Mirjana Detelić - Ka Poetici Epske Formule
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Transcript of Mirjana Detelić - Ka Poetici Epske Formule
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1 / YU ISSN 0350 6428
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S ( do
). <
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, . , , , " - .
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Mirjana Deteli (Beograd)
TOWARDS A POETICS OF EPIC FORMULAPROPOSITIONS FOR DISCUSSION
S u m m a r y
This paper offers eight points for a future discussion about Parry-Lord's wellknown and generally accepted definition of epic formula. They are proposed as alogical outcome of presented analysis which was developed as a probe of Parry-Lordian method and its applicability to the problems and material of Serbian de-casyllabic epic poetry. Those points are:1. As a phraseological unit, epic form ula is a tool resulting from the wo rkin g
of formulaity within the framework of the secondary linguistic system of epicpoetry; the relation between them is a generic one, formulaity being onlyone of conditions necessary for creating formulas and not identical with them
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2. W ithi n the ge nre level , epic fo rm ul a is a spe cia l k in d of c l iche. Th ere fo re , as E-3a fo rm ab le to c rea te me an ing wi tho u t r e spec t to cod e chan ges , i t can be n a m e d s e n s e - c r e a t i n g f o r m . S
3 . Th e in f lux o f me an in g in the wa y an ep ic fo rm ula wo rks i s o r i en ted f ro m a ^t r ad i t iona l cu l tu re a s a mu tua l sourc e o f me an i ng s fo r o ra l l i t e ra tu re a s a wh o le , f c[to a gen re and i t s ac tua l i za t io n (ep ic po em ) . Th us , fo r mu la ab r id ges the h ie - ^r a r c h i c a l l ev e l c h a s m b e t w e e n e p i c s a n d t r a d i ti o n .
4 . Al l con s t ruc t iv e bord e r s in an ep ic po em a re ma rked ( s t r e s sed as s ign i f i can t ) ^by ep ic fo rm ula s . g
5 . Th e pos i t ion o f fo r mu las de f in es the i r fun c t io n , and th i s fun c t io n , then , de f in estheir var iabi l i ty.
6 . In an epic poe m a s t ron g pla ce is on e that carr ie s the largest qu ant i ty ofl i t e ra ry r e l evan t in fo rmat ion o f d i ff e ren t o r ig in . I f a fo rmula i s used in sucha posi t ion, i t has to respond to i t s proper t ies and, in turn , to share them.
7 . As a sens e -c rea t in g fo r m, such a fo r m ula kee ps these p rop er t i e s a s i t s po ten t i a lbo th in an ex t ra - t ex t and an ex t ra -genre pos i t ion , bu t wou ld no t ac t iva te themunt i l i t f inds a s t rong p lace i t s func t ion i s compa t ib le wi th .
8 . For tha t r eason , on e and the sam e fo r mu la wi th in d i ff e re n t po em s ma y haveno t on ly a d i ff e ren t me an i ng bu t a l so a d i ff e re n t use ( in the sco pe f ro m ape t r i f i ed ph raseo log i sm to a ca r r i e r o f in t e r t ex tu a l and in te rg enre con no t a t ion s ) .Po ten t i a l o f such a fo rmu la can be spok en o f on ly in the case o f sys te ma t i csurvey of i t s l i terary use in epic poetry.
Th e au tho r ' s op in io n i s tha t any de f in i t ion o f ep ic fo rm ula - i f i t s p re ten s ion sa re to be p rec i se and genera l ly ope ra t ive a t the same t ime - shou ld inc lude a t l eas tsome o f po in t s he re c i t ed .
[347