Modernist and Postmodernist Short Stories
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Transcript of Modernist and Postmodernist Short Stories
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Modernist and Postmodernist Short Stories
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A. Modernist literature values the principle,
“Make it new.”1. Abandon traditional literary forms2. Experiment with new techniques
B. Traditional short stories have followed a linear plot line.
I. Modernism and Plot
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A Traditional Plot Diagram
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C. Modernist plotting abandons the traditional storytelling form
1. Often not chronological2. Stream of consciousness writing3. Increased ambiguity
I. Modernism and Plot (cont.)
How would you draw a plot diagram for the
modernist short stories we read?
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“Secret Life of Walter
Mitty”Follows a traditional plot, but the main plot is infused with a series of shorter short stories, each
with its own conflict and resolution.
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“Jilting of Granny
Weatherhall”Actual plot never
develops, but stream of consciousness style
depicts Granny’s imagination
meandering through time with little organization or
chronological order.
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“Speaking of
Courage”Plot mirrors action of story. It is circular,
returning to the same point in his life over
and over, except with increased emotional distance each time.
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“Game”
Exposition Conflict
Story essentially never progresses beyond the
introduction of the conflict; it is unclear and intentionally ambiguous what will happen next, heightening sense of
paranoia.
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A. Underdog Mitty oppressed by unimaginative and waspish wife,
escapes to fantasyB. Epitomizes a modernist hero through unwillingness to abandon
individual desires in face of unrelenting world.C. Romanticism of fantasies affirms modernist value of “neo-
romanticism” in a modern context.
II. “Secret Life of Walter Mitty”
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A. Stream of Consciousness writing styleB. Granny’s thoughts meander through life; in
the end, she is left only with regret and darkness
C. Starkly atheist conclusion serves as a criticism of religious dogma, particularly Granny’s Catholicism.
III. “Jilting of Granny Weatherhall”
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A. Cyclical direction of plot mirrors protagonists’ inability to
move forwardB. Entrenched in symbolism, the sprinkler and lake are most
appropriate1. Sprinkler: aimlessly circular, changes nothing2. Lake: On the outside, lovely, on the inside, dead
C. Story addresses the inability of Vietnam vets to get over their experience, and America’s unwillingness to help.
IV. Speaking of Courage
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A. Postmodern: Deliberately ambiguous plot forces reader to derive
meaningB. Criticism of American politics – the insanity of using nuclear
weapons and the trivial prompts for doing soC. Criticism of pre-modernist/postmodernist literature – it is literally
depicted as insane to write the same type of thing over and over
V. “Game”
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A. Americans in a state of paranoia and anxiety, perpetuated by
government propaganda such as “Duck and Cover.”B. Fiction fixates on doomsday scenarios, the brevity of time left,
and the decay of human civilization, as seen in “Time Enough at Last” and “Dr. Strangelove.”
C. Other forms of art depict cold war politics as foolish and childish, as in “Game” and “Dr. Strangelove.”
VI. The Bomb and Postmodernism
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