Monkey Baa's 2016 Primary Education Season
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Transcript of Monkey Baa's 2016 Primary Education Season
Years K - 6
3
primary
} Comprehensive teacher resources are available for each production at www.monkeybaa.com.au
WELCOME!
The UnknownSoldier
BL AST OFF!
MONKEY BAA’S YEAR 6
WORKSHOP WORKSHOP
Year 6Blast Off!
The Peasant Prince
Monkey Baaon tour
Monkey Baa Theatre Company
Lendlease Darling Quarter Theatre Terrace 3, 1-25 Harbour St, Sydney
T E L 02 8624 9341 F A X 02 8209 4977 E M A I L [email protected]
W hat a pleasure it is to sit in thetheatre and watch a show withPrimary students. Their reactions
are so vibrant - and so honest! We have abeautiful program in store for K-6 in 2016,and we can’t wait to see your students’faces as they respond to the magic onstage. Princes, dancers, soldiers, sheep,rockets and more - 2016 with Monkey Baa isdiverse, exciting and value-packed.
We look forward to seeing you at our theatre.
Saskia Smith Education Manager, Monkey Baa Theatre Company
TeacherProfessional
Development
Saskia, aged 5
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SUITABLE FOR: Years 5 & 6 / Stage 3SESSION TIMES: 10.30am & 12.30pm DURATION: 70 mins (incl. Q&A)SPONSORED BY: RSL Clubs - contact Monkey Baa
TERM
21 - 24 JUN2
N S W C U R R I C U L U M L I N K S
SUBJECT CONTENT OUTCOMES
Stage 3 English A widely defined Australian literature; Texts that include EN3-3A: EN3-5B, aspects of environmental and social sustainability EN3-7C, EN3-8D
Drama Drama Forms: Storytelling; DRAS3.2, DRAS3.4 Dramatic Techniques: Use of ‘flashback’ in Drama
History Australia as a nation HT3-3, HT3-5
Geography A diverse and connected world GE3-2
PDHPE Interpersonal Relationships IRS3.11
} This show contains infrequent coarse language (mild) and themes related to war.
Charlie’s dad has returned fromAfghanistan scarred by his experience of war. To give his parents ‘a break’,
Charlie is sent to stay with his Aunt Angela.Aunt and nephew clash: he thinks she’s ahoarder and a hippie, she thinks her nephewplays too many video games. But a raretreasure hidden amongst Angela’s junk takesthe two on a life-changing journey.
This is a very special Australian story: uplifting,full of hope, and deeply relevant tocontemporary Australian audiences, TheUnknown Soldier explores how we carry ourfamily’s stories from our past into our present.Moving seamlessly between Australia in 2014and Fromelles on The Western Front in 1916, thisis a beautiful new play from Sandra Eldridge –Monkey Baa Creative Director, and masterstoryteller for young people.
RSL clubs are generously sponsoring the 2016season of The Unknown Soldier at the LLDQT sothat students and teachers can attend this showfor free. Please contact us to express yourinterest in being connected to this program.Phone 02 8624 9341 or [email protected].
Fantastic, relevant, age appropriate,thought provoking – YEAR 5/6 TEACHER
4
A MONKEY BAA THEATRE COMPANY PRODUCTION, IN ASSOCIATION WITH SYDNEY RSLS
soldierunknown
The
WRITTEN BY SANDRA ELDRIDGE DIRECTOR MATT EDGERTON DESIGNER ANNA GARDINER
76
A MONKEY BAA THEATRE COMPANY PRODUCTION
The
princepeasant
ADAPTED BY EVA DI CESARE, SANDRA ELDRIDGE AND TIM MCGARRYFROM THE BOOK BY LI CUNXIN, WITH ILLUSTRATIONS BY ANNE SPUDVILASDIRECTOR TIM MCGARRY
L i, a 10-year old peasant boy, is pluckedfrom his village in rural China and sent to aballet academy in the big city. He leaves
everything and everyone he loves, includinghis family. Over years of gruelling training, Li transforms from an impoverished peasantto a giant of the international dance scene.Li’s courage, resilience and unwavering hopefor a better life for himself and his familymake The Peasant Prince a story to ignite ourown aspirations to be the best person we canbe. Audiences will be captivated by thisinspiring story.
Li Cunxin’s iconic autobiography Mao’s LastDancer was also published as children’s picturebook, The Peasant Prince. Monkey Baa ishonoured to be working closely with Li to bringthis story onto the stage. A tale told withenormous heart, and a perfect production toexplore intercultural experiences, texts fromother countries and times and stories exploringpeoples and cultures of Asia - amongst manyother links to programs and units in various KLAs.
Definitely not to be missed!
N S W C U R R I C U L U M L I N K S
SUBJECT CONTENT OUTCOMES
Stage 1 English A wide range of literary texts from other countries and EN1-1A, EN1-4A, EN1-8B, times; Texts about intercultural experiences; Texts EN1-10C, EN1-11Dproviding insights about the peoples and cultures of Asia
Drama Playbuilding, Storytelling. DRAES1.4
Dance Appreciating DAS1.3
History Present and past family life; The Past in the Present HT1-1, HT1-2, HT1-4
Geography Features of places; People and places GE1-1, GE1-2
Stage 2 English As per Stage 1 EN2-1A, EN2-2A, EN2-4A, EN26-B, EN2-8B, EN210-C, EN211-D
Drama Playbuilding, Storytelling DRAS2.4
Dance Appreciating DAS2.3
History Community and remembrance HT2-2, HT2-5
Geography Places are similar and different GE2-1, GE2-2
Stage 3 English As per Stage 1 EN3-1A, EN3-3A, EN3-5B, EN3-7C, EN3-8D,
Drama Playbuilding, Storytelling DRAS3.4
Dance Appreciating DAS3.3
History Australia as a Nation HT3-3, HT3-5
Geography Factors that shape places; A diverse & connected world GE3-1, GE3-2
ILLU
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THE TRUE STORY OF MAO’S LAST DANCER
TERM
29 AUG -2 SEP3SUITABLE FOR: Years 1-6 / Stages 1, 2 & 3SESSION TIMES: 10.30am & 12.30pm DURATION: Approx. 65 mins (incl. Q&A)TICKETS: $19 per student / Teachers free (ratio 10:1)
9
SUITABILITY: K-6 Teachers
DURATION: 120 mins
COST: On enquiry
DATES: Selected evenings throughout the year. Stay up to date via our education bulletin – email [email protected] to sign up
LOCATION: LLDQT or in schools
teachingtool
MONKEY BAA’S PROFESSIONAL DEVELOPMENTFOR PRIMARY TEACHERS
An accessible course designed to arm Primaryteachers with Drama-based activities toutilise across the entire curriculum. Learnhow to increase effectiveness andinclusiveness in the classroom, using Dramain Maths, History, Geography and other KLAs.We will share lesson plans, introduce newpractices, shape ideas to suit different units ofwork, and arm you with an assortment ofstrategies for your classroom. This120-minute workshop can be delivered inschools, or in our home venue, the LendleaseDarling Quarter Theatre.
Completing Drama as a Teaching Tool: Primary will contribute 2 hours of QTCRegistered PD addressing 2.1.2 and 3.5.2 from the Australian ProfessionalStandards for Teachers maintaining Proficient Teacher Accreditation in NSW.
Drama as a
8
BL AST OFF!
MONKEY BAA’S YEAR 6
F!F WORKSHOP
...both fun and meaningful. I'd have no hesitation in recommendingthe program to other schools.– YEAR 6 TEACHER
Monkey Baa’s Year 6 Blast Off! is a 90-minuteworkshop for Year 6, which uses practicalactivities and role play to ready students totransition into Year 7. Blast Off! will fire upconfidence, strengthen social skills and makethe unfamiliar more manageable for Year 6students, as they prepare for the milestonetransition from Primary to Secondary School.
This workshop uses Monkey Baa’s trademarkapproach of applying Drama teachingstrategies to achieve outcomes in other areasof the curriculum, and pastoral care objectives.Delivered by a Monkey Baa Teaching Artist inyour school, this workshop has proven resultsand is an immensely beneficial experience..Contact us to make an arrangement that suitsyour school.
DURING TERMS
3&4
N S W C U R R I C U L U M L I N K S
SUBJECT CONTENT OUTCOMES
Stage 3 Drama Storytelling, Movement DRAS3.2, DRAS3.4
PDHPE Communicating; Interacting; Problem Solving; COS3.3, INS3.3, PSS3.5, Growth and Development GDS3.9 IRS3.11
SUITABILITY: Year 6 DURATION: 90 mins COST: $375 + GST
DATES/TIMES: By arrangement – contact Monkey Baa to discussLOCATION: In schools – Monkey Baa Teaching Artist comes to your school.
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Monkey Baa Theatre Company was named ‘TouringLegend’ at the 2015 Drover Awards, and true to form we aresending The Peasant Prince to 38 venues across Australiain 2016. In NSW you will find the show at these theatres:
2016TOURINGTHROUGHOUT
SUITABLE FOR: Years 1-6 / Stages 1, 2 & 3
DETAILS: www.monkeybaa.com.auor the theatre nearest you
Monkey Baa’s Creative Directors Eva Di Cesare,Sandra Eldridge and Tim McGarry are crafting oneof Australia’s best loved stories onto the stage: andwe cannot wait for Mothball to lumber into theLLDQT and demand more carrots! Consistentlylisted as one of the top ten Australian children’sbooks, Diary of a Wombat by Jackie French andBruce Whatley will make an exquisite theatre workfor young people. Incorporating puppetry, musicand a brilliant set design, this will be a landmarkAustralian production in Monkey Baa’s signaturestyle, beloved by our young audiences.
ADAPTED BY MONKEY BAA THEATRE COMPANY FROM THE BOOK BY JACKIE FRENCH AND BRUCE WHATLEY
SUITABLE FOR: Early Stage 1, Stages 1 & 2DETAILS: To be kept up to date, join our mailing list
by emailing [email protected] orvisit our website at www.monkeybaa.com.au
TERM
MAY 2017210
TERM
29 & 30 JUN2SUITABLE FOR: Years K-4 / Early Stage 1, Stages 1 & 2TIMES: 10am & 12:30pmDURATION: 65 mins (incl. Q&A)PRICE: $20 per student
FOR DETAILS AND TO BOOK: www.sydneyoperahouse.com/CreativeLearningcall 02 9250 7770, email [email protected]
W e are very excited our sheep aremoving into a fancy new pen with aview: Monkey Baa’s production of Pete
The Sheep is heading to Sydney Opera House!
Based on Jackie French and Bruce Whatley’squirky and quintessentially Australian picturebook, Pete the Sheep tells the story of Shaun theshearer and his trusty sheep-sheep, Pete. Shaun
and Pete get a hard time from the other shearers(and their sheep-dogs) because, strewth, they’rejust a bit too different. With hilarious songs anddialogue, movement and some dazzling costumechanges, this is a heart-warming tale aboutbeing true to your own spirit. Come and see thishit show in Australia’s most iconic venue, for amagical excursion. Ewes will love it!
Pe te the sheep
Monkey
The
Peasant prince
ILLUSTRATION: © BRUCE WHATLEY, 2002, FROM DIARY OF A WOMBAT BY JACKIE FRENCH AND BRUCE WHATLEY, PUBLISHED BY HARPERCOLLINS PUBLISHERS AUSTRALIA.
ILLUSTRATION: © BRUCE WHATLEY, 2004, FROM PETE THE SHEEP BY JACKIE FRENCH AND BRUCE WHATLEY, PUBLISHED BY HARPERCOLLINS PUBLISHERS AUSTRALIA.
Monkey Baa on
tour
APRIL: Wollongong Illawarra Performing Arts Centre MAY: Belrose Glen Street Theatre • Cessnock CessnockPerforming Arts Centre • Newcastle Civic Theatre Newcastle • Wyong The Art House • Nowra Shoalhaven EntertainmentCentre • Parramatta Riverside Theatres • Casula Casula Powerhouse • Penrith Joan Sutherland PAC • Orange Orange Civic Theatre • Dubbo Dubbo Regional Theatre • Griffith Griffith Regional Theatre AUGUST: Wagga WaggaWagga Wagga Civic Theatre SEPT: Sydney Lend Lease Darling Quarter Theatre • Tamworth Capitol Theatre Tamworth
THE TRUE STORY OF MAO’S LAST DANCER ADAPTED BY EVA DI CESARE, SANDRA ELDRIDGE AND TIM MCGARRYFROM THE BOOK BY LI CUNXIN, WITH ILLUSTRATIONS BY ANNE SPUDVILASDIRECTOR TIM MCGARRY
Diary of a
WOMBA T
coming in
2017
ADAPTED BY MONKEY BAA THEATRE COMPANY FROM THE BOOK BY JACKIE FRENCH AND BRUCE WHATLEY
DIRECTOR JOHNATHAN BIGGINS COMPOSER/LYRICIST PHILLIP SCOTT DESIGNER JAMES BROWNE
CockleBay
LendleaseDarling Quarter
Theatre
M4 WESTERN DIST RIB
UTO
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LIVERPOOL ST
BATHURST ST
HARBOUR ST
ImaxTheatree
TumbalongPark
ChineseGarden
DarlinggHarbour
DarlingDa ingQuarteru
Cockle BayWharf
Monkey Baa Theatre Company
Lendlease Darling Quarter Theatre Terrace 3, 1-25 Harbour St, Sydney
T E L 02 8624 9341 F A X 02 8209 4977 E M A I L [email protected]
www.monkeybaa.com.au
Please complete the booking form ENCLOSED and return viafax 02 8209 4977 or email [email protected]
or visit www.monkeybaa.com.au
T O B O O K}
V E N U E D E TA I LS & AC C E S SWHEELCHAIR AND LEVELACCESS: Our venue is fullyaccessible for people who use a
wheelchair. Please inform us whenbooking if you require this, so we canensure seats are available for you.
HEARING SYSTEM: The theatreis equipped with a HearingSystem accessed through
modern hearing aids. We provide headsetsfor patrons who do not have hearing aids,or whose hearing aids are incompatible.
RELAXED PERFORMANCES: Selectedperformances are allocated as ‘relaxed’.These showings modify the so-called‘theatre rules’ so the environment is aswelcoming and inclusive as possible. Forexample, the house lights may be left onduring the show, patrons are able to exitwhenever necessary, patrons can enterthe theatre early to familiarisethemselves with the theatre environment.Relaxed Performances are perhaps bestdescribed as, “the opposite of the quietcarriage on the train”. Monkey Baaprograms these during the NSW Schoolholidays. Check our website for updates,or call us on 02 8624 9341.
PRE SHOW TACTILE TOURS: Monkey Baaprovides touch tours for people with visionimpairment. On this tour, a member ofstaff will guide the patron on a hands-ontour of some of the costumes and set, toprovide tactile information about theshow. Please request this at the time ofbooking so we can make appropriatestaffing and backstage arrangements.
SPECIAL SEATING REQUESTS: Let usknow if there are other requests we canfacilitate, such as seating you near an aisle.
NO EMPTY SEATS: For selected MonkeyBaa productions, we may be able tosubsidise the cost of tickets for studentsfrom low socio-economic areas (includingschools known previously as PriorityFunded/Partnership Schools). Pleasecontact 02 8624 9341 to discuss this.
LANGUAGE: If you have any queries aboutcontent or language in any of ourproductions, please reach out to us on 02 8624 9341 to converse in more detail.
Monkey Baa is a multi-award winning theatre company that creates, presents
and curates new Australian theatre experiences for young audiences.
Established in 1997, we have conducted over 25 national tours to 135 regional and
remote communities in every state and territory of Australia, completed 3
international tours to 35 US theatres, performed over 2500 performances and
engaged with 1.1 million young people via a Monkey Baa
production or workshop.
Our 2016 Education Program is diverse, inspiring and bold.
From the Western Front in 1916, to an outback shearing shed,
rural China under Chairman Mao, the rough streets of modern
Sydney, and beyond – we offer a rich array of theatrical worlds
to school audiences.
We would like to say a huge thank you to the many teachers
who regularly choose our productions for their precious
excursion opportunities. We treasure your loyalty to Monkey
Baa and your passion for the theatre. We can’t wait to
welcome new faces to our shows – come and join us on a
creative adventure in 2016.
Eva, Sandie and Tim
Monkey Baa’s Creative Directors
PHILANTHROPIC PARTNERS
GOVERNMENT PARTNERS PRINCIPAL PARTNER PARTNER
SPECIAL THANKS
MONKEY BAAEDUCATION ADVISORY
PANEL (MEAP)
Tim, aged 5
Sandie, aged 5
Eva, aged 4