Do” conference is an opportunity for members of the BMN

(representatives of museum members and individual members) to meet and discuss

what has been done in the last year and what are the plans for the forthcoming period.

Dear members, looking forward to discuss with you plans and ideas for the future of

the Balkan Museum Network. This session is for everyone.

After the Assembly meeting, the award for “The Best Craft-based Museum Souvenir of

2017” will be given to the representative of the winning museum. A joint photo of all the

participants will follow.

23

BMN Assembly

Thouli MisirloglouArt Historian (PhD), who has curated numerous public

andprivate collections, editions and art exhibitions, and

Director of the Macedonian Museum of Contemporary Art

(Thessaloniki). Thouli has collaborated extensively with

museums and other cultural institutions, both public and

private, and artists. During the period 2005-2006 she

contributed to the reactivation of the Thessaloniki Center for

Contemporary Art of the State Museum of Contemporary Art.

Since 2014 she is member of the artistic committee and

general co-ordinator of Dimitria Festival, an arts festival

organized by the City of Thessaloniki. She has participated

inthe development of European cultural programs and is a

member of various artistic committees and associations.

Dragana Lucija Ratković AydemirDragana Lucija Ratković Aydemir (born in Zagreb, Croatia in

1969) completed her study of Comparative Literature and Art

History in Zagreb. With professional training at the Marcel

Hicter Foundation from Brussels, she obtained the European

diploma in cultural project management. After decades of

work at the Ministry of Culture of the Republic of Croatia on

cultural heritage protection and UNESCO scholarship in

Poland, in 2005 she founded the MUZE/MUSES company in

Zagreb, the first to manage projects in culture and tourism in

Croatia.

By linking knowledge in the area of cultural heritage

protection, museology and interpretation of heritage, cultural

policies and cultural tourism with cultural and heritage

management skills, Dragana Lucija and her team act as

partners in the process of quality planning and professional

management of projects of interpretation and presentation of

heritage and the design of heritage attractions for visitors

across Croatia. Out of about forty successful destinations and

attractions, the Ecomuseum batana from Rovinj (featured on

UNESCO's list of best practices for the preservation of

intangible heritage), the Ivana’s House of Fairy Tales in Ogulin,

About Keynote Speakers

24

the Paklenica National Park interpretation and education

center are just few to mention... UNESCO's list of best

practices for the preservation of intangible heritage), the

Ivana’s House of Fairy Tales in Ogulin, the Paklenica National

Park interpretation and education center are just few to

mention... In 2009, she was elected as the president of

theAssociation of Maritime Museums of the Mediterranean

(AMMM), headquartered in Barcelona (four years mandate),

and since 2010 UNDP Croatia has been engaged her as an

expert consultant for the ecomuseology (project Coast). Since

the year 2012, she has been managing a project of

interpretation and presentation of nature for 30 investments

in the network of national parks, nature parks and protected

areas of Croatia (NATURA 2000). She is Vice-President of the

Croatian Association for the Interpretation of Heritage

"Interpretation of Croatia", the national coordinator of

Interpret Europe and a member of several professional

associations such as ICOM and ORACLE

Sneška Quaedvlieg-Mihailović Secretary General of EUROPA NOSTRA

She obtained a degree in International Law in Belgrade (former

Yugoslavia) and in European Law and Politics in Nancy

(France). She worked for European institutions in Brussels

and then for the European Commission Delegation in

Belgrade. She was one of the founders and the first

SecretaryGeneral of the European Movement in Yugoslavia.

In 1992 she joined the staff of Europa Nostra and in 2000

appointed as Secretary General.

She has contributed to many European and international

committees and networks, most recently to the “European

Heritage Alliance 3.3.” and the “New Narrative for Europe”. She

cooperates with the EU institutions, the Council of Europe

andUNESCO on heritage matters.

She has written many articles on Europe and cultural heritage.

She was a co-editor of the book "Heritage and the Building of

Europe" and a contributor to the books "50/20 Sketches and

essays", "Retour Brussel, Erfgoed en Europa" and “The Mind

and Body of Europe: A New Narrative.

25

Andrej BeretaAndrej is a curator, art historian, and cultural entrepreneur. He

is the Co-founder of ARTIKAL, Belgrade, since 2008. Since

2011 he is investing his strengths on the Project "About and

around curating/ Kustosiranje" (co-author with Srdjan Tunic),

an educative and research curatorial project, based on the

idea of lifelong learning, designed for professionals and

students from the fields of arts and culture and open for

general public. Since 2014 he is a curator of Ars Kozara:

international AiR, Art Laboratory in nature on mountain Kozara

(BiH). Andrej is a lecturer on Visual Arts at Independent

University of Banja Luka (BiH).

Jasmina Davidović Museum conculleur in the Museum of Srem, where she works

since May 2001. Interested in developing new methods in the

interaction with the public, Jasmina organized many different

events and activities in the museum for various audience

groups. At the moment Jasmina is finishing a book about

Roman pottery from Sirmium. In 2012, Jasmina was acting

director in the Museum of Srem.

About Facilitators

26

Etleva Demollari Etleva is Director of the National Museum of Secret Survei-

llance “House of Leaves” in Tirana. She has worked as a

specialist in the National History Museum of Tirana, where

she was the Head of the Educational Programs Department

from 2015 to 2017. is PHD candidate in the Doctoral She

School for Cultural Heritage in the Faculty of History and

Philology at Tirana University. Etleva is a member of the

Steering Board of BMN and the Balkan Museum Access

Group.

Elma HodžićElma Hodžić is a curator and art historian from Sarajevo. She

has a degree in art history and literature. Elma is researching

the connections between museums and collective identity.

She expores the process of storytelling in the museums and

discoveres the meanings and messages in museum objects.

Elma is active in the field of museum pedagogy and education,

but also in projects connected with heritage and activism. She

works in History Museum of Bosnia and Herzegovina.

Marinos Kachrilas-ArgyriadisMarinos is curator of the Historic Arms and Armour and

Political Posters Collections at the National Historical

Museum of Athens. Currently undertaking a PhD in Applied

Linguistics, Mr. Kachrilas-Argyriadis has studied Far Eastern

History and Archaeology at the School of Oriental and African

Studies (London University) as well as the socio-religious

belief systems of East Asia and the Indian Subcontinent. He

has also in the recent past actively participated in cultural

preservation and humanitarian aid projects in Central Asia

and the Middle East.r of ICOM/ICMAH, and of ICOM-Greece,

President of IAMH.

27

Eva Koppen Eva is specialized in management of cultural collaborative

projects and professional development activities in the field of

museums & heritage. For her own company ProMu Cultural

Projects, she has organized and contributed to various

exhibitions and heritage projects in the Netherlands and

Russia. For more than 10 years Eva has been involved in the

Jewish museums field and holds the position of Managing

Director of the Association of European Jewish Museums. MA

in Cultural History and in Museum Studies from the University

of Amsterdam (NL).

Eliza MarinEliza Marin is an emerging heritage professional in the field of

World Heritage, Protected Areas and cultural landscapes with

an emphasis on engaging local communities in strategies for

conservation, development and sustainability. With a Master

in World Heritage Studies, a background in European Studies,

she sees the cultural heritage of Europe, especially of Eastern

Europe, as a common cultural phenomenon, facing similar

challenges, and in a dire need of international, inter-cultural,

interdisciplinary and interpersonal cooperation.

Philippos Mazarakis-AinianRained in archaeology, history of art and protection of

architectural and urban heritage, Philippos works as curator

of plans and drawings and of arms and armour in the National

History Museum in Athens – Greece. He has presented

numerous related exhibitions, editions and events. Among

others, he was scientific coordinator for the UNESCO

exhibition project “Imagining the Balkans, Identities and thMemory in the long 19 century”, which involved the

cooperation of 12 museums from SE Europe. Today he is

presenting another major exhibition entitled “The WAR to end

all wars, 1914-1918”. He is currently vice-president of ICOM-

Greece as well as of the IAMH (International Association of

Museums of History, ICOM-affiliated). He has also occupied

positions as Treasurer of ICOM/ICMAH, and of ICOM-Greece,

President of IAMH.

28

Christina MeriChristina (DE/GR) holds an MA in Jewish Studies and Art

History from Heidelberg University. She has been working at

the Jewish Museum of Greece in Athens since 2004 as curator

of exhibits and collections. Since 2017 Christina is a Board

Member of the Association of European Jewish Museums

(AEJM), with a focus on curatorial issues and professional

development. She tutored at the AEJM Advanced Curatorial

Education Programme 2017 in Izmir (TR).

Lidija MilašinovićLidija is curator archaeologist and the director of the National

Museum of Kikinda. Born in Kikinda, Serbia, she was educated

at the Faculty of Philosophy in Belgrade, Department of

Archaeology. Her main fields of interest are museum

management, regional cooperation and content design.

Thouli MisirloglouArt Historian (PhD), who has curated numerous public and

private collections, editions and art exhibitions, and Director

of the Macedonian Museum of Contemporary Art

(Thessaloniki). Thouli has collaborated extensively with

museums and other cultural institutions, both public and

private, and artists. During the period 2005-2006 she

contributed to the reactivation of the Thessaloniki Center for

Contemporary Art of the State Museum of Contemporary Art.

Since 2014 she is member of the artistic committee and

general co-ordinator of Dimitria Festival, an arts festival

organized by the City of Thessaloniki. She has participated in

the development of European cultural programs and is a

member of various artistic committees and associations.

29

Jelena MočevićEuropean Heritage Days Programme Manager has been

involved in the field of culture and heritage since early 2000s.

Coming from Bosnia and Herzegovina, her love for heritage

and cultural diversity was inevitable and further grew during

studies at the Master of Local Governance and Master of

European Culture. Mixing her two passions – heritage and

digital technologies, Jelena’s focus on development of local

communities has contributed to the special emphasis on

heritage interpretation and the potential of social media to

grasp the attention of the public and capture the love for

heritage amongst the involved communities. She is also the

Community Manager for the World Forum for Democracy, with

special focus on youth involvement.

Jenny Anghelikie PapasotiriouHaving worked as an educator for museums, galleries and

heritage sites, Papasotiriou's practice has incorporated

contemporary art methodologies, philosophical enquiry and

approaches that combine the museum and the street.

Through her collaboration with artists, historians, youth

workers and teachers, she creates ways for audiences to

interrogate museum objects, historic sites and concepts.

Nora Prekazi HotiNora works at the City Museum of Mitrovica, in the Ethnology

department. Currently she is involved in MA of Ethnology at

Academy of Albanological Studies in Tirana. She was a short

time scholar in the Graduate Program in Historic Preservation

at the Pennsylvania University, School of Design-Penn Design.

Nora is a involved in different fields of arts and culture such

as painting, poetry writing and other forms of artistic

expression.

30

Irena RužinIrena is Program Director of the Institute and Museum Bitola

since 2006. Her professional work is mostly in management of

international and national projects, marketing and cultural

heritage education. Irena is Steering Board member of Balkan

Museum Network and a member of the Balkan Museum

Access Group (BMAG). The experience gained through BMAG

trainings and activities Irena implemented at Bitola museum.

At the moment, Irena is working in cooperation with museums

and colleagues from BMAG, various associations and schools

on projects of accessibility and inclusion.

Dimitra SidiropoulouDimitra studied archaeology and history at the University of

Thessaloniki and works as an archaeologist. She has finished

MA in Museum Studies at Leicester UK; attended courses of

ceramics and has formulated programmes for children in

private and public schools for the last two years that combine

history and archaeology with clay. In 2018, Dimitra has

completed the first semester of an MA in Public History.

Esther Solomon Esther is Assistant Professor in Museum Studies in the

Department of Fine Arts and Art Sciences at the University of

Ioannina. She studied archaeology, museum studies, and

social anthropology at universities in Ioannina, Florence,

Sheffield, and London. She has worked as a museologist and

exhibition curator in museums in Greece and abroad, and has

produced a series of studies and publications in international

and Greek journals, conference proceedings, and collective

volumes. Her research interests include the social and

political uses of cultural heritage, museum representations of

the past, public archaeology, cultural tourism, exhibition

curating, and material manifestations of social memory and

identity. Since October 2013, she has been teaching at the

Department of Theory and History of Art at the Athens School

of Fine Arts.

31

Artemis StamatelouArtemis is an archaeologist and museologist, based in

Athens-Greece. She is currently a PhD student in Museology

at the School of Fine Arts of the University of Ioannina. She

also works as a researcher on behalf of ICOM-Greece for the

project “Mu.SA. Museum Sector Alliance”, co-funded by

Erasmus+ Programme of the EU. Since 1997 she has been

working as a museum professional in institutions of various

types regarding their mission and collections, including

National Historical Museum, Municipal Art Gallery of Athens,

Byzantine and Christian Museum, Hellenic Children’s

Museum, Foundation of the Hellenic World. She is a General

Assembly member of the National Historical Museum of

Greece, and an active member of the Balkan Museum Network

and Balkan Museum Access Group.

Igor StepančićGraduated painting at the Faculty of Fine Arts in Belgrade, Igor

holds MA in Fine Arts from the same Faculty. Igor completed

postgraduate studies at the Edinburgh College of Art, and was

Fulbright scholar. He is a member of the ULUS and LADA,

artistic society. Igor is author of many exhibition designs for

museums and galleries. Igor published articles in the

Proceedings of the Serbian Museum Association and in the

Ethnographical Institute of the Serbian Academy of Sciences

and Arts, and delivered lectures about the permanent museum

exhibitions at different seminars of the ICOM and Serbian

Museum Association. Igor started exhibiting in 1982.

More about Igor’s work at: www.blueprint.rs

32

Sofia TrouliSofia is museum educator and has worked in the Museum of

Contemporary Art of Crete since 2015. In 2018 she has been

teaching museum education in the Department of Preschool

Education at the University of Crete. She also teached the

former museum guards museology and security practices in

the Public Institute for Vocational Training in Rethimno. She

studied archaeology at the University of Crete and has a

Master’s Degree in Prehistoric Archaeology from the

University Paris-I Pantheon Sorbonne . She also has a second

Master’s Degree (DEA) in Museology, Science and Society

from the National Natural History Museum of Paris and a PhD

in Archaeology and museum education from the University of

Thessaly in Greece . She is especially interested in the

relations between visitors from different communities and

museums.

Michèle TaylorMichèle has nearly 30 years experience working in arts and

heritage, focusing particularly on disability issues. She has

worked with organisations including the British Museum, the

Museum of World Cultures in Gothenberg, and the UK’s

Heritage Lottery Fund and is currently supporting the Balkan

Museums Access Group developing disability inclusion in

museums and heritage sites across the region. Michèle set up

her own business in 1992 to work at the edge where

disability and ‘the mainstream’ meet, training and advising

organisations on making their practices, policies and

premises inclusive of disabled people. Since then, her practice

has broadened out to take good account of changes in the

legislative approach and in recognition of equality and

diversity principles as a whole. Writing credits include co-

authoring chapters in Collaborative Museum Management,

edited by Tully and Ridges (Gorgias Press) and in Heritage and

Peace-Building, part of the Heritage Matters series. Michèle is

a Registered Member of the Institute of Equality and Diversity

Professionals, a qualified psychotherapist and accredited

coach and an experienced facilitator and trainer.

33

Taja Vovk van GaalHistorian and Sociologist, Museum Advisor. /Taja works as a

curator in Contemporary History and in Cultural and Project

management. She is author /curator of many exhibitions and

articles, a member of the board of different professional

national and international organisations, inter alia President

of the Museum Council at the Ministry of Culture of Slovenia.

From 1997 to 2016, Taja was Director of the City Museum of

Ljubljana. She was the Head of Support at the European

Cultural Foundation, and judge and chair of European

Museum of the Year Award from 1999 to 2000.

From 2011 to May 2017, Taja was Academic Project Leader of

the House of European History, a project of the European

Parliament in Brussels. Since June 2017, Taja is Creative

Director of the House of European History.

Daniel WeissEQF LEVEL 06 certificate (Post graduate course) in Heritage

Interpretation University of the Agean. He is certified

facilitator of LEGO® SERIOUS PLAY® method and materials;

Business Model You facilitator (master trained); Developer of

the BRICKme methodology; Co-Creator of Business Models

for Teams; TEDx talk Speaker; SCRUM MASTER; KANBAN

SYSTEM DESIGNER Game Designer (Berlin, Rodos, Bucharest

games). postgraduate on urban planning and geographic

information system by the Santiago University in Spain.

Daniel implemented the Creative Europe project HearMe

developing Audiences in Museums, was ; speaker at different

universities in France, Turkey, Spain, Estonia. Daniel is

Polaroid photographer.

34

Chrysa ZarkaliChrysa is museologist that has collaborated with several

museums and cultural institutions in Greece and abroad, such

as The British Museum, TATE Britain, Museum of Byzantine

Culture, Municipality of Volos, Thessaloniki International Film

Festival.

Since 2006, she has been working as the Public Relations

and Communication Manager at the State Museum of

Contemporary Art in Thessaloniki, where she is in charge of

creating the Communication plan for all exhibitions and

events of the museum, along with establishing the public

relations and the best networking in favor of the institution.

Her fields of interest are: Communicating and Networking

cultural institutions, Audience Development Strategies,

Relations between the Cultural and the Tourism sectors,

Visitor Services, Cultural Institutions in the digital era. She

is a graduate of the International Museum Academy

"Transforming Future Museums" run by the British Council,

and Member of the Museum Professionals Network. She

graduated from the Department of History and Archaeology at

the Aristotle University of Thessaloniki and completed her MA

Degree in the Department of Museum Studies, University of

Leicester, UK.

Katarina ŽivanovićKatarina holds a PhD in museum and heritage studies. She

works as a curator of the Museum of Yugoslavia in Belgrade

where she is responsible for fund, exhibitions and interna-

tional cooperation. Katarina’s professional focus and special

attention is oriented towards involvement of the local

community in the whole process of maintenance, promotion

and utilization of the cultural heritage sites but also in the

research, conservation and interpretation.

35

Name Institution / Occupation City Email

Ada Hamidović

Agathoniki

Tsilipakou

Cultural Heritage

withouth Borders in Bosnia

and Herzegovina

Museum Of Byzantine

Culture

Sarajevo

Thessaloniki

[email protected]

[email protected]

Aida Vežić Cultural Heritage without

Borders in Bosnia and

Herzegovina / Balkan

Museum Network

Sarajevo [email protected]

Aleksandra

Stefanov

Museum of Vojvodina Novi Sad [email protected]

Alexandra Sagia Freelancer Architect /

Exhibition Designer

Athens [email protected]

Ambra Myftari University of Tirana Tirana [email protected]

Ana Đikoli National Gallery of BiH Sarajevo [email protected]

Andrej Bereta Artikal, Belgrade Prijedor [email protected]

Anelmo Spahija Historical Museum of

Shkodra

Shkodra [email protected]

Arjeta Ceka Museum Kokalari Gjirokaster [email protected]

Artemis

Stamatelou

Archaeologist -

Museologist, University of

Ioannina / Balkan Museum

Access Group


Athina Pavlidou Peripatos Cultural

Company

Thessaloniki [email protected]

The List of the Participants

36


Besmir Hasi Regional Ethnographic

Museum of Gjakova

Gjakova [email protected]

Branka Dragičević Museum of Old

Herzegovina

Foča [email protected]

Brigitte

Schuchlenz

City Museum Graz Graz [email protected]

Christina Meri Jewish Museum of Greece

/ Association of European

Jewish Museums


Chrysa Zarkali State Museum of

Contemporary Art


Daniel Weiss Artifactory Athens-

Barcelona

[email protected]

Danijela Dailovska Museum of Kumanovo Kumanovo [email protected]

Danijela Trajkova

Krstić

Museum of Macedonian

Struggle-Skopje

Skopje [email protected]

Dimitra

Sidiropoulou

Ministry Of Culture,

Archaeological Ephorate


Dorina Xheraj-

Subashi

University Aleksander

Moisiu

Durres [email protected]

Dragan

Velichkovski

City Museum - Kr. Palanka Kriva

Palanka

[email protected]

Atila Hornok City Museum of Novi Sad /

BMN Steering Board

Novi Sad [email protected]

Aynur Atay Gaziantep Metropolitan

Municipality Department

of Culture

Gaziantep [email protected]

Azra Bečević

Šarenkapa

National Museum of

Bosnia and Herzegovina /

BMN Steering Board


37


Elma

Hašimbegović

History Museum of BiH /

BMN Steering Board


Elma Hodžić History Museum of BiH Sarajevo [email protected]

Erjona Qilla Butrint National Park Saranda [email protected]

Esther Solomon University of Ioannina,

Department of Fine Arts

and Art Sciences, Museum

Studies

Ioannina [email protected]

Etleva Demollari National Museum of

Secret Surveillance ''House

of Leaves'' / BMN Steering

Board / Balkan Museum

Access Group

Tirana [email protected]

Eva Koppen Association of European

Jewish Museums

Amsterdam [email protected]

Fatmir Hoxha Museum of Kosovo Prishtina [email protected]

Fitore Bala Museum of Mitrovica Mitrovicë [email protected]

Fotini Lekka Municipal City Museum of

Karditsa

Karditsa [email protected]

Giorgos Mikrou Dalkafouki Oikos Ltd Thessaloniki [email protected]

Goran Sanev National Archaeological

Museum of Macedonia

Skopje [email protected]

Gordan Nikolov Museum of Macedonia Skopje [email protected]

Dragana Lucija

Ratkovic Aydemir

Interpret Croatia! The

Croatian Association for

Heritage Interpretation

Zagreb [email protected]

Edvin Lamce Gjirokastra Foundation Tirana [email protected]

Efrosinija Parevska Institute and Museum

Bitola

Bitola [email protected]

Eliza Marin Brandenburg University of

Technology Cottbus

Berlin [email protected]

38


Igor Stepančić Blueprint design studio Belgrade [email protected]

Inesa Sulaj Creative Business Solution Tirana [email protected]

Irena Ružin Institute and Museum

Bitola / BMN Steering


Access Group


Ivanka Miličević -

Capek

Institute for heritage

protection of HNC

MostarBoard / Balkan

Museum Access Group

Mostar [email protected]

Jasmina Davidović Museum of Srem Sremska

Mitrovica

[email protected]

Jelena Močević Council of Europe Strasbourg [email protected]

Jenny Anghelikie

Papasotiriou

Dublin Castle, Heritage

Services, Ireland


Jove Pargovski Cultural Heritage

Protection Office -

Macedonia


Katarina Živanović Museum of Yugoslavia Belgrade [email protected]

Katerina Siroglou Macedonian Museum of

Contemporary Art


Kevser Çinar Necmettin Erbakan

University, Faculty of

Tourism

Konya [email protected]

Grigorios

Katsanakis

Folklore Museum of

Panorama


Hariklia Hari SOMA Scattered Open

Museum of Attica


Helidon Sokoli Regional Directory Of

National Culture


Huseyin Ates Gaziantep Metropolitan

Municipality Department

of Culture

Gaziantep [email protected]

39


Maria Sarantidou Hellenic Ministry of

Culture, Ephorate of

Antiquities of Thessaloniki

City


Marina Souka University of Crete/

Museum of Education

Rethymnon [email protected]

Marinos Karchrilas National Historical

Museum of Athens


Matina Hyka National Museum of

Secret Surveillance ''House

of Leaves''


Mensura

Mujkanović

Museum of Tešanj Tešanj [email protected]

Michele Tylor Trainer and Consultant Birmingham [email protected]

Milena Milošević

Micić

Homeland Museum of

Knjaževac / BMN Steering


Access Group

Knjaževac [email protected]

Miran Crnošija Museum and Memorial

Center Dražen Petrović


Narcisa Semić History Museum of BiH Sarajevo [email protected]

Ndriçim Mlika Historic Museum of

Shkoder


Nebojša

Dimitrijević

Leskovac National

Museum

Leskovac [email protected]

Lejla Bečar National Museum of

Bosnia and Herzegovina

Visoko [email protected]

Lidija Milašinović National Museum of

Kikinda

Kikinda [email protected]

Maria Florou Technopolis City Of Athens Athens [email protected]

Maria Katsakiori The Gounandris Natural

History Museum/Greek

Biotope-Wetalnd Centre


40

Nora Prekazi Hoti Museum of Mitrovica Mitrovica [email protected]

Philippos

Mazarakis

National Historical

Museum of Athens


Rositsa Bineva Ethnographic Open-air

Museum “Etar”

Gabrovo [email protected]

Sali Kadria Institute of History at

Center for Albanological

Studies / BMN Steering



Samra Terzić Regional Museum of

Visoko

Visoko [email protected]

Sanja Mijač Božek Archaeological Museum

in Zagreb


Sanja Samardžija Museum of Srem Sremska

Mitrovica

[email protected]

Skender

Boshtrakaj

Museum of Kosovo Prishtina [email protected]

Snežana

Quaedvileg-

Mihalović

Europa Nostra Brussels [email protected]

Sofia Trouli Museum of Contemporary

Art of Crete

Rethimno [email protected]

Sonila Hasaj Go2 Tirana [email protected]

Stamatis

Chatzitoulousi

Ephorate of Antiquities at

Kilkis


Stefanos

Keramidas

Ephorate of Antiquities of

Cyclades-Hellenic Ministry

of Culture and

Sports/Balkan Museum

Access Group / Balkan

Museum Access Group


Stella Sylaiou Aristotle University of

Thessaloniki


41


Tatjana Gačpar Museum of Smederevo Smederevo [email protected]

Thaleia Pantoula Museum of Ali Pasha and

Revolutionary Period

Ioannina [email protected]

Thouli Misirloglou Macedonian Museum of

Contemporary Art

Thesaloniki [email protected]

Valentina

Todoroska

Museum dr. Nikola

Nezlobinski

Struga [email protected]

Valeria Bineva National Museum of

Military History

Sofia [email protected]

Vesna Crnoglavac The National Museum of

Niš

Niš [email protected]

Vessela Gertcheva MUZEIKO Children's

Science Centre


Vladimir

Dzoumaliev

National Museum of

Military History


Vojislav Martinov Museum of Vojvodina Novi Sad [email protected]

Suzana Ranđelović National Museum of

Leskovac

Leskovac [email protected]

Taja Vovk van Gaal House of European

History, European

Parliament

Brussels [email protected]

Tania Banti Atei Thesalonikis Thessaloniki [email protected]

Tatjana Cvjetićanin National Museum in

Belgrade / BMN Steering

Board

Belgrade [email protected]

42

Organizing Committee

Ada Hamidović

Aida Mia Alić

Aida Vežić

Atila Hornok

Azra Bečević Šarenkapa

Diana Walters

Elma Hašimbeg

Etleva Demollari

Irena Ružin

Milena Milošević Micić

Sali Kadria

Skender Boshtrakaj

Tatjana Cvjetićanin

Balkan Museum Network

[email protected]

Balkan Museum Network

Kralja Tvrtka 7/II,

71 000 Sarajevo

Bosnia and Herzegovina

www.bmuseums.net

@BalkanMuseumNet

#MeetSeeDo

Organised by: Funded by: Hosted by:

MSD 2018 INFOBOOK za web€¦ · using the routines of artful thinking and playful techniques in...

Documents

Transcript of MSD 2018 INFOBOOK za web€¦ · using the routines of artful thinking and playful techniques in...